Art History Books

Very funny fashion overview of the 70s fashion fiascos.

The 70s were a decade of flamboyant styles and fashion statements influenced by the hippie era, and 70S FASHION FIASCOS captures them all, with full-page color photos capturing styles accompanied by notes on designers, objectives, and culture. Any collection interested in contemporary fashion trends will love the attention to flashy detail of the 70s, offering plenty of whimsical, fun moments.

This is a fantastic, high quality book in full color (wouldn't get the effect if it was in black & white, that's for sure!). It brings back memories of when I was a kid in the 70's. It's like looking through the old photo albums and making fun of what mom and dad were wearing. The color pictures, the ads, the history, the little tidbits of info.. what fun! Sure to bring back memories for anyone who was around in the 70's, and some of the fashions will.. well.. make you cringe. :) The book even gives some shopping resources on where to find some of these vintage 70's fashions if you'd want to dress like that. Overall, a very fun book! I love it! I hope Maureen Valdes Marsh comes up with an 80's fashion book.

When first 70s Fashion Fiascos: Studio 54 to Saturday Night Fever by Maureen Valdes Marsh crossed my desk, I admit, I screamed in horror. The caftan on the book cover alone was enough to put me in a swoon. But a pleading letter came with it, begging me to give this book my imprimatur.

Look it up.

Little did I know that I would be swept up by its contents: a blend of American social history, wit, and truly hideous clothes! Ms. Marsh is a marvelous writer, with a knack for the mot juste. Of leisure suits, she writes, "Color became the key to individuality, and no shade was too effeminate for the 1970s man to wear."

Since the youth of today has taken a great interest in the clothing of the decade, Ms. Marsh has even provided an up-to-date Shopping Resource Guide in the back.

- excerpt from my review in my blog, "Diary of a Mad Fashionista" at blogspot dot com.
[...]

This book is much smaller than I expected it to be looking at it on the computer screen when I ordered it. However, it does have lots of great photos and resources and I'd say its worth getting for your collection or it would make a great gift. I wish it would have gone by year, rather than style. Also I hoped that by the name "fashion fiascos" we would see more extreme styles of platform boots and shoes and other stereotypically 70's styles. Don't get me wrong, there are some, but not nearly as many as I'd thought and most of the book focuses on the "Marsha Brady" era of clothes, more so than the later 70's when you had a totally different style that was more 80's than 60's. The style of hair worn by somebody like Pam Dawber on Mork and Mindy in 1979 was radically different than the hard, sculpted styles of the earlier 70's. Clothes changed as radically as music did in the 70's. Even the sound of disco between the early stuff like "That's the Way I like it" was radically different from the later Disco sounds, such as Donna Summer and that change took place within only 5 years. Perhaps the author would do a Fashion Fiascos Vol 2 to include the onset of Disco to the end of the 1970s. This book doesn't even feature a John Travolta white suit. Still, aside from everything, it is a nice book for my collection and reference for those who sew period clothing.

Where were YOU on the morning of September 11th, 2001? I was at work when Howard Stern reported that a plane had crashed into one of the World Trade Center Towers. Having been born and raised in The Bronx before moving to Rochester, N.Y., my workday immediately ended as I focused my full attention on Howard's show; He became my only link to the city I loved and would always call home. Later on came the TV reports and the images that will never leave my mind, but for those first few hours, I sat listening in shock as the man who makes me laugh every workday became my only connection to family, friends, and loved ones who were suddenly living in a war-zone.

9-11: Emergency Relief is a benefit book that is filled with true stories from September 11th. They range from touching, to infuriating, to thought-provoking, and the list of creators reads like a who's who of Indy Comics: James Kochalka, Will Eisner, Tony Millionaire, Harvey Pekar, Tom Hart, Joyce Brabner, Ted Rall, and literally DOZENS of others. Besides being entertaining, and raising money for the Red Cross, the book fulfills another important purpose: It stands as a reminder of a day we must NEVER forget. God Bless America!

9-11: Emergency Relief puts a unique perspective on a shared tragedy. Taking the events out of the cold realism of news photography and video and into the pen and ink world of the comix artist lets the reader share the emotions of another individual on a highly personalized level.

Do not let the genre keep you from reading this book! Even if you are not a comix afficionado, the images and storytelling technique of each artist/author are fascinating and deeply moving.

