Arts Books

This book is an indispensable companion for huge fans of the ALIEN series, especially those who, like me, think that ALIENS is the pinnacle of the franchise. But even if you're just a casual fan of the series but a major lover of science fiction, this is a great book to have.

The most amazing part of the book is the long essay on combat between capital ships in space. The essay is a very hard-science fiction oriented piece that addresses a lot of the issues with ship to ship combat that are taken for granted in works like Star Trek and Star Wars. It addresses issues like combat between two ships in orbit around a planet, cloaking against a starfield, space mine arrays, directed energy weapons, railguns, and the use of decoys in space combat.

The rest of the book is equally believable in its portrayal of futuristic warfare, and it does an excellent job of giving background information on the world of ALIEN without holding the reader's hand or revealing everything. The pictures, drawings, and schematics are nothing short of amazing.

The book delivered exactly what it was supposed to. The equipment described were mostly from the second movie, which was expected since the colonial marines only made an appearance in that one. I was expecting a few more vehicles and weapons that were not shown in the movie. The arsenal of the marines appeared to be very limited. Whatever the case, this is a good book for fans of the movies and sci-fi fans who like big weapons. The section on the aliens themselves was kind of brief, being mostly accounts from Ripley.

I loved the quotes between the sections. The ones where other Marines are "telling what they heard". You get bits and pieces and everything gets exaggerated and blamed on the Company. It's funny "because we know better." And the descriptions of the APC and dropship are great. Too bad we don't get to see them more in the movie.

Not much more I can add that others haven't other than to push the point home. This book is a technical sci-fi fan's dream come true. The level of detail and realism put into this book rivals that of the Star Trek technical books, and even surpasses them on some levels. This book is painstakingly researched and is an official and authorized explanation of the weapons, ships, tech and much more are covered in this book.

Just about everything you could want to know about the technical aspects of the Alien and Aliens universe are here. You can know exactly how a pulse rifle or a power loader works. You can see the inner workings of a dropship. You can see the full capabilities of the Sulaco. You name it, and it's there. You even get entries for military equipment that was not in the movie, but still part of the Alien universe.

Did I mention Alien? Yeah you get a ton of information on the Nostromo as well as details on the escape shuttle and equipment they used. You also get extensive details on androids as well (from both movies). They even go so far as to explain how faster than light travel works. Not only do you get all this, but you get some awesome information regarding the alien itself.

The book itself is very well made considering it's labelled as a paperback. The cover is a thicker card stock and glossy on the front while the pages are made from a quality paper as well. The book quality is like what you would find on the Star Wars technical books or better. Definitely bigger than those books.

I wish all sci-fi technical books would go into this much detail with their subject matter. This book is pretty much the standard I look for in other technical manuals. If you ever get a chance to find this one and are either a big Alien fan or just a big fan on these types of books I recommend getting it. For some of you even with the high prices (I think the original list price was around $20) you see in auctions and here you might still find this book worth it.

this book provides a great deal of information on the Colonial Marines from "Aliens". all of you potential Aliens video game modders out there must get this book. it has served as an excellent reference book for all my "Aliens versus Predator" modifications. with several illustrations, it also provides the artist with valuable "Aliens" info. even the curious Sci-Fi geek will find this book thoroughly interesting.

This is a wonderful book for a metal working student just starting out. It contains technical information in an easy to follow format, as well as lots of illustrations and clear directions. The coil on the spine makes the book easy to follow while working on a project. The student edition is a great place to start in learning this new craft

This is easy to follow with step by step instructions. If you are interested in learning metal smithing, I highly recommend this book. It is a great resource book for future use as well.

this book is very good and explains in plain english the how to's for this subject.

Book covers all the basics and more. I learned a lot from it and use it as a base for many different types of jewelry that I make. It's well written and can be used by beginners and the more experienced metalsmiths.

A tremendous book that covers all of the basics. If you are considering taking a class on metalsmithing, you should consider this book. It is an inexpensive foundation book that covers all of the basics and gives you good information on almost everything. Some of the more advanced details are not covered, but it has so much basic information that can be forgotten.

