Arts Books

If you could read Beauty, then this book would be where you would find it. As odd as that sounds, it's truly the way I felt after just one chapter. I felt like I had experienced beauty incarnate. The chapters that follow are equally engaging, peaceful and they stick with you. This book is what I consider to be uncommon, common sense!

Sharon offers simple everyday practices that can change your life. The ideas presented in this book have combined with other practices in my life to make me a happier, more peaceful person. Thank you Sharon.

I am not overstating in saying that I owe much of my happiness to the principles this book so clearly, intelligently, and accessibly presents. The principle of loving-kindness is explained in short, marvelously fat-free chapters, at the end of each of which are excellent guided suggestions for practice. The book is impeccably written and edited. These meditations have helped me through profound grieving, which has transformed into joy and new insight.

I especially recommend this book for readers who are experiencing divorce or other difficult interpersonal problems. Short of an expensive and demanding meditation retreat I can think of no better practice for unconditional love and happiness. This is worth a mint in therapy!

No religious belief in Buddhism is necessary.

This is one of the best books that I have read in the area of Buddhism. Salzberg's writing style is warm and friendly but is nonetheless clear and to the point. While a teacher of meditation and Buddhism, she expresses great psychological understanding of emotion and writes with the acumen of a trained therapist.

In this book, Salzberg describes meditations on the brahma viharas: lovingkindness, compassion, sympathetic joy, and equanimity. These are the "divine abodes," sometimes called the cardinal virtues of Buddhism. Salzberg provides a clear rationale as to why these types of meditation are beneficial and how to do them. The practice is deep, but can be started by any beginner through the means described in this book.

The benefits of this type of meditation are nothing short of impressive. Within a few days of doing metta meditation (lovingkindness), I began to notice emotional changes in myself--feeling more happiness, warmth, and caring.

This book is highly accessible to non-Buddhists. Practicing these techniques does not require a religious conversion. Anyone who values basic virtues such as kindness, compassion, and emotional balance will find these techniques agreeable. They are based on psychological principles and were designed to increase emotional well-being.

This is an extraordinary little book, which provides specific instruction on both how to meditate in the Vipassana style, and WHY it's a worthwhile practice.

Let me first say that I have a ton of vintage jewelry in my personal collection and I also sell it in our family owned antique store. I purchased this book and read it from cover to cover. WOWOW, what a great book. So much great information and easy to read. These girls did a wonderful job in the layout of this beautful book. The pictures to say the least are all stunning and really show up great in their book.
I would recommend this book to anyone that has ANY kind of interest in vintage jewelry. This book really explains how different designers tried to copy the Haskell style. Great reference on how to date pieces and also identify key Haskell style trademarks.
Thanks for a wondeful book!

Serious collectors must have this book on their shelf. Close-up photographs show the jewelry's intricate designs in detail.

This is a fantastic resource book for the Vintage Jewelry Collector or Seller. It is wonderfully organized & beautifully illustrated with many large color pictures. The descriptions are concise & precise. Values are given after each description.
There is also a wonderful & informative section on Identifying & Dating Haskell Jewelry~vintage to present~including clasps & materials. This section also has clear close-up photographs.
I feel it is an invaluable tool for the serious collector. And well worth the investment!

This book is one of the finest that I have seen. The illustrations are beautifully done. You almost want to frame
the water colors. There is an interesting history of the
Miriam Haskell jewelry, and the descriptions of the jewelry are
well done. I highly recommend this book to any vintage jewelry collector, especially those of you who like the Haskell line.

Carolyn Meadows in Virginia,USA
Antique13pink

Dealing with jewelry is both to me, profession and hobby. So I also like reading books about the stuff I love, and this one really got past my expectations. It helps getting insight not only in a really interesting branch of the jewelry business, but tells also about the people behind the design. At the same time, the author manages to give a helpful guide to the ambitioned collector of that kind. The book reminds one how much fun it is to create and wear exceptional pieces and tells some stories that are connected with those. The pictures are magnificent. This book is motivation for new ideas and simply fun to read.

I own many, many books on medical imaging, specifically MRI. This book encompassess the physics, sequences, imaging parameters, artifacts, contrast, and clinical application of these in very simple language with great illustrations. The authors have succeeded in publishing the best-written and most thorough of study/review books out there today.

This book helped me alot. I used it to pass my MRI registry and thought it was a hugh help.

