Arts Books

I am an elementary school music teacher with students ranging from pre-K to 5th grade. I read this book to all of my pre-K and kindergarten through second grade classes and sometimes the mood strikes me to read it to older students. There is something in here for most every age. Everyone loves it.

So why does Raschka draw chicken feet in such odd places, e.g., on overshoes, alphabet letters, pancake flippers?

Well, rumor has it that one day Charlie Parker was driving back to his boarding house and, as luck would have it, he hit and killed a chicken that had run out into the street from someone's front yard. Such chickens are called "yardbirds". The alleged events include Parker doing the unthinkable, namely, backing up his car, picking up the dead chicken (aka "roadkill"), taking it to his landlady (hey, it was fresh!), her cooking it, and him eating it. When friends heard this story, Parker was known forever after as "Yardbird", which was eventually shortened to just "Bird".

If you didn't catch the part about the chicken feet on your own, don't feel badly. Insiders like Rachka and myself know it and now you do too. Rachka has done a terrific job in providing a lot of feeling about some very notable personalities. Plus he does it with humor, some of which is very subtle.

My students probably have as much fun going through Parker's history as with the book itself. But all of that is just the preliminaries: I then have to read it several more times with the students reading and acting out the story. We have a rockin' good time.

This book introduces jazz to a young audience. It explores the sounds, rhythms, and emotions of the genre through colorful pictures and rhythmic words similar to the beat of "scat" singing.
Lots of the words are there just for the sound of them. By focusing on the sound words, students could develop spelling strategies that help them move from phonemes, the sounds they make, to graphemes, the written representations of those sounds.

This book is excellent. The illustrations and musical text allow for early readers to really enjoy and learn from this book. Perfect for preschool and kdg age. I used this book as the basis of a jazz unit, it worked wonderfully.

"Charlie Parker Played Be Bop" was my son's favorite book when he was two and nine years later we still have fun reading it. I now purchase a copy for new parents to read to thier babies. As a speech language pathologist, I want to share to magic of words and the music they can make! This book is an absolute MUST read for all children.

I wasn't sure how my little one would respond to this book even though I love it. If I ask, "Do you want to read about Charlie Parker?," she lights up and starts literally starts to bop. The baby digs it. Just more evidence that the jazz is a universal language. I like the introduction to poetry, rhythm and randomness ("Never leave your cat alone"). I bought two other copies and gave them to my friends for their babies.

A Child's Christmas In Wales CD: And Five Poems
Hurrah! Now I won't have to wait for the radio to play Dylan Thomas reading his wonderful Child's Christmas every Christmas. Truly a beautiful recording of the other poems as well.

My goodness, these illustrations are ugly. They completely detract from the beauty of the language. Either read it out loud to a blind person or stick with the version illustrated by Trina Schart Hyman.

This reading of A Child's Christmas in Wales is tops! It wouldn't be Christmas for us without hearing Dylan Thomas tell his story. He recounts a holiday of simple, family and neighborhood doings, and paints a picture of snowy, seaside Wales of the 1920's.

I love this story, as do all my children, who, from their earliest years, have not much struggled with the density of the language nor the scatteredness of the story. 5 of my 8 great-grandparents are from Wales, and the remaining 3 have the blood in them as well, so maybe it is like drinking water for us.:-D Our minds are all scattered, and words, even English words ;-D, fall on us in clumps....which makes it doubly hard to keep a clean house. LOL

The sort of prose-poetry imaginative way of seeing and describing the world unique to Welshwomen and Welshmen and Welshchildren, which does not seek to keep up the pretense that history can be separated from myth, story and desire, and which requires loving with eyes wide open to [and eventually embracing] one's own and others' bumps, bruises and idiosyncracies included, is extraordinarily well represented here. So, by the way, is speaking and listening to the close and Holy darkness!

My favorite version isthe one illustrated by Trina Schart Hyman. To me she has captured the complexity of the Welsh personality best, though i have nothing to say against the other illustrators praised in these reviews. I DO have a warning for you: there are some skinny versions flying about which do not have the poem-story complete and correct. This sort of work cannot suffer removal or modification, IMHO.

gbg

If you have read A Child's Christmas in Wales, you know that it has to be a classic. But you can't fully appreciate it until you have heard Dylan Thomas read it. What a deep, expressive, poetic voice. For years, I have listened to the recording on a Caedman record. It is wonderful to have it on a CD.

John August put me onto this book. He said it pretty much covered every question he gets asked about screenwriting format issues. And he's right.

Even if you've already written enough screenplays to think you have format down, I guarantee you'll find this a handy reference. It's precise, concise and easy to understand. A good book to have on your desk.

I'm a working screenwriter with two produced films under my belt and several more in development, but I still refer to this book on a constant basis. No matter what kind of formatting question I have, this book has the answer. I don't think I've been stumped yet. Case in point: Today I was writing a scene where I wanted to smash cut to some footage from a character's amateur documentary with a minimal break in the pacing. I didn't know how to do it. So on a long shot, I scanned the index of this book and found "home video" addressed on p. 22. Sure enough, Christopher had the answer for me. (You just put "Home Video" in parentheses at the end of the slug line.) So thanks Chris for getting us all of us on the same page. Now if only you could do the same thing for comic book scripts!

THANK YOU! THANK YOU! THANK YOU! I have been searching for hours for a book on FORMAT. I don't want a book on how to write screenplays because I want to write my own screenplay my own way, not someone elses. I only wanted a book on the technicalities of the physical script and this is perfect!

An excellent compilation of industry standards of formating. Altough I've been writing for many years, this book taught me things I plain didn't know. The only shortcoming - if it could be deemed that - is that writing styles seem to change with the wind and whim, and formatting sometimes is affected. But this book gives you the basics upon which to build. Definitely recommended.

I came upon this book in the library after my professor had told us to buy a hundred dollar book on scriptwriting format. I was utterly appalled because the book she gave us was far more complicated than it needed to be. This Hollywood format book clarified the essentials. If you are going cheap and reading on the internet about different scripts and try to emulate it in Movie Magic or Final Draft, first know the difference between the script formats. Get this book before you end up doing things the wrong way and have to start all over again.