Artists Books

My son loves to read about Harold's adventures over and over and over again. After Harold, it's Cyrano, a caterpillar failing in school in Life's Little Lessons: An Inch-By-Inch Tale of Successand then Nate the piglet that turns a school upside down when he visits in The Big Squeal: A Wild, True, and Twisted Tail. These books are so wonderful for kid's imagination...and you know what ..I enjoy them too.

My sister resently bought this book for my 3 year old son & once we started to read it I remoembered it from when I was a little girl. My son absolutly LOVES IT & I do as well. To be able to create different things with just a crayon & your imagination is wonderful. It's the perfect book for young as well as old

One night, the self-reliant Harold couldn't sleep, so he decided to go for a walk in the moonlight.

Using his crayon, he makes everything he needs - including the moon. He gets himself into accidental trouble with his crayon (accidentally making a sea, not making the second half of a mountain, making a city full of windows to get lost in), but he always manages to save himself with the same crayon (making a boat, a hot air balloon, and finally his own window "right around the moon").

He even puts himself to bed at the end, knowing he's tired.

Who wouldn't want a kid as independent and responsible as this kid?

It's truly a fantastic book, and you should definitely not ignore it.

I bought this for my three-year-old and she enjoyed the way it opens up the mind to an adventure through drawing, just as I myself did. Wonderful book for children.

I love this story so I bought it for my son. When we got it there were at least 10 blank pages in the book fragmenting the story so badly that it didnt make any sence. My beef is not with the story its with Amazon for selling it to me in that condition and with the publisher for their quality control issues. I only paid 6.99 for it so I didnt mess with returning it. Im going to try it again and see if we can get the whole story this time. If the book is not right this time I will return it and not purchase books from Amazon again. Hopefully we will get a full story and we can enjoy it like my parents and I did when I was a kid.

I bought three of these books as gifts for three retiring teachers -- they are so funny. An ABC book of odd outcomes for students. Love them.

This book has made me cry with laughter. I work with kids and THEY think it's funny.

The Gashleycrumb Tinies is macabre yet hilarious. It's about children meeting untimely absurd demise but with a sense of dark humor. it needs to be taken the way it is meant. It really is quite clever with the wording and causes of death It is done by alphabetical names. examples are S in for Susan who perished of fits, L is for Leo who swallowed some tacks and N is for Neville who died of ennui(boredome). See very clever. By the way I am a 38 year old mother of two and find this hilarious. My kids don't really get it though. Oh well I geuss their sense of humor is not as developed as mine:)

Hahahha I actually read this online because its so short... if you want to take a break from the stress of life for 10 minutes its great fun. The illustrations are very well done and the rhymes are genuis! i think my favorite kid is Basil who was assaulted by bears.. \hahhahhahha... that makes me burst into laughter again! seriously, if you like macabre hilarity, take a few minutes off and ENJOY THIS BOOK! (There is no graphic or adult images but the ideas would be very frightening for young children. I say 11+ because theres a girl with an axe in her head and some blood thats cartoonish but gross.)

This book is great! No matter how many people tell you how horribly sick it is. Read this book.They only say that because they dont have a sense of humor. So any way read this book! Its both sickining,funny, and tasteful.

Jeanne Boylan could be a movie star or model. She is tall, slim, and blonde. She began her artistic career by doodling in notebooks as a child. Her art career is really based on getting serial killers, mass murderers, and criminals brought to justice. Her relationship to Marc Klaas, the father of murdered victim Polly Klaas who became an activist seeking justice for the victims. The book's narrative is taken by the author's perception and experiences. The Smith case rendered the same feeling that the mother was involved in her sons's abductions and murders. Reading about how Jeanne and Marc learned about their fates were both horrifying. They still had hope that a mother would not have gone so far or over the edge of the unthinkable. We all think that the criminals can be monsters but Susan Smith was also the mother to two innocent young boys, Michael and Alexander. Nobody believed her story of an abduction in a rural road in the middle of the night. Most motives behind carjacking is the car itself. Carjackers don't want two babies in the backseat. Sadly, a carjacker would have probably returned Michael and Alexander safely somewhere but Susan's story never washed out. Her sons' bodies were in the bottom on John D. Long Lake. Of course, Boylan writes about her failed marriage, her background in Montrose, Colorado, and how she became known as the woman behind criminal portraits which led to the captures of the Unabomber or Ted Kaczynski and others.

