Arts Books

This book is as convoluted as its author. It maintains a flow of semi-stream-of-consciousness from start to finish, and what emerges are the memoirs of a man whose love of seafaring and considerable self-deprecation ("self-loathing" is a little too strong a term) has brought him to a sea voyage to Tahiti with a pick-up crew and his four children in violation of a court order. Hayden's story is it's own animal, going from the coasts of Massachusetts and Maine, to the forests of Yugoslavia, to courtrooms and congressional chambers and movie sets and finally to the high seas and South Pacific islands with a strain of fatalism and regret throughout. It should make for a downer of a read; instead, I found myself staying up and turning the pages to see what happened next. A great book.

I would like to add something to the excellent and perceptive reviews above. What came through so strongly is that life is messy, yet Hayden's remarkable self awareness didn't seem to help him. This is a facinating look inside a big life. I found it valuable.

I believe it was 1959 and I had just returned from a month's cruise to the Tuamotus and Marquesas islands on the copra schooner Charlotte Donald. I was sitting at a table on the quay in front of the Hotel Le Grand when the schooner first appeared off Papeete. It sailed in smartly, picked up the Pilot, and docked stern first, as was the custom, at the concrete quay. The name "Wanderer" was nicely affixed to her transom. I lived in District Punavia, kilometer thirteen, next to Paul Gauguin's old home by the Thompsons. Several weeks later I would board the Wanderer after meeting her skipper at a party to buy some of the 16mm color film he had for sale. He was courteous, the children were well mannered, the library below was impressive, and his ship was clean and appeared to be able to sail on a minute's notice. We chatted for some time and he recounted some stories of his trip. We knew the same haunts in coastal California. We met a couple of more times at functions on the island. He seemed to be a cheerful and courteous person. He was a large man and deep voiced and I knew he was an actor, but that's about all I knew. Not long ago I had written my autobiography and had made a small mentioned of the encounter and the film. A friend who read my book asked if I had read Hayden's biography, which I hadn't. He suggested I do so, and last month I ordered it from Amazon. The book was disheartening for me to read. While he and I had many similarities in our lives (I wasn't an actor) and had been to many of the same places, we came away with massively different reactions. Mr. Hayden is a good writer and tells, especially about his life at sea, in an authentic style that kept me reading. I don't know if I would have finished if there weren't the similarity of our experiences. The sparse interjection of the third person voice over his normal narrative of first person was effectively used. The book and his life stand on their own merits and I make no judgment. He was first and foremost a seafaring man of unusual talents, and I wish I had visited him in the States in our later years. Mr. Hayden, you steered the course you wanted in recounting the voyages of your life. That's about all most of us could ask for. Rest in peace.

PS:
Spike Africa, his mate, came as a surprise, or else I had forgotten. Skip ahead twenty years and I chartered the "Spike Africa", a 70 foot schooner out of Newport Beach California somewhere around 1979 for a company off-site (the exact thing Hayden despised ... sorry). Bob Sloan built and then christened the boat "Spike Africa". The California yachting community all knew of Spike Africa the man, as a legend in the Pacific ocean, although I never knew any details of the legend.

A griping story that reads like fiction. Hayden is a "one of a kind" spirit that lives life to the fullest. He wants good things for the world and lives up to his character of being an iconoclast. A great read for sailors or romantics who dream of being before the mast and finding lifes' meaning out on the sea.

Hayden was one of those force of nature types who, sadly don't exist in sufficient quantities to make the world a really interesting place. In this book, he tells his life story, while telling the story of his last voyage on the 100 foot schooner, Wanderer. His prose is lovely and has the rythm of the sea; like other great works of sea literature (like Moby Dick). I'll give a high point of his prose before I complain:

"What does a man need ---really need? A few pounds of food each day, heat and shelter, six feet to lie down in --and some form of working activity that will yield a sense of accomplishment. That's all --in the material sense. And we know it. But we are brainwashed by our economic system until we end up in a tomb beneath a pyramid of time payments, mortgages, preposterous gadgetry, playthings that divert our attention from the sheer idiocy of the charade. The years thunder by. The dreams of youth grow dim where they lie caked in dust on the shelves of patience. Before we know it, the tomb is sealed. Where then lies the answer? In choice. Which shall it be, bankruptcy of purse of bankrutpcy of life?"