I took the MRI Registry in October and passed. This is the only textbook you need. You do not have to buy any other. You really have to look through, dig deep, and study -- but the material and explainations are there. Good Luck

This is a fantastic book for an overview of MRI. It is easy to understand and well organized.

This book represents the first step to the world of MRI imaging.It helps the reader to understand the basic principles of the MRI as long with the specifications of the picture produced.It is more than useful to have it in your library.

Rare it is to find a guide so well crafted by a writer successful in his own right. I found this the perfect abridged bible for anyone with a career or contemplating a career in the musical theater. David Spencer's frank tone tears down the dream and shows the true reality of the business. With diligent and witty writing, Spencer's guide is as fun as it is rigorous. The author includes bits of his own writing process mingled with very generous advice on what works and what does not. It's reading list alone would recommend it. This book will make many a musical theater writer conscious of the hidden pitfalls prevalent in the business and so will, with an increase of its readership, increase the quantity as well as quality of musical authorship on and off-Broadway, a deed most needed.

You get the feeling the author cares about the reader's survival through life as well as on the perilous if rewarding journey of musical theater writing. The book is surprisingly also a brilliant textbook for navigating professional and private relationships as Spencer is of the clever opinion that success in any field requires such skill. Theater-goers may benefit as well from its clear picture of the creative process behind the large shows. No one interested in musical theater should be without this book.

David Spencer's book is without question the most comprehensive, concise and informative book on writing contemporary musical theatre I've found on the market to date. An astonishingly quick (and entertaining) read, the book covers all of the bases of writing shows, from the creative process to dealing with the business end of getting an original musical produced. It is also jam-packed with useful information regarding the 'knit-picky' details of standard conventions (such as formatting scripts, creating and distributing demos, etc) that are worth the price of purchase alone.

The book is well-structured into concise, easy to read sections that are easy to refer to when necessary. Appropriately titled a "Survival Guide," Spencer makes no attempt to create an 'everything-you-need-to-know-to-write-a-musical' guide; instead, he provides brief (but considerably detailed) insight into each topic.

This is not a book for a beginner who is looking to learn how to write songs, but rather for ambitious young artists who are serious about creating new musical theatre. There are entire books that deal with the considerations posed by individual chapters (such as musical forms, rhyme, characterization, etc) that supplant the information in this book; his list of suggested readings is very helpful. Consider this book to be the 'study-guide' for the test; there is no other book on the market that covers so much terrain with such detail in such a small volume. It truly has become my survival guide - thank you David Spencer!

I have read some books on writing Broadway Musicals which were quite good but this one has a direct clarity that demystify's the process of creating a musical. Good advice is given in every important area from story to page layout and fonts to the politics involved in collaboration. An invaluable tool for a writer that's seasoned or just starting out.

I am an aspiring musical theatre writer with no real experience yet, but reading this makes me feel like I have twenty years of experience under my belt! It seems that Mr. Spencer has thoughtfully included, out of his own widespread experience in the biz, absolutely every thought, information, helpful tidbit or advice that I think EVERY new or seasoned musical theatre writer will find very, very helpful. He is very intentional about sharing stories and information to help young writers avoid pitfalls and mistakes he once made, or is familiar with. Every chapter flows well, is thorough, well-structured, & intriguing to read. I am sure I will continue looking back to this for frequent reference as I continue pursuing this career. Thank you, Mr. Spencer, for this invaluable resource!! It is worth more than every penny!

THE MUSICAL THEATRE WRITER'S SURVIVAL GUIDE is, one the whole, an excellent and much-needed resource. This is not so much a book about how to write a musical, but what to do with it once you have written it. The most valuable parts for me were the sections dealing with collaboration. Author David Spencer discusses not only how to deal with writing partners, but also with the other collaborators, like the director, the producer and the designer. He also gives practical advice about the most effective way of presenting the reading and making the demo recording. He goes into great detail about what any material that you send out should look like. These parts of the book alone make it worth owning.

I felt that Spencer jumped the track toward the end with a lengthy discussion of setting up one's own recording studio, which would have been much better as an appendix, rather than in the main body of the book. My other quibbles with the book are the rather gag-inducing Sondheim worship and the author's frequent tooting of this own horn. (I found the section dealing with awards and grants depressing because it only pointed up the unlikelihood that material by a maverick like me would ever be considered.) There are a couple of minor errors (such as when he says that William Redfield played Rosencrantz in Burton's HAMLET, when in reality he played Guildenstern) and there is a glaring use of "principle" as an adjective, rather than "principal." But in general, I found this an invaluable book that absolutely needed to be written. Every serious musical theatre writer should have his own copy. This one is simply essential.

