Art History Books

This is persented as a collector's price guide, so he can know the value of his Lucille Ball collection. It has rare pictures of her and is a must for any Lucy fan. The prices are outdated however and there are too few stories throughout the book. The book might feel to some as too much Lucy and not enough pictures of others who worked with her.

Let me start with the complaints. The prices that the items have designated to them are very off. You can easliy go to a flea market or an online auction and get most of the things at least 25% cheaper than they are listed as being worth in here. Maybe the prices are so high because the guy never planned to update it, but an update is what the book needs. After the 50th Anniversary of I Love Lucy there was a ton of stuff released. In all honesty a For The Love of Lucy Pt.2 book could be made, after all the book is 7 or 8 years old. Now moving on to the good stuff about the book. This book includes so many Lucy items that were made available from early on in her carrer to after her death that this book would be a great conversational piece for when you have any company. Each page is filled with stuff from cards and comic books, to dolls. This book is perfect for any Lucy fan who is or isnt collecting Lucy stuff. Overall this book is great, but updating it would be nice.

This book is full of photos of beautiful collectibles on Lucy - magazines, posters, toys, all sorts of memorabilia. It is wonderful to the Lucy fan to use a something of a check list. The one flaw is the absolutely ridiculous prices Wyman says some of these things are worth. I recently bought the 40s picture frame photo he says is worth $75 for $4! Many times I have paid less than a third the price he says these things go for. Wonder if he jacked up the prices expecting they would eventually fetch these rates in years to come. Still, this is a gorgeous book and he certainly does have an outstanding collection on Lucy.

Ric's does a beautiful job on this book. I get the feeling he really loves Lucy! Ric is a true fan. The photos and information on Lucy are outstanding!

Talk about complete! "For the Love of Lucy" is the ultimate book for fans and collectors of "Lucy" memorabilia. Filled with beautiful color and black & white pictures, along with helpful text and value estimates, this compendium will keep any fan busy for hours. I'm not a collector, but I found it thrilling to sift through all the pages and see the many different things out there. This would be a great birthday or Christmas gift for any Lucy lover you know.

I purchased this book for my brother's 60th birthday- having grown up in Detroit- thought it would be a great walk down memory lane. He called me when he received the gift and absolutely gushed- loved every entry. Now, i may have to buy a copy for ME. thanks

My mom wanted this book for Christmas. I read some parts of it and found it very intersting. So many people that I recall from my childhood. Good book.

Wow - What a great book! I bought it as a gift but will have to get a copy for my personal library. It was wonderful to read about the television personalities from my youth along with the other Detroit notables that this book covers. It even had the words to some of the commercial jingles that we used to sing along with. Having moved away from Detroit several years ago, I had often wondered what happened to a lot of the people I grew up watching on TV and this book answered those questions. If you were a Detroit kid in the 50's or 60's, I highly recommend that you get a copy of this book and take a stroll back to your childhood.

You need to be a fan of Detroit television or TV history to enjoy the specialized From Soupy To Nuts! A History Of Detroit Television, but such an audience will relish this cruise through Detroit television shows and background. Black and white photos accompany spotlight biographies on some of the most famous show personalities of the past, from Robin Seymour, host of 'Swingin Time', to news show personalities such as American Black Journal. A recommended specialty pick for broadcasting and Detroit-specific collections.

This is a MUST READ for anyone who lived in Detroit in the 50's and 60's. Nostalgia reigns as the authors comprehensively share information on television favorites such as Bill Kennedy, Captain Jolly and Poopdeck Paul, Milky the Clown and more. Loved it.

Ed Robertson's book is definitely the best. I also own "The Fugitive - A complete Episode Guide" by John Cooper and "My Fugitive" by David Janssen's former wife Ellie Janssen which is worth a read!
Another amazon.com reader mentioned the Twilight Zone Companion. But where is the Peyton Place Companion? I'm missing a book on the TV series "Peyton Place" for several decades and wonder why there is still no book out there.