Hayden was a child of the depression who worked his way out of bad circumstances by a combination of stubbornness, physique and leadership skill. He is eventually given a job a an actor, after being spotted by the media during a sailboat race in Glocester. He abandons this due to a love affair with an actress who fancies herself concerned with serious social issues. He joins the war and does OSS/CIA type operations in maritime support of partisans in Yugoslavia. He returns to his acting. Makes many movies. Marries an evil shrew. Divorces. Gets the kids. Chucks it all for a trip to Tahiti in his 100 foot yacht. All this is well and good, but the man reveals too much about himself. His self loathing isn't interesting. It is certainly not edifying, and though he seems to abundantly pity himself, I cannot feel sorry for him. The man had many fine opportunities. He had fine charachter qualities; I admire the fact that he chucked it all, just because he didn't like it. But he was not a fine man: he was petty and ugly -he couldn't even treat his own widowed mother decently, and though his ex wife was probably no better, I rather doubt as being around such a tormented spirit was good for his kids. In that way, he is a tragic figure; all the more tragic because he doesn't seem to realize it himself. It is no suprise he never did much with himself after he wrote the book. I don't know this to be true, but I suspect he drown himself and his self-loathing in booze.

Still, it is a beautifully written book. In a way, the book is his triumph over it all. It is doubtless a finer thing than any of the movies he made, and his great "the heck with it all" dramatic gesture is probably better than any he made on camera. I know I will read the book again. Perhaps when I am older I will think differently of Captain Hayden. Amusingly, a visit to Sausalito revealed that I had known Hayden as the demented General Jack D. Ripper in "Dr. Strangelove."

After looking at the library copy of Jack Reid's books on water color tecnniques, I knew it was the best way to learn and feel confident that I can do it! I had to have a copy of my own. The illustrations are great as the painting develops step-by-step, gently leading me to a new skill. Enjoyable confidence builder. Also, Mr. Reid's approach on materials is easy on the budget and makes the picture more important than the kind of brush that paints it. Styrofoam and twigs are right up my alley.

I would recommend this book to everyone to get so that you can practice watercolor techniques. Like all the other books in this series, you can't go wrong adding it to your collection.

This is the least intimidating instruction book I have found for the watercolor medium. I have had to teach myself to think in simpler, less detailed ways to improve my art and this reference has helped. This was the first book I came across that made me think 'I can do this' rather than 'I wish I could do that'. Well done, Mr. Reid.

A very good instruction book recommended by instructor for an 8-week water color class for senior citizens.

I had thought it would be fun to try watercolor painting as I had always admired enjoyed the work of others. After looking unsuccessfully for a teacher, I started reading books about beginning watercolor. After looking at several books from the library, I decided to purchase this one.

As an older adult with no previous experience in watercolor painting, this book has been a wonderful source for me. After the first three chapters and lots of practice on the techniques introduced, I have been able to turn out paintings of my own that are acceptable. I think that the author has included practice pictures that are interesting enough that I did not mind painting them again and again in order to improve my skill with the technique. I will continue to follow the lessons throughout the rest of the book, and no doubt, improve.

This is a great book, covering just about everything you could hope to know about the first six seasons of the show. I really enjoyed the writing by Colucci and the actor/producer/director/guest star anecdotes. I don't care for the format of the book, though - the episodes are usually covered two-to-a page, in column format (yecch). Some of the interlude pages are kind of cheezy (i.e., there's a page listing all of Will & Grace's various boyfriends) and some of the pages with behind-the-scenes info (i.e., the decor used for Grace's office and Will & Grace's apartment) have a corny-looking layout. Hopefully by now this book has been expanded to include the last two seasons and the historic Finale, and the aftermath of this groundbreaking sitcom. Incidentally, "Will & Grace" was remarkably consistent - the first five seasons were consistently great. Season six slipped a bit, probably due to the writers having to work around Debra Messing's pregnancy, but Season 7 came back stronger than ever. The last season of most sitcoms is, predictably, never the best, but the earlier seasons more than make up for it. This book does capture the magic of Seasons 1-6. Thanks, Jim Colucci.

