Art History Books

STAR WARS VAULT BY STEPHEN J. SANSWEET AND PETER VILMUR: Celebrating it's thirtieth anniversary this year, the Star Wars franchise is in a similar predicament to the time after the release of Return of the Jedi: no plans for future movies, apart from a continuing animated series of the Clone Wars. By the same token, fans are in the same state with little to nothing to look forward to. Thankfully, to commemorate the third decade of the blockbuster, internationally bestselling movie series, there's the Star Wars Vault: "thirty years of treasures from the Lucasfilm archives with removable memorabilia and two audio CDs.

This is not just a nicely decorated picture book in a sturdy slipcase; it's an experience, a journey that one is immediately taken one when they open up the cover. Star Wars Vault is part of the new style of picture being published, like that of 1776: The Illustrated Edition, where the book goes beyond glossy, colorful pictures and photos, but incorporates all types of media, and with the rich heritage of the Star Wars franchise which literally revolutionized the world with merchandising, Star Wars Vault is a gift that would make any fan of the series, no matter how old or how much of a fan, respect you greatly in your choice of gift.

Sansweet keeps his story short, taking up little room on the page, and leaving the evidence reproduced here in various forms to speak for itself. He begins with the fascinating tale of how the first movie, Star Wars Episode IV, barely made it to release, and with little support, until the enormous numbers of audience members proved that the studio executives were very wrong. While Sansweet spends less time on the development and release of the rest of the movies, the experience as one turns the pages and relives the history of the Star Wars empire is unlike that of any other. With unique photos, movie posters, and a plethora of pictures from around the world, there are innumerable insets and handouts of unique items like patches, stickers, collectible postcards, film cells, and even two audio CDs with a variety of different pieces ranging from the mid-eighties radio ads, to special interviews, to a recording of the song sung by Carrie Fisher for the infamous Star Wars Holiday Special.

While the price for Star Wars Vault is considerable, no one will regret it when they turn the page and discover the world within. It is a book that will immediately be quickly read, the stickers and patches possibly used, and added to the shelf to be rediscovered over and over.

[...]

I bought this book for my husband. He really loves it. Its like a scrapbook collection of 30 years of Star Wars. Very neat! I was disappointed because the shipping caused the book to be dented in the corners. I know its a heavy item, but Amazon should make sure to accomodate.

My 8-year-old, who is a huge Star Wars fan, loves this book. Unfortunately, because it's so cheaply made, it fell apart shortly after he got it. The pages have completely separated from the hard cover, probably because the materials/methods used in the binding are too flimsy. For a more-than-$50 "collector's edition," the publisher should have made the book to last more than two weeks. It will cost me $85 to have it repaired.

This book is a must for every star wars fan, the presentation, the wealth of the material, and the incredible Memorabilia, plus 2 audio cd's. make this a must Own.

I highly recommend this book. It's a collector's must have. It comes with several pull out items and pictures of some things you might not see too many other places. I'm just a little concerned with how well the pockets that hold some of the pull out items will hold up over time. I feel that I have to be extra careful pulling the items out. If it wasn't for that, then I'd be giving it the full 5 stars.

I grew up on the south side of Chicago during the 80s and had many friends who were "taggers" and got up every chance they got. They had spray-cans, hollowed-out deodorant sticks somehow replaced with ink, fat markers, Griffin, and who knows what else. Though I myself wasnt a graffiti artist or writer or tagger, this book is a great ride down memory lane for those of us who grew up on the streets. For those of us of a certain age, this book, "Subway Art", along with movies like Breakin' I AND II, Beat Street, original hip-hop and old school house music were all of a specific time and place. This book will make you want to break out the Pumas with the fat laces, bring out the tile and start back-spinnin', but it is also one of the the earliest, most definitive and detailed books on graffiti ever.

Wow, this book just took me back to my days in the Bronx and the 2 line.
All the greats are in this one..Doing those T and B's and hitting the yards, and dodging the DT's Now those were the great days of the BRONX.
Long live
MIKE170..TAV 1..ALE..AJAX..SUPER SEX..BLADE..COMET..FUZZ..POPEYE..
MIKE 170....

I started doing graff back in the late 90's; I was 14 at the time and to be honest with you; like all great writers we were all toy's at one time but has time went by and we got better with our skills, we all have read this book at one time or another. On with the book review.
This book is just simply AMAZING...you have old school pieces from the Godfather of Graffiti: SEEN, BLADE (which he has painted 5,000 trains during the golden age of the MTA in NYC; since I saw the graffiti scene on the trains at the tender age of six and seven in NYC, I was simply amazed at that age on how people could sneak in at night and do this with spray-paint but I digress), LADY PINK, and the list goes on. If your just starting out in graffit, this is a great book on to connect letters, bubble letter's, block's, and some old school color schemes, though I would not call it the Bible of Graffiti, it is pretty darn close to it. Check it out.