Like any good book, it is well structured. Stories lead up to the event, there are on-site accounts, the aftermath, and the realization that we're living in a changed world. For people having trouble coming to terms with the events of 9-11 -- regardless of their age -- this book provides comfort and insight. We all have stories to tell about 9-11 and most readers have probably wished they could express their own feelings so well. Fortuntely, this group of artists says it for us.

Easily the best of the comics industry's myriad responses to the tragedy of September 11th, this book gets down into the nitty-gritty of human experiences and reactions to tragedy. No superheroes. No larger-than-life expostulation. Just real people - talented artists - telling amazing stories. Higlights include Gregory Benton's "Treasure," an untitled Hutch Owen story by Tom Hart that manages to toe the fine line between rage and sentiment and "Citadel Of The Night" by K. Thor Jensen and Chris Knowle. Honestly, though, the book is so full of great material that nobody should be without it.

After the September 11th terrorist attacks on the Twin Towers, the Pentagon, and in the skies over Pennsylvania, some 50 graphic novelists and cartoonist ranging from such legendary names as Will Eisner and Harvey Pekar, to newer talents such as Frank Cho and James Kochalka, came together in a very special project as a way of expressing their grief, patriotism, and support of the American people in the face of naked, lethal, ideologically driven aggression. The result is 9-11: Emergency Relief, a powerful graphic novel. The proceeds will go to benefit the American Red Cross. Simply put, every school and every community library in the country should acquire a copy of 9-11: Emergency Relief for the edification of their students and their patrons.

Everyone has a dark side--it's that frightening part of our personalities that drives
you to root for something to blow up and hurt James Bond. It's what makes us "root
for the bad guy" at Mel Gibson films. It's what drove us to watch with rapt attention
on September 11, as the Civilized World crumbled before our eyes.

This, happily, is not the part of us that forces us onward through "9-11," a graphic
novel that tells nearly fifty stories by respected creators from the comic-book industry
about the terrorist attacks and their implications. "9-11" is, with rare exception
like Ashley Wood's obscenity-laden two page monologue, a labor of profound love.

Here, comics legend Will Eisner--who literally invented the concept of "sequential
art," the name by which the academic community now refers to comics--joins virtually
ever major creator in the comics industry in donating his time, money, energy and
artwork to charities benefiting the victims of the September 11 terror attacks.

Marvel Comics lead the pack, their magazine-format "Heroes" book being the first
released (in late October) and best-promoted of all benefit books. The first week
in January, they followed up with "Moment of Silence," another comics-for-charity
project to which Hollywood director and comics guru Kevin Smith contributed a story.
"9-11" was released on January 9 by Alternative Comics, a small, independent publisher.
It contains mostly works done by small-press of self-published comics creators who
are not under contract to a major publisher. Contributors include Phil Hester of
DC Comics' best-selling "Green Arrow," Michael Avon Oeming of "Powers" and "Bluntman
and Chronic" fame, Eisner and "Bone" scribe Jeff Smith. Sixty-two stories featuring
more than 75 creators are collected in the 200-page book, which costs [price]. All
profits from the sale of "9-11" go to the American Red Cross.

Especially notable in the "9-11" tribute book are several pieces by non-legends,
who have been largely overlooked even in the comics press due to names like Harvey
Pekar, Will Eisner and Tony Millionaire being attached to the project. A. David Lewis'
11-page "Alabaster Cities" details his exploits on the morning of September 11, which
are refreshingly non-dynamic. Rather than depicting himself running out the door
to help, as is the temptation when writing a story about your personal reaction to
great tragedy, Lewis and many other creators in the book simply paint a picture of
desperate phone calls, frantic e-mails and great personal reflection and fear. Despite
a medical condition that precludes him from Armed Services duty, Lewis confesses
to ever-so-briefly worrying about being drafted on September 11--a thought that surely
crossed the mind of every young male in the country in the hours following the attacks
on America.

John "Bean" Hastings has a short but poignant story about the importance of art and
popular culture in troubled times--it's clear that he put a lot of himself in a small
amount of pages, and the result is stellar. Keith Knight's indictment of middle America's
closedminded attacks against Arab-Americans and Danny Donovan's disappointment that
the heroes of comic books and movies weren't there to save us when it was truly needed,
hit home in witty and well-thought-out stories designed to make readers take a break
from the seemingly endless pages of grieving and think about their own attitudes.