Certain television shows were so enormously popular during their original runs that they have been reincarnated more than once. THE FUGITIVE is one such drama. When Dr. Kimble began to run in 1963 in a three partnered minuet with Lt. Gerard and Fred Johnson, the American viewing public was so enamored of the chase that they refused to accept the judgment of THE JUDGMENT (the series finale) that the running had indeed stopped. Ed Robertson in his THE FUGITIVE RECAPTURED analyzes just what it was that made millions of Americans tune in every Tuesday night to watch Kimble run from one man only to pursue another. Robertson captures the essense of the spirit not just of the show but also of the social subtext of the show. In his Fuge Facts and plot synopses, Robertson well delineates the motivation of a doctor who, in his forced travels, became a collective Keroukian ON THE ROAD, with every watching viewer able to tap into the flip side of the American Dream, that out there in every dusty small town and bustling big city lay adventures that we could not aspire to but Kimble could. Roberston reviews every episode, judges its intrinsic worth, provides the needed Kimble trivia of both character and actor, and adds a handy list of names that Kimble used over a four year run. This list resembles a phone directory of a small town that Kimble must have passed through more than once. Reading THE FUGITIVE RECAPTURED made me think of the follow up success of the filmed version with Harrison Ford and the less succeessful small screen run of Tim Daly. It is not likely that the latter two will ever be considered worthy contenders for a pantheon of running heroes, but Robertson's literary paean to David Janssen serves as a perpetual reminder that for a spirit of a character or of an age to be recaptured, then that spirit must have been worthwhile in the first place. Robertson's book will not let Kimble ever run far enough or fast enough to escape our notice.

Mr. Robertson has written a book that was done with an obvious love of the subject matter. Though he admits he discovered David Janssen via his post-Fugitive "Harry-O" series, his thorough research makes this a "must read" for Fugophiles. I was truly impressed by the celebrity interviews. Barry Morse and Stephen King were excellent frontline introductions that certainly legitimized this meticulous account of this classic Television series. Insights from the guest cast ranging from Richard Anderson to Carol Rosser as well as show creator Mr. Huggins were truly informative. However, it is Mr. Robertson who has set the tone of this labor of love by concentrating on what fans of "The Fugitive" want and should remember. This is not a tell all scandal written anthology, rather it is a reminder that this was and is a classic that will endure.

I can certainly add my kudos to Ed Robertson for his labor of love in this book commemorating the 30th Anniversary of the famous television program. This work brings to life the entire four years that the series ran on network television, and gives the reader the feeling that he was actually "on location" with the cast and crew as they produced this first-rate series. Each episode is fully documented with full credits for the director and all principal actors in the series. The episode synopsis give the reader a feeling of being on the run with the Fugitive. The opening and closing narration for each episode certainly sets the tone for each nights program.

If you are a fan of this great television series, then this book is certainly for you. I highly recommend it.

"The Fugitive Recaptured" was published in 1993, thirty years after the TV series, "The Fugitive", premiered on network television in 1963.

This volume, by Ed Robertson, is just about all a "Fuge" fan could want in order to find out everything you'd need (or want) to know about this excellent TV drama, which was on the air for 4 complete seasons (120 episodes from 1963 to 1967).

The book features an "Introduction" by horror author Stephen King, plus a "Foreword" by Fugitive co-star Barry Morse, who portrayed police Lieutenant "Philip Gerard", star David Janssen's chief rival and nemesis during the course of the series. A chapter detailing the origins and conception of the series is also, of course, included here. Interesting stuff too.

Within these 208 pages, each and every episode of "The Fugitive" is dissected and examined in detail -- including cast lists, writing and directing credits, episode numbers, original air dates, episode descriptions, and verbatim "Prologue" and "Epilogue" text (the exact words spoken by series' narrator William Conrad at the beginning and end of each episode).

Many fun "Fuge Facts" are also revealed for many of the 120 episodes. These "Facts" are bits of little-known trivia that make this volume an even more enjoyable read.

In addition -- This book includes extended chapters on the series' Pilot episode ("Fear In A Desert City") and the two-part final episode ("The Judgment"), which remains to this day one of the highest-rated TV programs in the history of the medium.

There is also an "Appendix" area of the publication, with "Appendix 2" consisting of some very interesting trivial facts and data concerning every Fugitive episode -- including every single "alias" that was used by "Dr. Richard Kimble" during the whole run of the series. This appendix is useful to mega-fans of the series, as it also contains information about the "Location" (City/State) of each episode, as well as Kimble's "Occupation" on each show. Example --- Episode 31 had Kimble pretending to be "Frank Borden"; Occupation: "Dishwasher"; Location: "Harrisburg, Pennsylvania".

Many top-notch black-and-white photos are also scattered throughout this paperback publication, mainly publicity stills.

