Art History Books

The Birth of Graffiti...I will begin by saying that if you have an inner soul of graff...the curiosity of where it was conceived...of how it was back in the day...the day where you werent even thought of...THIS IS THE BOOK THAT SPEAKS TO YOU THROUGH VISION.

I have never seen a book where the images speak to you as strong as they do in this book...but that is maybe because I have a love for NY and its Graff.

I have a GREAT amount of respect for Naar, and I thank him for bringing us these images of art(as we see it). He did not have to give us this gift, but he did. And the best way you can thank him is by purchasing this book AND adding it to your personal collection, as I have.

The photography is amazing...the shots are unique...and you can tell that the subject of the book IS the begginings of graff...where it all lived up to the hype that we are know. I was born in '79 and arrived to the USA in '84...so I never lived the days of which NYC was NYC...where the walls spoke in MANY voices and many ages in many languages. I have caught a glimpse here and there, but never what I have now captured with this BEAUTIFUL book of NYC-a city I love and GRAFF-the form of art I love.

If you really desire to know what it was like back in the day-on the real-how NYC really was...not no postcard propoganda stuff...GET THIS BOOK.

GREAT BOOK...take it from a cat who's introduction to graff was back in '92 seeing all the Kez5-Bruz-MsMaggs-FLone-Ench throw-ups all over Queens...

Get the damn book...you won't regret it.

NAAR...thanks man.

this magnificent book speaks to me like no other book on graff, and i have many. aside from a nice introduction, there are no explanations about the photos, nor interviews with the writers, and none are needed. there is such a profound simplicity to these photographs. they expose the beautiful ugliness of urban blight in a sad and delicate light. you want to go there to relive a moment when things were louder, smellier and uglier but that much more innocent.(or so it seemed.) before digital, micro, macro, and the information super highway there was this; innocence, ignorance and bliss. there were no books, magazines or videos about it, there were no websites and rest of the world to share your passion with. there was just you and somewhere out there others like you. whole youthful identitys condensed into an alter ego embellished onto a steel messenger then sent to announce "you were there". unknown in the flesh but known in word and deed. we all spoke and wrote an esoteric language that only a choosen few really understood. to have been there, to have seen it, to have breathed it, ate it, sleeped it, to have known it as it was, not as it is now will remain to me always, a privlidge. how lucky we are that jon naar choose to preserve these precious moments in time as if it truly might mean something one day. i thank you sir. p.s. great review by j.son.

It was thrilling to see such a vivid documentation of early seventies New York and the graffiti of the period. The prints in this book mark an important period of graffiti's history where the building blocks of the craft were being developed for the first time on the walls, buses, and subways of New York City. Graffiti, for the first time became means of expression for a generation of urban youth in New York. The Birth Of Graffiti demonstrates the inception of style which was evolving on the walls of every borough of the city. Today the techniques and traditions pioneered during that period have been passed down through generations of graffiti writers to develop into one of the strongest and most innovative art movements of the last century. Before graffiti was on every brand of clothing, on billboard advertisements, and used for marketing schemes across the world, it appeared on, city buses, subway cars and the gritty brick walls of 1970's New York City. The youth of New York who created this work were the first innovators of this powerful craft which has now evolved into a worldwide art movement. Jon Naar's photography captures many important moments in a period of great change and turmoil for the city of New York.

Birth of Graffiti could easily have been titled Faith of Graffiti 2. It is basically Faith of Graffiti with added photos from Jon Naar's archives. Some of these photos such as a The Man 550 piece and marker tags on long extinct subway vending machines bring me back to the days before a slew of talking heads with erroneous sociological and psychological theories started writing books explaining our culture. Mr. Naar's photos are striking and capture graffiti in the transitional period between tagging (single hits) and piecing. Many of the writers documented quit before piecing became the fashion , but the emphasis they put on handwriting style is more formidable than the signatures most writers throw up today. I watched this movement from birth to death on the NYC subways and was lucky enough to participate in it. Although not as visually dynamic as the work that came later, this period fascinates me more than any other. I grew up seeing the names featured in Naar's photos, wanting to meet them and follow in their footsteps. We all owe Jon Naar a debt of thanks for preserving the roots of an ever-changing culture. The book is a must have for any old-timers who want to re-live their glory days and neophytes who want to learn who the real pioneers of the culture were.