This classic book, along with "Broken Windows: Graffiti NYC" is all you need to know about NYC graff. Anyone up needs both of these books. Knowledge is king!

Subway Art. What can I say? This, Style Wars, Beat Street, Break Dance... they all had their influence on me (& a whole generation) back in the day.

Hip Hop isn't what it used to be, though. Most of what we hear these days is mixed up with R'n'B, commercialised, repackaged and shipped for your dissatisfaction. If you ask me... when it comes to Hip Hop, stick with the old school.

I was brought up in Melbourne, Australia, and did quite a bit of graffiti there during the 1980s. Melbourne had plenty of weird & wonderful characters who were into graff back then. The vast majority have gone their separate ways. But there's always the rare psycho who's still bombing (I'm not referring to the younger generation - but to old school dudes who are still around). There's also those who got into graphic art and made a career for themselves out of graff.

I recommend checking out some of the original Vaughn Bode cartoons for yourself through a simple Google search.

Additional to this, I recommend Getting Up: Subway Graffitti in New York" by Craig Castleman. It has some pictures of trains and so on, but it is more for the reader. A copy was stolen from a local library near me - go figure.

And if you're ever in NYC... Check out the Hall of Fame. It's located on the corner of 106th Street and Park Avenue.

I love this book. It was written from a jail cell in the 1600s. This version is the original so the text is difficult to read at first but I would not want a watered down modernized version (which can be purchased). I find if I read in chunks it starts to flow nicely. The characters have names like, "Evangelist", "Piety", "Talkative", "Faith", etc. So you know just where someone is coming from. I have marked up this book with pencil just like I do my scriptures! It is like reading one long parable in story form! Cool book. I'm glad to have found it.

We've read this book to our son and he has really enjoyed it. He doesn't yet fully understand everything and we had to stop and explain a lot to him, but it is something that we plan on reading over and over again as our kids continue to grow.
I read a review that stated that a main flaw in this book was the lack of one on one relationship with Christ. I can understand what they are saying, but I think what you have to keep in mind is that while we are here on earth and in our day and age we do not physically see Christ. He was once here walking and living on this earth, but He is now in heaven. He uses other means now to maintain a personal relationship with us. For example, we can know Christ through His word and through prayer. Just as in the book, He often also sends other Christians along in our life to help us and encourage us. This book is a good example of a walk of faith. We can't see and physically touch Christ right now, but when we are in heaven we WILL see Him just as Bunyan talks about in the book. Christian persevered in his walk without physically seeing Christ and he was rewarded in the end for his faith. For now, how much greater our reward is for those who have not seen Him and yet believed!

Enthralling. This book will help every Christian deal with the battles of being a Christian in this life and all the struggles that go with it. It teaches you never to give up even when you feel like you can't go on. Life's struggles are not a new occurrence, but as timeless as human existence itself. It teaches you not to be too concentrated on your struggles, but to look at the great prize which is Heaven and not be distracted or enticed by the struggles of life nor the easy way out. Excellent. It is a must read for every Christian.

The first time that I encountered Christian and his pilgrimage was as a preface and a family favorite in the book Little Women by Louisa May Alcott. Unfortunately, it was not until twenty-something years later that I actually got around to reading the book itself. If I were you, I would not wait that long.

The first part of the current combined book appeared in 1678. Bunyan, a nonconformist Protestant minister who was imprisoned for preaching without a license, wrote at least the first part of the book in jail. The second part was first published in 1684. It is likely the most popular allegory ever written, and is still one of the best selling books of all time.

What makes it so popular? The obvious key to its popularity is its simple, crisp style. Even accounting for the language changes between the seventeenth century and now, it is not a struggle to read Progress and it flows well for the modern reader. Although the book is allegory, the characters are full of little realistic details that make them feel quite human. Incidentally, I was reading this book as I was walking some of the old pilgrimage trails of Europe and it was interesting to me how vivid and applicable his version of the pilgrimage experience is. The Slow of Despair rang remarkably true, as did characters such as Talkative and Mr. Worldly Wisdom.

The Oxford University Press edition is bound with a scholarly introduction which is, for a change, worth reading. It also came with explanatory notes and a glossary which were helpful for the modern reader who is not familiar with the everyday language of the period.