"The Fugitive" (1963-1967) is one of the best TV dramas ever put on the boob-tube. The long-running cat-and-mouse game between Dr. Richard Kimble (David Janssen) and the police officer who let him get away, Philip Gerard (Barry Morse), provided some of the finest tension-filled moments ever aired on television.

"The Fugitive Recaptured" does, indeed, "recapture" the magic that surrounded this first-class piece of television entertainment.

Very Highly Recommended.

"The Galactic Phrase Book & Travel Guide" is an unusual concept and one that works surprisingly well. While a guide book, it is written of course for entertainment value and reads quickly. The book is packed with humorous drawings, expressions and cultural suggestions so that one never commits a faux pas, something which could get a traveler killed on the wrong system. One humorous extraction is that there is no word for "please" or "thank you" in Huttese. From the deep core to the outer rim, learn to count and speak basic phrases in Huttese, Bocce, Ewok, Wookiee, Jawa and even Gungan. While the Star Wars universe has no equivalent to a work like "the Klingon Dictionary," this is not only the next best thing, it's more enjoyable. From young children to adults, all Star Wars fans will enjoy this linguistic adventure.

I bought this book chiefly because I am a fan of Sergio Aragones' artwork; I am only a mild fan of Star Wars stuff.

I was not blown away by the quality or humor of the Aragones illustrations herein: there are not a lot of them, and none of them are really very funny. Plus, Aragones did not do the cover art. But if you're one of those people who collect everything Aragones does, then this is a must-have. If you're just looking for some Sergio stuff on Star Wars, I'd recommend a comic that came out a couple of years ago called "Sergio Stomps Star Wars." That should be enough for you; this book doesn't really add anything to that.

As for the section on the translations of various alien phrases to be found in the Star Wars universe, it's strictly for pre-teens. Doubtful you'd spend more than a few minutes with it.

What makes this book a winner, though, is the 43-page gem of an essay by Ben Burtt, the sound prodigy on the Star Wars movies, on the creation, inspiration, and various techniques for his award-winning effects. I wasn't expecting much from this piece, but it turned out to be well-written and completely engrossing. This essay alone (and I'm not aware of its being available from any other source) justifies the price of admission.

Here is a typical excerpt:

"Anyway, the sounds for the Tusken Raiders were inspired by the odd and often chilling donkey braying the crew heard in Tunisia during the location shooting. Donkeys were used to pack the tons of film equipment into the remote locations. Occasionally they would burst into barks and screeches during the shooting and be audible in the background of a take, thus ruining it. But their vocals echoing off the canyon walls proved weird and scary, so they were recorded and sent back to me. I added more to this collection back in the United States and incorporated some other elements of animal breathing and wheezing. Cut and blended together, the result was the speech of the Tusken Raiders." [p.139]

If you find this kind of stuff interesting, you're unlikely to rue purchasing this book.

Regrettably, Burtt's essay was written just the Attack of the Clones came out, so that movie is not discussed.

Also note that this is one of those smallish, subsized paperbacks. Handsomely printed, though.

This is a funny little book. In it, Ben Burtt has compiled a lexicon of several languages from the Star Wars movies. Among the languages that you can learn are Jawa, Ewok, Tusken Raider, Hutt, Neimodian, Bocce, Wookie, Droid and Gungan. This is a pretty impressive list. Each species has their own spotlight, and a list of phrases that are in their own language and in Basic (English). These include for example: Smeekeeya whao toupee upee. (Huttese: Smile when you say that.) and Mesa greeting, In peace mesa comen. (Gungan: I come in peace.)
For die-hard Star Wars fans, this is a must to have. Try memorizing it. ;) Burtt writes this with a funny and upbeat tone to it.
In addition, there is a section on how Ben Burtt (The author and sound technition for all the movies.) came up with the various noises that we hear in the films. This is interesting to read.
Lastly, there is a section with the movie script in it, for A New Hope and Return of the Jedi, so you can impersonate Greedo or the Ewoks.
However, I did find some problems with this book. One is the price. It is about $[money], which is a lot for a small book. The novels are less than that.
Secondly, the words are hard to pronounce, and there is no pronounceation guide included. It would make saying the things so much easier.
Third, I would have liked to have seen more languages, so hopefully they will update this with some dilects from Attack of the Clones.
This is a cool little book to have. If you like Star Wars, check it out!

