Arts Books

This system of movement has assisted me to release old tensions that I was unable to access or release in any other way. Truely a way to rejuvenation.

This book really does a good job of explaining standing (Zhan Zhuang) and Qigong to the beginner. My sifu had recommended that I do standing practice, and had taught me a qigong set, and I found that reading this book helped me along. Some of the things (such as the Ba Duan Jin qigong set) differ slightly from the way I was taught, but basically the book is right on the money, and does a good job of helping you understand what everything is for. I also like the warm up exercises before standing that he shows, they really do help. The book is very well illustrated also, which is a plus. Highly recommended, especially for anyone into internal martial arts.

This book is arguably the very finest introduction currently available to the practice of QiGong, especially for those who do not have access to a trustworthy living teacher. QiGong's burgeoning popularity has generated a plethora of both violently skeptical and credulously New-Agey essays. Rather than taking either on faith, you can actually experience internal Qi for yourself and make up your own mind as to its value, using this volume as a guide. Lam Kam-Chuen is one of a tiny handful of QiGong teachers who are fully qualified to write a practical instruction manual geared to the average Western person. For those who want to actually experience the truth about Qi for themselves rather than chew an academic cud of pre-digested dogma, this book is worth its weight in gold!

The past few years I've been practicing various types of meditation and decided I wanted to combine meditating with movement, so I turned to the internal martial arts (Qigong, Tai Chi, Xiang Yi, Ba Gua). After speaking to several internal arts teachers from sound linneages, they all recommended starting with Qigong, and to spend at least half a year only mastering several postures before moving on to the other forms of the internal arts. I bought this book because Master Lam's method seemed in tune with this belief, and I was pleasantly shocked at the results of this book:

--The book says to expect changes over a span of weeks; after the first day alone my back felt more loose, stress free and relaxed then it had in years.
--I no longer have the need to drink caffeine in the morning to keep me up throughout the day.
--I've slowly started to be able to detect an actual physical presence of chi throughout my body (this is coming from a fairly rational/logical, non new-agey type of guy).
--My overall mood and energy has improved.
--I have a much more peaceful state of mind.
--My hypertention has been completely erased; I can calm anxiety driven behavior down much more easily, and have learned to control and regulate my breathing.
--It has helped my cardio activities, long distance running & basketball, immensely. I feel I have more endurance, more balance, and more confident in both sports.

I owe a huge thank you to Master Lam for publishing a book that is simply written and easy to understand, while containing a wealth of information about the forms, postures, breathing, visualizations, anecdotes, meridians, and other information about Qigong, and Lam's specialty of Zhang Zhuang in particular. I'm still shocked at how much learning these postures has improved my life and brought me both physical relief as well as inner peace. Highly recommended.

The Way of Energy provides a step-by-step, almost month-to-month introduction to the practice of Qigong.

Many Qigong books are too "Eastern" for Westerners to read, or are too technical/textbook like, spending many pages going over the meridians, cavities, times of day and orientation. This is required knowledge for advanced practicioners, but gets in the way and is intimidating for introductory students.

The Way of Energy starts of with a simple, straightforward standing meditation. After a brief introduction to Qigong, Part One introduces two standing positions, discusses how to start with a few minutes then work your way up to many, a good section on breathing and has an excellent section describing the sensations most people experience when starting Qigong practice (this section is worth the price of the book for most beginners).

Part Two (which the text recommends proceeding to after a few months) introduces the Eight Pieces of the Brocade Qigong exercies (called Ba Duan Jin in this text) and introduces three additional and advanced standing positions. The reader is instructed on how to integrate these two new pieces into their practice. While the Eight Pieces of Brocade positions vary slightly from other texts, their descriptions are excellent and their purpose briefly but clearly explained.

Part Three describes four advanced standing positions and imagery exercises for the practicioner to begin managing their Chi. The last part of the book describes how to integrate these disciplines into everyday life.

In summary, an excellent introductory step-by-step guide. For more technical works, I would recommend the Qigong Meditation series by Dr. Yang, Jwing Ming (Embryonic Breathing, Small Circulation and the forthcoming book on Grand Circulation).

Writing about writing is wrought with woe, because a clever few words gathered by one writer may become muck in the minds of some readers.

However, here goes. Good conversation is based on a genuine interest in others. But, the key to good writing is a genuine interest in good ideas. Bradbury loves ideas, he is a master of wonderful "what if?" flights of fancy. For example, who else could see a fallen harbour pier and imagine it into a lovelorn dinosaur?