This book is a true classic. John Bunyan spins a wonderful tale of the spiritual walk to heaven. The language may be a bit hard and it won't be that easy of a read, but it is definately worth the while!

It is spiritually edifying and also quite captivating.

A must read!!!

I travelled the Mother Road in September 1960 in a 1956 Ford from Chicago to LA. The book refreshed many memories of this trip. I was quite happy to go through the pages and I will continue to do so.

I have really enjoyed this book, Route 66: The Mother Road..." It is very interesting and full of information that you probably have never known before. Also pictures of people along the way. I am not a collector of Route 66 things but we needed something for a Painting Reception and this fit in with our theme. I ordererd it and I'm so glad I did. I am planning to read it from cover to cover when our Show is over. The book was sent on time and packaged very well. All-in-all it was an excellent experience.

As a child my family traveled between Tucson and NW Missouri over a number of years to visit relatives. I vividly remember neon signs, interesting signs, gas stations and diners along the way. This book made those memories come alive. The author brings in the history behind place names and the stories of the colorful and interesting people who created the various attractions along Route 66. I don't know when I have enjoyed reading a book more than this one. Michael Wallis, thank you.

Everything you would like to know about Route 66. This book and it's author served as the main source of infromation & inspiration for the Disney/Pixar classic animated movie "Cars". A must have for the motoring history buff.

As we get older we appreciate memories from our youth more and more. I can remember riding in my parents car on trips along Route 66. This book is full of memories and interesting information about this historic road. We plan to take the Lincoln Highway from California to New York and come home on Route 66. We bought this book as our travel guide home and plan to visit many of the places listed in its pages. We also bought The Lincoln Highway: Coast to Coast for our guide book east. Both books are a must for the adventure we are planning; a cross country trip in our 1941 Oldsmobile street rod.

This is the grandaddy of all of studio session books. So many have come after this (Jimi Hendrix, Clapton, etc.) but this is the gold standard. I have given this to a few people that I know would appreciate it, and every one of them has raved... just like I am doing.

My only suggestion is that Mr. Lewisohn updates it with all of the new information that has been put out there since this was published (many books including The Beatles's ANTHOLOGY CD and book for example).

I cannot recommend this book highly enough.

Since editions and publishers change, I am certain if I am reviewing the exact book. This book will be interesting mainly to those who were teenagers during the 1960s. These persons will recall the first time they heard each of the Beatles' albums, or they will recall the event of buying these albums. For example, I first heard Sgt. Pepper at the Fillmore Auditorium in San Francisco. The album was played before the performers went on stage -- that was Cream on their first American tour, along with Gary Burton Quartet and the Flaming Groovies (last minute replacement for the Electric Flag). Anyway, the book takes the form of a diary detailing when and under what circumstances many of the songs were composed, recorded, and performed. The book contains 360 pages of small print, and almost every page has a 1/4 page sized photograph, though some are 1/8 sized. The latter part of the book contains color photos. The reproductions of the photos are better than one might expect -- nice contrast and sharp focus. We learn that the original name of the Beatles was the Quarry Men, where this name came from Quarry Bank High School for Boys (page 12). We learn that the Quarry Men (John, Paul, George, and John Lowe (drums)) made their first recording in 1958 (page 13). We learn that Ringo was the drummer for a band called "Al Caldwell's Texans" even before he (Ringo) jointed "Rory Storm and the Hurricanes." (page 16) We learn that the first appearance of the lineup of John, Paul, George, and Ringo took place on August 18, 1962, and this was at Hulme Hall, where the occasion was the Horticultural Society's annual dance (page 75). We learn that the Beatles' first U.S. performances were in February 1964. An interesting fact is that Charles Finley, then owner of the Kansas City Athletics baseball team, paid $150,000 out of his own pocket to persuade the Beatles to play in Kansas City, and that the manager of the hotel in Kansas City cut up the Beatles' bed linen into 3-inch squares, and sold them for $10 each (page 139). We learn that the trumpet players on Strawberry Fields Forever were Tony Fisher, Greg Bowen, Derek Watkins, and Stanley Roderick (page 234) and that Dave Mason played the B-flat piccolo trumpet on Penny Lane (page 240). We learn that Maxwell's Silver Hammer took 27 takes, that She Came In Through the Bathroom Window took 39 takes, and that Here Comes the Sun had 13 takes (pages 324-327). Again, the reading is fairly dry and fun facts are encountered only on occasion. There is essentially no information on the Beatles' social lives. But for those who were teenagers during the 60s, the book is likely to be a page turner.

