Art History Books

As you most likely know, Sam Maloof is an icon in the world of woodworking. This book does a great job of both highlighting his many creations as well as to tell the story of the man who would define an entire style and change the face of fine furniture. Written by Sam himself, the book gives you an insight into his genius and humility that you can't get anywhere else other than from the man. And it's clear he had creative input into the design of the book itself, as it's beautifully illustrated and elegantly laid out. I'm relatively new to woodworking and the brilliance of Sam Maloof, but I'm so glad I'm able to have discovered him while we're still blessed with his presence on the earth. Get this book.

IF YOU ARE INTO WOOD OR WOODWORKING AS MUCH AS I AM, OR EVEN IF IF YOU ARE ONLY INTO READING ABOUT GREAT ARTISTS/CRAFTSMEN, THIS BOOK IS A MUST FOR YOU !! IT DETAILS WITH GREAT CLARITY SAM'S LIFE & WORK THROUGH BOTH PHOTOS & REMARKABLE WRITING. I FOUND IT INFORMATIVE & INSIGHTFUL!! DO NOT PASS UP THE OPPORTUNITY TO OWN THIS BOOK !!!

BILL

Sam Maloof is a world treasure. His book reflects his passion and skill as a master. Sam's book is not written in a pompous manor but in a matter of fact point of view. Sam shares his life with us and puts it on paper. I have had the opportunity to meet Mr. Maloof and his lovely and gracious wife, Alfreda before her passing. Sam's love and passion for his craft is second only to his devotion to God and his love for his beautiful wife. His book reflects that in a way that is educational, thought provoking and simple. His warm and friendly demeanor in person is very evident in this book! Sam beleives there are no secrets in woodworking. He shares his finish and techniques in this book, although this is NOT a "how to" book. Reading this book, you will learn something about philosophy, Spirituality and some woodworking along the way.

Keith Kidd Vice-President Cerritos Student's Woodworking Association (CSWA)

I bought this book when I was a student of woodworking/cabinetmaking in college, after hearing and seeing and studing some of Mr.Maloof's work in class. I found his command and respect for his craft, and the material that he works with to be second to none. His work is a insperation in it's self but once you find out the story behind this unbeliveable man it is all the more fasanating. his simple thoughts and down to earth style are a insperation to all. after reading this book I was amazed and inspired by this man and will remember and re-read this book may times.he will always be a insperation to myself and all woodworkers for years to come

Sam is the finest woodworker that ever lived, and this is an outstanding work by and about him. I only wish he would do another one!

Now that Hollywood has finally given Scorsese his due with what amounted to a career-Oscar, the time is ripe to read the revised edition of this superb book. The questions asked of the director are intelligent, not fawning, and his answer's are lengthy and fascinating. The generous space devoted to his childhood and early years help one better understand why Scorsese has been so attracted to a particular genre and how he executes it so well. This director is, of course, immensely knowledgeable about the history of film, and his comments on other directors' work are fascinating. A readable mine of information about one of the most important popular artists of our time.

I bought this book out of respect and deep admiration for Martin Scorsese. What I got was keen insight into a creative genius. The numerous interviews reveal a side to Scorsese that not many people see outside the camera. It's a lot more personal than that. When he talks about his movies, he ultimately parallels them to what his life was like at that time. So it's a fine blend of his personal life mixed with his professional life. There's also the obvious vibe that this man always was and always will be a student of film; his passion is infinite. Perhaps that's what makes him as influential and well-respected as he is.
You're the best there is, Marty!!

There are few filmmakers more brilliant than Martin Scorsese, and this book provides wonderful insight into the sources of his obsessions. Almost any book on Scorsese is worth reading, but this volume gives equal time to his less-appreciated, (but no less wonderful), films like The King of Comedy and After Hours. By far, the most informative book on Scorsese yet.

This reader felt almost privileged to read these interviews, lectures, and conversations with Martin Scorsese. He simply shares everything, and indeed he is, if nothing else, a true fan of movies!