The New Creative Artist: A Guide To Developing Your Creative Spirit

Here is another WOW spiral-bound book!!! It is full of COLOR,a lifetime of ideas, activities, and opportunities to s-t-r-e-t-c-h. The coverage of the Design Element is full: Line, Shape, Value, Color, Size, Pattern, Movement, Harmony, Contrast, Rhythm, Repetition, Gradation, Balance, Dominance, Format Options, Compositional Choices, Design Strategies, and touches on when to give the rules a rest. If that isn't enough, there's lots more! I especially look forward to working through the section: The Realism-Abstraction Connection during my next artistic transition. A beautiful book!

Patricia Eastman

This book wasn't as good as "celebrating your creative self."

It was a little wordy with inspirational messages. Not as much about technique and new ideas as I was hoping.

This book will get any creative body with a block back into their creative hobby. She gives so many great ideas, like that you should write down all the great creative ideas you think of and put them in to a jar. That way, whenever you can't think of something to get your creative juices flowing, just grab your jar and do whatever the piece of paper says!

On a sidenote: I also love that the binding is ring - so that you can fold the book flat and not worry about pages closing on you when you are trying out something new - but that it is also protected by a larger cover so the ring binder doesn't fall apart like they usually do - THANK YOU PUBLISHER!

Anyhow, great buy for any artist or artists' library - a book I will forever reference...I only wish that Leland explained more of the techniques behind rare art forms (but that would add a whole other book!).

Jam packed with useful tips. You can always count on Nita Leland for the best information.

This is the best motivation and help book I've purchased in a very long time. Lets you know that you can create (and feel very good about it) what pleases "yourself". I had to get over worrying what other people thought of my work. Thank you.

This is definitely one of my favorite Peanuts collections. I pretty much grew up reading this book. Over the years, it had been read so much that it had fallen apart. I was so happy to see this book in the stores again. If you're a Peanuts fan like I am, this book is a must have for your collection.

This is a great book for any Peanuts fan to add to their Peanuts memorabilia collection. I have been a huge fan of Snoopy and the rest of the Peanuts gangs since I was a child, but somehow Charles Schulz's Snoopy comics have a universal, timeless essence that appeals to people of all ages. Even in my 20's I still enjoying collecting Peanuts memorabilia, and I would recommend adding this book to top of your collection.

Until a few years ago, Peanuts Classics collections were very hard to find except in your local library. But Peanuts Treasury is much better than most of those-better than most of the `60s collections, anyway. Not to say that the Classics books aren't good, but several of the books repeat strips, print the pages backwards, or even repeat stories (or parts of stories). But this collection doesn't do that. Not only that, but this book has about three times as many more pages AND there are more strips per page (five instead of two). A few of the stories aren't finished in this book either, but nevertheless it's a great collection.

This is a highly worthwhile "Peanuts" collection, as it's an unusually [inexpensive] but vast collection of late 50s-early/mid-60s strips that you don't often find in new books, with a lot of wonderful strips in it, and an effort to group them into their original storylines (where applicable) - Sally is born, and Charlie Brown rejoices ("I'm a father!" - and Linus tells Lucy, "You didn't act like that when I was born,") . . . Lucy buries Linus' blanket to prompt him to kick the habit, and Linus is plagued with withdrawal symptoms ("That's the first time I ever dreamed of Hyannis Port!") . . . Linus freaks out when Lucy assigns him to sing "Jingle Bells" at the PTA Christmas pageant - then the new year's pageant ("I will not run around the stage holding a banner reading '1964'!") . . . and, perhaps best, the first time Sally joins Linus in the pumpkin patch - and it's much, much funnier than the TV version ("YOU OWE ME RESTITUTION!!") . . . among many, many others. But anyway, this may be nostalgic for you, too, and even if not, it's still a wonderful book. It's definitely worth it!

Apparently there has been a mix-up: The two "editions" of this book DON'T correspond to each other. I've bought the paperback one, and it does not contain some of the strips mentioned in the review section.

This is a phenomenal book for PS use - I'm sorry I had already bought other books. I'll probably never look at those other books again, and will end up selling them.

I was skeptical of getting a CS3 book since most of the ones I've perused were a bit much, relying on adept knowledge on CS2. This book, however, has been so easy to read and understand, I can't put it down!
It has a wealth of how-tos and information on effective photoshop CS3 editing. Highly recommended!