This book is a must for any Beatle-fan, or anyone working in a studio who knows the Beatles' music. The book is a cornucopia of information on how the Beatles' music was created in the studio. Sit down with the book and the CDs, and listen to each song as your read Lewisohn's description of the recording session. It's like being there!

I love The Beatles records and have since my Dad purchased "Meet the Beatles" in 1966. The first records I bought on my own, as soon as I had a paper route and spending money, were The Beatles' LPs, in order of American release. I even knew the exact running time of every Beatles song and couldn't imagine that there were people in the world who didn't know every Beatles song. If you're like me, the revelation of the details of the recording of every Beatles track, as detailed in this book, will be a thrill to pore over.

Some Beatles books are gossipy, and others feature questionable armchair critical analyses of their music. Lewisohn takes a totally different approach. Working with the original Abbey Road studio logs, he's created a day-by-day record of what the Beatles were doing in Abbey Road studios, who played what instruments, and how long it took them to record and write their songs.

I own a first edition of this book and have used it ever since I bought a used copy sometime in the early 1990s. I reread it many times that summer, and that somewhat battered, oversized copy still sits on my shelf. It's a book I returned to when I set up a mini home recording studio, and returned to yet again when I was learning how to mix my sounds. Although this is not a "how-to" book, you can learn an awful lot about good recording and mixing technique by carefully reading it.

Furthermore, Lewisohn packed his text with surprises. I, for one, was shocked to learn how primitive Abbey Road's technology was, even by the standards of a British studio in the 1960s. I was also surprised to learn why the mono and stereo mixes of the Beatles' music often sounded so different from one another even though they were mixed from the same masters. Also, it's amazing to learn just how quickly some seemingly complex tracks were put together, while some seemingly simple songs took far more work. As a side benefit, Lewisohn's comprehensive notes probably knocked the wind out of more than one bootlegger trying to pass off BBC radio performances as lost studio recordings of Beatle tracks! Throughout, there are many, many excellent photos - many of which have not been reproduced elsewhere. Just when you think Lewisohn's run out of goodies, there's a rare interview with Paul McCartney that touches on the songwriting process.

I can't rate this as a five star book although I'd like to. As good as Lewisohn is, there are a lot of minor details here that are misleading or just plain wrong. Lewisohn can't seem to tell phasing from flanging (two very different techniques to create swirling electric guitar sounds). He also prints quotes from studio musicians without elaboration, leading me to believe he has a weak grasp on performance and theory. For example, one horn player describes a McCartney song as being "between the cracks" of two different keys; the song in question actually seems to have been recorded slightly flat and sped up to normal pitch upon playback, but we have no way of knowing what the horn player actually meant without more information. The average reader might walk away thinking that the song used two different keys, unless he also knew that the song was in a single key. I'm surprised an editor didn't catch this stuff.

If you're a Beatles fan who could care less about their personal lives, but would love to learn more about how they created their studio albums - this book is for you. If you're interested in home recording, you'll learn lots of tidbits here too. Lewisohn deserves a lot of credit for creating this resource, and I wish that it weren't such a difficult book to find.

Excellent resource items for collectors who have just started or are ole hats at it.

I Wasn't Quite Sure..What to do when I was in the company of gnomes but this book has helped me fit in. A tremendous help!

If there is a better book suited to bridge the gap between children and adults, then I have yet to see it. In this book, all aspects of the lives of gnomes are presented, from their physical attributes to the way they interact with nature. In between you will also learn about their economy, diet, their dwellings, social and family structures, how they court, and the games their children play and even the fact that the females are bosomy but do not need to wear a brassiere.
I "learned" a great deal from this book, for example I was unaware that there are six different types of gnomes. They are:

*) Woodland gnome
*) Dun gnome
*) Garden gnome
*) Farm gnome
*) House gnome
*) Siberian gnome

Illustrations accompany most of the descriptions; they are very well done, adding a great deal of charm to the book.
If you are looking for a way to amuse your children for hours, then read this book to them. It is a fascinating fantasy, presented in such a serious manner, it will make them believe that gnomes do in fact exist.

This delightful book has been a wonderful resource to my family over the years. It has charmed all six of my children when moping in bed because of sickness, and is now loaned out to grand-children. It doesn't sit on the shelves with the other books; and visitors invariably pick it up and flip through it - then need to have it torn from their grasp to come and sit up to table.