This invaluable resource is a necessary guide on the basics of effective communication for anyone planning to travel through the Star Wars universe.
Written in an easy-to-read, humorous style and divided into eleven chapters, part one of this volume covers many commonly used phrases and terms in languages that range from Huttese to Bocce to Droidspeak. It also offers essential cultural advice and protocol rules that you will need to familiarize yourself with in order to increase your chances of survival as you come across numerous different situations in your voyage. All the phrases presented are printed out phonetically, so no bothersome pronunciation guidelines are given or needed.
Part two, "Behind the Sounds," is an engrossing, well written, 43-page account, complete with behind-the-scenes photos, of the author's journey of inspiration and creation of the sound effects and languages of the original trilogy films. Included in his story are fascinating technical details mixed with often hilarious anecdotes such as having spent a whole day recording bear sounds to be used when putting together Chewbacca's speech, and mixing and re-mixing mechanically and electronically generated beeps, chirps and bleeps to give R2-D2 an "emotional" voice.
Printed in an attractive pocket-sized format, this book is thoroughly illustrated in the best Star Wars style with laugh-out-loud drawings by Sergio Aragones of MAD Magazine fame.
As a bonus, an appendix with selected scenes from A New Hope and Return of the Jedi is included to help you practice your alien speech.
Although this book doesn't contain any information on the Star Wars universe subsequent to The Phantom Menace, it is an entertaining, fun and enjoyable way to explore the societies, their languages and activities, of the galaxy far, far away. As the Ewoks would say, this book is "yun yum di goot" (very good).
--Reviewed by Maritza Volmar

An amazingly funny and informative little book. It is really a textbook on several different languages from the Star Wars universe, but with all the comedic phrases and cute comics, you will soon forget that.

This book is truly very informative when it comes to alien languages, from huttese to bocce, and even droid-speak! this book will have you saying such phrases as; "Da beesga coo palyeeya pityee bo tenya go kaka juju hoopa!" or "Wua ga ma uma ahuma ooma!" or perhaps if you are like me, "Kavaa kyotopa bu whirlee backa?"

Overall, this is a fantastic book, and if you don't buy it to learn another language, buy it for the supercute family of Aleenas on the front and back! Mee jewz ku, coo ya maya stupas!

This is the autobiography of John Bunyon and his life. It is about his life before and after Christ and the grace of God upon his life. John wrote this classic while in prison. He went to prison for preaching the gospel.

I've been looking forward to reading this book for years ever since I read Bunyan's classis Pilgrim's Progress, I've wanted to read Grace Abounding to learn more about his incredible man of faith. I also recently read The Hidden Smile of God by John Piper who introduces the reader to three incredible men of God including Bunyan. So actually reading the journey of Bunyan himself in his own words was thrilled...but difficult at the same time. Bunyan struggled greatly with the concept of grace; he wrestled with understanding how God's grace could be sufficient to save a sinner as great as he. Grace Abounding is a peering into the soul of Bunyan as he goes through this deep personal battle wanting to believe that God was able to cleanse him of all unrighteousness, but constantly confronted with the holiness of the divine.

Just over half way through the book, Bunyan surrenders to the will of God in his life. He finally and fully grasp that the grace of God was truly sufficient. Then his heart is set aflame to share this grace with others and he becomes one of the great preachers and writers of all time, even though he goes on to spend a dozen years confined to prison for preaching contrary to the teachings of the Catholic Church. Personally, it was interesting to see the cultural battle Bunyan faced at the time looking back from my vantage 500 years later to see that America is the beneficiary of his great struggles with the prevailing church of the day. As Bunyan sat in prison, he wrote about the great journey from a metal worker to a pastor of the gospel of Christ - in allegory form for the Pilgrim's Progress and in autobiographical form in Grace Abounding.

I can understand why many believe this book is a classic - the thoughts and insights that Bunyan has into the Word of God were profound and significant. It was amazing to read how Scripture flowed through his mind irrigating every thought so that his life bore much fruit. I wouldn't recommend the book to a younger reader, it is a difficult read, but well worth the effort.

Grace Abounding....is an excellent autobiography of John Bunyan and his spiritual struggle to obtain assurance of his salvation in light if his belief that he had committed the unpardonable sin. Recommended to anyone who may be facing the same struggle with this question. Each paragraph of the text is numbered and, thus, it is easy to put the book down at any point and pick it back up later without losing train of thought. Since the book was written over 300 years ago, it is interesting to have insight into the thoughts of a Christian who lived during that time and to compare with current Christian thinking.