I thought this book is very good for beginners who are interested in roman army and equipment. it is nicely divided into 4 parts, and the terminology is clearly explained with photos or illustrations. There are also small surprises where specific campaigns are discussed in a 2 page summary. i will definitely recommend this book for beginners

Anyone interested in Roman History should include this in their library.
Excellent detailed pictures and written history.

Adrian Goldworthy's The Complete Roman Army gives a pretty complete coverage of the Roman legions during their heydays during the late Republican and early Imperial periods. It reflects on the gradual evolution of the Roman army as it developed from a semi-professional civilian army of the Senate to a permanent professional forces under the Caesars.

The book gives a pretty complete coverage of this army. The information given is clear and written with clarity. There's enough to provide the needed information and no more. It refreshing that there is no overkill of information that will only result in clutter for a book like this. The balance of the information given is just right. The book comes loaded with well drawn illustrations, nice photos, maps and diagrams that gives a clear and understandable images to accompanied the text. As one previous reviewer wrote, it truly is one of the best single volume reference book on the Roman legions during its heydays.

And that is what this book is, a reference guide to the Roman legions. Anyone seeking a quick answer to any questions on the Roman legions, this is the book to touch on. I have loan out this book to people who are not historically minded but like to read Roman historical fictions like Simon Scarrow's Cato/Macros series for example. For readers of such series, this book is almost tailor made for them.

On the down side, this book is pretty expensive for a casual reader to buy and it doesn't go into much detail during the decline of Rome. But I don't think that was the real intent of the author.

Overall, an excellent effort by Adrian Goldworthy who wrote a really accessible reference book on the Roman legions during its heydays and make it interesting and informative enough that even veteran readers like myself or a novice who is only interested in fictional history, can both enjoy this book.

Because I am writing a novel about the Roman Army I was looking for a source that brings my research together. Having read several of Goldworthy's works I knew this book would be well researched and very readable. I was not disappointed. The graphics are great, drawings, paintings, maps, diagrams and photos really bring support the text and answer a lot of questions that even a professional researcher may have.

The complete Roman Army is just that. Although it will not stand alone, it is the one work I have in my library that answers the lions share of my questions. Since buying my first copy nearly two years ago, I have begun sending it as a gift item to other enthusiasts, even one to my editor. This book is a good investment.

If you are going to buy one book on the Roman Army - this should be that book!

Historian Adrian Goldsworthy write authoratively and in great detail on every aspect of the Roman Army, including the Republican Army, the Professional Army, the life of the Roman soldier, the Roman Army at war, and the Army of late Antiquity.

This book, which is a great read and is lavishly illustrated with maps, photographs, timelines and charts, provides unparalleled insight into the armies of the Caesar's as well as all aspects of warfare through the late 3rd Century.

I've already made about 10 projects from this book. If you are a gardener, or like to 'ornament' your yard with tasteful items, this may be your book.

As soon as this book came, I had to go through it cover to cover. I love the projects, and the way everything is explained step by step. You are also given advice on using different mixes and techniques. I feel that the author not only teaches you how to do the projects in her book, but gives you the knowledge, skills, and encouragement to go beyond that. And that is exciting!

This is a good book for learning how to make your own hypertufa and concrete ornaments, including how to make the molds or reinforcements. Some of the projects are of overwhelming size for a person who is interested in small things for their garden. I like the planters, but some of the other things in this book are way too modern and gaudy for me.

If you want to learn to do concrete ornaments for your yard, there is an incredible book still in print since 1904 called Concrete Pottery and Garden Furniture by Ralph C. Davison, which shows how to make garden ornaments such as columns, table, benches, planters in the Victorian and Greek styles--more my taste. This little book is packed with valuable photos and diagrams of how it's done.

I would recommend Davison's book over this one, but Warner's book still has some great recipes for hypertufa and unique ways to construct molds for concrete statuary.