"Will & Grace: Fabulously Uncensored" is a must-have item for every fan of the now-defunct but forever-classic television program, but it will also be of interest to the casual reader who may be curious about the "behind-the-scenes" makings of a modern sitcom. This book is dense with anecdotes, factoids, and gossip; it outlines the fascinating history of the inception and casting of the show, along with exhaustive information on how the episodes are put together, from initial writer's conferences and cast readings, through rehearsals and show tapings, including furious last-minute script rewrites, and, at least in one instance, the firing of a guest star during the performance. I would offer, however, a few words of warning: the book only covers to the end of Season Six (a "W&G" quiz featured in the book's appendix contains a couple of incorrect answers due to further developments in Seasons Seven and Eight); and the proofreader for this tome should be shot -- I stopped counting typos and misspellings after I reached a dozen, and I wasn't even a third of the way through the book. The wary should, of course, be more concerned with the former than the latter, and I offer it only as a cautionary note to avoid undue disappointment. Otherwise I highly recommend this book to all!

This book is great for people who are obsessed with the show. The colorful (and I mean COLORFUL) pages are filled with photos, episode summaries (seasons 1 -6), cast and character bios (on minor characters as well), witty quotes and a lot of behind the scenes articles and tidbits. It makes a great coffee table book to pick up and flip through and relive the laughter.

What more can I say that hasn't already been said in these other 5 star reviews?

If you loved those crazy characters...you'll love the book. You'll learn fun tidbits & laugh as you recall your favorite moments from the show.

I bought this book not expecting much. Maybe a few pictures and a few words from the actors. I had the Friends magazine and it didn't do anything for me. I felt it was just something they put out there to make money and so didn't put a lot of content into it. But being a Will & Grace fan, I figured I must buy it just to complete my collection. Boy, was I wrong!! This provides you with a colorful history of the whole series. It contains a LOT of information. I am sooo glad I bought this! It is worth the price. If you are even a remotely a will & grace fan, you need to get this. You will thoroughly enjoy this!

This is the wrap-up volume of the author's "Bromeliad" trilogy (the title of which has to do with tiny Amazonian frogs living in tree-top flowers, who know nothing about the world at large, or even that it exists) -- though it runs parallel, actually, to the second volume, which followed the exploits of Grimma and the nomes who stayed behind at the quarry while Masklin and a couple of others went to investigate the nearby airport. Now it turns out that, in their quest for the Ship waiting for thousands of years somewhere out in space, the three bickering adventurers have managed to stowaway aboard the Concorde and have gotten to Miami and then to Cape Canaveral. There, they meet other nomes, much more widely traveled than themselves (thanks to migrating geese), get close to a rocket launch, and make use of the Thing to contact the Ship. As always, Pratchett tells a delightful, very humane story with lots of humor (the nomes tend to be VERY literal), while at the same time commenting on subjects like interspecies relations, religious dogma, and the whole point of society. Written for adolescents but enjoyable for any thinking reader.

DON'T READ THIS BOOK INTILL YOU READ THE FIRST TWO BOOKS IN THE BROEIMLEAD TRILOGY. This book is about when Masklin (a nome) trys to find this one ship that while supposedly send the nomes to a different planet. This ship is faster than light. The one thing that leads them their is a thing. This thing is like a box with lots of electric inside, and only if this thing is by something that is powered by electric it works. Now in this book Masklin, Gurder, Angalo, and the thing go out to find the ship. At the beginning they fly on a airplane to Florida. When they get their they find more nomes (which they never knew that there was any other nomes). Now they have get the ship to them somehow. Read this wing of a book to find if they find the ship.