Bradbury uses words and ideas the way Thomas Edison used science and ideas. But what launches such talent? In Bradbury's case, a wondrous magician with a seedy two-bit carnival who took time to listen to the great ideas of a 12-year-old boy.

Complicated? Stephen Leacock once said about writing, "You just jot down ideas as they occur to you. The jotting is simplicity itself -- it is the occurring which is difficult."

So, how does Bradbury do it? Basically, his life is a fun adventure; he enjoys life; facing his day's work is not a burden, for him writing is always the fever, the delight, the ardor of life itself. He has the spirit of wonder, adventure and mischief of a seven-year-old. Think 'Calvin' of comic strip fame, and you appreciate the mind of Bradbury. If this seems odd, it is only because 'Calvin' is a cartoon boy instead of a white-haired old sage. Bradbury's ideas underwent a similar evolution from fantasy to relevance in the 1950s, when librarians and scientists awoke to see the genius inherent in science fiction.

A second element, which Bradbury downplays, also relates to Leacock, "I am a great believer in luck, and I find the harder I work the more I have of it." Bradbury enjoys his work with the delight 'Calvin' has in playing. If there isn't a 'Hobbes' in Bradbury's life, it's only because he hasn't told us of it yet.

A third element is Bradbury's love of books. In his early career, he wrote in the basement of a library. For a break, he went upstairs to the library and, in his words, "There I strolled, lost in love, down the corridors, and through the stacks, touching books, pulling volumes out, turning pages, thrusting volumes back, drowning in all the good stuffs that are the essence of libraries."

This book is much more than "zen", it celebrates "love" in a way that is almost lost in today's world . . .. . but which nonetheless has profound meaning. Romance novels are about the quest for love; Bradbury is someone who celebrates a love of new ideas every day.

Few books about writing are this good.

This is a keeper. Sometimes as authors we second guess ourselves and this really helps put writing into perspective.

It was fascinating to read here the writing autobiography of one of the favorite authors of my youthful self. Bradbury's reflection on his boyhood literary influences easily triggered my own look back to the time when he was mine. Zen, by the author's admission, was a very new concept for him (just a few weeks old) when he wrote the title essay in this collection. And also, he confesses, used as his title the way a medicine show barker would use "calliope, drum and Blackfoot Indian," to get the audience's attention. As for his actually doing the Zen thing, that would be a longer story, and the subtext of this book. Bradbury recounts the catalytic events of a long literary life, the necessary attention to the memory-material within, the introspective silence and the stepping out of bed onto a fresh metaphorical landmine each morning, the links back through time to smells and sights and fears and loves that shaped the stories he came to tell. Living like a lizard: full tilt boogey or unblinking on a rock. Details of formative events as disparate as the writing of his best known novel, FAHRENHEIT 451, in the basement of the L.A. Public Library or an early encounter with Mr. Electrico, a sideshow performer in a second-rate carnival paint a vivid self-portrait of a writing life. ('451 was written on a pay-per-use public library typewriter which required a dime per half hour, and the finished original manuscript cost Bradbury $9.80. Not a bad investment for a bestseller turned movie script which is still in print forty-five years later. And, of course, 451 tells the tale of a future day when all books are burned by official edict, starting with the libraries... Mr. Electrico zapped him with the news that he had lived before, and was immortal.) As a practical writing guide, ZEN pales compared to "DEEP WRITING, 7 PRINCIPLES THAT BRING IDEAS TO LIFE (Tarcher/Putnam, 1999) by Eric Maisel but this is a far better story: electrified, blazoned with color, and drunk while in charge of its own bicycle. A real treat for current or one-time or future Bradbury fans.

This book may be more for the word than the Zen practitioner, but it is for anyone wanting affirmation and inspiration for the craft of writing. Herein Bradbury provides us with the techniques and processes he used since the age of 12 to bring life to words; his deep love of writing and incredible memory, pour from each page making the reader almost drunk (on Dandelion Wine.) After reading this book you too will feel like you can and should write anything albeit with patience and practice.

Whether Bradbury realizes it or not, the discipline of writing is akin to the discipline of Zen as seen in consistent practice of that which we want to achieve, be it a novel or enlightenment. He shows us his method of confronting his childhood fears and shadows while also recommending that not thinking is essential to the creative flow of words that becomes a written product and how wonderful to read of his experiencing the sacred muse.