All in all, "9-11" is a beautiful book, put together by truly talented people and
well-executed; it can do no person harm to buy a copy. Or two--the money, after all,
is going to charity.

beautiful drawings...no matter how self critical mr. ware was back in the day. the book really allows the reader into the head of a master illustrator. if you're looking more for a graphic novel, don't start with this one (try his first real freshman work jimmy c, or his ACME novelty library, probably my favorite - you get a real sense of what ware is all about - clean lines, insane, or better put, anal details). anyway, back to this one...great book, if you're a fan of ware, there's no reason not to get this one, and if you're not yet convinced, this is a nice piece just to have - these same drawings and doodles that once inspired ware himself, now get me thinking. love it.

I didn't think I would like this one. But after owning everything else the man ever made, I asked for this one for x-mas. Wow! I love it! There are spontaneous portraits of people on the bus, views from friend's rooftops, the rudiments of strips like: God, Jimmy the robot etc...
If you are a Chris Ware fan YOU WILL LOVE THIS BOOK! If you are not familiar with Chris, best to start somewhere else.

If you want to see inside Chris Ware's head, this is the book. There's next to no Jimmy Corrigan or Acme Novelty, just raw sketches of inspiration and internal struggle spanning 9 years of Ware's life (1986-1995). As an illustrator/designer, I found this book to be the most inspirational book I own, and I own many inspirational books. I definately recommend it.

I just finished reading this, and it's a real treat. Fans of Jimmy Corrigan or Acme Novelty Library will enjoy drafts of these but expect differences in style. This gives a better look at Chris Ware than his other publications that I've read. You can really feel his frustrations in this work. I reccommend this to both fans and non-fans.

The book is a record of an absolute monster drawing talent!
It collects tentative investigations, as a scrapbook of ideas and odds and ends. The amazing thing about it is its vitality.
Anything and everything becomes a source of inspiration and investigation into the nature of drawing. A coffee cup, a telephone in a waiting room, a washing machine, such mundane things seem to begin as notations but are transformed by Ware's observation of line and tone into their inner vitality - much like Van Gogh's peasant shoes. There are beautiful portraits. And beyond the observed notes, the book is positively brimming with characters, mutations, and cartoons from his eccentric imagination. The fantastical musings and the observed notations blend, merge together, separate like DNA strands through the book, adding up to a rich record of creativity

I recently purchased this volume, along with Starger & Spurlock's "Wally's World," and this is by far the superior of the two books. Rather than attempting to write a biography, as S&S do, Bhob Stewart has assembled some 35 essays about Wood, including four by Stewart himself. These range from one page to 46 pages in length, and from breezy to scholarly in tone. Some are more interesting and better-written than others, but collectively they add up to a fascinating portrait of a uniquely talented artist whose life ended far too soon.

As you'd expect with any book about Wood, there are copious illustrations, including 16 pages of full-color reproductions on glossy stock in the hardcover edition. (The paperback omits these.) The quality of the reproductions is generally good, although there is just the tiniest bit of bleed-through in the black-and-white pages. I wish they'd used a better grade of paper!

If you are a hardcore Wood fan, you should probably get both this book and "Wally's World." If you have to choose, this is the one to go with, assuming you can find a copy at an affordable price.

This is the penultimate guide on an artist who changed the way comic art is rendered today. This gargantuan exercise on artist Wallace Wood is an absolute for those who grew up with Woods magnificent style as well as the modern aspiring artist. Everything we see in comic art today can be traced in some shape or form to this master of pencil and India ink. The hand which so elegantly wielded the brush has been expertly brought back to life by Bhob Stewart. The text is written with a panache and flair almost completely missing from modern journalism on a subject so sadly underreported these days. Thanks to this wonderfully illustrated labor of love, the art of Wally Wood shall continue to live on for generations to come. All of today's modern heroes would not, could not exist had Wood's artistic creations not covered the span of decades. He was a true 20th-century Renaissance Man. "Against The Grain" is a work to be savored, embraced, shared by all serious artists who desire to know where it all began, and the man who rendered a new direction for a new century, Wally Wood.

"Against the Grain" is an excellent collection of artwork by the late comic book artist Wally Wood, accompanied with essays by his friends and associates.