My Dad has been reading Terry Pratchett books and he thought I'd like this one. He was right! You should read this book , because it is very funny and exciting. The book is about three nomes that got stuck on Earth and need to take a space shuttle home. The nomes get a lot of useful help from Thing, a machine. But too bad when Thing runs out of "pow" (power)!
I don't have the first two books from this trilogy but I am getting them next!

Wings is the third and final volume of the Bromeliad (following Truckers and Diggers).

Masklin, Gurder and Angalo have just left the quarry and are heading to the airport in hope to go to Florida, where they can put the Thing on a space shuttle so that it can call the Ship. Following Grandson Richard, 39, they board the Concorde.

What somewhat surprised me with Wings is that it's not only the conclusion to a tremendous adventure: the story really gets a level deeper, as the relationship between the nomes and the Thing develops. And don't worry, you still get those hilarious puns such as the one about frogs who have "such a tiny life cycle it still had trainer wheels on it"!

The Bromeliad trilogy is a gripping story, extremely funny and easy to read, but it's also a story about how the world around you can always amaze you if you only look a bit further than just at your direct neighbourhood. I highly recommend it to both children and grown-ups alike!

The Bromeliad trilogy soars to a grand finale with "Wings," the companion volume to "Truckers" and "Diggers." This tale runs parallel to the second book of the series, and brimming over with Terry Pratchett's usual wit and satire... and a mild dose of insanity.

Now that humans are returning to the quarry where the tiny nomes live, the nomes must somehow find a new place to live -- and fast. So Masklin is following the instructions of the Thing (a computer who is smarter than all the other characters put together) and going on a secret mission with Angalo and the Abbot to Florida.

After they sneak aboard the Concorde, freak out the stewardess and hijack the plane, the nomes learn that none other than Richard Arnold (grandson of Arnold Bros, founder of The Store) is on board. Now they must somehow send the Thing into space, so it can contact the spaceship and whisk the nomes away. Easy? No way.

Technically, anybody who has read the end of "Diggers" will know exactly what will happen in "Wings." But like flying on the Concorde, it's the ride that's half the thrill. "Wings" is a little tighter and funnier than its predecessors, partly because it has a much smaller cast -- the small bickering trio, plus the Thing. It doesn't get much better than that.

The nomes are fun protagonists, partly because they're so likably naive about the world in general. If they were left alone, they would probably produce a cute little civilization, and their naivete produces plenty of entertaining humor (Concerning the sound barrier: "All right, own up. Who broke it?"). Pratchett manages to make us laugh with the nomes, not at that.

The long-suffering Masklin has a new slew of problems the moment he leaves, ranging from the Thing refusing to talk to him to Angalo razzing the stewardesses. Atheistic Angalo and the abbot just avoid biting out each other's throat. But it's the Thing's dry, superior guidance that really steals the show.

Pratchett brings his Bromeliad trilogy to a close full of action, suspense, and frogs. A witty and wild ride on the Concorde, and not one to be missed.

Truly an excellent guide to the romantic comedy genre and how to write within it. Perfect for an intermediate writer who wants to branch out into this kind of screenwriting; could even be useful for short stories and novels, because the ideas translate well. Very well written, entertaining, never boring, and always enlightening. Loved it and consider it a must-have in my screenwriting/writing library.

I recommend this book for all writers - not just screenwriters. He has a way of making it so clear all the clever ways not to fall into the usual traps of a typical scene.

Whether you are writing a book or a movie the information he presents how to establish relationships between characters is tremendous. It's also a fun read.

I refer to it often when building characters, relationships, and their world.

This IS the book for anyone interested in writing a romantic comedy. Simple and easy to follow with great examples from films we love. It's all about the chemistry. If you want to write an emotional picture...this is the book for you. Writing the Romantic Comedy is your ticket to writing a romcom that sells!

