Arts Books

March never leaves my desk. It covers everything. From functional group transformations to mechanisms to FMO theory - you name it it's there. Highly recommended for any advanced undergraduate, graduate or post-doctoral researcher. It's a bookshelf staple that any organic chemist should have available.

I'm pretty sure that you _must_ have this book if you are studying advanced organic chemistry. Maybe it's not the best one to use as a study guide, but it's extremely helpful as a reference book both for undergrads and graduate students. However, one can argue that this edition is a bit out-of-date.

I bought a copy of this text (2nd Ed) after finishing my sophomore year of college, and it proved to be the best single investment I've ever made in chemistry. I used it so often, I had to duct-tape the book together.

I think the happiest moment of my career was when my name appeared in the index of a later edition. Anyway, buy it and treasure it.

This is by far the best text I have found. Although it is considered a text book, it is more handy as a reference tool. I have seen no other book that contains more information than March's. This book is actually worth the price.

I paid more for my 4th ed. new, and find it to be worth even more. It is not a cookbook per se, but it is a very comprehensive textbook that details general reactions by functional group. It outlines every way known to remove, add to, or otherwise modify every functional group. There is as much commentary as is needed, if not more, and every pathway is mentioned regardless of how exotic or primitive and low-yielding. The corresponding OS synth refs for specific cpds. are given for each type of reaction, along with a total of 15,000 other refs in footnotes. This was cutting-edge in 92, with much updating of the 3rd ed. The index will take you to the section that shows how to make the manipulations you want - if it doesn't, it probably can't be done.

Excellent book! Very good instructions........easy to follow! Lots of great ideas to stir your own creativity.

I'm no sewer, but this book makes me think I can... Incredible ideas and great instructions. Definitely an inspiration.

A lovely book to look at and be inspired. Lots of photos of very original work, unique projects for wearable art.

This book is a crash course in Rosemary Eichorn's fabric collage techniques. If you read it carefully, you will be able to recreate all her projects, or use that knowledge to further your own designs in fabric. Her instructions are clear and generous. It's an inspiring book. The photos are clear and well done.

The best manipulated fabric book I own. I read it cover to cover because I was interested in every page. She took the time to teach many different facets of sewing, fabrics, colors and many techniques. I belong to a Wearable Art Group and all I do is rave about this book. Her patterns are very good also.

"Autumn Lightning" by Dave Lowry appeared to me as a combination of biographical sketch mixed generously with Japanese History, and Spirituality.

The book (for me) was in itself, a "Fair Read," but not necessarily one that will become part of my spirit. Much of this could however, be due to my age. While reading this book, I was often reminded of the movie; "The Karate Kid." In that movie; "Daniel Larusso" becomes "Miyagi-fied" and is turned into a great Marshal Artist. Likewise, Dave Lowry in this book becomes "Kotaro-fied" and emerges as a great Occidental swordsman.

I own one other book by Mr. Lowry on the "Art of Kendo" complete with photographic examples, and many teaching comments that have been very helpful to me.

Mr. Lowry writes and teaches out of sheer devotion and love of the subject, and for this; I truly applaud and respect him! I believe this to be a worthy book but, probably for a younger individual looking for a mentor of desciplines that help to develope spirit and physical attributes.

Dave Lowry offers a perspective in his books not often available to the Western martial arts practitioner - a considered interpretation of modern martial arts in the context of traditional (koryu) arts.

Written in a exceptionally approachable style, Lowry tells the story of his introduction to martial arts, interspersed with anecdotes from Japanese martial history.

Lowry's books provide me with insights into my own training and have helped me grow as a martial artist. Rather than the simple discussion of technique, his essays delve into the "-do" of the arts

One of my all-time favorites, it's recommended reading for all of my students. Mr. Lowry's story is similar to my own. He tells his tale with crisp and humorous writing that has you on the edge of your seat and then lets you sit back and chuckle. A wonderful classic.
If you don't have a copy, you're really missing out.

This is a great read for anyone interested in learning about the history of the Yagyu Shinkage Ryu of swordmanship. Woven into this history are the events that lead Lowry into studying this Ryu and his dynamic interaction with his Sensei.