A lot of us are familiar with John Bunyan as the author of The Pilgrim's Progress, whose influence in Christendom is second to the Bible. Bunyan was a preacher, a prolific writer and a shining saint for God. However when we read this book we find out that he was an atheist and infidel in his youth, enjoying sin and rebellious towards God. Inwardly he suffered from tormented nightmares of demons and judgment, but outwardly he went on pretty much as any other sinner, taking delight in sin and being the ringleader of mischief. Several times he nearly lost his life, and even though there were several close calls, still he did not turn to God. After his marriage, he participated in religious activities, went through the motions of attending church and generally lived as he pleased, each time successfully shrugging off pangs of guilt. One day, after church, while playing a sport, a voice seemed to call out to him from heaven to his soul, which said, "Wilt thou leave thy sins and go to heaven, or have thy sins and go to hell?" Bunyan was convinced it was the Lord Jesus looking down on him in displeasure. What follows details his sinking into despair, his desparate attempts at working his way into God's good graces, and his struggles with temptation and doubt. In a strange sort of way, it is comforting to read about Bunyan's struggles and identify with them because you can see how he turned out so greatly used by God. He rationalized, made excuses and tried every way to justify himself. Bunyan did not try to gloss over his motivations but gave an honest account of his struggles from avowed sinner, to religious hypocrite before he was finally converted. He describes in great detail his doubts and despair, his yearning to be converted to Jesus Christ, and then being assured of his salvation by reading the Bible and praying. Reading this book will help you realize how God's grace can abound and save even the most wretched of sinners and gives us abounding hope.

I can't say that I have read this book...yet, but what I can say is that anyone who endeavours to read any work of Dr. Haykin is in for a real treat. He was my prof. for Church History, and a man whom I am thoroughly impressed with. He is a humble, diplomatic, professional person with a strong heart for God and His glory.
His knowledge on Church History is incredible, especially his understanding of the Reformation, the Puritans, and the Particular Baptist movements. But he cannot be limited there even. I could literally listen to him speak for hours.
I strongly recommend anything by Dr. Haykin as you will become well informed on the topic that he writes about, whether it's Cromwell, Bunyon, Edwards or anyone else.

God bless and enjoy.

This is a beautiful book that takes us back to the time before the internet DVDs and laptops, and answer the question how do you educate the "user" of the increasing complicated machines of war that were being developed during WWII. This book is of Interest to the graphic artist and the WWII buff. You forget that no matter how awfully bad some of the machines were, and what death traps. They still needed a user manual. It is sobering to see the instructions for the Hampden bomber crews on how to bail out, (a feat that not many achieved) and you wonder how many owed their like to this graphic. The collection is exclusively Aviation, which raises the question of the other two Forces and their contribution (may be there will be a couple of sequels). I would have liked more translation of the foreign language graphics - but overall I have no complaints this was a great book.

Any one interested in the WW II planes will find this useful as well as gaining some history of the process by which this was developed. Less info and illustrations by American illustrators than I would have liked. But worth the investment.

World War Two was a highly mechanised and technical war, perhaps no more so than in the air. Development of increasingly more sophisticated aircraft meant a greater demand for technical and general arrangement drawings, as well as a wide range of training material. This lavishly-illustrated book celebrates the unsung and in many cases unknown artists and technical illustrators who created the many thousands of drawings and posters produced by the combatants during the war. It draws together samples of obscure, arcane artwork that in was either intended for a limited readership, or would be regarded as ephemera. This provides us with a glimpse into a special and little-known world of over six decades ago.

The first three chapters cover the life and contribution of artists who applied the skills learned in peace-time to the wartime production of aircraft, training and advisory material for aircrew and maintenance staff. The bulk of the 270-odd pages are devoted to examples of technical drawings and training posters from Great Britain, Germany, the United States and the Soviet Union.

Where else could you find the inner workings of the FN Type 64 under gun turret (complete with Type B, Mk II periscopic sight), how to dive-bomb with a Junkers 88, what the best-dressed aircrews were wearing, how the superchargers work on a Wright-Cyclone R-3350 aero engine, and why you should regularly burn off oil deposits from your spark plugs? These things might be only of historical interest now, but then they were matters of life and death.