As a web designer I've been using Photoshop professionally for years. I've also worked on lots of photographs, both my own and those I've gotten from clients. I don't need a how to book on layers, cropping and levels. I've got a good understanding of the basic Photoshop tools, and have benefitted from Scott Kelby's Photoshop CS for Photographers. But Kelby's book is a recipe book both useful and well presented, but I want more.

What I want to do now is take my own photography to another level. Past a certain point, improving becomes less a matter of collecting tricks and recipes and more a matter of learning the entire workflow from experts. For that a basic how-to cookbook is no longer of much use to me. I could probably spend a lot of time working out a good workflow and set of procedures through trial and error, but why not take advantage of the experience of those who have already taken the art of nature photography editing to a high place?

Enter Photoshop CS3 for Nature Photographers. As one reviewer has stated, much of the introductory Photoshop material is covered in other books, but not in quite the same way. Photoshop has many tools, each of which has many settings and options. It's perfectly possible to be familiar with one tool or filter in one context and not realize that it can be used in combination with another tool to achieve a completely different result. I once read that when Einstein proposed his theory of relativity maybe three people in the world understood it. I wonder if more than three people in the world completely understand all of what can be done with Photoshop. What I was looking for and found here is an expansion of my Photoshop horizons, a deeper exploration of the art and science of nature photography and photo editing.

Anon and Grey offer an excellent look over the shoulder of experts in both practice of nature photography and in the use of Photoshop as a digital darkroom. I can't emphasize strongly enough how helpful that approach is for someone who has some Photoshop chops or who has used the program for another end and who wants to get great results with nature photos. Their workflow is time tested and produces excellent results

And nature photograph editing benefits from following a slightly different approach from that of product photography, with which I have some experience, portraiture, photojournalism and so on. Again, I'm struck with how specific and helpful the presented workflow, and the mindset that using such a workflow creates is. And placing editing in context with a specific photographic goal informs my picture taking too.

I recommend this book to anybody interested in nature photography who has at least some experience with Photoshop, though a dedicate beginner could work through the introductory phases with this volume. For someone who has used Photoshop in another context and wants to expand into the nature photography realm this book is brilliant.

I gave this book as a gift, so I am quoting the recipient:
"The book gives a clear, well-written overview of both basic and advanced photoshop techniques geared toward editing nature photographs. One of the strenghts of the book is that it presents the differing views and techniques of two seasoned and highly skilled photographers. The explanations are clear, and the book proceeds logically through the various steps associated with the tools and features of photoshop CS3. A special treat are the beautiful photographs that illustrate the techniques discussed in the book. The methods presented by the authors are not necessarily limited to nature photography, and can be applied to a broad range of photographic subject matter. Very highly recommended."

I bought this book based on several positive reviews and also because of the focus on "nature photography". I was not displeased with it, but I was kind of disappointed. Most of the techniques given were stuff that could be found in almost any of the "how-to" books on Photoshop. Mostly it was just workflow, and workflow for nature photography vs other types of photography is not so different that a whole book can (or should) be written about it. On the bright side, I did pick up a couple of tips and techniques that I hadn't seen in other books. I was also pleased to note that the authors drew a distinction between documentary nature photography and nature photography to "make a pretty picture". They feel that so long as the photograph is not said to be representational of a moment in time, there's nothing wrong with compositing and modifying it to make it more aesthetically pleasing or artistic. Some of the resulting compositions are fabulous, and capture the "mood" of a scene beautifully. Since most readers of this book are likely to be shooting for their own pleasure primarily, this was good information.

Bottom line - if you have other Photoshop CS3 "how-to" books, you can pass this up, as there's virtually nothing that hasn't been told many times over. But, if you're fairly new to PS, focus primarily on landscape and/or nature, and are only going to invest in a couple of "how-to" books, then go ahead and get this one.

Not only does Michelle McKinney Hammond tell about and how to handle the feminine mystique, but how to use it glorify God and not for selfish gain. The Strength of Vulnerability is the best chapter to me. Learning how not to react to men but respond to God's voice. All women should read this book.

Michelle explains how to be effective while not conforming to the world as it is today and not using the old feminine whiles of manipulation. The book was a joy to read.