The insightful words of Scorsese, arranged to parallel his filmography up through New York Stories, are annotated by the redoubtable editors Thompson and Christie. Scorsese is arguably the greatest postmodern artist, (and I would have to say the only postmodernist I unhesitatingly adore -with possible exception of Matt Groening), and the reader really gets to see how Scorsese constructs a film. His inspirations are as predictable as directors Pasolini and Powell, yet as diverse as Mahatma Ghandi and Little Richard. He loves all with equanimity and enthusiasm.

That's the joy of this book... the guy loves movies, loves making them, and all that energy just shines through.

Extremely valuable resource for the student of film, but good fun for the humble film buff, too. Bonus: interesting black and white photos you won't find elsewhere. Excellent (though naturally out-of-date) filmography appendix.

I absolutely devoured this book, essentially reading in two sittings a day apart. A rare and privledged look into the mind of Scorsese in his own words, followers of his work will be thrilled with the insights and anecdotes. Anyone half-aware of the man's work can recognize the thought that goes into it, but these interviews reveal the incredible depth and passion for film and its history that underlies his craft.

An essential read for anyone that considers her- or himself a film buff.

Denis Johnson is that rare and wonderful thing: a lyrical writer with a brain. This is a collection of non-fiction essays he has published over the last 20 years, and it should win him many new fans who aren't familiar with his acclaimed fiction and poetry. The title, "Seek", is well chosen. Johnson presents himself as a seeker after truth, both physical and metaphysical. He brings with him an open mind, an open heart and genuine humility. "The Civil War in Hell" shows his visit to the heart of darkness of the Liberian civil war, where he views along with other journalists a videotape of the torture of the nations former dictator. The funny "Down Hard Six Times", an account of his honeymoon/gold-prospecting trip to Alaska is both a cautionary tale and a celebration of wilderness. The amazing "Hippies" is an exorciating satire of a drug-addled gathering of aging flower-children over Independence Day. He writes an amazinglyly sympathetic account of a Kenneth Copeland "Bikers for Jesus" rally: Johnson, who defines himself as a Christian, finds genuine religiosity among the weirdness. "Three Deserts" has some of the best writing about the American west I have ever encountered (Johnson lives full-time in northern Idaho.) The high point of the book for me is the stunning "The Militia in Me." Here Johnson gets past the hysteria about "right-wing militias" and, without minimizing their anti-semitism and extremism, sees them as within the well-established tradition of American anti-government, pro-freedom orneriness. In many ways, the West really is a different country and Johnson is well-aware of this, more so than many a provincial Eastern writer. This is a terrific book. Buy it immediately.

That's one of the main reasons I really like Denis Johnson. He is an evolution of Jack Kerouac, minus the jazz and plus the confusion. He's a Jack Kerouac who could live a stable life and write about America after making a living on his books. Hippies comprise a large percentage of America's soulful reality. It's there you find the dead-end dreamers and romantics. Hemingway these days is in the Peace Corps or selling LSD on some parking lot. I also like the parts about Africa and Kuwait. Johnson, you can send me a postcard anytime from anywhere.

After the slightness of THE NAME OF THE WORLD, and the somewhat scattered ALREADY DEAD, Johnson returns to the form that made JESUS' SON such a classic in this collection of articles. The standout is hands-down the last piece on his f**cked-up experiences in Liberia. Also good are the glimpses you get into Johnson's personal life, including his marriage and subsequent honeymoon in the wilds of Alaska, where they try to pan for the gold from which they plan to fashion their wedding rings; the highly disorganized hippie festival he goes to; the bikers for Jesus; his short piece on his brief stint as a Boy Scout. If you're already a Johnson fan, SEEK is cause for celebration.

Denis Johnson's writing seems to be at its best here. Full of simple, beautiful prose, and suspene, "Seek" is enjoyable the whole way through. The stories, or essays if you can call them that, are so vivid that you really get a sense while reading it that there are other people living right now all over the world. I hope that makes sense, but it is really true. Espescially great about this book is how pertinent the news Denis Johnson reported on so long ago is resurfacing again now. Seek gives such a brutal, interesting perspective on Iraq, Afghanistan, and Liberia, all places that we as Americans owe ourselves to know more about anyways. Reading this book fills with me with a sense of adventure I haven't felt since reading the Hardy Boys when I was eight.