I've recently reread all the books I have on martial arts, Japan, Japanese culture and history. When I find a passage that really strikes me, I underline it and dog-ear the page. After finishing the handful of books I already have, I came to Amazon to find more. Dave Lowry's book seemed interesting from reading the first few pages available online. Little did I know I would be underlining and dog-earing most of the pages in the rest of the book! An excellent read for new or experienced readers in Japanese history, culture and/or martial arts. I highly recommend it!

As always, Billy Collins is above and beyond in his poetry readings. Great humor, great heart and an accessibility rarely found in intellectual circles! You will fall in love with him and with poetry all over again.

This is a figure of speech of course - once upon a time... never mind, but you'd burn your dinner or if it's cooked, then the food on your fork will miss you mouth, if you try to cook or eat as you listen to Billy Collins read. It's a treat.

My high school students fell in love with Collins. Even the chronically apathetic perked up during his reading... use this in your classroom, and follow it up with selections from Poetry 180. You'll be glad you did.

If you've heard Billy Collins on A Prairie Home Companion -- or even if you've never heard of him -- you'll love this CD. I was a fan of Collins before this but I heard this concert at Symphony Space and I loved his poems even more when I heard him read them in person. This short, wonderful program (introduced by Bill Murray) is a CD the whole family can listen to. He's funny, charming, and smart, and makes poetry come alive for adult and child alike with unforgettable yet accessible images. We just got back from a driving trip and the children (boys, 11 and 14) asked to hear a CD featuring a POETRY reading MORE THAN ONCE. Need I say more?

I bought this for my poetry-loving husband. He listened to the whole thing during one day's commute and liked it alot. It definitely was worth buying because he plans to listen to it many more times.

I'll tell you right off that it brought back a lot of memories of my production assistant days. Your descriptions of what one needs to survive in this industry are right on. I'm very grateful to you that it was written in a very clear and concise way with touches of humor and the incorporation of actual experiences. It was a very easy read.

I liked your suggestions for follow up letters. I actually used them twice already. The format is great: direct and concise.

I found it to be helpful and informative

I read the book twice and loved it! It has a wealth of information that anyone in this industry needs. I have already gain further info that will help me achieve the goals I have set for myself. I wasn't looking for it but while I was browsing through the bookstore, when I got to that section, it was the first to jump out at me. This book was a sign that I have been on the right path for the last four years. I thank you.

This book served no purpose other than it's nice contact indices in the back (for which I gave the 1 star). Other than that, it was a waste of money. I wish I had bought it at Borders so that I could have skimmed through it first. Then I could have also just ripped out the index list and taken it home. Shhh! Don't tell anyone.

This the best cartooning book around. A classic. A must for entry level cartoonist or professional.

I'm always looking for the perfect book of whatever variety, & speaking as a former library employee, a cartoonist & art teacher, Jack Hamm has written THE book on cartooning. It is so packed with examples & not so much text, as it should be, it has tips & then TONS of examples. The style ranges from early American cartooning style to 50s/60s modern style. Fantastic examples of different expressions, hand positions, walking positions, drawing women, all of it. All good. If you want a great guide for old fashioned American cartooning, this is the one to get. Then get the Preston Blair book from Walter Foster.

This book is full of great ideas and tips. There's plenty for the beginner, like little tutorials on highly-stylized eyes or noses or mouths, or straightforward examples on common poses, but it's not just a book for beginners. There are a lot of highly-finished drawings as well, and examples of moving from simple to more complex drawings. Plus tips on various penciling and inking techniques, and various cartoon genres. All in all, there are literally thousands of examples and sketches, enough material to keep anybody busy for a long time. I've pulled this book down from the shelf more often than any of my other numerous drawing books, and I've filled page after page with exercises based on the material. A classic and worth far more than its price.

If you're a cartoonist this is a book you have to have. It has been in publication for quite a while but nothing better has been created in the way of a great, all-purpose reference book. I've gone through a couple copies of this book and no matter how many times I looked at it I was still able to come up with ideas. Whether you're just starting out or have been doing cartoons for years you should have a copy of this book.