If you've never heard of Wood, you are in for a major treat here: Martians, robots, other-world landscapes, elves and dinosaurs have never looked better before or since Wood's time. Wood's crisp handling of pen-and-ink, his superb attention to detail (which fans called "beautiful clutter") and his extraordinary use of shadow and light are here for the reader to behold. The illustrations cover the entire range of his career, including his work from the 1950s with EC comics, his illustrations for Galaxy and other sci-fi magazines and his final masterwork, "The Wizard King".

Whether it was a grotesque monster from an unknown planet or a parody of Superman, a complicated machine from the 24th century or a fighter jet battle, a lush female in a tight-fitting spacesuit or a caricature of a contemporary politician, Wood could draw it. He could have you reeling in terror from space aliens or laughing out loud with "Batboy and Ruben." His influence on future generations of cartoonists was extensive, and some of them pay tribute to him in this book.

He had both friends and fans, some of them aspiring artists who probably would have paid him just to work in his studio. He could play guitar and entertain a group with his conversation, which tripped from art to politics to science.

Thomas Edison once said that invention is 1% inspiration and 99% perspiration, and Wally Wood must have understood that perfectly. His creations were the result not just of skill but of hours of labor. This is obvious from the fine details of such pieces as the spaceship interiors of "There'll Be Some Changes Made," his use of high contrast lighting in "Atom Bomb", the precisely-falling raindrops and slanted spears of "Joan of Arc," the exact movements of a medieval duel in "Trial by Arms"...

Phew! It's hard to know where to stop.

As a teenager and amateur cartoonist, I would imagine Wood as living in a Manhattan penthouse (for surely someone that talented would be rich) overlooking the New York skyline, working at his drawing board and surrounded by futuristic machines, while gorgeous women lounged about his bizarre-looking furniture. (He depicts himself in that manner in "My World", a tribute to science-fiction artists.)

Nothing could have been further from the truth. Despite his talent and his fans, Wood became a life-long alcoholic who worked in dank basements, spending weeks at his drawing board, half-wishing he could enter the fantastic environments he was creating and flee all his problems with publishers, bills and imperfect women. It was as if all his emotions had been bottle-necked and could only come out on the drawing board. (One of his three wives was a psychiatrist who concluded that he just had to control everything or else.) In the end, he just walked away from it all, putting himself to sleep with a handgun in 1979.

Still, his fans and associates have assembled this superb collection and hopefully there will be more of them.

I came upon this book while browsing a comic shop in Cambridge, and soon realised it was the long promised comprehensive survey of Wood's art and career. I applaud Bhob Stewart for his perseverance and obvious passion in bringing this book to publication. Any fan of Wood's will want to read this book. It contains tons of great art ; some of it obscure and previously unseen, and the biographical information it presents is thorough, and illustrated with great photos. A blurb on the back of the book proclaims, "Hooray for Wally Wood" and sure enough the vivid and imaginitive genius of Wood is on full display between its covers. This is the triumph part of his story, and it makes it a must have art book. But this book bravely explores the person of Wood as well,including the negatives, and the price he paid for his obsessive genius. It's a tragedy that anyone who knows Wood's story is familiar with, and it speaks loudly to the American culture at large, and how we have in the past, sometimes treated our heroes like throwaway commodities. After seeing some of the gorgeous art in the book, it seems incongrous to imagine the same Wood staying up for 3 days on Dexdrine to ink a Wonder Woman comic, but it happened, and frequently. A giant like Wood routinely worked on mediocre jobs just to scrape by. This warts and all approach is as honest as it is heatbreaking, and in my opinion transforms the book into a work of art of another variety, in its portrayal of a gifted but tortured individual. Attention, Hollywood!
Assistants Paul Kirshner, Nick Cuti and others contribute amazing , written tributes to Wood that say just how much they loved the guy, all the while dealing with his difficult personality. For these heartfelt rememberances alone, this book is a welcome, if sobering addition to the legacy of the great Wallace Wood.
I don't know if the author's intent was to produce anything more than a beautiful art book and tribute to his friend, but the fact that this book also functions as a cautionary tale that provides insight into the creative process and inner workings of such an American icon as Wood, is a facinating by product that should be of interest to any general reader.