I became interested in this author after seeing her speak about eyewitness memory on the Oprah Winfrey Show. I found the book, read it and then noticed a composite drawing in the Elizabeth Smart case that seemed to bear no likeness to the man arrested for the kidnapping. Jeanne Boylan's name was periodically associated with the case and I felt let down that she'd so badly erred in doing the less than stellar drawing. (Though now we know that the man was caught because the Smart family realized his religious name, announced it to the public and then were given real photos by the man's own family that were aired on TV which then resulted in his subsequent identification and quick arrest.)

Now, in more recent news reports, I found out that Jeanne Boylan actually interviewed the younger sister of Elizabeth about her memory of the abduction night and that the poor suspect drawing the media was showing was not from her interviews, but was from a local portrait person and was not taken from the little sister's sighting the night of the abduction but rather was taken from the family who knew the man and had spent many hours with him. Now I understood why the descrepancy.

I felt relief. I momentarily thought Jeanne Boylan had lost her skills. Now I understand the difference between her interview and the drawing that is now linked to the case but does not look like the kidnapper.

I look forward to the sequel of 'Portraits of Guilt' and to reading more about what happens to eyewitness's memories when the sightings are endured during moments of fright and fear and how that forces their vision very deep into the recesses of their mind as it did for Elizabeth's little sister.

Praise the Lord that with help and encouragement, Elizabeth's little sister finally remembered the religious name with the help of the loving Smart family, the apparently astute police and Jeanne Boylan who all had fiercely guarded the young child's evolving memory while it was gradually surfacing so that the kidnapper was finally caught. Good things come to those who wait!

I found this book on Oprah's website under "Oprah's Books" and think highly of her choices so ordered it. I'm happy I did. It was a fast moving, compelling read and gave me a view into a world I knew nothing about. I feel entertained, educated and wiser from reading it. What more could you ask... I endorse the book, author and Oprah's good taste.

I am a reseacher in the area of human memory. My university studies and thesis are in the area of crime victim recall and memory malleability. I was given Miss Boylan's book by a fellow doctoral student who said simply, "Read this. This woman gets it."

To my astonishment, this was true and to know that there is a woman struggling essentially all alone to enlighten police about the seriousness of memory malleability made me want to jump into the pages of this book and yell to the police she works with that there is scientific data backing up every word she says about this topic.

Miss Boylan unfortunately writes in too kind a fashion, seemingly concerned about offending the masses, but sometimes creating change requires the proverbial 2 X 4 to create the desired impact. Although I appreciate Miss Boylan's subtle and polite manner, my only complaint about this book and her story is that she should and could have been much more hard hitting in her critique of what has historically gone wrong in criminal investigations. With what she's experienced, she is entitled to be direct.

With the knowledge we in the academic world have now of how memory works, there is no excuse for the mistakes made in past cases to continue to take place. Jeanne Boylan should scream her message and take her lumps. I'd rather see her save lives than to worry about winning a popularity contest. She can speak from inside the world of police, whereas "us" in our ivory towers, don't have access to the real world as she does.

Boylan relied on us to give her the foundation for her work and my predecessor's findings of three decades now, but those of us doing the empirical research have to rely on people like her to deliver our findings to the point of practical application in the police world. She can be the go-between from our world to inside real life criminal investigations.

Overall, Portraits of Guilt is a great book, great 'on the mark' insights into crime victim memory and some lessons in Boylan's stories that had better be paid attention to before we lose more lives such as Polly Klaas. (Her book is dedicated to the Klaas girl's memory.)