I think the most extraordinary thing about it is that it has no age range - it really is for anyone and everyone......

I was first introduced to this book as a young child. It was one of my grandma's coffee table books. I poured over page after page of the amazing illustrations. I looked at it so much, my grandma eventually gave the book to me. This book actually makes you believe in gnomes.
In addition to the awesome pictures, this book covers everything on gnomes and I mean everything...anatomy, physiology, medicine, transportation, family life, types of gnomes and where they live...and much, much more. My favorite part is the illustration of the house. This is a great book for children, for the young at heart, and for those interested in "imaginary" beings.

**FYI, there are pictures of naked gnomes, so you may want to look through this book before allowing young children to see it. **

This is the best most spectacular book on leonardo to date.What can i say that hasnt already been said in the reviews above except that i cant believe that a couple of reviews gave 3 outof5 stars for this book. I think the book deserves 10 out of 10. The book is a masterpiece in itself. Keep up the great work.

I first saw this outstanding book at the Palm Springs Air Museum's Da Vinci exhibit last month. It is a comprehensive and beautiful tribute to Da Vinci's genius that young and old alike can enjoy for decades. Spending an hour glancing through its pages is a visual treat; reading it to more deeply appreciate his multiple talents will take years. Though the price of the book may seem high, it is an unique volume and worth the price.

without studying Leonardo da Vinci, one of the greatest Italian Renaissance artist and would-be inventor of all time. He left us a legacy of paintings, drawings, diagrams, inventions, and even sculpture for all to see. He's known more than the Mona Lisa painting, he's an inventor of sorts as well as a very fine draughtsman.

This book should be a required course for art students everywhere.

this book is a daily source of admiration, exposed on our table and we change the page practically every day to have a new work of wonder to admire every day. combined with more and deeper information on leonardo da Vinci the true art becomes clear.

The massive size of this book is only dwarfed by the enormous amount of information it contains. Did you know Leonardo Da Vinci conceptualized the helicopter...or the x-ray machine...or even the engine???? He did indeed and it's all in this comprehensive anthem. I highly recommend this book for the Da Vinci neophyte as well as the most avid "Leo scholar" as both will be awed and amazed.

This scholarly and highly readable book is of importance to art historians, historians, and anyone with a serious interest in orientalism as both an art movement and a western cultural phenomenom. The illustrations are superb,and the additional profile articles on key orientalists (such as Richard F. Burton) are an added bonus. This book is certainly worth more than its price and will be of lasting value to future readers.

"coffee table" art books are usually just vehicles to display reproductions of the paintings. Not here - Davie's writing would make compelling reading if it was published in regular book format. He mainly focuses on orientalist painting itself - and shatters the critics - but he also has a fascinating section on four famous 'orientalists' which include Richard Burton and Lady Digby.

The reproductions are are splendid very accurate ( i have the pleasure of having easy access to some of the original paintings) and capture the exquisite craft of "Orientalist" painters. often with close ups of parts of painting that allow the reader to see the elaborate detail.

Worth every penny. I find myself reading it again and again.

An outstanding volume providing high quality images and interesting commentary. Too many art books commit the sin of spreading large images over two pages so the picture gets lost in the spine - not this one. Orientalist paintings are crammed with detail to show the erudition of the artists and their patrons: for once you can see plenty, and you're not sold short by the layout or the print quality. Not a book if you're looking for lush pictures of harem lovelies, one of the aspects of orientalism not given such high prominence here. Over all impression? The many different effects created by light in Middle Eastern landscapes, and the skill of these artists in capturing it

Brilliant book completely covering the subject, solid research, perfect rare illustrations. Lots of forgotten and difficult to find names. Very useful and highly recommended - worth every penny!

Really I'd like to give this 5 stars but for the lack of women it's 4. I feel sort of silly doing so because the art is astonishing and the sheer beauty just magnifies how "art" has changed. I wonder if any artist alive today could come close to duplicating these masterpieces. I doubt it. And Mr Davies writing blends with the terrain and subject matter splendidly.

I have always been a museum addict. If the Metropolitan Museum of Art would let me place a cot somewhere, I would probably take up housekeeping. So, it was extremely rewarding to read this story of how so much of the stolen art from WW2 was found, protected, recovered and finally returned to rightful owners. These "Monuments Men" should all have received medals. The world owes much to them for making so many artistic marvels again available.

The illustrations are quite good. Many are available in other sources but so many, at least for me, were viewed here for the first time. The attempts to protect many objects - e.g., St. Marks in Venice - were also interesting. When I visited there a few years ago I was very appreciative.