This book seemed like it would make great high school reading material to encourage young people who so need to express themselves, and it made me feel like using an old fashioned typewriter again, his pre-word-processing tool of hand to paper. It is short and easy to read, full of zest for life and of course the thrill of writing!

Zen. The practice of living fully in the now, paying full attention to being, and to doing.

Is this possible with writing? It is if you follow Bradbury's lead, and immerse yourself first in what he tells you about how HE writes, and then, put the book aside, and immerse yourself in your own daily writing practice.

Do it fearlessly, consistently, and mindfully, and allow your best to surface. You'll stop being so quick to judge what you write, and just let the writing flow (editing and rewriting come later)!

So go ahead, pick up the book and read a little. Then, pick up the pen, and follow your Zen.

Forgive me if my review runs a bit on the sappy side, but I grew up with Calvin and Hobbes, and I sometimes think they are among the best friends I've ever had. Bill Watterson's comic is gentle, sincere, and magical. At its core it is an examination of what it means to be human, and the value of friendship. Watterson's philosophy of the comic strip was that it should be based around characters rather than gags; we should feel as though we know the protagonists as real people, rather than as interchangeable vehicles for jokes. That comes through on every page, even from the very beginning. Calvin's world has a cast you can probably count on two hands, but every character (except possibly Moe, the bully) has at least a hint of fully-rounded personality. Watterson's world is one of simple pleasures shared with good company.

As with any comic strip, the first collection is rather crude in pretty much every aspect--the drawings, the humor, the personalities--but as a prototype for what would come later, it is not without its own charms. Even at this stage I would hardly call Calvin and Hobbes a forgettable, generic strip. It still has heart and a sense of profundity, even if Watterson had not yet figured out the most effective way to illustrate these things in his strip. It's interesting to see the origin of Hobbes (even if this version was discarded later), the genesis of Calvin's relationship with Susie (the love-hate romance, which will later be toned down, is at the forefront here), the first appearance of Spaceman Spiff, the introduction of a then-unnamed Rosalyn, and so forth. Also, early Calvin and Hobbes are somehow a bit more adorable here than their later incarnations, but you didn't hear that from me.

In an age of disposable comics, Calvin and Hobbes is one of the few childhood experiences of my life that I can actually appreciate more with age. I would not find it an exaggeration to say that Watterson's perspective of life heavily shaped my own, as I find myself much less concerned with superficiality and the plastic culture of Hollywood than many of my reality-TV-addicted, Nike-sporting, iPod-blasting peers, and more appreciative of the little things in life that we tend to take for granted. All Calvin needs to be content is a good friend and a search for adventure, and even as I grow, kicking and screaming, into adulthood, I find I can still relate.

I ordered this item and received it within a week. Very good timing.

I love this book!When my friend got a Calvin and Hobbes book, I did'nt really like it because it was not in color. But once I got this book I loved it! I colored in the ilistrations so now I don't have ANY problems with this book! I want to collect all of the Calvin and Hobbes books, but right now I only have 4. I would reccomend this book to anyone who likes funny books. They are so good my dad reads them! Other good Calvin and Hobbes books are Revenge of the Baby-Sat,Scientific Progress Goes Boink, and Attack of the Deranged Muntant Killer Monster Snow Goons. Well, I guess that's it. BUY THIS BOOK!!!!!!!

This is a funny book about a kid named Calvin and his stuffed tiger named
Hobbes. They do funny stuff and they have adventures. Calvin is a funny six year old. Hobbes is a smart tiger! YOU NEED TO READ IT!

This is the second of three little books, published in the UK, that contain the exact material of the very first Calvin and Hobbes book. I bought this book thinking it had something new in it, but I didn't realize it contained the same material as a book I already had.

It's probably a better investment just to go ahead and buy the first Calvin and Hobbes book (titled Calvin and Hobbes). Everybody loves C&H; who doesn't know a little boy somewhere "just like Calvin"?

If you love C&H, you'll like this book. For me, Calvin is like pepperoni pizza... when it's good, it's really good, and when it's bad, it's still good.

Unfortunately, I say it rather cynically.

My, there are so many monsters peopling this strip. The kid's a monster. His parents are monsters. The tiger's a monster. The teacher's a monster. The babysitter's a monster. And the only character who's not a monster (and more of a victim) is naturally enough, a young girl who is never bad or gets into any trouble. And the strip, while a rugrat's fantasyland, also smacks of extreme adolescent rebellion.