This is an excellent resource for learning concrete sculpture! Start with this one, then get her other book, "Creative Concrete Ornaments for the Garden: Making pots, birdbaths..." for more advanced projects that reinforce your skill leves.

Explicitly exhibits (photographic) the process of concrete ornament construction - even suggests creative alternatives to Ms. Warner-Hunter's designs. You don't have to be an "official" artist to follow these instructions or to create beautiful garden scultpures/containers! Is written for the average-intelligence adult and is not at all "art-speak"!

I never wanted to 'get into' dancing or acting as a child, but this book makes the
world of a child theatrical performer (70 years ago) come alive. I read this so many times. It was just so entertaining. Great book!

"Ballet Shoes" is probably the most popular book in the "Shoes" series, but "Dancing Shoes" is also very good. It tells the story of two girls, Hilary and Rachel, who are training to become dancers on the stage. It is similar to "Ballet Shoes," but for anyone who enjoyed any of the other of the "Shoes" books it is worth reading.

I've been wanting these books for years now. I'm glad I finally got 2 of them. They came very fast and I love them. Thanks.

I received this book when I was about 8 years old. I took one look at it and thought, "I am NOT going to read this. It's a BABY book!" I never touched the book again until 3 years later, when I was 11 years old, and decided just to try out the book. OMG! Was I wrong! This was not a baby book! The story of Rachel and Hilary Lennox and their lovable (in a villainy way)conceited cousin, Dulcie Wintle, is a charming book that every one (and I mean EVERYONE) will love.

Rachel and Hilary come to live with their Aunt Cora, who runs a dancing (ballet, acrobatics, musical comedy, etc.) school, when their mother dies. Aunt Cora is set on making them both "little wonders" but Rachel finds that she disdains it, having no talent for those types of things. Hilary, however, finds that she loves it, and has a real talent for it, too! But Rachel doesn't want Hilary to be a "little wonder," let alone love it! Hilary was going to go to the Royal Ballet School of Dancing before their mother died, and Rachel is set on making her go after her mother's last words for her were to make sure Hilary went on with her dancing.
Misunderstandings will get in the way, as Hilary grows more and more with the "bad" type of dancing, becomes competition with Dulcie, and Rachel comes to find that dancing may not be her thing, but that doesn't mean that stage is not...

Dancing Shoes is a similar formula compared to Streatfeild's other books. After Rachel and Hilary's father dies, they are sent to live with their Aunt Cora, who owns a talent school and troupe. While Hilary is a very talented dancer, she wants nothing more than to have fun. Her sister, Rachel wants nothing to do with dancing, but she does want Hilary to go to the Royal Ballet School to study proper ballet, as her family and old dance teacher wished for, even though Hilary doesn't want to. So everyone, including their mean and selfish Aunt Cora, believe that Rachel is jealous of Hilary. Meanwhile, Aunt Cora's talented, and conceited, daughter now has competition with Hilary.

The book is full of the same charm as her others. While not as endearing as Ballet Shoes and Theater Shoes, maybe only due to the nastiness of Aunt Cora and how mean she is to Rachel, it is still a wonderful read. Any fans of Streatfeild's other books will surely love this book as well.

A comprehensive story of a less well known battlefield of World War II. Some confusion over the repetition of numerical regiments, but all-in-all good reading.

Field Marshall Slim was ordered from Iraq to Burma to take command of the front in the upcoming Burma debacle. Under Wavell first, and Auchinlek later, he retreated with the Commonwealth armies into India, and later on led the allied armies into victory against the Japanese forces.
His writing is clear, concise, and he does not spare himself from criticism, Often after describing an order he gave, or wished he had given, he will go on to explain how his plan was a mistake, and how he should have done it instead. This is precious insight on the mind of the commander. In many first person war stories, we are told what happened, but not why, and when errors are committed, there is always a lot of blame sharing. Here it is different. Slim tells you what he did wrong, when, and why. This is refreshing.
He shows great respect for his enemy, and describes the enemy's gallant attacks and heroic defenses with respect and appreciation for the heroism of the Japanese soldier. He does not fail to condemm the Japanese war crimes.
He exhibits great wit in describing the different attitudes of the Indian, Sikh and Gurkha soldiers. In one instance, after a Japanese attack in Inphal, some Gurkhas had been ordered to bury the enemy bodies. One of these wasn't dead yet, so the Gurkha trooper gets ready to cut the enemy's head off with his Kukri knife; a British officer tells him "Don't kill him!", and the Gurkha answers "But sir, we can't bury him alive!" Episodes like this give a great sense of realism and "being there" to the whole story.
The best book I've read to date on the Burma front.