"Cartooning the Head & Figure" --by Jack Hamm

Artist and Christian minister Jack Hamm passed from this world at the age of 81. He illustrated the notable cartoon strip characters "BUGS BUNNY" and "ALLEY OOP" early in his career as an artist. He wrote and illustrated over 25 books on drawing. He pioneered an early TV show on drawing instruction in the Dallas/Houston Texas area.

I admit I am not an expert on fine art, but after reviewing many books which teach beginners HOW-TO-DRAW, it is my sincere opinion that Jack Hamm is the finest instructor America ever produced. Hamm almost never composed text, or used wordy explanations about drawing something. Hamm drew you a picture or series of pictures and showed how it might be done. He did not do this ..."sometimes" in his books. Hamm did this ALL THE TIME, whether it was cartoon figures, seascapes, landscapes, or drawing the human figure.

That is why any effort to list all the contents of his book, "CARTOONING THE HEAD & FIGURE" staggers the human imagination. I might be sitting at the computer for several hours, just listing the contents. Hamm shows how to draw every possible human emotion. Pages 22 & 23 alone are specific instructions in how to draw particular parts of the face to yield a human feeling.

The amazing thing is, Hamm is offering a book not only that adults can use; rather, Hamm is offering a book that CHILDREN can use. This book is in a class by itself, just as is Hamm's classic on drawing the human figure. Hamm's books are one of the richest treasures ever produced on American soil.

Wow- that's entertainment. Who knew blankets could be so fun and interesting? Now I do! A unique era in American history is crystalized in this book. If Barry writes it- I'll read it. Laughed out loud- often.

Superb- buy it and will it to your favorite child.

"Chasing Rainbows" is beautiful, profoundly informative and more fun to read than any collecting book you've ever owned...period!

I received this book as an early Christmas gift and now I'm buying a dozen copies to give to friends and family. This is the most beautiful and interesting collecting book I've ever read. The author is remarkably funny while delivering all the information on the subject anyone could possibly absorb. Just a fantastic effort.

Most books about collecting have lovely photos and dull text. This is an exception! Friedman's text is fun and helpful, with photos used as examples.

I own a massive library of books on every imaginable collecting subject and none has given me more joy than "Chasing Rainbows". Barry Friedman has intertwined his vast knowledge of Indian blankets, American history, the antiques business and garnished the result with a unique sense of humor and breathtaking photos to create a book that is an absolute gem. This is a great book from a very gifted man.

The authors of Chi and Creativity present important concepts and methods for living in an expansive and intentional way. In this book we are shown how meditation, guided imagery, breath work, and chi kung can effectively awaken and enrich our creative processes. This remarkable book has have been of great help in supporting my chi kung practice.
Lew Carson, Professor Emeritus of Art, California State University, East Bay

I am greatly honored to express my intense love for this literature. I have been blessed enough to know the authors Kaleo and Elise and be presented with this spirit expanding piece of literature. Being a hypnotherapist and learning more about the Eastern Way of philosophy has helped my grow unto myself and how I see myself helping others.
Reading this literature and absorbing its knowledge has for me enhanced my perception of the tri-fold "singularity" that makes up who we all are. I am fascinated by the detailed instructions and positive suggestions about how and when to come in contact with our "Inner Artist".
I highly recommend this to anyone wanting to develop their perception about energy flows and cycles of life/death by holistically improving in body-mind-spirit.

Both me and my girlfriend, a licensed psychotherapist, have used this book. More than just a creativity guide, its a guide to well being and to life. The masks are incredible. What a valuable resource and a beautiful, inspiring book.

This book is wonderful. I love the mediations, chi gong exercises, and more. Through doing the chi gong and mediations I have been able to reopen my creative self again. I feel like myself again, an artist! The book was very well written and illustrated. I love the personal journal inserts for they helped me to relate to the writer and to my self.

As an artist, I appreciate the physical quality of this book. It feels good in your hands, paper stock and layout are beautiful. As a healer, this book gives me great ideas to build my chi with many different exercises, reaching all aspects of myself. Highly recommended.