I give this book a five star rating for it's general level of readibility and for her stunning insights into trauma victim memory malleability, but Miss Boylan, if you write a second book, and I hope you do, next time, take the gloves off and try to come out swinging.

I've read a lot of good books about healing from trauma and the effects trauma has upon memory. I've also read a lot of books about the fallibility of memory that do not correctly take into account the actual experience of the trauma. Jeanne Boylan has succeeded in writing the first book that accurately addresses both sides of the understanding of memory. She clearly illustrates the way that traumatic memory can be malleable in the presence of suggestion. It is through the insight of Jeanne Boylan's work that we can keep the innocent people out of jail and the guilty people can be handled accordingly.

She succeeds at what she does because she has both a natural ability and a deep understanding of trauma and memory. She also succeeds because she knows how to reach the heart. She works from her intuition as well as her logical understanding. Her kind and gentle nature is a true asset in the work that she does, and she could not achieve what she has achieved without it. In addition to all of this she has the added gift of being an incredible artist. Jeanne Boylan was born to do the work that she does; it is an inborn gift, which was further honed by her own personal experience of trauma and surviving a crime.

Jeanne Boylan describes traumatic memory as being like a fifty-cent piece that has been tossed below eight feet of water. The memory gets buried by the intense emotional trauma, but at the same time is locked into memory. As the emotions arise our minds protect us by blurring the image, like the movement of water. We can still see it, but it is distorted. With the right approach the memory of the trauma can be brought back to the eyewitness's conscious memory in it's original condition, just as the fifty-cent piece can be retrieved from the water fully intact.

Jeanne Boylan works with survivors to draw near perfect portraits of the criminals. Her technique is the art form. She says, "The answers to uncovering memory reside in understanding the powerful inner workings of the human mind-- and more importantly, in the power of the human heart. (p. 11)" She says "The higher the degree of personal trauma, the harder the mind works to discard or bury the image, but, also, the more likely it will have been encoded into memory in the first place, even if it is housed at a much deeper level of recall... Sometimes if we can coach the conscious mind to move aside we can still access the original untainted image--if there is reason enough for it to have been retained in memory. (p.13)" It is the release of emotions, no matter what form, that helps reach the image. She uses an interview technique, which brings the person into a safe space in order to access the memory without the emotions blocking it, and she uses carefully worded questions to prevent suggestions from distorting the original memory.

During her chapters about the devastating kidnap and murder of twelve year old Polly Klass, she provides new insight into how to recognize the veracity of an eyewitness account. She explains that when witnesses remember the trauma or the attacker differently that this is actually a sign that they are telling the truth because no two people remember an experience identically. The discrepancies help to validate and preserve the images and details of the memory for later needs (as long as suggestion has not been introduced). There is usually one stronger witness, however that witness will often have a degree of self-doubt that can be increased when she/he encounters discrepancies among the other witnesses. Jeanne Boylan was the first person on the case of Polly Klass to treat the witnesses (also twelve years old) with the validation and support that they needed.

The chapter about the abduction and torture of Sister Dianna Ortiz was the most powerful aspect of the book, for me. Anyone who has experienced a similar trauma will find a lot of healing and peace in reading this chapter. We watch Sister Dianna Ortiz work through the intense PTSD, become empowered, speak out and overcome the accusations that her experiences were a figment of her imagination. Sister Dianna Ortiz speaks of her healing, "Healing comes in many forms. I know I will always carry the memory of what happened to me on November second, 1989. For more than six and one-half years I have allowed my Guatemalan torturers and Alejandro to haunt me. Many times, I've felt like they danced within me. Many times I've felt that if I got close to anyone, I was going to contaminate them with the evilness that they left inside me. But today, I can sit here and say that that evil does not exist inside me anymore, and that is because of the work that I was able to accomplish with Jeanne Boylan. (p.282)... The images of my torturers and Alejandro have always stayed within me, and I have held myself responsible for the horrible things that happened on that November day, but today, because I was able, with the help of Jeanne Boylan, to put a face to these monsters, I can put them away from me. They no longer live in my soul. Until I faced them, I could never be free. (p283)"

In the next chapter called Awakenings Jeanne Boylan says, "Though I knew instinctively the importance of freeing a victim of the evil left from an attack, never before had I realized so clearly the emotional power that floods the soul when the residual grip of an assailant is finally loosened, and gently removed from the heart. (p. 286)"

Jeannie Boylan ends the book with the conclusion she left us wanting to hear since the Prologue. She weaves in her own experience, and powerfully does for herself what she has already done for so many others.