The strip is so overrated even after its demise a decade ago that it's been ensured that no cartoonist alive or yet to be born would ever create a strip as well-worshipped as it is for all eternity to come. So why not just remove the whole comic section from the news for good?

This book combines material from both Yukon Ho! and Weirdos From Another Planet!. Perfect to read with a blanket and a cup of tea on a rainy Sunday afternoon. It lifts my spirits up and makes me laugh, even when there's no one around. Really, that could be said about any Calvin and Hobbes book, though!

Whether the collection is the "Indispensible" or "Essential" or "Quintessential" Calvin and Hobbes, it doesn't really matter. Watching this hyperactive, hyperimaginative child and his willing though wise accomplice, Hobbes, take on evil babysitters, Susie Derkins, the class bully and all creatures (real or imaginary), is a pleasure and laughter without stop. "The Authoritative Calvin and Hobbes" is another in a long list of the great comic work of Bill Watterson. This is an indispensible/essential/quintessential collection for all Calvin and Hobbes and humor fans!

Calvin is a beam of light, a dinosaur, Spaceman Spiff, a pollster on the election of new parents, a robotic explorer from Jupiter (in search of chocoloate) -- well lots of things. He's all the best and all the worst a boy about five can be, and that covers a lot of ground.

If the others around him never quite see things Calvin's way, that's really not his problem. Hobbes will always understand, and generally offer some understated commentary on events. I prefer not to say too much about Hobbes. It's really best if you let him introduce himself.

This book is a treasury of daily and sunday color strips. It captures a part of one of the best strip comics ever. If you already know C&H, you'll surely want this collection. If you missed the strip when it was still in the papers, this will give you a wonderful introduction.

It's never too late to have a happy childhood, and Calvin offers his for your enjoyment.

//wiredweird

All these books about Stand Up can not produce one good joke. Some of the techniques might come in handy when in front of an audience but laughter they will not bring. For that, one must be inspired and have a particular view of the world to attract people and share in a funny manner. Bought several books and fine and dandy to hear anecdotes and comedians in all kinds of situations but in the end, if you are really interested in pursuing Stand Up Comedy, a person must be willing to put themselves on the line. Attempt and fail, over and over, until one is recognized as a true comedian and has developed hers or his particular style of comedy. Taking an acting class might be beneficial for so many aspects of stand up comedy can be affected by theatrics. Kind of like wanting to play poker and become rich. You can read all the books you want but until you become one of the players you will not really know wether you are good enough or not. Practice makes perfect, theory does not accomplishes the same thing.

The first part of the book was very informative. It offers many tips and knowledge about stand-up comedy. They seem relevant to many types of comedy. I was worried when I saw all the reviews that it was just filler and they would be pointless. However, the author asks great questions. The interviews are a thrill to read. I could not put this book down and read it from start to finish in a couple days. I reccomend it to anyone interested in any kind of comedy or who want to be funnier.

Ajaye gives great insight to the aspiring comedian in this concise read. I have never been on stage but this book has helped tremendously in the writing process and my eventual presentation. The many interviews he conducts show a wide variety of approaches and thought processes. I would absolutely recommend this book to anyone that is thinking of taking it to the stage.

The lone negative review is so off it's beyond belief. This is, in part, my defending a book which I found to be the most helpful of the 3 I own (the other two being Judy Carter's) and challenges the negative points in the bad review.
The author's introduction includes the information that he found law school disinteresting, which is a fact that cohesively brings him to his self-admitted bumpy first night at stand-up comedy. His analysis of comics was fresh information to me. I am relatively new to stand-up (one year) and never thought to specify what makes my comedic heros funny. This advice is tailored to the individual as a road to slowly find one's footing in this world of comedy, a full introduction.
The author does not simply state "tap into your own life experiences". What he does suggest is for the beginning comic to try and find their own voice, whatever that may be, i.e. what we are truly passionate about, as opposed to what we think we should write about. And he writes about this in great detail.
The "third eye" is explained in great detail. I was stumped when sitting down to my notebook to write jokes. I thought to myself "if only I could get to that 'zone' in which I'm on a roll with my friends, making them laugh". The author is urging the reader to expand on his/her own self-awareness as to when and why people respond to him with laughter, as well as asking them to stay aware to one's surroundings and environment. If you're funny or geared towards comedy, your original take on life will guide you, over time, to better writing. That's "third eye" in a nutshell. I'm not an author, nor an expert, but I feel compelled to offer just a tiny explanation of the in-depth book discussion so dismissed above on "third eye".
Lastly, I was at first concerned with the seemingly small portion of the book before the interviews. First of all, those pages offer so much more than previous, now dated books (i.e. Judy Carter) in less space; Secondly, the interviews are truly the most informative part of the book. Trust me. Most of the subjects are so humble and truthful about their beginnings. (I write most as there was one comic who I found egomaniacal, and that in its own way was informative about that world). Hearing their stories and different methods is priceless.
This book rocks.