I've been working on my text for a while and struggling with
it. Once I start reading the book I knew I was in right hands because page after page I immediately start finding out answers for my questions. I gained time and saved much of my energy for writing the better. Definitely value of my money.
ILKSEN BAS f/36

As a writer, this book woke up my muse and honed my funnybone. A completely easy-to-read how-to-write book ... what a bonus! The book is perfect for writers in other genres and anyone looking to write humour and comedy.

1.) The interviews in this book are invaluable. Interviews from both film students and professional in the industry.

2.) First 32 pages of the book, in my opinion, was hard to follow, learn and understand due to choice of words. If I hadn't of read "Crafty TV writing" by Alex Epstein, prior to reading this book, I would have been lost. THis book is for beginners, but Alexs book is for the beginner of beginners.

3.) Nice grids on pages so that you can do some training at home.

4.) This book is extremely analytical. I liked it, but some people may not.

Overall a good book.

This is a very helpful and useful guide.

I will expand my review later.

I've read many, many books on writing for film and television, and this is one of the best ones. Worth twice the cover price!

I have read several books on the craft of TV drama development, and this one is by far the most comprehensive and helpful. As someone who doesn't have access to the great writing instructors of the left coast, this book is essentially my drama writing class. "Writing the TV Drama Series" is a wonderful A to Z look at what to expect in the rough and tumble world of professional television writing. Thanks, Pamela, for sharing your expertise with us!

I have read many books on writing for film and TV and this is by far the most comprehensive and best organized TV writing book on the market. I have required my class of Advanced Short Scriptwriting/TV Writing students at the University of New Hampshire to purchase the book, and I am encouraging them to hang onto it for the rest of their lives so they may refer to it easily and quickly.

I really like this Yoga book for beginners. Its very easy to follow the instructions and illustrations. I like how the book "sits upright" so I can see if I am doing the poses properly.

Well put together and clear instructions. Don't know if I will ever get to the point of doing all those poses, but it has a nice range in the book. Shared with a yoga teacher and she loved it.

I looked at several books before purchasing this one. I was immediately impressed with the spiral binding which allows the book to be open next to you while you are learning the pose. The pictures are large and show multiple steps to reaching the pose. I also liked the "Take Care" instructions. I highly recommend this introduction to Yoga.

This book has an excellent layout, intelligent design and great descriptions about the asanas and the specific benefits from each pose. I got this one for just 4 bucks on an Amazon sale and its much more worth than that. I'm just a beginner at Yoga and this book helped me get going!

I found this book very helpful in my efforts to become a yogi. The spiral binding makes it easy to references as you practice your poses.

Indeed, All We Are Saying: The Last Interview with John Lennon and Yoko Ono pulls out the punches. The book shows how far former Beatle, John Lennon, had come and where he was headed. David Sheff's "Playboy" interview with John Lennon and Yoko Ono is the most fascinating piece of oral history about Lennon's life as well as the story behind every Beatle song. Sheff intimately takes reader through the studio, John and Yoko's Dakota apartment, and down the neighborhood coffeeshop sharing a cappuccino. All We Are Saying presents an extremely candid and frank interview that was held two months prior to Lennon's passing. Sheff reveals Lennon's growth and new beginning that would unfortunately be cut short.

All We Are Saying does not lack in humor and seriousness. This was the man, not the Sixties icon who sang against a "Revolution," who still had dreams and aspirations to accomplish at the time the interview was conducted. For fans of Lennon as well as the Beatles, this was Lennon stripped down and open for questions, and he merely tells it like it is or was. He expresses the breakup of the Beatles, and emphasizes that they were great, but they were in the past. He talks about the ups and downs of his individual experience from being a heroin addict to a househusband. He was living in the here and now, and the music that he was making at the time reflected that mantra. Though the references he made about the music scene now appear dated, Lennon was ahead of his game and kept up with bands, such as the Clash, Pretenders, and the B-52's. He even raves how the B-52's rip-off Yoko's style of music.