I had this book as a young person and loved it. this is a replacement of a long lost friend. The illistrations are exceptional and the stories wonderful.

When it comes to illustration books, Froud and Lee's collaborative "Faeries" is, quite simply, divine. This book captures the subject matter unlike any other work(s) from any other fantasy artists. The real magic and majesty of the "Faerie Realm" of British Isles and Irish mythology come to life within the pages.
If you love great art, get this book. If you love great legends from ancient lands, get this book.

An amazing book, it totally takes me away when I'm reading it. Beautifully illustrated, the drawings are amazing, so detailed. This one specially is a superb edition, very well designed, and totally worth the price.

I totally love fantasy, folklore, and mythology, so this book was naturally of great interest to me. The pictures of various classes of mythical creatures were absolutely wonderful, and the text that described the myths upon which the pictures are based was interesting and fun to read. I would highly recommend this book for someone interested in a book about fairy folklore that's not overly academic.

I LOVE THIS BOOK ABOUT FAERIES. I READ IT OVER AND OVER.
THANK YOU
PEGGY BOND

thisbook is perfect if you want to know everyting about U2
I really love it !

This book is one of the few really great rock biographies. It does a great job of chronicling the band's past by giving a distilled view of their present, in both personal lives, internal processes, and musical career. All of that is the essence of the music of U2, and the legacy their music has created. Flanagan does them a great service in this bio, but also himself, for presenting them so well and staying out of the way. Well, mostly. His humor about touring with them is fairly expressive...

An outstanding work of rock journalism. This is far from a starry-eyed fanboy tribute -- Flanagan is one of the most intellectually gifted rock critics out there, and here he turns his intellect on travel, music, pop culture, his own foibles, and, of course, U2 and their art.

Flanagan, one of the first American journalists to champion U2, is a confidant of the band, but it doesn't stop him from critically appraising their work. The book starts with U2 taking the last flight into East Germany before reunification, and follows the band all the way through the writing of Achtung Baby, Zooropa, and the tour that surrounded the two albums. It's probably U2's most creatively active period, and it's our good fortune that a writer of Flanagan's calibre tagged along for the ride. A must-read if you're at all interested in U2.

This is one of the most well-written biographies that I have read. Mr. Flanagan covers every aspect of U2, mixing the present with the past and the anticipated future of the band. As an avid reader of various non-fiction subjects, I have to say that this kind of a biography was a first for me. You wouldn't think that a book about a band would have any transferrable application for non-musicians, however I found that these guys are fairly down-to-earth. Reading U2: At the end of the world helped me to dispell some of the superstar myths that I had. That being said, I feel compelled to put a disclaimer about some of the language. While, it didn't seem to bother me, I would have to give this an "R" rating, as far as language is concerned. It's not as if the f-bomb appears on every other page...maybe once or twice a chapter. But, for those who might be sensitive to such expletives, beware. 5-Stars, with a warning.

After reading this book, I felt like I really understood what was going on in their heads while writting Achtung Baby! and the music was better for it. I've read some of the more recent books about U2 and also about Bono and this tops them all. It's a day in the life, before 9/11 and before all that came after for them. If you love U2 like I love U2, read this book.

Exploring Akiane's young life through her incredible talents is a breath
of fresh air flowing into my eyes, mind and heart. I enjoy this book over-
and-over, each time I pick it up! It makes a wonderful gift for all ages!