This is a really well done book - the photographs are incredible and the printing is perfect. Unlike many graffiti books, this one is very well laid out and is "arty." A very professional treatment of the rough edges of the first spray can art. If you lived in NYC in the 1970's this book will take you down memory lane. You will pick this book up time and time again.

We usually see bridges as an extension of the road we're on, never realizing that every bridge is a great venture unto itself, where creativity, engineering genius and big capital all come into play.
Mr. Cortright's book highlights the most beautiful and unusual bridges from around the world, covering a span of nearly 3000 years. They're all here, from ancient Roman arches to extravagant futuristic showpieces. Whether the locale is Buenos Aires or Shanghai, you'll find yourself daydreaming about who built these bridges and what it would be like to cross them. I picked up this book in an odd moment and found myself captivated for hours.

Ideal for bridge fans, but even better for those who simply like to travel in their imagination. Highly recommended.

An amazing book. Great photos of bridges all over the world. Very insightful. The book has inspired me to go Bridging and I use the book as a reference handbook.

Bridge aficionados are lucky that Bob Cortright is alive, well, and traveling the world with his camera and lifelong, unabashed love of bridges. In this, his third magnificent volume, Cortright takes his camera further afield to bring readers stunning, full color photographs of bridges from 28 countries across six continents. His witty, succinct commentary conveys fascinating lore and trivia about each bridge. A perfect gift for travelers, students, and pontists of all ages. To see more of Cortright's bridges, visit [...].

If you take bridges for granted, perhaps as part of a daily commute, you likely won't again after reading Robert Cortright's lovingly assembled book.

Whether it be a multi-century old stone bridge in the old world or a recently built cable-stayed structure, you can't help but pause to admire the hundreds of examples of man's handiwork in Bridging the World.

Grouped by the method of construction used, these bridges are a tribute to man's ingenuity and his need to communicate. Featuring bridges from almost 30 countries and from 6 continents, the book is guaranteed to leave you wanting to see more, perhaps even in your own locale.

BRIDGING THE WORLD would make a wonderful gift for anyone with an interest in engineering or architecture, an armchair traveler or history buff, or anyone who just likes beautiful photography. Cortright is a retired American banker who just loves bridges. This is his third book filled with bridge photos, and he's obviously very good at his craft. The photos are gorgeous, displaying bridges from all over the world, with 306 clear, colorful photos from 28 countries and six continents.

The photography is exquisite -- you can see the individual cables, the shadows on the water or canyon beneath the structure, and the texture of the stones and other materials used in the bridge construction. The book arranges the bridges more or less chronologically or by length of span. The photos are divided by method of construction used in the bridge -- beam, arch, suspension, cable-stayed, aqueducts and special bridges. The book begins with structures built in ancient times and moves on to huge, modern works of art. To see several of the photos, visit www.bridgeink.com. Strongly recommended, especially as a gift.

One of the best books every written about the Broadway Theatre. Lots of little known facts, lots of pictures. A fountain of knowledge and a must have for every Broadway buff.

This is an amazing book that covers from Gilbert and Sullivan to (almost) present day.
It is very much worth it's weight in gold if you love Broadway and Music Theatre.

This book is great for anyone - from the Broadway musical savant to the average curious person to the theatre student.

If you've seen the PBS television series, Broadway: The American Musical, this book acts as a fantastic companion and will look great on your bookshelf or coffee table!