I have always heard that Defeat into Victory - Battling Japan in Burma and India, 1942-1945 by William Slim was an excellent book for military leaders and planners. Despite this, I was resistant to reading this book for several years. Field-Marshal Slim, after all, was a failure. He failed to stop the Japanese advance in Burma and took a shockingly long time to retake Burma.

After finally reading this book, I must admit I was wrong. This book is useful on at least four levels. First, it is a good read on a little known part of World War II. Even if one is knowledgeable about General Stilwell's experience in the China Burma India (CBI) Theater, this highly focused work will provides new and interesting insights on that theater of war. Second, Field-Marshal Slim was forced by circumstances to be very creative is his tactics, techniques, and procedures. It is useful to see how many of these ideas were adopted in modern militaries and how many still might have value. Third, Field-Marshal Slim has some very specific and interesting "lessons learned" spelled out in the last section of his book. Fourth, leadership as applied in combat, in a bizarre multi-cultural environment, and in the disease ridden tropics might be useful for both current military folks and those in business.

It was a surprise to learn about the relatively large number of troops involved in the Burma campaign. Like most Americans, my image is of a few aviation and engineering units and that the bulk of the fighting, to the extent there was any, was done by Chinese units and a handful of "special forces/commando" units. It was insightful to read about the difficulties in mixing the militaries of different nations. The British attempt, largely successful, at outsourcing the fighting to Indian and West African units was meaningful as well.

The use of helicopters and air mobile brigades was one of the many innovations that Field Marshal Slim implemented. The development of riverine forces was also interesting and potentially worth study since the U S Navy has decided to reintroduce such forces based on lessons learned from Iraq.

From page 535 - 551, Field Marshal Slim offers some specific lessons learned based on the Burma campaign. The only area where I think he is less than intellectually honest is his discussion on "Special Forces". Field Marshal Slim rejects the usefulness of special forces, but if one reviews his actual campaign, he seems to be inclined to argue the usefulness of small groups of elite forces that act as enablers of larger amounts of indigenous troops. Likewise, he is adamantly against commando and amphibious troops as "special". His argument is that all troops should be trained to do these types of things though perhaps not to the level that so called special forces are trained to.

Finally, Field Marshal Slim managed to survive in a complex and bizarre multinational environment. It seems as if the United States might be in such situations in the future. Indeed, NATO forces in Afghanistan and Multi-National Forces in Iraq are - while different in detail - much the same in terms of the diplomatic and relationship building that is required of senior military officers.

This is a solid book for a variety of reasons. I highly recommend it.

Field Marshall Slim, Viscount of Burma, never lets us forget that it is the soldiers in the field that win battles: not politicians in their ivory towers, or generals in their bunkers far behind the action. Slim's theory is that politicians give guidelines for the campaign, and generals provide the training and backup so that the soldiers can get on with their business. He should, when possible, not get in the soldiers way.
This is a marvellous account of how the Commonwealth managed to stem the Japanese tide in South-East Asia. The main part of the book describes how he managed to restore morale and discipline in the army that was so humiliatingly defeated in 1943. That part should be compulsory reading at any management school. His solution was simple: he accepted that the defeat was due to faulty planning of the general staff. He then set out to provide training and equipment to the front-line troops. Since he commanded a multi-ethnic international army, he saw that every unit was supplied according to its own special needs. He even put his own staff on half-rations if any field unit lacked provisions - which usually quickly solved the problem!
As few generals and politicians he understood that war is about individuals and small units - they just add up to something bigger.
Slim could really write, the book is full of small anecdotes and self-ironic humour. When he writes about the actions it is af we were really there in the midst of it.
Finally, and most importantly: the book is totally devoid of any racism or demeaning of the enemy, it is incredibly respectful of his own native soldiers and of the Japanese enemy.