Akiane is truly a girl that demonstrates God's miracle of life & love. I read the book in one afternoon as I couldn't put it down. This is an amazing real life story that leaves you wanting to know more about how you yourself can get closer to God our creator and experience what he has in store for you! The illustrations of Akiane's artwork in the book are gorgeous as well as the written pieces that accompany them. I have purchased this book several times and have given it as gifts to those who need some inspiration in their life.

This book is a great gift for anyone.
It's beautiful poetry, art, and amazing story will inspire anyone.
I have seen her interviews and her work is intriguing and her attitude is beautiful.
The book is a must have!

Very inspirational and faith building book. Akiane has not chosen this path, she's only following where God leads her. There are always going to be nay sayers about anything, specially in this world of instant information. I choose to believe that she is what she says she is, and does what she says she does, because with God anything is possible.

The first time I saw this book, I was on a cross country plane ride and had the fortunate experience of sitting next to a kindred soul. She shared this book with me to pass the time. And the time passed quickly. After looking at the paintings of this young artist, Akiane, I had a kink in my neck because I couldn't turn away. But it was worth it. I ordered the book immediately and have enjoyed sharing it with my daughters and displaying it on our coffee table.

Akiane is an artist and a poet and an inspiration. She believes she's been touched by God, and one look at her work will make you a believer as well.

Michele Cozzens, Author of A Line Between Friends and The Things I Wish I'd Said.

From story board to stunning completed product, an overview of Mr.Ross' DC comics work, focusing particularly on the big three; Superman, Wonder Woman and Batman, with loving attention to the rest of the JLA as well.

Lots of beautiful 'work in progress to completion' pictures and even a few that never got to see the go light of editors.
Inspirational for the new painter or seasoned storybook artist - makes quite the case for gouache!

Please note! this is NOT an 'origins' book or even a story, this is meant to specifically address the artwork itself and the processes by which it is done.

By the by, many a comic book irritates me no end with its sexist imagery -this book is a rare exception in supehero comics.
None of the women are bimboes and the men are, dare I say, as beautiful as the ladies.

For my part, the explanations of the new Kingdom Come versions of the classic DC cast were the finest aspect of this book.
If you're at all a fan of Alex Ross' incredible way with a brush, you must own this, if only for the most drool worthy versions of beloved heroes.

If you love the classic DC pantheon, you need this book, 'nuff said!

Mythology collects the stellar art work of Alex Ross showcasing the worlds finest images of the major DC characters such as Superman, Batman and Wonder Woman. This book highlights key points of the characters beginnings and evolutions with clear and informative writing. Gorgeously illustrated by Alex Ross coupled with wonderfully laid out design work the reader will find it quite difficult to put down this handsome book.Mythology: The DC Comics Art of Alex Ross

An amazingly illustrated montage of Ross's work. A beautiful book for fans of comic book art and art in general.

AMAZING. Totally worth buying. If you like Alex Ross, you will not regret this purchase. The book includes Ross' comments on inspiration, collaborations, thoughts, insights, and much more. Truly inspiring.

It's a great work, detailing all the work of Alex Ross in DC Comics. In this book, we get the notions of how he figures out the characters, their concepts and ideologies, etc. Moreover, with this book we can see how the Art is transported from the artist's mind to the paper.
There's just one book better than this one: it's hardcover version, much more beautiful.

This is an amazing story and testament to Bazhe's indomitable spirit. I don't believe that any child, any human being should ever have to endure the sorrows and abuse that he did. That he emerged from that quagmire and found peace and happiness is quite miraculous.

Hi Bazhe I just finished reading your book it was amazing, and it brought me such inspiration. I thought I had it rough growing up; however your story made me realized the damages you had to overcome. It gives me strength to conquer and overcome my own damages. These were my favorites quotes from your book. I wish you knew the effect your story has on me.

Pg 40
"Why would God want us to suffer like Jesus? Why would people believe in such an evil, selfish bastard of a God?" Bazhe

I ask my self the same question

Pg 80
"Capitalism, baby! Time is money. In money, we trust. The profit is God."