Although it had been promised to be a "definitive biography" by the publisher, Against the Grain: Mad Artist Wallace Wood continues the piecemeal format of everything that has been available about Wood and his contemporaries (Severin, Elder, Ingels, Crandall, Williamson, Craig, Davis, et al) for the last 40 years. -Which is to say it's a rambling book of personal essays/reminiscences, panel discussion excerpts and brief, fan-flavored interviews. The books one undeniable saving grace is that it is very generously embellished with samples of the artist's work. But overall, it feels like a blow-out issue of Squa Tront.

This will scratch the itch of the diehard and casual fan who wanted a coffee table browser on the subject. For those, like me, who hoped, finally, to see the subject's life drawn in one cohesive portrait by an insightful Boswell, it's a letdown, or "more of same."

I hope the book does well. It is, perhaps, an urgently needed Wood intro for newer generations who lack a sense of history. It is a welcome public reminder/declaration of Wood's place in The Comic Pantheon, where he clearly stands shoulder to shoulder with the likes of Roy Crane, Milt Caniff, Walt Kelly, Al Capp, Chester Gould and, dare one utter it, the Great Charles Schulz. Honest, it's not a bad little read. But I wish it had offered something new on the subject, or at least somehow extended the genre of fan appreciation/criticism established by Squa Tront during the 60s and 70s. As it is, this book has an odd way of making me feel that an entire generation, my generation, never really grew up.

This is to clarify the actual status of Taylor's Vol. 1-4 volumes of terrific aviation art.

All volumes are still available through several aviation art dealers. ( NW Aviation Art/Leisure Galleries) I do not know why Amazon lists many of these as out of print. They are NOT!

The new Volume 4 is out as of Sept. 2000.

Wish Amazon stocked them all.

If you don't have the money to buy an original painting of Robert Taylor, but you want to see his works, this book is absolutly fantastic.
You can look to the prints for hours, using your fantasy how it was/is to be a combat pilot.
But, do not not expect it to be a book with a lot of prints.
This is just a selection of one of the most beautiful prints.
This is really a book you can look in from time to time and turn yourself into another fasinating world.

Those of you who know Robert Taylor's art work will know what to expect from this book. Those of you don't, then you will be treated to some superb sketches and paintings which mainly focus on World War 2 aviation scences. Taylor has an excellent eye for detail and realism and researchs his subject(s) to ensure that his paintings are more than just realistic, they are factual. In this book he talks about how some of his paintings were done, along with comments from some of his subjects such as Adolf Galland, Townsend, Johnnie Johnson etc. The book includes 24 of his paintings, including some of my favourites "Dambusters","JG-52", "Victory over Dunkirk" all of which are on good quality paper. This is a quality book which displays the master's work and the master at work and highly recommended, although some may find the price a little prohibitive.

I have always been interested in military aircraft since I can remember. I build a great deal of scale models and this book has proved to be a valuable source for both colours and detail.

This is the third installment of the series of aviation art done by Robert Taylor. Painters like Taylor, Truidgen and others continue to set the standard in historically correct military aviation art.

His attention to detail is superb and the paintings are centered around a certain pilot or group of pilots during W.W.II. Many of his paintings are signed by the pilot or pilots portraided in the paintings. Most are paintings of aircraft that are close to the ground, like returning flights of planes getting ready to land or takeoff in a historical setting.

The book gives blown up details of parts of the paintings and examines historical details not readily noticeable in the overall paintings. Taylor spends time telling the story, how he painted the scenes, and the research required for each painting.

The price is a little steep, but well worth the purchase if you are a aviation collector, especially if you don't have the money to collect the real thing.

Airwaves is O'Shaughnessy at hist best! From Mario Cuomo to Nelson Rockefeller, Airwaves gives a unique insight into some of the most fascinating figures of the Empire State and beyond. The candid conversations shed new light on the personal aspects of these rich characters who have helped shaped the state. O'Shaughnessy puts his guests at ease with a flair born from years of interviews and radio editorials that made the legendary broadcaster who he is today.

return we us now to those days of yesteryear..

The book is implemental to the collections of book lovers everywhere. I'm the same age as the author and I have not even half the amount of stories he has to tell. And, I don't even have half the amount of hair. WOW! What a book!

Nobody captures the essence of society's colorful characters like O'Shaughnessy. His perspectives on freedom of speech and The First Amendment are inspirational.