The artwork is often very detailed and beautifully rendered, and is a tribute to the skills of the artists. This is assisted by the large format and high quality of printing. There is some explanatory text with each image, but they are mostly left to speak for themselves. The book will appeal to aviation history buffs, or to those with an interest in the development of technical drawing. It offers many fascinating hours of delving into the inner workings and operation of some classic aircraft. Highly recommended.

This fine book is cover-to-cover artwork, and descriptive text, of aviation documents produced during World War II. The documents include public information, manufacturer publicity, military training manuals, and conceptual views. There are quite a few aircraft cut-away drawings, but most of the pictures are solid view renderings intended to show what things looked like and how they worked/were used. Any student of historic aviation will find this book an exciting read. All other aviation enthusiasts will love it for the pictures alone.

The concept behind "Graphic War" is simple and intriguing. In 272 crisp, glossy 9-by-11-inch pages, author Donald Nijboer presents hundreds of superb examples of aviation-related World War II technical artwork from Great Britain, Germany, the U.S. and the Soviet Union.

Most of the artwork comes from wartime training manuals, operations handbooks, aircraft production and assembly documents, posters, etc. Without exception, the artistic quality is stunning. Sixty-some years ago, when anonymous artists created these amazing works, computer-generated imagery (and, indeed, even the computer itself) was not even a gleam in the eye of the most visionary dreamer. Dedicated and talented artistic craftsmen turned out these exquisite pieces of technical art using "low-tech" items such as India ink pens, colored chalks, airbrushes, rubber cement, vellum and Bristol board. "Graphic War" shows that these artists not only succeeded in conveying complex technical information to the airmen who needed to know it--they also often created beautiful works of art in the process. Check out, for example, the intricate "Halifax III Main Structure" (pp. 78-79), the superbly detailed "Centaurus Aero-Engine" cutaway (pp. 156-157) and the colorful "B-17F Armament--Forward Compartments" diagram (pp. 210-211).

About half of the artwork in "Graphic War" is from Great Britain. The other half is about evenly split between Germany and the U.S. The Soviet Union gets only 14 pages, because wartime Soviet artwork is very rare and hard to find. While I marveled at the superlative illustrations, I also really appreciated the captions. Rather than describing the artwork itself (which is largely self-explanatory), each caption discusses the actual subject that the artwork depicts. For example, the captions for illustrations of aircraft torpedoes describe their use, reliability, warhead types, etc. The captions for aircraft cutaways cover performance characteristics, production numbers, variants, theatres of operation, etc. Thus one not only sees the illustration, impressive in its own right, but also learns something about the subject depicted. I found this to be an exceptionally interesting and effective way to combine visual and textual information.

"Graphic War," an homage to World War II's unsung "heroes" who helped "keep `em flying," deserves a prominent place on every aviation enthusiast's bookshelf. Graphic artists are also sure to find it fascinating and inspirational. I recommend it most highly.

this book cotains hundreds of photo's of paintings, drawings and refrences photo's of tim hildebrants artwork. It also cotains the original sketches of the paintings of lord of the rings paintings. highly recommended.

I hadn't actually heard of the Hildebrandt brothers,but got this book for the simple fact that it bore the name of Tolkien.I opened it up and there it was,scenes I pictured in my head were now right in front of me,in richly painted acrylic colors,with moods of sadness,fear,peace,and courage.I recommend this book and give it five stars!Get it come on you know you want to....

The Bros. Hildebrandt were *the* Tolkien artists of my youth, and even today, when I find my own artistic interpretion of the scenes varies so much from theirs, I still deeply appreciate what they did, and am thrilled to see their calendar work -- with the associated sketches and model photos -- reproduced here.

The childhood anecdotes by the author -- son of one of the Brothers -- are occasionally interesting, more often annoying. But the art itself remains glorious.

As any Brothers Hildebrandt fan knows, Greg and Tim's first Tolkein calender went on to become a worldwide bestseller. Some of the art,such as Unexpected Party or Gandalf with the Balrog was simply brilliant. Some of it looks dated today such as the hideous 1976 granny dress that Galadriel wears or the Sgt. Pepper mustache on Aragorn and the silly looking Fell beasts ridden by Nazgul who look like they're about to fall off at any minute. Oh well. Nobody got out of the 70s without some style howlers. Laugh at the funny stuff and be awed by the great.