Sheff writes the interview in clear and picturesque narrative. For every new chapter, he introduces the reader to where the interview is going. However, the concluding portions of the book appear too rushed. Sheff appears to have wanted to discuss or at least learn about every tidbit about each Beatles song, which almost portrayed a to-do list, and at times it appears as if he did not want to run out of tape. From the transcript of the interview, Lennon appears too tired to talk about each and every Beatle song as he answers with yes and no answers. For the most part, Lennon wanted to speak about his new album at the time, "Double Fantasy", and new projects he was planning.

All We Are Saying is an important document of the life of John Lennon. For Beatle and Lennon fans, the book is quite ironic and sad due to the circumstance, but that should not stop any one from learning more about one of the most legendary artists of the twentieth century.

This for me is better than any other book because it is reading the acutual words that John said. He gives his own first hand comments on each song (no guessing what each song was about -- he tells you). When he can't remember (it was the 60's after all) John will say so. The most important thing he says is "get interested in your own life" meant in the very kindest way John wants to remind us that we can identify with him, we can love him, but to please NOT make him to focus of your life -- YOU should be the focus of YOUR life. His insights to life can help you acchieve insights of your own. John rules! But I am thankful that he reminds us it is not important to memorize his height and weight or other "facts" but rather to LIVE the life we have -- as I wish he had the option to do. American must stop naming cruel people and making them famous if we do not want more useful people to be killed by those who have little human value -- of course that is only my take -- I can't rule YOUR thoughts (and for that you should be glad ha, ha).

Get the book if you are a Beatles or John Lennon fan... ;-)

INCLUDES AN AMAZING SERIES OF QUESTION AND ANSWER SESSIONS, THAT YOU WILL NOT BE ABLE TO PUT IT DOWN! I WAS SURPRISED AT SOME OF JOHN'S ANSWERS; BUT IT DID MAKE SENSE COMING FROM HIM. I WON'T SPOIL IT FOR EVERYONE....SO EVEN IF YOU'RE NOT A DIE HARD LENNON FAN, YOU WON'T BE DISAPPOINTED BY THIS FUNNY AND TOUCHING PIECE OF WORK...JUST BEAUTIFUL!

John Lennon and wife Yoko Ono give an excellent interview by pulling out all stops. Sheff's interview in "Playboy" with the pair is a vital oral history about the former Beatle's life and his insight on each Beatle song. Sheff takes readers on a Magical Mystery Tour through the recording studio; the Dakota and in and around the neighborhood. The interview is candid and direct; readers are given a clear look of and at John and Yoko.

John is shown, warts and all in real, living color. He is not glamorized nor vilified; he is presented as the man that he was. John Lennon was many things to many people; Sixties icon; musician extraordinaire; artist; spouse; father; author; actor; joker; interviewee; "militant pacifist," an oxymoronic term. John was a very complex man and this Rubik's cube of a book puts the pieces together in such a way that readers can readily assemble their image of John Lennon.

John makes no bones abut the Beatles being part of his past; he appears to want to move further down the Long & Winding Road without further Hard Day's Nights in re his Beatle history. It was also interesting to learn what groups and artists John liked and how he felt they influenced him.

Hats off to Sheff for introducing readers to each person in the interview. If there is one literary pitfall to avoid, it is never, repeat, never spring characters or real people onto readers without introducing them. That weakens a work and Sheff is quite adept at dodging this trap.

John appeared to be moving at a quicker pace in this interview; whereas Sheff wanted to discuss the Beatles more in depth, John gave one word answers to Beatle related questions and seemed eager to discuss his 1980 album, "Double Fantasy" as well as works he was planning after that.

This is a bittersweet book for Beatle and Lennon fans because of John's untimely death in late 1980. Even so, the book remains an excellent source of information about the man who founded the World's Number One Band, the Beatles and the man who made the world listen.

Listen to John Lennon.

My favorite Lennon quote comes not from this book, but from the Beatle's set during the Royal Variety Performance for the British Royal Family in 1963: "Will the people in the cheaper seats clap your hands? And the rest of you, if you'll just rattle your jewelry." I love that, though I've been told you need to be raised in the British class-consciousness to fully appreciate the insolence of that.