It's virtually exactly the same as the DVD in terms of following the chronology of the development of Broadway but the great thing about it is it seems to come with additional pictures not seen in the series and great quotes. Forget about flicking on your DVD! If you need a quick reference you could turn to any page and find something interesting about Broadway to read about.

If you enjoyed the series and are passionate about Broadway, I would thoroughly recommend this book as it has everything in there that you'd need to know. Enjoy it!

If you're into theatre, this book is a must-have! You won't find any other book that gives you such a detailed and accurate history of Musical Theatre. The pictures are great and the reading is outstanding!

The illustrations in this book are so vivid and detailed, it even makes snakes look beautiful to me! I wish there were more books that were made this way.

The old prints are just beautiful. Before photographs, books like these had hand painted reproductions of the animals. The detail is amazing. One can only imagine how long it must have taken to prepare these works.And collect the specimens.Check out the 7 headed hydra! And cheers to Taschen for another beautiful art book.

Cabinet of Natural Curiosities: The Complete Plates in Colour, 1734-1765 At a time when unimportant volumes by hack authors sell for around $30 it is extraordinary to find a book this beautiful, this timeless at a price less than an average bottle of Chardonnay. Makes one rethink any list they might have made of books to take to a deserted island.

snakes, bugs, plants, birds and all manner of living creatures. It is really an overwhelming collection. Worth getting a larger coffee table.

I'm not a biologist or scientist of any kind. But I am a fan of Taschen's publications and admire his goal of publishing high-quality photo/art books at reasonable prices. I happened to come across this book while browsing in the bookshop, was attracted by the Taschen name on the cover, took a peek inside and bought it on the spot. It was only afterwards that I discovered the history and historical significance of this collection. It's a beautiful book, filled with brilliantly colored illustrations of reptiles, butterflies, plants and animals. Great stuff and a real education for a layman like me.

I haven't read the book but I really need a picture of Coco Chanel. Is there any about? I need it for my A Level French Course work!!!! Any Help Thanks xxxxxx

This book is very good. The text isn't hard to read, and in this book are allot of pictures, only in black and white. There should have been also a few colour pictures. This book is only looking at the period that Coco Chanel designed the collections and not the Karl Lagerfeld era.

This is a spectacularly beautiful and insightful view of a woman who was the major force in 20th century fashion. It is elegantly written and sumptuously illustrated and no doubt will become the definitive book on Coco Chanel. I learned a great deal that I did not know before and I had a long career in fashion. This book will delight men as well as women because it contains many revealing stories about Chanel's sexual escapades. Buy it by all means!

I have always been fascinated by whatever's written about her ever since I received a Chanel purse for an 18th birthday present. There have been a number of books written about Chanel, I'm sure but Janet Wallach's will not disappoint any reader. It is simple and elegantly written with beautiful black and white illustrations. Even if one is not a fan of Chanel's style, you will be intrigued by her notorious life as told here. Either for yourself or a friend, a nice book to keep and look through now and again.

Another superb book from Janet Wallach. Engaging, provocative and insightful. Wallach brings her estimable research skills and writing talent to bear on a fascinating and controversial women who continues to demand attention, respect for her determination and accomplishments and fair judgment for the choices she made in her private life as a very public person.

After searching through the Spirituality section of my local Barnes & Noble, I finally found this book shelved under Film, keeping company with the Marilyn bios and Leonard Maltin guides. That sort of makes sense. Like Certs ("It's a breath mint AND a candy mint!"), "Cinema Nirvana" is an oddball but well-informed romp through the world of classic American film, as well as a savvy guide to meditation and spiritual growth. Sluyter writes like someone who's been around both of those blocks more than once. He excels at noticing the overlooked (the shark in "Jaws" has been terrorizing the beach, but the three heroes illogically hunt it down in deep water, out of sight of land) and squeezing epiphanies out of it (the ocean represents the deep waters of the infinite, where familiar moorings are left behind). Sluyter's brand of spirituality is mostly - but not dogmatically - Buddhist, with the plain-spoken, common-sense approach of the best Buddhist writers. His writing is extremely clear and often very funny. His wit and his skillful use of personal stories (his saga of involvement with a cultlike group in the "Invasion of the Body Snatchers" chapter, or his account of the psychedelic 60's in "Easy Rider") make for top-notch entertainment. But what's most entertaining is watching him make astonishing connections - his cosmic interpretation of the lyrics of "Jailhouse Rocks" will blow your socks off.