Excellent looking book. Well organized information on the inside. Franklin Ajaye may not be a household name in stand up, but he's written a book that definitely makes him a household name in my life. I would one day like to make my living as a stand up comedian, and after much searching and perusing, I decided that out of the many books on stand up I would pick this one up first. The big selling point for me was all of the interviews. Once I saw all those names of comedians that I had watched for years I knew I had to read this book.


I have to say that this book was extremely encouraging. I consider myself a funny person, and judging by their reactions to me, I would say that my friends and coworkers think I'm funny as well. My big question was, "how do I turn being a funny person, which I think most people are, into a stand up career?" The first section of this book is a how to guide for doing exactly what I wanted to accomplish. I don't think an aspiring stand up could read this part of the book too much.


The interviews section contained the meat and potatoes that I was most looking forward too. I wasn't let down with any of these chapters, and Ajaye is a really good interviewer. The subjects of the interviews were a diverse group of stand ups and there is tons of methodical insight and stories from the road to be digested from each of them. Frequently, the comedian being interviewed will describe their style of writing and/or performing, and it will be a contrast to what Ajaye suggests beginners do in the beginning of this book. I like how this highlights that there is no formula for stand up, and it encourages one to be experimental and innovative in developing their own funny style.


The final section was also very helpful for someone in my position. It was a set of interviews with what I would call behind the scenes characters that are very important to a stand up comedian. What an entertaining read for aspiring comedians, people who want to be funnier, or just those who are fans of stand up comedy.

Love this in my Star Trek collection. Helps you to remember all of the great episodes of this series.

This book really set the standard for me for what a companion book for a TV show should be. A nice essay on the shows creation, lenghy season overviews, detailed synopsis' for each episode, and at least a couple pages (note these are big pages) of behind the scenes information on every single episode. With all due respect to a previous reviewer I don't understand how one could say there isn't enough behind the scenes information. This book is basically everything you could ever want to know about the TV show Star Trek Deep Space Nine. I now only buy companion books that follow a similar format. For anyone who likes DS9 this is the book to own.

This book is just too good for words - I actually was a little stunned to see it existed, and when I received it, I could not have been more pleased with the content. In-depth articles on each episode, illustrated by nice B&W photos and great interviews with cast and crew up and down the list.

Definitely NOT for the casual fan, but for those rare DS9 fans among the Trek fan base, this is the one.

Also, for those of you who enjoy the current "Galactica" series, this is a good window into how Ron Moore learned to write serialized, relevant sci-fi. If anything, this show is superior in many ways to "Galactica," if only by allowing a few rays of light to shine through the perpetual gloom.

Only complaint, and a very minor one: no interviews with either Marc Alaimo (Gul Dukat, nose-to-nose the best villain in Trek, along with Khan and Q) or Cirroc Lofton.

Some of the information is interesting, though I do have to admit that I was somewhat let down by it. I thought there would be more "insider information," so to speak, than there was. All the technical info was great, but I was hoping for more personal information, more about inside jokes/behind the scenes/etc. The sections that begin each season are a bit better in this respect though. After one read through of each episode, though, the book's primary use now is just to remind me what each episode is about so I can decide whether to watch it on DVD for the 6th time, or skip to the next episode. Not exactly the central use I had in mind when I bought it.

I'll just add to the heaps of praise for this massive work covering the complete Deep Space Nine series. The plot of every episode is described in detail, as one would expect, but this volume goes much further, devoting a great deal of text on each episode and season, primarily offering points of view from the writers, story editors, producers, directors, and other production staff, and occasionally from the actors. What's especially great, aside from all the detail that fans salivate over, is that everyone involved with the production is generally pretty candid about what does and doesn't work, so the less-inpsired episodes aren't subjected to faux praise for the sake of selling DVDs.