That is the reality

Pg 121
"It's been said that the root of hell is in all of us. Some of us let it grow into a tree. Those who can't cut the tree are predestined to be evil."


Pg 163
"God has nothing to do with this. Keep him out of it. Keep him where he belongs, in a museum, along with the people who created him." Bazhe

The way I look at it. "The point is succeed whether god want to or not." Richard G Sam

After meeting Bazhe in Costa Rica and visiting with him was when I found out about his book. I came back to the states and purchased two books from him. When I finally picked it up to start reading it, I was so drawn into the book that I felt as if I was there living Bazhe's life with him. It was an amazing story and I do hope that a movie comes out about his life. What a story to tell. This is a must read for everyone. Once you start reading you will not want to put the book down.
As you are reading, you can smell the streets in Turkey and fell the fear and sadness as he is telling his story. Again, A GREAT BOOK

DAMAGES is a memoir of a brave young poet, artist, performer and writer whose life story holds as many elements of a richly detailed fictional novel as well as moments of eloquent poetry, philosophical views gained from living through the rise and fall of communist Yugoslavia and the subsequent fracture of that country into the parcels we now know, observations of the surface and the core needs of the people at the battled intersection of Christianity, Muslim faith, and atheism, and experiences of identity crisis that haunt many adopted children/adults.

To make this vast amount of information work for the reader, author Bazhe has wisely elected to tell his story as bifurcated between the realities of the present in relating to his adoptive mother on her deathbed and his at times lurid past to his birth mother, conveniently placed just up the stairs from his dying mother. It works as a gimmick or technique that allows the reader to understand the present Bazhe by allowing him to very gradually escort us through the damages of his early childhood through his bumpy road to manhood.

The crises here are from two vantages: Bazhe was reluctantly given up for adoption by his 15-year-old birth mother Mila (his very beginning was the result of a brutal rape), his adoptive parents were wealthy and privileged due, oddly enough, to the high communist government position of the father. His early years were frosted with gifts and advantage, but his childhood was damaged by his position of wealth in a country (Macedonia) struggling under dictatorship and inequality. Bazhe, a beautiful and bright child, drew attention beacuse of his androgynous appearance - a factor that would provide problems for him throughout his life. His father was highly respected by the people, but feared by his abused wife and child. Entering school, Bazhe gradually became aware of his same sex orientation and began to dress 'inappropriately' and attract male lovers in a community that would not tolerate homosexuality. His adventures in escaping to Turkey resulted in his being courted by a wealthy man into the world of cross-dressing and the eventual rejected demand that he undergo sex reassignment surgery. Returning home, his confession of his lifestyle brought the expected conflict from his parents and he fled to Belgrade where he became a Madam for the unwanted gay population of 'aunties'.

While undergoing this seemingly endless series of life changes, Bazhe searched for his birth mother without success. After a final life threatening incident that underscored the bitter and vicious collapse of his country's belief systems in the person of a brutish, abusive, conflicted anti-communist, Bazhe fled to America, only to return to comfort his mother at the time of his father's death. Upon arriving in Macedonia his mother's devotion is focused on her beloved adopted son and Bazhe discovers that his mother has progressive cancer: he spends his time as a nurse to his mother's increasing needs while finally making contact with Mila, his birth mother. The story of his life is related to the birth mother while Bazhe attends to his adoptive mother, and it is this dichotomy of allegiance that forms the true conflict of the book.