Thoroughly enjoyable capture of the nuggets of dharma illustrated in film. This was a grand gift of a book.

Reading Cinema Nirvana was an exceptionally gratifying experience. It was hard to put the book down, and every time I tried to do so, I was drawn back to it. The reading of it was a comforting experience, as well as being entertaining and making me laugh. When I poked my head out of its waters, I felt like I had been meditating for quite a while.

But it actually did more than that. Sluyter's life experience and committment to seeking consciousness infuses this book with a clear and cogent energy that passes on to the reader. Not many books have this magic. In the reading of it, I felt something in me unlock, taking me deeper within myself, a priceless experience.

Sluyter's ability to recognize and interpret the presence of spiritual guidance in the movies is amazing. But it is not just this skill, nor just the knowledge imparted, that makes this book shine. It is also his willingness to be real, to share his passion and to bare his heart. I highly recommend it.

Cinema Nirvana is a terrific book and a way fun read. I want to go over some of it again because it is quite thought provoking for me. I got a non-New-Age-Oh-Wow-How-Cosmic-Dude look at roots of some of my own beliefs and practices. Completely unexpected, and pleasantly surprising.

A lot of spiritual writing succumbs to the platitudes of new-asge mush. Not so with this book. Cinema Nirvana is extraordinarily well written, creative and insightful. Basically, Sluyter does an analysis of cinema in terms of Buddhist teaching. Each analysis made me think again about the movies I had taken at face value - I even ended up reading some of them twice. I have definitely reconsidered the way I approach popular culture as a result of Sluyter's critical technique. I would recommend this book to anyone who has an interest in Buddhist philosophy, wants to steer clear of the new age drivel, and enjoys well wrought, intellectually stimulating critical writing. Even those who don't have much knowledge of buddhist philosophy, but want fresh crticial insight into cinema should give this book a reading.

I bought this for my four-year-old daughter, and this has become a favorite bedtime story book for her. It is perfectly gear for the younger ages with many colorful examples of coats of arms along with some elementary explanations of why they existed. The stencil is great and allows the youngest artist to make their very own arms. (I recommend make copies fo the blank shield and letting the wee ones mark up the copies.)

This book is great! It has lots of color, very kid-friendly. It has explanations of the colors and many designs or pictures you may find on a coat of arms. Very helpful for coat of arms lessons and as a tool to help a child create their own coat of arms. My homeschool group used this for children aged 4-11 and they all loved looking at it!

Catherine Daly-Weir has done an excellent job of presenting a general and yet fairly complete introduction to Heraldry. The illustrations are beautiful and attractive. Obviusly written for the younger reader, adults will enjoy just as well. If you are working on a club/class project and need to creat a Coat of Arms, this book and Rosemary Chorzempa's "Design Your Own Coat of Arms" are all you need! You will have no trouble creating your own Coat of Arms expecially with the plastic stencil which is included in the book. A must have!

This book is great. It covers several aspects of heraldry (history, battlefield, heralds, tournaments, rules, positioning, meaning of designs etc.) without being overwhelming for children. I have used this book with my art therapy students, and my sister has used it with her students with art class...all the students loved it. Even those who can't read can get alot from the book as illustrations are excellent. I highly recommend. Ages 6-adult...I have even used this book to design a shield for myself. For those interested in other sources...Heraldic Design by Hubert Allcock is also a great sourcebook.

I think this is excellent for younger children. It is a good basic introduction.