It's not flawless, however. Too much detail is sometimes given about how a story evolved into what finally aired, whereas there are often other questions about plot and character development, or lack thereof, that would've been more compelling to read. Also, there are spoilers in some of the behind-the-scenes info that could've been better disguised; it makes it difficult to share the book with someone who is watching the series for the first time. Those are small nits to pick, though. No other Trek episode guide comes anywhere near the level of depth and quality of this one, and I can't recommend it highly enough to fans of the series, even those who don't consider DS9 their favorite part of the ST franchise.

I have found this book to be an extremely valuable tool and guide!
I gladly recommend it to artist, teachers, therapists and all those interested in expressive arts and inner journeying.

This is a powerful and practical, hands-on workbook, guiding us to expand and deepen our creative process.

The authors generously share their deep personal experiences, stories and wisdom, and ancient practices from many different traditions.

Through their personal stories, guided imagery, meditation, journaling and maskmaking, we are guided to give voice and expression to our inner connection.

A great gift is being offered in this book ... a gift to learn and pass on to others!

This wonderful book has helped me come in contact with my personal spirit guides and has helped me evaluate who I am at the depths of my true self. From the artfully crafted suggestions/visualizations (guided imagery) to the in-depth coverage on Eastern acupressure and somatic energy meridians; I love reading every page and savoring every articulation. The stories and examples in the book about how many people have explored their Totem Animals and Ancestors is spectacular and inspiring. Has only helped me on my journey as a hypnotherapist to teach and learn more about the Whole self through transpersonal activities and experiences. Thank you Kaleo and Elise for this treasure of golden and numinous wisdom.

This book is truly a gift! Perfect for teachers looking for a step by step guide for their class or perfect for groups looking for a tool to truly delve into theirselves. Therapists looking for alternative tools to help clients reach thier core, should also be pleased. This is healing art at its best! For a really phenomenal gift, check out one of Kaleo and Elise's maskmaking classes.

This is a very inspiring book. It offers a wonderful journey into your inner world. Simple and easy to follow guided imageries lead you to explore and connect deeply to your soul. A great book for your spiritual healing and transformation!

"Amazing! Thank you for the gift! Your book has given me a deeper and better understanding of the creative process and its power to heal the inner soul.I am starting a practice of mask making and body casting for healing. I am trying to bring together workshops for both...body casts for women who are breast cancer survivors. I have a degree in Expressive Art Therapy working with traum clients using art as a therapeutic tool and I need and want to start doing my art in a deeper more meaningful way. Your book gives so many wonderful and necessary spiritual guidelines and guided image exercises to weave into my practice. Thank you for sharing your wisdom. This is a spiritual path we are on."

The more you know about yarn, the more yarn you need. I thought I knew a lot, but this book really clears it up for me. I don't know that I need to own this one, but it's surely a worthwhile read.

The book has a fabulous lot of information about yarn and how to use it. I would recommend it for any serious knitter, especially if the knitter is interested in spinning. The included patterns are also charming and tempting, especially the snail-motif mittens. Enjoy!

I enjoyed reading this book. While I may never get to use all those wonderful fibers, it has caused me to branch out more. Right now I am waiting for some yarn to arrive that is 70% merino and 30% silk--I can hardly wait!

The source of many fibers is discussed, as well as how they act, and what their good and weak points are.

If you are at all interested in yarn, you'll like this book. And don't forget to check out her website KnittersReview.

This is an essential reference that should be on the bookshelf of any serious knitter, crocheter, or yarn lover. I have been knitting for 35 years, and this is the first book I have come across that explains why certain yarn types work well with a particular stitch pattern and/or garment construction and why other yarn types wouldn't. Ms. Parkes' book is well researched, information-packed and thorough, and is worth buying just for the Maine Morning Mitts pattern, which will set off your Noro Kureyon, La Lana or Malabrigo in fine style!

every knitter and fiber enthusialst should have this book. It is so educational on fibers and also has some great patterns. Well worth the price! Ms Parkes not only gives you information on fibers, but plies, uses, and little tips on how to use the fibers. Helpful for spinners as well! LOVE

Living By the Book: The Art and Science of Reading the Bible -- At Last! Someone who knows how to read the bible and is willing to reveal his secrets to us. Why don't church bible studies start with this book? This book should be the first book of the bible study curriculum. I praise God for finally leading me to Howard Hendricks book.