As the great author and prophet Copernicus again notes, human beings are pattern-seekers. They opt to give up richness of possibility in trade for predictability and familiarity. Even though none of these patterns ever fits any better than Cinderella's slipper fit her stepsisters. Human beings seek rigid, simple patterns that defy and impoverish their dynamic, multifaceted capacity. The one pattern that human beings have locked themselves into is the simple, rigid pattern of "God," even though there are many other patterns to use, including many that better accommodate their fluid, complexity. What "God" this may be is unclear, since they all seem to talk about the same one and since there have been at least 2,500 Gods concocted and documented during human history. Denis Johnson takes us to some of the margins of human society, where the only common theme is a desperate, fruitless, and vicious seeking -- the harshness and the brutality backed up by this ubiquitous "God." If we want to see the inadequacy of this pattern and start looking for better ones -- more congruent with our design and potential -- Denis Johnson's book might be one that begins to open our eyes.

This book has a great outline, thought process and good examples on the process of writing history.

This is a great book and I was able to get even more out it since I am one of Dr. Page's students at East Tennessee State.

Richard Marius gives us in this short book an enthusiasm for the pursuit of the past that is simply infectious. Although the work is not an in-depth study of Historiography, it is a great introduction to the would be Historian on the very basic rules of researching and composing a paper on any historical subject.

Marius has written an extremely readable and informative book on the writing of history. He proceeds from showing readers what questions to ask in doing historical research into types of historical writing can be done, from discriptive to argumentitive.
However, the most useful part of the book is the chapter on sources and writing. He skillfully shows readers how to choose a topic and narrow their focus into a managable paper. He also discusses the use of CD-Rom and Internet sources, a necessity for any good book on the writing of history in the early 21st century, particularly due to the increase in the reliance on Internet research by college undergraduates and HS students that are comfortable with this technology. The book also makes actually doing research seem like not such a daunting scary task, which at first thought it seems like for many undergraduates. The one problem with this section is that Marius advocates the use of paper notes. As has been seen with many professional academic historians lately, the use of paper notes can end up costing the writer dearly, particularly with the use of a large amount of sources. Marius should have included a section on how to use a data base or other computerized note taking system.
Marius also uses many examples to back up his points throughout the book, even publishing one complete paper and then commenting on its strengths and weaknesses in order to give the reader a better understanding. The remainder of the book is an extremely useful three chapters on writing mechanics as well as quoting and citing a variety of sources. I found the section on footnotes quite good and useful. This section will be especially useful for the undergraduate who arrives on campus without ever having to use footnotes while in high school.
Overall, this is an outstanding book. The only real drawback is that since its publication (3rd edition) the sections on the Internet are in many ways obsolete. But with the ever changing technology and things available on the Internet, both good and bad, no book can keep up.

History prof recommended this for help in writing research papers in history department.

Compact and inspirational, the author makes his points by way of examples and citations from historians. Passionate about his subject area, he communicates this well and infuses it into his observations and recommendations for writing about historical topics.

While the jury is still out on my first paper to utilize this resource, I already know I am a better writer of history for having utilized this fine resource. Just the idea of grabbing your reader and making him want to read the rest was useful.

Sadly, Robert Klepper died in 2000, at the age of 32. A very nice fellow and an important film historian. Do pick up this worthwhile book, and mourn the fact that there will be no more from him.

I bought this book last year and love it and use it all the time. I get films from libraries all over the country and look up the movies that come in. I bring it with me if I am going somewhere that I will be awhile and read each review. It has a permanent place on my coffee table. If you love silent films, this book is a must.

This is the best index of silent film that I've ever seen. The reviews are bold independent and informative, if not always completely objective, Mr. Klepper is not afraid to have an opinion. This is a reference that I keep going back to.

I have owned "Silent Films, 1877-1996" for two years, and use it as a constant reference. (If you are a fan of TCM "Silent Sunday" or are a fan of silent movies and would like a guide to watching or purchasing silent film, this is the first reference to which I turn.) This does not cover absolutely every silent film, but there have been very few which I did not find information upon here. "Silent Films" also covers actors, directors, and other cinematographical information. The price tag is high, but for the silent movie buff it is indeed worth the price. I journal my silent movie viewings on its pages to keep a record. "Silent Films, 1877-1996" has gone from investment to treasure.