The story of Bazhe's life is fascinating and horrifying, and were that all that this book had to offer it would be enough. But DAMAGES goes far beyond that: this is one of the better insights into the history of Yugoslavia, Macedonia, Croatia, Serbia, Montenegro - all places that we understand so poorly but all places that hold the keys to the discord between the religious seeds that lie at the center of the constant conflict we still are experiencing. Bazhe's comments on governments and religions are harsh, both in his evaluation of his native country and his adopted country of America. 'Anyway, it's we who are to blame. Everything about [God] is a myth. We're the creatures of our beliefs. We're the source of good and evil. Our big mistake was creating Him and all these evil religions, so we can be divided and hate each other to death as enemies. Whether Muslim, Buddhist, Christian, Jewish, or whatever, we stress the 'other'-ness of others when true differences between us don't exist. We are all humans. We're a grown-up race. We should see that religions are superfluous. In the past, religions made some sense: to give young nations identities and a reason to fight for survival. Now, we need a new identity. We need global unity. We need a new order and a new progressive faith of peace and love. It's time to put the holy books where they belong, on the shelves of museums'. Powerful words from a man who has survived a life few of us could tolerate. Perhaps we should listen. What on the surface is a fascinating autobiography by a very unique writer gains importance as the observations of a damaged philosopher! Grady Harp, July 08

"Damages," a brutally honest and poetically eloquent memoir by Yugoslavian-born Bazhe, is nothing short of brilliant! This first time book author (he's written and has published several poems and short prose pieces) is as self-assured and self-examining as anything by Didion, the biographical Gordon Parks, and Maya Angelou's "I Know Why The Caged Bird Sings."

An orphan adopted from a Macedonian orphanage by an important and staunch Communist Official and his beautiful but barren wife, the infant Bazhe is reared in comfort, privilege, and under the iron-thumb of a wife- and child-abuser. A talented and strikingly beautiful little boy, after giving public performances for scores of spectators on several occasions, bets are taken on whether Bazhe is a boy or a girl. The child is then made to drop his pants and reveal his male genitalia.

Labeled `sissy' and often beaten in school because of his privilege and beauty, he even suffers a harrowing abuse at the hands of his father when his mother is away. Upon refusing to eat fatty meat during a meal, seven-year-old Bazhe is beaten by his father who then stuff's his member in the boy's mouth, choking him with the fluids of his ejaculation.

But most of the horrors and heartbreaks of this ultimately brave and resilient young man's life come later in this well-written, often brutal, but never gratuitous autobiography of a beautiful young man growing up gay and effeminate in a culture where such nature and appearance is illegal and met with great physical and verbal abuse.

Bazhe is a legal immigrant living in New Jersey when he gets the call from his mother Kostadina that his father has died. Feeling free of the iron fist of the man she hated most of the years she was married to him, Kostadina encourages Bazhe not to come for the funeral.

But a month later Bazhe returns to Macedonia to help his mother with family affairs, only to realize that she has been hiding her own serious illness from him.

With admirable devotion and against his mother's protestations, he stays to nurse her through her illness, which turns out to be colon cancer. The first half of the book is Bazhe's almost too-painful-to-read detailing of his caring for his mother and his guilt over his obsessive thirty-year search for his birth mother.

He actually finds his biological mother, the still beautiful and statuesque Mila who gave birth to him when she was fifteen years old after being raped by a government official in her native Croatia and, pressured by her family, turned the new born over to an orphanage.

Bitterness and regret clash uneasily as Mila and Bazhe meet. While Kostadina lays dying in her downstairs bedroom (but never unattended by her devoted son), Bazhe, not wanting her to feel that her position as his true mother is questioned, hides Mila upstairs where, over several days, he tells her the story of the life he lived and the life she missed.

And what a story it is indeed. Starting with his lonely childhood and adolescence, he reveals to her his first gay experience in the army, the scandal that he caused at the College of National Security, resulting in his expulsion, and his escape to Turkey.

There he was abducted, robbed, beaten, and raped by a pair of nefarious locals, and reduced to near starvation and homelessness before being rescued by Genghis, a wealthy Turkish bon vivant. Genghis falls madly in love and transforms Bazhe into a stunningly beautiful and high-class transvestite, replete with the requisite high-end jewelry, designer wardrobe, exclusive spa treatments, and plenty of spending money.

But sudden revelations about, and unexpected demands from Genghis send Bazhe fleeing back to his homeland, a country on the verge of great change and turmoil as the Bosnian-Serbian conflict begins to boil over.