This book is recommended for all art fans--you don't need to be familiar with the Sandman character to enjoy McKean's gorgeous covers. The commentary is also very interesting, providing a behind-the-scenes look at the thought process behind many of the works. McKean progresses from producing physical pieces of art to digital manipulations as the series progressed, and although some of his initial digital effects are now dated, it's still fascinating to see a modern master at work.

is there any difference between the Watson-Guptill edition and the Vertigo edition? i noticed one says '1989-1996' while the other says '1989-1997', the size also seems to be differnt, althogh the page numbers are both 208. what i want to know is, is there any difference as far as the artworks go inside? and if so, which is the better one? (one's also more price than the other, it seems).

I bought this book as a gift for a Friend, I was familiar with McKeans art from the comics and she had recently gotten into his work... So i thought it'd make a good gift.

It was a great gift! I looked through the book thoroughly myself and was amazed at not just the artwork but the presentation of it throughout. McKean and Neil Gaiman's Commentry and Notes throughout are both Fascinating and sometimes hilarious. (Ah the Fish...)

I'm gonna pick up a copy for myself, as this really is an Amazing book... ArtFans or ComicFans alike will appreciate just how Beautiful Mckeans Art is.

I don't know why I haven't gotten around to reviewing this collection of work before, but it is amazing! As the title suggests, it is the collected covers of the Sandman comic book series that ran from 1989-1996. There are no Sandman stories in here, just the collected covers of all the issues and some commentary on the covers and The Sandman series by Neil Gaiman himself.

"Just." I love this book. It's "Art" with a capital "A." So many different styles, forms, and moods. It's beauty and magic captured on paper. It calls to mind art as diverse Edward Gorey, Salvadore Dali, the movies of Tim Burtn, and on one startling cover even H.R. Geiger (in a non-Aliens way).

The introduction is very nice too.

I recommend this for any fan of the Sandman series.

When I had collected the original Sandman issues, I was always intrigued by the cover art as well as the story and illustrations inside. Sometimes, I would find myself staring at the covers for minutes before reading the actual story. This was the only time I had ever really done that. And now you can own this book full of those intricate, detailed, and amazing art pieces, along with commentary by McKean and Gaiman.

And there's a Sandman story that I have never read before! If you're a Sandman fan, buy this book.

Lucy Chase Williams, where are you? Have you written any oher books besides this splendid tribute to Vincent Price?

OK, maybe you were a little harsh on BACKTRACK, but I admit it is not a film for everybody. Jodie Foster was in her adventurous period then, and making a film by Dennis Hopper was probably a mistake, but give her credit for trying something different! As for Price, he is terrific in the movie, and the whole thing is defnitely a more worthy picture than many which you,
But in the main what can I say, you've done an excellent job, not only interviewing the obvious co-stars and producers, but also some obscure ones. I was thrilled to find an interview with the late Alexander Knox in your book. Knox, who played WILSON in the eponymous 1944 Fox historical epic, gave this interview only a few days before his own death, and reading his words gives the avid reader a new insight into the way Vincent Price saw his own function as an actor, an entertainer, and a man of public policy. I wonder if it's true that Price was a victim of blacklisting; certainly his career changes radically during the McCarthy Era and when it was over, he was firmly typecast in a series of profitable, some very successful artistically almost in spite of himself, B pictures. Did he regret going the horror route? You could never really tell. This book dips a little into Price's resentment at the way Sears ruined his credibility as a collector and art historian.

The book makes us long for the release of more of Price's 1940s films on DVD! How about MOSS ROSE or THE WEB or THE EVE OF ST MARK

The photos are unbelievable, especially the bare-shouldered, long-haired beefcake shot that begins the book (London, 1935, with a pervert behind the camera) or the December 1964 shot in which Elsa Lanchester, Vampira, and Carroll Borland pose with Price at the opening of THE TOMB OF LIGEIA. All these different generations of horror stars frozen forever in one frame: it's like a white version of A GREAT DAY IN HARLEM.