Howard Hendricks is outstanding at revealing how exciting reading the Bible can be, but even more important was how he explains how to accurately determine what the writers were saying to the original hears, but also to us now. His directions reveal tried and true methods to "rightly divide the Word of God" that many other books on how to read the Bible just never see. I have been reading the Bible for more than 30 years and have seen truths that I missed over and over, just like when Sherlock Holmes looks a crime scene and understands all kinds of details that the untrained just can't see.
Reading this will open up the Bible and God's revelation like never before.

As a required reading for my Bible Study Methods course in seminary, this book opened up a new world to me in the area of Bible observation, interpretation, and application. I did not know what I did not know. I highly recommend it to anyone who wishes to learn how to read their Bible in a new, more in depth way, to receive all that God's Word wants to reveal to us.

We've just started using this study with our small group from church and I'm thrilled that it will teach everyone how to dig deeper and understand the word on their own. Howard Hendricks is a great bible teacher.

Dr. Hendricks is a gem! This book is for anyone who finds the Bible overwhelming or intimidating. This book will help you develop method for study that will make the Bible easy to understand.

I've used a variety of recipes in this book and am truly impressed with how good raw food can taste (and so is my husband). The recipes in this book are *not* for the novice cook since there can be a tremendous amount of prep work. The recipe amounts make a large amount of food. I'm starting to realize that I need to reduce the amounts to half to suit a home of 2 folks (unless it's a good staple.)

I have never before had a cookbook in which every single recipe tasted so very great! She has an incredible gift for choosing ingredients that are unique, and blend the flavors in an absolutely taste exploding way! I can't say enough how much i love this book. The ingredients list is often involved, and while sometimes unique are easy enough to find at a health food store, or whole foods. Recipes are easy to make and did i say delicious:)

I have been waiting for this book for a long time - thank you for writing it Renee. My daughter has been the impetus for my entering the unknown world of raw foods - and also a brief encounter with vibrant health some 20 years ago after having eaten raw for 3 - 4 weeks. After reading RAWvolution, Living in the Raw, and The Raw Food Gourmet, eating raw remained, in my mind, as a mysterious other-world privileged lifestyle. Not so after having read Living Cuisine. Renee explains in a clear and concise way, the wisdom and science of the benefit of eating raw - and without any attitude whatever (one feels free to choose some or all of her guidance). Her thoroughness has left me feeling empowered with the ability to wade through the plethora of foods and nutrients, both mass produced and organic, and make informed choices. Quite the gift for someone like me who has spent countless dollars attempting to incorporate wiser choices into my diet, and ultimately giving up through frustration and confusion. Although I tend to like photos (Renee has none), her recipes conjure up images that far surpass the real photos in the other books and I have no doubt that this will be the book I refer to over and over again. What else can I say? -thank you Renee.

Im impressed how every recipe has turned out so mouthwatering. Everyone intersted in cooking should buy this.

I have several raw cook books. I received this one last week and it is quickly one of my favorites. I love the introduction and descriptions and don't at all mind the repetitive nature. In fact, I like that I am constantly reminded of the same things. I've been raw for about 18 months now and forget some things. In this book you don't have to go back and forth to revisit a topic because of the redundancy.

I've made 5 recipes so far; one of her burgers, shakes, veggies, cookies and soups. I prepare raw meals for people and each of these has been a hit with everyone including my 4 year-old daughter. I find that the ingredient list is not complicated, the preplanning is not difficult, and you can simplify the recipes by using dried herbs, frozen corn/fruit to make them in 5 to 10 minutes. (Fresh is always tastier and filled with many more enzymes but if short on time, it's better to make these adjustments then to eat SAD)

I do miss the pictures, but you can get a picture in your mind from the ingredients. I wouldn't skip the book because it lacks pictures. If you are a baker, get this book for the desserts. Introduce your family to decadenct taste without the processing and show them how they can eat dessert for dinner!

As for steaming, I don't do it, but I like how she says, let your body decide. I marinate veggies in a glass bowl in the sun and they are divine. Try this before steaming. Put the glass bowl on the dash of your car during work and come out for lunch. Make sure the bowl has some sun exposure or you might not get the softening you want.

Juilano's Uncook book is also a favorite of mine, but Living Cuisine has the same complicated taste of Juilano's without the unusual ingredient list and long prep-time. I think that both are worth-while, Living Cuisine is definitely for any level though!

You won't be sorry if you purchase this book. Out of 5 people that I made the East side burger for, all said that it was delicious, the best "veggie" burger they ever had!