Sin duda este es un título que no debe faltar en ningúna biblioteca personal, ya que la restauración de uno de los principales códices es perfecta, para aquellos interesados en la cultura y ciencia ancestral este códice es de gran ayuda.

This book gives terrific insight into the ancient Mexicans, their theology and world view, and their way of life. The illustrations are extremely well done, and the interpretation is on the mark. A must-have for anyone interested in ancient Mesoamerica.

I will not go over their 5 star comments except to say that I agree. The amazingly colourful and crisp art in this short book is rivetting. As much as one may credit the reknowned author, deep congratulations should also go to the publisher for a masterful print job.

This is a wonderful resouce for those interested in ancient Mexico. Full photographic facsimilies of these codices are hideously expensive, and really, most are not in great shape. After extensive research, we have here a great reproduction of what this important work looked like when it was "fresh off the presses." It is beautiful, and in comparison to Dover's similar Codex Nuttall, this work comes with a MUCH better introduction that explains more of the text, the context, and the ideology. Readers will be able to better understand some of the religious principles of the ancient Mexicans (and there is some debate whether this book was painted by Aztecs or Mixtecs, which I won't bore you with!). It shows gods, ceremonies, the calender, and other religious iconography which is interesting, and would be a revelation for more the artisticly inclined. The visuals are wonderfully presented and all in all this is an astonishing bargain. Those with even a casual interest in New World archaeology or art NEED to get this book.

This is a very strange and beautiful book in pictures. It reads like a dream if you tune in to it, and reveals very deep meanings about the relation between life and death, the human relation to the forces of nature, and time. Even though there are no words, it is possible to understand. If you get into it the symbols become more and more recognizable, and they begin to speak. the calendrical symbols and the spirit deities are completely recognizable. The sequences are all about times, and there is a big element about sacrifice. It has to do with the consequences of change; there is no life without death. The book has a very powerful image of life and death fused back to back that pretty much is the epitome of all the book is about. It's all about life and death in relation to time.

Although this book is written for adults, we purchased this book for our 7 year old son who is currently researching comics, their origins, and authors. It has been a constant companion...traveling with us everywhere! I have had the opportunity to read portions also and I too have found very well written, interesting and informative. The comics choosen have given our family quite few chuckles! Great for anyone who enjoys comics and wants to know more about comics through the years.

This gigantic collection of comics describes the strips that appeared in newspapers rather than on newsstands. There is a small amount of natural crossover, but the author is focused exclusively on what appeared in newspapers. For most of the main strips, he gives a brief historical recapitulation of the spirit of the times as well as a short biography of the people who created the strip. For the strips that have continued across generations of cartoonists, he explains when the transition took place and why.
As can be expected, the best part of the book is the cartoons. Walker gives a small but thorough sample of the flavor of the strip and how it changed over the years. There were some that I remember so well from my youth, in particular "Mandrake the Magician." When I was young, I always got up very early and opened the Sunday morning paper to read the cartoons. I always read them in the order from my least to most favorite. This meant that I shifted back and forth, but that was fine to me.
Even though I am now and will always remain a news junkie, the comics will always be my favorite part of the paper. They give us adventure, excitement and something to look forward to, and in this book you can learn a great deal about the people who made and continue to make them happen.

I've felt for a while that the newspaper comic strip is the most ignored form of popular art, rarely looked at critically. While comic books prosper and have gone well beyond the standard superhero format, the comic strip languishes, rarely allowing new and creative strips to break through, while "institutional" strips (those that have not been amusing for years but are institutions, such as Heathcliff or Crock) dominate the paper.

In this sense, this book is not very helpful; it is a relatively uncritical appreciation of the comics. Nonetheless, it is an excellent book, a good summary of the major artists and developments in the comics since World War II. All the big strips are here: Garfield, Peanuts, Doonesbury, Calvin & Hobbes, the Far Side and many more, along with plenty of material from bygone eras.