I grabbed this book just out of curiosity, as a Beatles fan and a Lennon fan in particular. I read in a review that Lennon goes through the whole catalog of Beatles songs and comments on them. I thought that would be interesting to read. Yoko Ono was the least of my concerns, but they were and are a package deal. I bought into the popular cultural conception of Yoko as the villainess who broke up the Beatles. So the first thing that struck me, reading these interviews, is what an intelligent, sympathetic, and likeable figure she is, when heard in her own words, in the comforts of her home base. And the two of them together actually seem like a nice, well-matched couple, decent people who- against the odds- had found contentment amid the surreal circumstances of their lives. No doubt that they are eccentric in some ways, and some of their philosophizing has that post-Hippie, flaky, dated feel, as you might expect. They are artists after all. But at the same time, they surprised me at times at how level-headed they came off. Despite the near deification of the Beatles, it is John who continuously reminds us that they were just a rock and roll band that was in the right place at the right time and wrote some good songs. And they are able to honestly talk about the strain on their relationship caused by their celebrity. With all the typical defiant talk about letting people think whatever they are going to think, Yoko admits to the heartache of bad press: "It's a very strange thing that society can do that much to a relationship, but it does because we're social animals. We're social beings. A relationship is not isolated from society." "Society can break an individual. That is what happened." John, too, often displays the vulnerability buried within the armor of the iconoclast: "We're both sensitive people and we were both hurt by a lot of it." Enough time has passed for them to analyze the hostility garnered by Yoko, as a woman, when she began managing John's business affairs. John talks about the attitude towards Yoko at these meetings where she was the only woman, "They're all male, you know, just big and fat, vodka lunch, shouting males, like trained dogs, trained to attack all the time." Yoko is wonderful, chiming in with "I was emasculated." Then launching into her formulation of male aggressiveness, "you must have the womb-envy thing," she speculates. Men are aggressive to mask their intimidation and jealousy. After all, she notes, "we give life."

The most valuable part of this book, in which John systematically goes through almost every Beatles and solo Lennon song, is a concession John granted after blowing Playboy's scoop by giving an interview to Newsweek magazine. We get John's feelings about each of the songs as well as the memories triggered by them, what was going on in that period of his life and how they were written. Though John continues with the superficial model of `John songs' and `Paul songs,' we see that the truth is more complicated, they wrote the best of the Beatles "one-on-one, eyeball to eyeball... both playing into each other's noses." We see why they were great together (and why George and Ringo are two very lucky men to have been along for the ride) and why neither of them, as solo musicians, could produce songs that measure up well to the Beatles. There are several examples of the two of them contributing little touches to each others songs, the little shadings that profoundly deepen the work. Without Paul, John was mostly a writer of catchy tunes, superficial fluff with great hooks. Some of Paul's solo works come close to the best of the Beatles, but for the most part, he was missing the nuances- the melodies and tenderness- of Paul's sound. A song like "Michele" is a perfect example. Paul wrote a pretty little love ballad. John heard it shortly after hearing Nina Simone sing the blues, and he suggested the bluesy "I love you, I love you, I love you," bridge. Paul writes "It's getting better all the time," and John adds "it couldn't get much worse." Paul writes "We can work it out" and John adds "Life is very short..." Or conversely, John writes about "A Day in the Life," about a man violently killing himself, and Paul adds the sweetest little lick to ever float into a song from nowhere: "I'd love to turn you on." And so on. I particularly recommend this section as a morning commute read, riding the train with Ipod in hand, keeping the songs in your ears as you read John's analysis of them.

Of course, one can't read these interviews without being constantly reminded that John was assassinated just months afterwards. It gave me chills to read some of John's philosophizing in that light, "Mahatma Gandhi and Martin Luther King are great examples of fantastic nonviolents who died violently. I can never work that out. We're pacifists, but I'm not sure what it means when you're such a pacifist that you get shot."

And the heartbreak is palpable when reading of the pride John took in stepping out of the action and becoming a full time father to Sean. "Here we are: I'm going to be forty, Sean's going to be five. Isn't it great! We survived!"