Field Marshal Slim's excellent memoire of the fighting against the Japanese in Burma and India during 1942-1945 is remarkable on at least two counts. First, the Allied armies were badly beaten and hustled unceremoniously out of Burma in 1942, yet reorganized in time to defend India and went on to liberate Burma in 1945. This feat was all the more remarkable for being fought over some of the most rugged jungle and mountain terrain in the world, under often horrendous weather conditions, at the distant end of the Allied supply lines. Second, Slim's account is exceptionally candid with respect to his leadership, to include mistakes made (his and others), to his opinions of his allies and opponents, and to the political wrangling that goes on in any coalition military effort.

The China-Burma-India Theater of World War II did not include large numbers of American ground forces, and has therefore been left largely in the shadows of the fighting in Europe and the Pacific theater. However, the Allied forces inflicted a massive military defeat on the Japanese Army under extraordinarily difficult conditions; there is much to learn from the common sense, improvisational approach employed by Slim in planning and organizing his campaigns.

Slim arrived in the theater as a brand new corps commander just at the start of the Japanese invasion. His efforts to cobble together a defense were repeatedly overturned by the relentless Japanese attack and by the scarcity of resources. Slim managed to extract his forces and in successive positions as corps and army commander, rebuilt them into the force that went back into Burma. Slim's account is comprehensive, even exhaustive, describing both the operational-level planning and administrative support and much of the tactical level fighting in the jungles. His high regard for his multi-national army, composed of British, Gurkha, Indian, Chinese, and American forces, and his care for their morale is evident throughout his account.

"Defeat Into Victory" is a long read at over 550 pages; the casual reader may be overwhelmed by the length and level of detail. The student of military art without prior background in the China-Burma-India theater may have some challenge putting Slim's account into proper context. The limited selection of maps are a bit difficult to read but enable the reader to follow the course of the campaigns.

This book is very highly recommended to the student of the military art looking for a very readable account of the Allied campaigns in Burma. Those who persist to the end will be rewarded by Slim's retrospective on the fighting in Burma and the surprisingly modern conclusions he draws from the experience.

Wonderful - the shots were amazing. I really enjoyed just leafing through the book and let the visions just wash over me.

Frans Lanting does it again in Eye To Eye--a brilliant collection of intimate portraits and daily activities of various animals. Like Jungles, it's a book that no natural photographer should be without. When you can see the individual hairs in a courgar's fur coat, it makes you kind of wonder what it would be like to be that close to one.
Looking at Lanting's work is always like looking through a book of artwork, as if he is the Picasso of photography and we are looking through his masterpieces.

From the elephant up to the insect, from the cayman up to the seal every animal looks us in the eyes deeply. "Less than the human being: - the monkey follows in the system of zoology according to an immense ravine. If one, however, once wanted to organize the animals after her bliss, cosiness etc., then some people would come to stand anyway apparently under the miller donkeys and hounds ... ", 250 years ago the nature scientist Georg Christoph Lichtenberg already wrote. However, he did not have a camera yet to hand to cover this. Frans Lanting, however, shows us the determination with which snow geese and ibisses, penguins or zebras are away to something, shows us her family care and the dignity of animals in liberty - at times, when more and more people feel caught - a book which reminds us that "upright walking"- that synonymous of the philosophers for courage and self-respect - that you can make it true even on all four paws...

Frans Lanting is one of the great wildlife photographers of the world. He has published many books showing wild animals but "Eye to Eye" is certainly one of his most famous. It consists of dramatically close-up photographs of animals, always concentrating on the eyes of the subject.