This book is around 50% text and 50% comics, so there is plenty of fun stuff to read in either format. For what it is - an appreciative history - it is fantastic. The only flaw is that Walker ignores the comic strips of alternative newspapers, therefore neglecting such important works as Groening's Life in Hell (without which, there would be no Simpsons).

For anyone who has ever enjoyed the comics, this book is a great look at the field and a lot of fun.

Blondie, Archie, Nancy, Pogo, Beetle Bailey to Peanuts, Garfield, Mutts and Calvin and Hobbes, here's a lavish, full-color, oversized, hardback, coffee table book celebrating the best part of the newspaper. Comics curator Brian Walker, son of Mort Walker (Beetle Bailey, Hi and Lois), collects the best examples of this much-loved medium over the last half century. Now that the companion volume, The Comics Before 1945, has appeared, Walker's labor of love is complete. Together these inviting volumes offer a compelling tribute to the art of the funny papers. And Amazon's irresistable price is nearly half off retail.

Hey,where to start in writing a review on a book about Comics, when one has been reading them for over 60 years.An excellent book in every way.Physically,this book is beautifully constructed,with top of the line paper,printing and color illustrations.A great dust jacket, as well as glossy hard covers printed with comic strips.A large volume 10X14 inches,over an inch thick and 326 pages...WOW! By the way ,there is a companion book,which is just as good,covering Comics before 1945;same size and by the same author.
What great memories this book brought back.I was born in 1935 and was an avid Comic Strip reader of 10 where this book starts.
While there are many strips covered in this book that are unfamiliar to me,and probably to most people;all my favourites are there.All through the years,in my opinion the Strips and writers were at their best in the 40's and 50's.But then that was when they were really growing up and so was I.
My favourites were Dick Tracy,Little Orphan Annie,Li'l Abner,Smilin' Jack,Popeye,Beetle Baily,Joe Palooka,Blondie,Tarzan,Captain Easy,Mandrake the Magician,Mutt and Jeff ,Smokey Stover,Henry,Superman,Terry and the Pirates,Pogo and later Doonesbury.
Dick Tracy was my overall favourite,especially in its prime with super characters such as Flattop,Mumbles,The Mole,Brow, B.O.Plenty,Gravel Gertie and little Pebbles,Pruneface,etc.,etc.
Then there was Li'l Abner with Daisy Mae and Ma and Pa Yokum.The nation wide craze set off by those wonderful Shmoos and then the creation of Sadie Hawkins Day antics that swept the schools and colleges.Nothing like that kind of stuff today!
I guess all this fun was just too much for the prudes of political correctness, and their misguided efforts put the end to it all.
At the height of the Comic Strip days,everyone was aware of the 'funnies'and knew all the characters.If you didn't know who Dagwood or Annie's dog Sandy,or Fearless Fosdick was;you just didn't know what was happening.There is nothing like it today.I found the papers kept dropping reader favourites,cutting back on the number of strips,introducing strips with agendas and social engineering,to the point many readers lost interest and abandoned them.
As a matter of fact ,I was really following only Pogo and Doonesbury for the last few years and sadly we have even lost Pogo.Dick Tracy is not even carried by out largest paper in Toronto.I just read the Tracy strips on the Net for 2005.Fletcher and Collins give it a good try,but the storylines and artwork fall way short of the master, Chester Gould.Not only that,punching the keyboard and reading the screen is a poor subsitute for sitting back with the funny papers enjoying a coffee after breakfast or dinner;again in my opinion.
This book also covers a lot of what I call cartoons,and does a great job of it,but cartoons just aren't what the world of Comic Strips was all about.
Walker has also included a huge list of references if one wants to dig further.
This book should not be thought of as a review of any particular strip.It is really a history of Comics,a reference to use if one wants a quick look-see of what a strip looked like and a little about the artists who drew the strips.It also tells a lot about what went on behind the scenes with the artists,newspapers and syndicates over the years.
It also talks about Comics as an artform.Here I agree,one only has to look at how the artwork progressed in a strip like Dick Tracy and more recently Doonesbury,to see the advancement from very simple sketches to excellent art of colors, silhouette,perspective and all, to appreciate it.
After reading the book, I hope one day to visit the International Museum of Cartoon Art;although I continue to think of the Comic Strips as one thing and Cartoons as something completely different.
A great gift for a friend or yourself if you were a follower of the "strips".