No longer a transvestite but decidedly androgynous, Bazhe wanders into the underworld gay scene where `Aunts' (self-identified, usually flamboyant homosexual men) entertained `trade' in bushes, public parks, and public restrooms, often resulting in unspeakable violence from both policemen and sadistic partners.

After nearly losing his life at the hands of a sadist pick-up, Bazhe immigrates to the United States where he lives until he gets the call from his mother regarding his father's death.

Bazhe's birth mother is moved by this fantastical tale not told totally to anyone else. But a certain closure is attained here, and the young man reaffirms what he has always known: blood does not necessarily make a mother.

His devotion to his adoptive mother, his `real' mother, is the power that fuels this terrific book. His caring for her on her deathbed is so completely loved-filled, that by the time she dies in his arms, our tears flow as uncontrollably as his.

Indeed, this is the story of one individual damaged by so much of life's cruelties and injustices, but it is ultimately a tale of survival and the triumph of the spirit.

In spite of everything he was made to endure, Bazhe proves to be a person of great conviction and resilience. His story is a lesson for us all on when we fall down (or get knocked down) how to damn well get back up. Highly recommend.Looker: A Novel

Very cool book. This book has some really funny artwork in it. Definitely a good one to have in your tattoo shop's collection!

Fantastically original style! It is very rare that you come across an artist with a vision who is not afraid to put it out there. Had to get the book to view the entire collection and it definitely hit the mark. You have to check out the dude's website for additional killer works and goodies too ([...] ). Cheers!

A new real, great jewel in publishing skyline!
This pocket is perfectly made for people as me, more and more desirous, longing for beauty and exitement!
This book isn't only for tattoos-fans, the best target for those crazy and genial drawings, this is Art for all.
Get it! A lot of ideas, an unforgettable moment is waiting for you!

Un nuovo vero, grandioso gioiello nel panorama dell' editoria!
Questo tascabile è proprio fatto per gente come me, sempre desiderosa e bramosa di bellezza ed eccitazione!
Questo libro non é fatto solo per i patiti del tatuaggio, il miglior pubblico per quei folli e geniali disegni, questa é Arte per tutti. Procuratevelo! Un sacco di idee, un momento indimenticabile vi aspetta!

Guido Corazziari ( Academy of Fine Arts Teacher - Italy )

I was hoping to get some good origonal ideas out of this for my next tattoo. I was disappointed to see what was inside this book. It's just packed full of a bunch of tacky white trash stuff that you see when flipping through one of the millions of floating around all tattoo shops.

This book doesn't have any pictures of actual work. Each image looks like a professional cartoon but there are many variations of the same work. For instance he might have 4 pictures of the same woman, with the same face, but wearing different clothes. Almost every image has some cute caption to go along with the picture but I didn't think there was more than a handful someone would want on their body.

You have to check out this book if you can appreciate the art that is graffiti. Banksy also inspires you with his political satire.

there isn't much to read. the art speaks for itself.
6 sections to this book:
monkeys, cops, rats, cows, art, and street furniture.
there are a few pages that contain several paragraphs of writing. banksy provides captions for maybe.. approximately half or less than half of his art. towards the back there's one page with "advice on painting with stencils". if you were looking for graffiti instruction, look elsewhere... unless you really want to look at that one page haha. some of his famous quotes are in there.
what a funny guy. funny book. it was worth the money :)

Couldn't put it down. Images are mezmerizing. Everyone I show it to wants to buy it to. No profanity or sexually oriented photos make it a hip gift choice for young people.

Banksy is a great artist. This book is 240 pages of both his graffiti and his "gallery" or more "Piece" art. I think he is an innovator and inspiration to all artists. We could all learn something from Banksy. If you like this book you might also like some Shepard Fairey work. Also check out Banksy's website at http://www.Banksy.co.uk its really great.

If you haven't read or seen much from BANKSY - trust me, just buy the sweet book. Otherwise... make a quick stop at your favorite video search engine, type BANKSY and watch a documentary about the man...

This is one of my favorite art books. Without a doubt.