This book is wonderful. The author reinforces that we are not weird to want to be feminine. As expemplified in the Bible women have a tremendous power in their femininity and as someone that is happy to be a woman, I found this a very enjoyable read. I also strongly reccommend this book to those that ? the strenght of allowing the doors to be open & acting & being treated as a feminine being. This will give you a new outlook on that. Being feminine does not make you a mental weakling, but when used under God's wisdom it is a momumental force. I Highly reccommend for all females of all ages! I also recommend for men & women alike Ms Hammond's book Where are you God.

In this day and age of the feminist movement, this book is a refreshing breath of air. It reinstates the power we have as women IF we will operate in the role that God ordained us to walk in. As usual, Michelle's humor helps get her point across in such a way that it finds a lodging place in the heart. Once we as women realize just how "special" we are, look out! We are WOMEN, God's special creation, and we roar because of the power of the Lion of the Tribe of Judah.

This is definitely a must read for the Christian woman whether single or married. As a single woman in my twenties, this book has really opened my eyes to the power that I have. I especially loved that part of the book where Michelle wrote of the damage we can inflict to the devil's plans when we go down in prayer. I have a stronger desire more than ever to really seek God in prayer for changes not only in my life, but in the lives of my family and friends. Read it -- you'll be blest!

This is a superbly written book. This is one of the best "how-to's" I've ever read, and I write those kinds of books myself.

This is by far the best book that I have read on any life transforming physical exercise including other books on this subject, as well as books on yoga and tai chi. The author writes simply and masterfully. He promises an easy to learn, easy to do "exercise", and delivers. This book has none of the New Age psycho-babble that mucks up so many other books on the subject.

When Qi Gong developed in China for more than 20 years, Chinese people finally find Falun Gong is the most effective. So there are more than 100 million Chinese people practice Falun Gong before the government's persecution.

But western society seems still enjoy the low level Qi Gongs.

Why not directly start from high level Falun Gong? It is not difficult. When you try, you will know.

There is an old Chinese saying: "Learn from the best".

Many of us want very much to do spiritual and physical exercises but never seem to find the time. This practice can be learned quickly from this most excellent book and takes only six minutes. I've been using the book for three months and have felt an increase in energy level, both physical and spiritual, already.

The author has written a clear & practical book, with compact and understandable information about Qi Gong in general plus some nice information about what it has done for him personally.
It has good instructions and a lot of black and white photos which are easy to follow.
I found the excercise sequence very simple to do. It is relaxing and indeed takes less then 10 minutes to perform.
I think this book is a great start for beginners. Anyone can do these excercises.
If you're interested in other, longer and more intensive Qi Gong forms, I'd like to recommend the book 'The Swimming Dragon: A Chinese Way to Fitness, Beautiful Skin, Weightloss and High Energy' by T.K. Shih.

Monty is an insecure rat, insecure because he and his family live in a sewer and create works of art, which is frowned on by the higher class society of wharf rats. Additionally he shares his name with his Uncle Moony, a drunken creator of decorated rings, which shames him because of the derision of the other rats. An interest in the pretty Isabel and a crisis helps him to overcome his insecurity and his shame. I bought this book because I'd just acquired 2 pet rats, and ended up hooked on Tor Seidler. He truly cares about his characters, and while the stories are for children, they aren't childish. Adults with a little imagination will enjoy his animal stories as much as the kids do.

I read this when I was at a friend's house with nothing else to read (it took me an hour or two; I suspect it would take a child a bit more time). It is a cute, amusing book- definitely a nice present for children above the age of, say, 7 or 8. I had no problems suspending disbelief in the talking rats; however, I have to admit I did have trouble suspending disbelief in the rat/human interrelationships (e.g. humans being smart enough to realize the rats were bribing them when they saw large amounts of money intermingled with the remains of poisoned rats).

? Montague Mad-Rat is a young rodent with a strange family: his mother dyes bird feathers with berry juices and creates fanciful hats; his father is working on his hundred-and-seventh mud castle; and his aunt travels the world on cruise ships. His namesake uncle crafts tiny gold rings that he sells to humans. Montague has his own craft: painting exquisite miniatures on tiny shells his aunt brings him. His real adventures begin when he meets and falls in love with the rich and beautiful Isabel Moberly-Rat, whose friends and family are wharf rats who look down upon rats like Montague who make things with their paws. Montague gets involved with a campaign to save the wharf rats from extermination by a new property owner, and comes to appreciate his family and himself for who they are.

This book is absolutely charming. The setting-Central Park, Columbus Circle, and the New York docks-is just right. Seidler has managed to make his rat story romantic, funny, suspenseful, and insightful in its observations of class snobbery.