Robert Klepper has a remarkable love and knowledge of silent film. His understanding of the historical place of any movie he reviews is impressive and thoughtful. The book is a standing resource for any film enthusiast. In watching these films some of our favorite practices are to look for scenes that more modern films either steal (or pay omage to - depending on your thinking) and to pay attention to stunts that no actor or actress will ever have to duplicate in a more advanced film age. These are things that Robert Klepper also makes notice of and shares with his readers. I find his rating system to be reliable to my own standards and his humor to be very welcome - though I think some readers might miss some of it.

I do cherish this particular book and guard it heavily - no one is permited to borrow it. (I am usually pretty generous with my shelves.)

I assure you that the book is well worth the price -it is an excellent resource to the novice or the expert.

J

This is the first modern book I have seen in a long time that covers the silent era of film with the right combination of good textbook information and photographs to illustrate the era. There are many production stills, behind the scenes photos and poster and other advertising art work for illustration. A history of the development of Hollywood as the center of the film industry is given as well as coverage of different genres and the key players of the era. Overall, a handsome coffeetable edition with good general information about the best of Silent Film.

This gorgeous, glossy coffee-table-style book is a must-have for serious silent movie fans. Fascinating information on the golden age of silent movies and full of wonderful photographs.

This book is an absolute delight. During my initial paging through, I was at first struck by the quality, quantity, and depth of the incredible wealth of illustrations. Glorious eye candy for the film buff. But once I began reading Peter Kobel's eloquent text, I was captured by a prose that makes the silent film world come alive. Kobel provides us with a rich, well-researched picture of this era. I particularly liked his organization which avoids a straight chronology and approaches the subject from a variety of views - genre, individual personalities, the art of film, even promotion and the press. This allows me to read in depth or browse at leisure. Silent Movies is one of those fascinating books that will draw me back into it again and again.

This book is crammed with lush photos and fantastic ad materials from the silent era. The text is thorough, informative, and presented in an organized and entertaining manner, but the book is worth the price for the illustration alone.

I received this book as a Christmas gift and while not a definitive volume on the Silent Era, it is truly beautiful. They have various chapters from the stars, the directors, genres and etc. This book is loaded with photos of stars and posters and is a large coffee table book. I have read bits and pieces but not cover to cover, yet. Still, I can highly recommend this book to anyone interested in this forgotten time in cinema history.

Ms. Boas has put together an exceptional book on the Society of Six Painters. It is generously illustrated with carefully chosen examples, most in full color. Close ups, with full bleeds, lead each chapter and will take your breath away. In addition, the book contains many black and white images of the artists working and hanging out.

I'd say roughly half of the book is on Selden Gile and why not? He was likely the most prolific and arguably the best of the group. Ms. Boas describes how the group got together and how they were influenced by European artists, a few California painters as well as Bellows and others. One gets some idea of the personality (even drinking habits!) of each of "the six" as well as their camaraderie, working methods, palettes and materials. On page 97, there is a reprint of the group's manifesto (primarily Clapp's handiwork). It may be the best description of "what makes a painting good" that I have ever come across. In addition, the book is littered with quotes and excerpts from letters. One thing I particularly enjoyed were the many quotes by Diebenkorn and Thiebaud describing the Society's work. I highly recommend this book.

Hazou Gallery, Elie (art dealer) San Diego, CA
This has been a great reference book for me. I own three artists in this remarkable group, The Society of Six. In addition to all the information in this valuable book, the price was great.

I give this book 10 stars! Nancy Boas did a superb job cataloguing the history of this unique & historical California art movement. As one of America's foremost buyers of the Society of Six paintings, I can say this is a "must buy" book. www.LawrenceBeebe.com

While many books and much attention has been given to the Impressionists, little mention has been offered to the Society
of Six - California Colorists. The beautiful illustrations and enlightening text provide a case history for the needed aware-
ness of these talented and innovative artists. Nancy Boas has
obviously done a tremendous amount of research resulting in a
spectacular and much needed work on our California art history.
A perusal of this title will be richly rewarded.