Captured moments of Amercian Life, often shown here with an American flag in the photo. These images in this book portray a visual artist who is creating photos by shifting angles, waiting for the right moment, using light in a different way. Its tough to describe this book other than to say that it was edited pretty well.

This book is the real thing, it should be part of any collection of outstanding photography books. Robert Frank shoots beautifully and unselfconciously, this is exemplary photojournalism that takes a viewer into the deep waters of the truly gifted.

I've been a professional photographer, still in love with photography after 40 years shooting, still shooting every day. Thank you Robert Frank. You've had a vision that is the best photography book ever done, I wish I could do it!!!!

Si os gusta la fotografía de reportaje compradlo sin reservas.
No tiene desperdicio, ojalá encuentro más libros de fotógrafos como Robert Frank.
Muy bueno.
Un saludo desde España a todos los hispanos.

This is a wonderful monograph of Frank's early work, presented in a highly innovative sequence of images based loosly on formal and thematic topics. The book's meaning grows and changes with every read. Although it is hailed as a seminal work of progressive street photography now, it was not so warmly received in its postwar days. For instance, in 1960 a critic for Popular Photography called it, "A sad poem for a sick people." However, Frank maintained an aloof political stance and managed to escape McCarthyism's career-ending scrutiny, unlike many of his coleagues.
If you like this book, you might enjoy Walker Evans' "American Photographs" and Tod Papageorge's comparison of the two photo-books. Also see Frank's later works, as seen in the retrospective "The Lines of My Hand" and such extensive exhibition catalogues as "Hold Still-Keep Going" and "Moving Out." Frank's later body of work reveals a preoccupation with the passage of time, perhaps inspired by his 40+ years in film. These photos also bear negative scratching, collage, over-painting, and the deliberate addition of text--all of which vastly different from his Americans-era images. Although these photographic accomplishments, stunning in their own right, have been ignored by scholarship for some time, the 1990s establishment of the Robert Frank Collection at the National Gallery promises to preserve as well as present Frank's later works in a new and interesting light.

Also:
Dear Benjamin,

Per your inquiry, Robert Frank's book was published in Switzerland because the photographer is SWISS. Scalo has made an effort to publish most of Frank's books in his home country, as well as the US, England, France, Canada (where he lives now), etc. Frank emigrated to the US in 1947 and became an American citizen in 1963. Knowing these simple facts might help you examine this work with renewed clarity. Also, people in Switzerland enjoy books just as much as Americans. Perhaps you should conduct some research every now and again, it might make you look less ignorant.

As a long time beader and lover of bead embroidery I have to say this is the best book on the subject I've ever seen. Each project is unique and has very complete instructions. I want to try everything in the book. Wonderful artistry and talent from both authors.

I have loved Heidi's beadwork ever since I saw it years ago in Beads to Buckskins. When I saw that she and Sherri were doing a book together I jumped for Joy. I love all their beading creations. They are able to make their beads sing a beautiful song.

Excellent, excellent book! I could hardly wait for it's arrival and was not disappointed when it arrived. I read it from cover to cover immediately. Beautifully illustrated and knowledge well written and shared. Sherry and Heidi did a spendid job and I commend them on a book extremely well done! When does The Art of Bead Embroidery book #2 come out?

I love this book. While I may not be able to find some of the things like the owl I have certainly got a lot of good ideas out of this book. I usually don't buy books to copy the designs exactly but for ideas for my own originals and for techniques. The techniques in this book do not seem to look to difficult.I already have some ideas for new projects. I am very happy I bought this book.

I totally agree with the writer who said you should purchase Jamie Cloud Eakins book, Beading with Cabochons, first. It contains more explicit 'how-to' information and is my all time favorite book on how to work with cabochons. Having said that, this book is full of beautifully photographed works of art. The authors hope you'll use the book as a jumping-off point to make your OWN fabulous beaded pieces and not just copy theirs. You won't be disappointed with it.