One element that serves to make this book so successful is Seidler's playful use of language to maintain the fantasy element and to help draw character. The world of the novel is always seen from the rats' point of view. For instance, when the lovely Isabel Moberly-Rat is caught in a rainstorm, she mutters "Oh, people" under her breath, rather than "Oh, rats." The rats don't go for a walk; they go for a "creep." They attend a gathering called the "Great Rat Chat," which is the "backbone of a democratsy," attended by cabinet ministers who are great helpers of "ratkind." When the haughty young Randal Reese-Rat gets a spot of poison on his tail, his parents call in a "general ratitioner." These are just a few of the numerous examples throughout the text. They serve to maintain the illusion that the rat world has its own society, yet one that is eerily reminiscent of our human world. Mrs. Moberly-Rat is a terrible snob, as are most of her fellow wharf rats living in fancy high-rise crates. She is struggling with her weight, and does "petal arrangements" to keep her mind off cheese. However, every time we see her she is eating or serving a different variety, from blue to Swiss to Gruyere. She looks down upon the Mad-Rats because they make things with their paws, marry their cousins, do business with people, and worst of all, live in "S-E-W-E-R-S." Her husband, Hugh Moberly-Rat, has a fancy office with a gilt-edged dictionary for a desk and silver foil gum wrapper wallpaper. Seidler does a clever thing with the speeches that Hugh makes: he repeats every thought in different words, making him even more long-winded than most human politicians. Thus, "How so, you ask," is followed immediately by, "Why, you want to know?" Sometimes he does it in single sentences: " For more deaths, I fear, lurk in the near future-await us in the coming days." It's really quite a comical effect, and is typical of the artificial language that many politicians use in public-and is not the way Hugh speaks in private, either.

All in all, A Rat's Tale is a lovely book that works on several levels, from the story of an unlikely hero to commentary on class prejudice. The black-and-white illustrations are a charming complement to the text. One can't help agreeing with Newsday's comment: "A Rat's Tale may well do for rats what Charlotte's Web has done for spiders."

I just adore this book. I am a massive rat lover and have 8 rats...and this book is a pleasant and innocent page turner...

You will love it!

A Rat's Tale is about a young rat named Montague Mad-Rat, or Monty. He lives a boring, solitary existence in the sewers of New York City. His family is almost considered a bunch of criminals, as they've broken almost every major rule of society, like making things with their own paws. Rats should scavenge for things they need, not make them. But nevertheless, his mother makes hats out of feathers, and his father makes sand castles. Neither of them have much time for him. He is very lonely and bored. The only things he has to do is gather feathers and berries for his mother's hats, and paint the seashells his aunt brings him. Then, one day, he meets the girl of his dreams! Her name is Isabella. She is the daughter of the governor of the rats, and she lives in old abandoned Wharf 62, where only the rats of the highest-class live. He can't stop thinking about her! Then he realizes that a rich, sophisticated girl like her could never love a sewer rat like him.
Meanwhile, the humans want to poison the wharves. The rats had stopped them every year by finding loose change and anonomysly offering it to the owner of the wharves. Every year they had collected $10,000. And every year, it had been enough. but this year it wasn't. So their leader (Isabella's Father) decides that they need to double the Rat-Rent (as they call it). But there's no way they can gather $20,000 worth of pennies, dimes and nickels! Then, Monty figures out a way to impress Isabella. He thought the shells his aunt had brought him might be of some value. After all, everyone said they were great. So he brings the shells to Isabella's father. He says they are great, but they need money, not shells. Dismayed, Monty tells Isabella's father to keep the shells. Isabella gets a90=hold of them, and at first she just hangs the shells on her bedroom wall. But then she has a great idea. her mother told her that Montague Mad-Rat (Monty's uncle whom he was named after) was infamous for doing the unthinkable--dealing with humans (it's like making things with your own paws). He, like Monty is also an artist. He decorates rings and sells them to an art dealer. Isabella decides to team up with him to sell the shells. She knows that dealing with humans is a huge disgrace, but she'll do anything to save her beloved wharves. Together, they are able to get $20,000!
Monty is hailed a hero! His little shells saved the wharves! Monty finally got everything he wanted. He saved the wharves, he's a hero, and Isabella finally likes him. Then the worst happens. What is that? You'll just have to read the book for yourself.
Monty significantly changes. He becomes much braver and he learns to do his best and try his hardest, even when things look hopeless.
This is a great book, and I recommend it to anyone age 9 and up.