This is a wonderful book. To write it, Fred Smeijers looked closely at printed books and type punches in museums. He read contemporary accounts of sixteenth century type making. And, informed by his experience as a digital type designer, he understood the problems the sixteenth century type makers faced and how they solved them. Some of these problems, like readability, economy and visual texture, are still with us.

Most remarkably, he also taught himself to make his own steel type punches - his practical experiments shone new light on the subject and showed the implausibility of some accepted accounts of how things were done.

The book is engagingly written. It's a visual delight too, with text set in the author's `Renard' type and illustrated with his pencil sketches.

This is an exceptional contribution to the history of printing. The book centers on the punch, that unique object that is eventually copied into the matrices, movable type, and printed results that are more familiar. Smeijers started by studying the literature, printing tools, and printed artifacts that are still available. That wasn't enough - he taught himself the craft of making (or "cutting") the punches, learning a lot from the tool and die machinists who preserve much of the skill that Smeijers needed. After his eye became trained to the marks of tool on steel, he realized that a whole craft existed and had nearly vanished without a trace. That was the skill of making the tools to make the tool, creation and use of the counter-punch.

Along the way, he fell in love with the metal that he shaped into punches. He became quite lyrical about it: "... you feel nothing but delight in this substance, with such a strong and fine substance, which we call steel." He even became jealous of the old-timers, who remember alloys of the past that yielded even more gracefully to the punchcutter's caress. I have to admit, I've worked metal (though not steel), and I know just how that passion developed.

There's more about the history of letterforms and the punchcutters that brought them to life, and about the pleasures there are in being an amateur historian. There's more, too, about current and future practice in type design. This brings us to the one point where I disagree with Smeijers, a statement that I just can't believe he made. He mentions letters on screens, objects that he lumps together as "anything that can carry information and which is able to refresh itself." Earlier, he gave lengthy descriptions of the difference between letterpress and laser printer results, in sharpness of edge and many other dimensions. All those same differences, and more, distinguish CRTs from plasma panels or LCDs, and all the different LCDs from wall displays to cell phones. Perhaps he has since learned to look at modern displays the same way he looks at the older media, or maybe another writer will need to make the distinctions.

The only real reason to criticize this book would come from incorrect expectations. It's not directly about how a modern typographer can use modern tools to get the daily jobs done. It's about the practices of times past - they do bear on today's work, but only in subtle and indirect ways.

Highly recommended for the serious typographer or historian of western technology.

//wiredweird

Mr Smeijers has crafted a fine book, as all three other reviews have noted. Incisive, insightful, instructive.

Look closely at the cover of this volume. After you've read it, and understand the counterpunch/punch process, you see that the entire story is told on the cover in a bit of brilliant graphic design.

I've read a lot of books on type and this is the only one with a practical guide on how to create your own typefaces. I'm sure more people who read this book aren't going to start making their own metal type but the lessons learned in this book easily translate to the world of creating digital typefaces. After reading this it changed the way I design typefaces, completely. Now, instean of merely moving bezier control points, I imagine myself cutting metal and re-using counterpunches. Sometimes I "oversize" my counters a bit, as if I were hammering them in a bit more. If you're a type designer, or just interested in type, put this one in your shopping cart immediately.

I was surprised by Mr. Smeijers ability to speak volumes of relevance about the digital era. As a student interested in typography and type design I was enthralled. I couldn't put it down.

This book is a must read.