The first part of this coffee-table sized book gives an overview of Vincent Price's life, as well as his career. Obviously not a believer in reincarnation, this section concludes with a quote from Vincent Price himself. "You only get one time around, so why waste a minute of this glorious life?" The remainder of this book discusses every feature film connected with Vincent Price, whether he was the star, co-star, narrator, had a brief cameo or did the voice of an animated character. All 100 entries give the release date of the film, the film studio that made the picture, the running time, whether it was filmed in black and white or color, the cast, the director, the producer, the writer, etc. The next section gives a synopsis of the plot, sometimes followed by quotes from the man himself or other actors appearing in the film, and all concluding with contemporary reviews of the movie. Each entry has at least one photo from the actual film or a candid picture taken on the film set or, at the very least, the accompanying movie poster. Two things struck me while reading this book. One, Vincent Price was a versatile actor who excelled in every genre of film he appeared in, not just horror movies. Two, every actor quoted mentioned his wicked sense of humor, how great he was to get along with, and his professionalism. Of the latter, Gregory Peck summed it up best. "You get a bad piece of material, you do everything you can to improve it...That's what you're supposed to do. That's what Vincent did. I'm sure that he never, in his life, phoned it in, so to speak, or did less than his utmost best..." If you're looking for a book that dishes dirt and recounts gossip, look elsewhere. If you're looking for a comprehensive book of all of Vincent Price's movies, look no further.

Forget the biographical portion of this book - it's short and general, though sufficient to the purpose of what this volume really is, which is a celebration of Price's life and films.

What sells this book is the pictures. Gorgeous stills from all of Price's movies - and quite a few from his life and stage plays, as well - plentifully stuff this beautiful coffee-table offering, on every page. Each film is discussed briefly, along with notes on its place in Price's life and ouevre, and accompanied by comments from his directors, producers and co-stars, and even Price, himself. Each picture is worth a thousand words, and some of them are really remarkable - for instance, cartoon cells from characters Price voiced for Disney studios and Miramax (The Great Mouse Detective and Arabian Knight) and Hanna-Barbera's The 13 Ghosts of Scooby Doo. There are photos of him with famous seemingly unlikely latter-day admirers, like Alice Cooper. Caricatures and print-ads abound, such as Price selling Tuaca liqueur and Emba minks. Even his image on a long-forgotten Milton Bradley "Shrunken Head Apple Sculpture" kit is on display.

If you're a fan, or looking for a Christmas or birthday present for someone who is, you just couldn't beat the bargain of this book at twice the "price"!

I can hear that silly associate of Patsy Stone's of ABFAB saying "lots of lovely...photos," and besides being a great filmography of Price's work, this book features a host of visuals that aren't the run-of-the-mill variety publicity shots you're likely to find elsewhere. Nice quips from Price himself and colleagues about his films, life, and art-collecting. A great reference for the shelf. Wholly recommended.

on page 252-253 there's a great picture of Price, Christopher Lee, Peter Cushing, and John Carradine in 1983 during a photo session for the film "House of the Long Shadows", a movie that i like {however, i hate the character that Arnaz, Jr. played because of his cynicism and lack of respect for traditional horror}. the pictures, incidentally, make up for the lack of coverage of Vincent's other careers! there's pictures of his cartoon characters from Disney and Hanna-Barbera. there's posters for the "Butterfly Ball" project plus numerous print ads for products that appeared in magazines. a picture of him with Alice Cooper is also shown! the rest of this book highlights all 100 of Vincent's FEATURE films, which are anything that is shown in movie theatres. i think the book is great! seeing the pictures and movie posters are like walking through time...i wouldn't have added any negative criticism about the movies because it dampens the mood of the book, which is to be a celebration of his career in movies...but there are several harsh criticisms of his films from critics and Vincent himself, who himself was a critic: of art! the book also contains Vincent's now-legendary comments on his own profession just after wrapping up the 1987-released film "The Offspring". in brief, Price announces that he's tired and bored talking about horror films. it's then explained that the film he just finished maybe caused him to be a bit testy with the reporter. Price had realized after his scenes were complete that the producers/director were filming extreme gore and slasher elements to be aired around his narrative parts and it made him furious that his name and image would be grouped with that TYPE of film once again {1984's "Bloodbath at the House of Death" was pretty gory and Price's appearance clashes with the sadistic storyline}. "The Offspring" was a Tales From the Crypt meets Twilight Zone anthology in which Price plays a town historian in rural Oldfield. a picture from that film (a shot of Price at a desk) is here. GET this book!!!