The book is divided into three parts: "One on One" shows photographs of single animals, often so close that the frame is filled completely with just the animal's eyes. "Two by Two" usually shows pairs of animals, although there are occasional shots of larger groups. Often the pictures are of mother and child, or mates, but a few shots show conflict. "All in All" shows shots of larger groups of animals. The book also contains a two page section called "Behind the Camera" in which Lanting discusses his photographic philosophy but provides few hints that will allow others to copy his style. Finally, perhaps because the text of the main sessions is limited to species name, there is a section of thumbnails with a brief statement concerning the picture. I found this section to be particularly inadequate since I often said to myself "How did he do that?" but got no help in finding an answer.

These are amazing pictures, primarily because Lanting has managed to get so close to his subjects. In a few pictures we can see that that is a result of enlarging and cropping, but in most cases the pictures are sharp enough so that so that we realize he was really close to the animals. Moreover, with a few exceptions, these are not captive animals. I for one would not like to take a picture of a wild lion at a distance of twenty feet. At least one critic has suggested that this book raised the bar for all wildlife photographers, forcing them to get closer to their subjects, and placing more stress upon photographers and subject.

There are moments of great intimacy, particularly in the "Two by Two" section, where the pictures of parent and child tug at our heartstrings. It's hard not to see human characteristics in these photos. The book also benefits from its layout, grouping its subjects by actions. Thus there are pictures of a huge flock of butterflies followed by pictures of ibises, penguins, snow geese, zebras and elephants all purposefully on the move to some destination. I also particularly enjoyed facing pictures of a lion and a leopard, moving toward the centerfold in mirror image.

These are great photographs because the photographer got so close to his subjects. But they are also mostly documentary. Few of the pictures rise to the level where the form rather than the subject makes them art, although I was particularly struck by a picture of Oryxes carefully treading their way across the Namibian sand dunes. But when I compare Lanting's photographs to the work of other wildlife photographers like Art Wolfe, I can see the difference. The pictures in Wolfe's "The Living Wild" show each animal in its environment, where Wolfe was better able to concentrate on the composition of his subjects to create a more artful picture.

Not withstanding this quibble, "Eye to Eye" is a great book, and readers are unlikely to soon forget these close encounters with the other living inhabitants of our planet.

Wow !!! How can anyone get so close?!

These photographs are stunning. The talent of Frans Lanting oozes from these pages.

There is a closeness to the subjects here that borders on the intimate. In some cases, one wonders how he actually managed to get the shot.

The focussing and exposure is spot on and the composition is perfect.

I have tried to follow this type of photography and I am only too aware of how difficult it is to obtain these sorts of images.

I take my hat off to Frans Lanting. This is a brilliant work. A completely unique approach to wildlife photography. His behind the scenes narrative to the shots is illuminating.

This book is a valuable reference for all nature photographers. Sensational !

This is an excellent text/reference for drawing enthusiasts, or students of drawing. Both the way it is broken down, and uses examples from the masters to illustrate the concepts offer a really solid grounding in how line is used to describe space, shape and tone.

This is one of the "timeless" drawing reference books every artist should look at when he/she needs inspiration. Hale picks some of the most dynamic life drawings by the old masters--Leonardo, Ingres, etc.--and disects them in terms of composition, tone, thrust, etc. He is right on in his suggestions that artists should study human and animal surface anatomy to understand the figure. I found his discussion of light and shadow especially instructive.

More of a philosophical approach to drawing than instructional. But, often i find it enlightening to learn HOW to think...more so than WHAT. A great artist can synthesize his ideas rather than simply comprehend them. This book exemplifies and necessitates this philosophy.

I like that he has a full page to show the drawing and on the facing page he has a smaller version with commentary. He places capital letters on the drawing so you can see exactly which line or shape he is discussing.

Robert Beverly Hale was one of the masters in teaching figure drawing. A must for serious students of figure painting.

This is a must have for horse lovers. The photos are outstanding. The text is also worth the purchase.

Great focus on a limited number of similar horse breeds.