Nancy Boas has done the American art scene a great service by producing a beautifully illustrated and printed book about six rugged individualists who did much to build a California school of painting in the early 20th Century. While they are often referred to as impressionists, their paintings are generally far more adventuresome, ambitious and challenging to the viewer than the relatively tame and accessible impressionist school. Whether they had any direct influence from the Fauvists or the Blaureider colorists, they have more in common with those post-impressionist Europeans. Ultimately, it doesn't matter much how they arrived at their approach to color and painting, it was the California landscape and climate that determined their subjects and color they used to interpret them.
Boas' handsome book does particular justice to the work of Selden Gile, who was the most aggressive and and insistent in his use of primary colors.
This is a terrific and important addition to any artbook collection.

Really nice collection of all sorts of fantasy art..from the cliche "dragon with muscle man" stuff to really really abstract images.Even has a few nice sculptures! Get it!

As with every year, the Spectrum series has proven itself to be an indispensible resource for any fantasy art fans. It doesn't matter if you're a casual fan, like myself, or an art connoisseur... There's something in here for you.

Spectrum 8 is more or less just like previous Spectrum books. The art is broken down into sections (Books, magazines, unpublished, etc.) and each section has a Gold & Silver award for the best pieces of art in that section (based on what the Spectrum jury thinks). You can spend hours looking through this book, only to pick it back up again a month later and spend another hour or two reading through it.

I suggest you purchase the hardcover edition and stash it away in your bookcase, because you'll be looking through it for years to come.

this book is such a great collection of artwork with artists ranging everywhere from well known designs such as those from the resident evil, spawn and a little of the sandman comic to many unknown artists who are just as highly talented. they use every different medium in this book, each with their own distinct praises. some of this artwork inspired me to start my own drawing and painting again, that's how good it is. i highly recommend this to any true fan of fantasy art.

I just got my copy of "Spectrum 8". What a great collection of fantastic art. The series gets better with each volum and I like the fact that sculpture pieces is also included. I can spend and hours just observing the colors and details of the images, not to mention the fact that Moebius is finally recognized as 2001 Grandmaster. Well worth the price I paid for the hardcover. I don't need to mention much about the reproduction quality of the artwork, because it is superb. Enough said.

There's a lot of imagination and talent in this book, and with such a varity of styles it's sure to appeal to a wide range of tastes. Personally, I enjoy the edgier, more contemporary material, but there is also plenty of more traditional "faries and unicorn"-type stuff as well. I especially like seeing some comic book covers being treated as the art they are, w/o the title covering up a good chumk of the work.

All in all, a GREAT collection! May it inspire you to write, drwa or create something outstanding of your own...

Ms Henderson has taken from many, many sources to present a succinct analysis of myths from the past, works by many scholars, and today's world in order to show the need for all of us to have myths in our lives. Beginning with George Lucas' journey to creating Star Wars, moving into the cultural milieu in which the films were made to the that which the audiences brought and continue to bring, the author gives us the "reasons" for the motivation and then success of the 3 and later 6 movies done by Lucas. The book is well-illustrated with scenes from the movies, storyboards of its development, and art representing other myths, stories and legends of many cultures and times. A fantastic book for anyone looking for the core ideas of Lucas and his greatest work.

If you enjoy any of the books by Joseph Campbell and are a Star Wars fan, then this is the book for you. It covers everything from Greek mythology and Zen Buddhism to the Cowboy archetype and the uniforms of World War 2. Most of the artwork is incredible (many pics from the "Art of Star Wars" books), and there are tons of detailed photos from the Smithsonian tour, which I was lucky enough to catch at Houston's Museum of Fine Arts many years ago. I only wish they had waited a few years until the entire Prequel Trilogy was completed before they published this book!

Within this book I would say this incredible look into the mix of Mythology, History and Star Wars that I have ever seen. A great companion Book to the "Magic of Myth" exhibit.. and it would make a great companion book to the Joesph Campbell books "The Hero with a Thousand faces and "The Power of Myth."

Basically giving the impression of the origin of the Star Wars Films. How Lucas was influenced with all these ideas and made the films what they are today. How timeless the story really has been. Also available is some of the pre production artwork from the Classic Trilogy.

Excellent book with amazing pics of the props and unusual images from the movies from the OT. Fantastic!!