William O'Shaughnessy is everything we love about the Irish. He's irreverent, colorful, warm, and kind. This collection of radio editorials would be worth far more than its price if you were to receive only pages 61-64 for your money. (Think of the other 387 excellent pages as coming "at no extra charge.")

I was conducting a seminar in Manhattan for the great Joe Riley when I was introduced to Bill. I gave him a copy of my latest book and he gave me a copy of his, this (just released) Airwaves. I wasn't expecting much... but then I'm an idiot.

William O'Shaughnessy beggared America by limiting his radio commentary to Westchester County, New York. He should have been a network anchor.

Even though the book has a somewhat regional "New York" flavor, (I'm from Texas,) I liked it.

Bill! Write us another one!

A perfect little coffee table art book. Lots of great, colourful scans and not much annoying text...unique and fun!

I hardly ever write a review here, but I ordered this book for myself for Christmas 2005 and have been looking at it probably weekly since then. As a 43 year old child of 1962 and collector of everything 1950s, 60s, and 70s, this book brought SUCH a smile to my face when I initially flipped through it and has continued to bring joy. For those of us who truly relish images/graphics/design styles from our past -- feed your brain with THIS book and feel your dopamine and serotonin levels spill all over themselves as you take that trip down memory lane into Christmases, birthdays, and baby/bridal showers past! Then, buy a copy for all of your retro type friends!

this book is amazing! i don't know how they found all these incredible patterns! the book is just jam packed with those fun wrapping papers from the 60's. a great gift for any pop-arty design fan!!!

This book will bring back so many memories. If you're 40 something, you'll want a copy for yourself, one for your parents and more for your 40-something friends. It's a scrapbook of the groovy generation and the perfect gift for the person who thinks he has everything! All Wrapped Up is a gorgeous book. My kids loved looking through it. It sparked a lot of conversation about what it was like to live in the 1960's.

You'll not only remember every birthday you had in the 60s but you'll start to remember songs you forgot, commercials you saw on television and the gifts you received. This wonderful book is a treasure.

A most delightful look at 1960s! I have to say, as an artist, I ripped-off a couple of the cool ideas I found on the pages of this book! The Christmas section if wonderful and the animal section is ultra hip with a lot of retro creatures to conjur up a few smiles. Lots of beautiful patterns in the flower power section and the masculine section is a laugh out loud! The author gives a nice overview of the industry and there is a concise little history of 60s design in the front. I never write reviews but I really did love this book!

Well, okay, maybe you would place in on the coffee table if your book shelves aren't high enough, but this is a practical book. "American Art Tile" covers the period from 1876-1941. Why does it stop in 1941? Because sadly, many tile making firms shut down for WWII and never reopened.

The book shows photographs of hundreds of tiles made by more than 100 American firms (probably every one Mr. Karlson could identify). Included are the Dedham Pottery in Dedham Massachusetts with it's famous blue and white scenes of rabbits running around the edge of the tile; the Moravian Pottery and Tile Works in Doylestown, Pennsylvania with it's fantastic Eastern European images; The Weller Pottery in Zanesville Ohio with it's "Sicardo" works; Rookwood Pottery in Cincinnati, Ohio which produced the matte glazed architectural tile used in the New York Subway system such as Fulton's Steamboat at the Fulton Street Station; and the wonderful Pewabic Pottery in Detroit Michigan from the Chippawa word for copper colored clay.

These tiles are not all individually labled, so if you're trying to identify a particular item, the book will provide only limited information. On the other hand, it will probably help you determine the origin of the manufacturing company, if not the name of the specific design. According to Karlson, many of the companies are out of business, so this may be as good as it gets since catalogues are impossible to obtain.

Mr. Karlson includes many photographs of individual tiles, but few are show 'in situ' so the pages can become overwhelming in their detail. However, the book is probably destined to be something antique tile dealers keep in their reference desk. If you're a serious tile collector or fancier, you will probably find the book worth the cost.

This is a must for anyone interested in the history of tiles and tile makers.

The book gives a history of every tile making outfit in America from 1876-1941, and shows as many color samples of the tiles they produced as the author seems to have gotten his hands on, many from his own collection. It was sobering to notice, when reading about all the tile companies, how many went under during the depression or just afterwards. This country lost a wonderful heritage, as many never came back after the depression lifted. Too bad, really. There are currently some companies making copies or remakes of some designs (what with the renewed interest in all things Arts and Crafts). Maybe this book and the Neo Arts and Crafts movement will spark some new American tile making shops? I hope so.