I KNOW HE LOVES HORSES BECAUSE OF THE WAY HE PHOTOGRAPHS THE ANIMALS EYES!!! HE IS A MASTER!!

I WISH I HAD KNOWN ABOUT THIS GUY BACK WHEN I HAD MY HORSE!!
HE MUST LOVE THE ANIMALS BECAUSE, HE PHOTOGRAPHS THEM SO, WELL!! HE FOCUSES ON THE EYES OF THE ANIMALS IN MANY PICTURES AS IF, HE IS LOOKING AT THEIR SOULS!!! I DO NOT REGRET PURCHASING THIS BOOK AT ALL!!!!!!!!! I WOULD RECOMMEND THIS TO EVERYONE WHO LOVES HORSES!!!!!
SHIRLEY GREER

Overall, I'd have to agree with the reviewer's comments from Lakewood, OH.

Anyone familiar with Vavra's work will recognize his dreamlike, romanticized approach to horse photography. More "artsy" in style, tone and layout - than the straight forward approach.

Lots of soft-focus photography with heavy post-production image editing (layering of horse upon background, and vice-versa). I own two of Vavra's books (this being the second one to "Equus: The Creation Of A Horse"), so whether or not one likes this style of equine photography is a matter of personal taste. Still, this is a beautifully printed and bound book, with some outstanding equine photography.

See my review of "Equus: The Creation Of A Horse" for further reviews of Vavra's work.

Forward by William Shatner (yes, Captain Kirk!).

If you are a horselover and enjoy books on equine photography in general, check out the work of Gabrielle Boiselle, Johnny Johnston, Henry Dallal, Fulvio Cinquini, Jennifer Forsberg Meyer, et al. All have made their career photographing horses, and it shows. Boiselle is a personal favorite.

The best How to draw Fairies book for beginners available.
Filled with valuable drawing and paint tips, along with beautiful fairy prints for inspiration.

This book was not only wonderful to look at, it was very instructive also. A fantastic way to spend a rainy day!

this is a nice little book. but i don't think the fairy faces are very pretty. it gives you good ideas for the poses. but you'll have to have some knowledge of how you like pretty fairy faces to look cause the artists depictions are not that pretty.
you could draw inspiration in some of the scenes and poses though. also when you do the -search inside this books pages option- the pics they show are the best pictures in the book. theres probably a more visually stimulating fairy book out there but this book does give some good instruction and i do not regret purchasing it as a gift for my niece.

I saw this book at my local craft store at full price, but waited till I got home to order it, since I had to place a order though Amazon - and with the reduced price and the free shipping is was a great deal. I only had a moment to look the book over in the store, so I was pleasantly surprised when I got my copy, as to how well made the book was. It's a glue/sewn binding - very sturdy. The paper is also of good weight - and the illustrations are high quality and breathtaking.

Unlike the one negative review here, I was pleased to see the the first chapter contained basic information on supplies and color theory. I am no stranger to drawing and painting - but I am self taught so it was very informative to read a up-to-date book, (as most of my books are of the hand me down variety, and are at least two times older than I am!)

The in between chapters cover everything from drawing to painting techniques that I have puzzled over in my favorite fairy art. It was wonderful to see everything laid out step by step. The final chapter contains a collection of fairy art of different styles and talent levels, and just like the rest of the book I was inspired by looking over the different pieces.

My only minor complaint about the book is on page 21 which covers paper stretching. I believe they make a mistake and list the steps out of order. I had to go online and look it up to figure it out. First gather your supplies, paper, gummed tape, board, water and wet the paper, THEN wet the tape and tape the paper to the board. Also the online instructions said to leave the paper on the board WHILE you do the art - which makes perfect sense to me now that I think of it. But the book said nothing either way, and I thought that I had to remove the paper after it was dry. Although the illustrations do show the tape removed from the paper after the paper was dry.

Overall I am thrilled to own this book!

I haven't had time to actually sit down and try painting, but the book was beautiful and I enjoyed looking through it. It was fun to let my imagination dream a little.