If you've been lucky enough to see "The Magic of Myth" in one of its many permutations, this book is a great supplement to and a wonderful reminder of just how cool that exhibit was. If you haven't seen the exhibit, this book is still great to have for it's back-story on the origins of the trilogy.

I'm not the most well-read person around so it was a lot of fun to learn how Lucas' characters and story were shaped by (or copied from) myths and legends of other times and cultures. Reading this book has led me to explore some of the material that Lucas borrowed from in creating Star Wars. I'm a big SW nut, but it's nice to get my head out of the SW universe and out into other forms of art and literature.

If you don't feel like reading, this book is also full of GREAT photos from the trilogy.

I keep this one on the shelf next to Joseph Campbell's "Power of Myth." It is a nice complement to Campbell's book.

Shorter than many of Williams' other similar works, Style is a great little book that any writer should read many times. His points on concision and clarity are must read for anybody who wants to improve their writing.

Teaching style is not an easy task. Just look at the number of books on the market that portend to do this task, and it becomes obvious that not all authors succeed in their efforts. Some manuals attempt to teach by rules, others by persuasion, and still others by example. This book takes all three approaches and illustrates that the art of stylistic writing is a matter of know-how. Unlike most books in the field, I find this one generally successful.

The book's method is heuristic. It begins with causes of bad writing, and progresses to clarity, cohesion, emphasis, coherence, concision, length, and elegance. Each principle is given a bad examples compared to a good one. Direct, subject-verb-object writing is extolled, and certain anathemas of other texts are approved under the right circumstances. While I disagree with one its principles: That it is acceptable to begin a sentence with "There" and "It," these are minor quibbles in an otherwise strongly argued case.

Strunk & White's "Elements of Style" now has a major competitor, and this book is it. Whether one writes in fiction or non-fiction, the principles and examples given throughout this book are to be commended. I know of one author, a philosopher, who took these principles to heart. What once was ambiguous and contorted writing is now lucid, clear, and vivid. If this book can make this kind of progress, I certainly recommend it to all writers.

While on the subject of good writing, I also recommend Corbett's "Classical Rhetoric" for those authors who want to write convincing arguments. One on style, the other on substance. While William's book on style will make prose more readable, Corbett's book will make it more intelligible.

The longer version of Joseph Williams "Style: Ten Lessons in Clarity and Grace" has been justly praised for many years. But as a director of writing programs at NYU, Princeton, and Yale, I never felt right adopting that text: it was too expensive, and more than the average student needed. This "Basics" Style is the perfect solution. All the brilliance of the longer book at 1/3 the price, "Style" perfectly balances explanations of style rules with practical examples. The rules that Strunk and White encourage are good ones, and American prose would be leaner if their precepts were universal. The problem with that book is that the advice is not explained systematically. You can use their suggestions when you face similar cases, but only Williams' text breaks down topics like elegance, coherence, and cohesion in ways that will let you carry the ideas into every text you write. I would not recommend this book for the casual 10th grader; although it's clearly written, its ideas are somewhat advanced. But for professionals, college writers, and any teenager who takes writing seriously, "Style" is an indispensable tool, a book you'll use for the rest of your life. For learning to write good college papers, I also highly recommend his "Craft of Research."

I found an used copy of " The Basics of Clarity and Grace" at bookstore. After reading 3/4 of the book I ordered two more copies. One copy for my son who is a journalist major and the other for my eldest son who writes good comedy. I liked its size and its no nonesense approach.

I am a non native speaker, and even though my grammar is not too bad, my writing style has always been a source of frustration. At work, when comparing the texts I would write with the one of good native writers, I could see that theirs were better, but could not find why.
I bought this book based on the high reviews it got on amazon, and I was not disappointed. After reading a few pages, I scanned the research proposal I was writing at the time, and could already make significant improvements on it. The advices that the author give are sometimes quite simple, especially at the beginning of the book (for example : the main character should be the subjects of the verbs, which themselves should correspond to the main action). But surprisingly, I realized that I was rarely applying these simple rules of clarity. The author is never dogmatic, and insists that the only thing that matters is that the reader easily understands what we're writing. All throughout the book, numerous examples illustrate the concepts just introduced so that it is quite easy to test whether one has really got the point.