Mr. Edsel is to be commended.

Excellent book with many historical pictures and historical comments of the war's effect on the art of many countries.

This book shows and tells another side of war. It is the story told in picture of Hitler and his Nazi thugs pillaging Europe and stealing priceless art objects, painting, statures, books, even ancient scrolls then hiding them in caves and bunkers in Germany. What I loved about this book were the photos of US Army units rescuing those stolen art treasures then returned them to the towns, churches and cities. The author has done an exemplary job of finding photos and stories which has made this an important work. Photos I've never seen and story I have never heard about. I think this book needs to be in every high school library in the country. Students need to be shown how our American Army worked to recover all this lost art. His book made me proud to have serviced in the US army.

Thank you for writing this book

I was really surprised by this book. I thought it was going to contain more text but it's really all about the art and the people who rescued it. The result is a very impressive, easily readable 'coffee table' style book that's beautiful and informative. Teachers should grab this up for the classroom and it also would make a great gift for anyone interested in WWII and it's aftermath. I can't say enough about the photos and the story they tell. Bravo!

This is one of the most fascinating books i have ever read. The period images are amazing, just the photo of italian masons bricking up Michaelangelo's iconic David is worth the purchase. After reading this book I was stunned that so few art treasures were destroyed. I had no idea that much of the treasures at the National Gallery of Art in D.C. was stored at Biltmore because of its remote setting. I was also blown away to see the images of workman removing winged victory from the Louvre, I just had no idea all of this went on leading up to the war and during the war. The German pillaging of the great European art treasures is disgusting of course, especially the art they looted from the weathy Jewry like the Rothchilds and others, some of which even to this day are trying to get back art work that is rightly theirs. I highly recommend this great book to anyone interested in art, history, art history, or frankly has an inquisive mind. I want to thank the authors for a job well done.

I was excited about this publication by one of the century's foremost design icons. Imagine my surprise when I opened the long-awaited package to discover that it is not a book at all! Just a short series of paper promotion-style vanity pieces containing entertaining truisms, but little substance. As a design student, I feel this is nothing but a waste of my hard-earned money. I expected a great deal more from Sagmeister. I will definitely be returning this "book." It is nothing more than a coffee table gimmick and a commercial sell-out.

In our very visual society, word are getting less and less appealing, so Sagmeister, being a prominent graphic artist, is increasingly conjuring to put them in a wider contest. Installations and visual performances in types and images are rarely any political stances, but here a peculiar wisdom emerges. Being a European a very sophisticated imagery give way to a delicate and subtle world of thoughts well framed, equally well supported by a completely new typhographical format.

This is no ordinary book, it is in and of itself a little piece of art! I bought this book in anticipation of an upcoming lecture from Stefan Sagmeister. Reading through the first time, I loved the sincerity of each part of the book. It's such a heartfelt, personal journey through this massive project. Reading through a second, third, fourth and so on, I get details I missed the first time around. After having heard Stefan speak for the first time, the book was brought to life like never before. I will treasure this publication, as it rightfully earns a spot on my bookshelf of design greats. I cannot wait to see what Stefan has in store for us in the future!

Many publishers produce hundreds of thousands of boring books in the hope that they will be able to keep paying dividends to their investors and salaries to themselves. One could be forgiven for thinking that their professional teams of editors, art directors, and sales executives review potential titles and remove challenging material, unexpected, imaginative, or risky concepts, and especially self-indulgent works created for the pure pleasure of their own existence (instead of for the express purpose of making money). In this tragic environment, it's a small miracle that a book like Sagmeister's Things I Learned... emerges unexpurgated and fresh - with the potential for sales to millions who simply love his passion. My friend the photojournalist Philip Jones Griffiths who died last month, created the book Vietnam Inc. He made no profit from it in the beginning, but It helped end the Vietnam war. Philip's passion was for peace. Stefan's is for something else - beauty? truth? I think everyone should buy this book - if only to prove to publishers and media moguls everywhere that we want more truth, more beauty, more passion in our lives - and we're willing to vote with our wallets: "All together now..."

Robert Appleton, AGI

Sagmeister is amazing! I just saw him do a lecture on this book in Columbia. It brought so much life to the work hearing his personal experiences. This book is so fun and interactive it embodies the spirit of his work perfectly. It is a box with a die-cut out of his face on the cover. Inside are 10-15 smaller booklets each covering one of his many projects. As you switch the order of the books in the box it shows through the holes in the cover changing the design. It's really cool...I am so excited to add it to my collection.