The book is beautifully laid out and would be a nice coffee table addition for those who are not tile collectors, but who just enjoy looking at tiles.

Superb photos and beautifully written and researched text make this a must for any serious collector of American Art Tiles! Karlson pushes the information envelope with regard to many American tile artisans. For example, he includes a photograph of perhaps the only known example of a glazed Matt Morgan art tile. If you are a serious Art Tile collector this book should be in your library!

This bountiful volume conatains gorgeous photos and detailed information on tile manufacturers from the turn of the century to WWII. Some famous ones, and a lot of obscure ones that I was thrilled to learn about. Besides being pleasing to the eye, it really did broaden my understanding of the different tile manufacturers and the influences that shaped the work and heritage. I rarely spend this much on a book, but I found it to be well worth the money.

For the pragmatic who truly needs to see "slide-show" type arrangements of tiles and short descriptions of tile makers and their beginnings...this is for you! Practical and absolutely beautiful.

This book is jam-packed with useful info, great pictures, and a very enjoyable writing style. I found myself constantly saying "I had that -- I remember that -- my friend had that one!" The book has been my constant companion ever since it arrived. What's more, it has sparked a new interest in collecting the old tin litho houses from the 50s and 60s -- items I had all but forgotten when I moved on to 1" scale wood miniatures. Thank you for a truly remarkable book, one which many of my friends will be enjoying, too.

Informative, well written, well illustrated. If you're a collector, this book is a great reference.

After searching for a reference book of this type for many months, I finally discovered this book through the internet. I have over 50 collectible reference books in my library and this one I would rate at the very top. A comprehensive, beautifully photographed, helpful reference guide.

Zillner has actually answered burning questions I've had on dollhouses and their furnishings. This is by far the BEST reference I've seen in 25 years of collecting. I highly recommend the book.

This book filled my burning desire to know everything about dollhouses & furniture from the last 50 years. There are no gaps of missing information or omitions of important items in this detailed and comprehensive book. Quite a relief after seeing an army of inadequate collector books flood the market. I'll have hours of fun reading this. My only complaint is some of the photos are dark or of poor color quality. I want to view these things in their full glory.

If you are truly serious about the Silent Film Era,then this book is a must for your Library.

The author (who has since died) is very thorough in his research, from start to finish. The B&W photos are also fun to look at.

You might,though, find some of the chapters a bit "dry"...but then, most comprehensive history books (on any big topic, as this one) can seem as such.

Note that this film history book was written in the 1970's, so possibly a few more films may have been discovered or have been restored by now. Still, this 1970 film history book holds up very well , even in 2007.
The actual silent film "facts" presented by the author have not changed all that much since the 1970's, since the silent film experiences from the 1900's to the 1920's have basically remained the same. Infact, the author lists a thorough time-line in the appendix of this book, listing most American silent films that have been found and restored in the last century! Quite a feat in itself, and so interesting!

This book is a classic. If you own only two or three film books, this should be one of them. Everson was the man. He saw everything, and what's more, he understood what he saw. There is no better introduction to the world of silent film.

This 1978 book from the late, great William Everson is , in my opinion, one of the five best books ever written on the subject.Any serious scholar of silent film should have a copy. Highly recommended!

I am so glad that Da Capo put this old Oxford University Press book back in print. I had read it back when I was a teenager in Chandler, Arizona and found its descriptions of these elusive films fascinating. For instance, this book was the first place I had heard of FW Murnau's excellent Sunrise, which is now a favorite of mine. Get this book for your private Silent Film Genre Reference Library.

This book, written by the late film expert William K. Everson, is one of the best that you will read on silent film. Everson covers the entire silent film era from its beginnings to the coming of sound. This book focuses on the artistic successes more than the business end of the topic. While he completely covers D.W. Griffith's career, he also champions other early directors like John Collins. He covers interesting topics like art direction (or the lack of) in many early films. While the scope of the book is American films, he devotes time to the influence of European films and filmmakers on American films.

This books is an excellent introduction to silent film, yet a person familiar with the topic will not be able to put it down either.