One of the strongest and most charming elements of the book is the descriptions from Greg Hildebrant's son who was five when the brothers began working on the calenders. Young Greg's memories are full of wonder that's in keeper with what his uncle and father were working on. It's not all sweetness and light however, young Greg remembers that toward the middle of the project things got increasingly difficult in the studio. The pressures of the deadline, creative disagreements and artistic disappointments (Among other things the brothers didn't have time to do a huge battle scene that they'd planned) and the need to do separate projects are all mentioned.

Besides all three Hildebrandt calenders, the book has pictures of privately commissioned works (some of which are better than the orginal paintings), prelim sketches, and photos of the models. If you loved the work of the brothers or have just discovered it this will be a highly entertaining treat for you.

I loved the Hildebrandts' art as a kid, and I appreciate being able to revisit it in this handsome volume. Engaging scenes, fabulous detail, vivid colors, and some of the best Tolkien paintings ever (the Ring of Galadriel, Old Man Willow, the Pillars of the Kings, Saruman and the Palantir). Their influence can be seen in many subsequent interpretations of Tolkien (compare the Hildebrandts' "Eowyn and the [left-handed] Nazgul" with the same scene in the 2004 Ted Nasmith calendar) and in much "generic" fantasy art.

But... Some of the earlier works have odd perspective (check out the chimney in "Gandalf visits Bilbo"). The hobbits look like children (the 5-year-old Greg Hildebrandt Jr. was the model). Shadowfax just fell off the carousel. Treebeard is a cartoon. Rivendell looks like a gingerbread house. Smaug appears to be made of plastic. The Nazgul fly around on rubber chickens (really, that's what they used as the model). And Aragorn's mustache! Perhaps it looked majestic in the 70s, but now it's just laughable.

It is interesting to see the sketches (some of which are superior to the final painting) and reference photos. The text is annoyingly told from the author's perspective as a 5-year-old model, but contains some amusing nuggets like the rubber chicken fell beast. I didn't think much of the pullout poster -- it's certainly not their best work. Still, on balance I would definitely recommend this book to anyone with an interest in Tolkien (unless you already have the calendars).

I found this book fascinating as it covered not only the events that made Frick stand out as a leading industrialist, but also details his painful family life, including the loss of two children, that shaped his thinking and way of life.
In addition, this book details Frick's passion for art collecting and goes into vivid detail about the meaning behind some of his purchases as contrasted with his life events.
I am looking forward to touring the Clayton home preserved in Pittsburgh in the future.
Beautifully written.

"Henry Clay Frick: An Intimate Portrait" is an excellent work of history, biography, and a stunning visual presentation of art. The result of a decade long effort by a Great Granddaughter of Mr. Frick, Martha Frick Symington Sanger, the book is a beautiful volume from its construction, to what is displayed and written within.

This is not as scholarly a book as Simon Schama's "Rembrandt's Eyes", and so it should be judged with distinct criteria. This is a family history as related by one of its members, so in exchange for the objective view of the Historian, we trade a certain objective detachment for an intimate portrait of the man, his family, and the legacy of art he collected. I was amused to read that one person thought that some of the works bought by Mr. Frick were "Duds". I would agree that when your collection includes multiple paintings by Vermeer, Rembrandt, El Greco, Peter Paul Rubens, Renoir, Veronese, El Greco, and Van Dyck, to name a few, some are perhaps "better" than others. I would also suggest no one would take a pass if offered a work for their own.

Mr. Frick was a very tough businessman, at times brutal, and he never hesitated to employ these tactics when he perceived his business interests were threatened. This does not make him unique among the major Capitalists that built this Country, Rockefeller, Carnegie, Fisk, and many other were also notorious by today's standards, or were they? Private armies may no longer be used, but public welfare, and the fate of employees is not always at the top of the list today either. I do not attempt to justify what they did, rather to suggest a more dispassionate view is in order. Our "Robber Barons" are often compared to the Kleptocrats of today's Russia, and that truly is absurd.

Fortunately many of these men amassed great collections of art whether rare books, paintings, historical documents, or something else that caught their interest, and we are the beneficiaries of their collections. The Morgan Library or The Frick Collection simply could not be duplicated today. Theoretically Mr. Bill Gates could pay the price, but where would you find a brace of Vermeer's offered for sale?

The book is not perfect in it's history as others have pointed out, however on balance I believe the work to be excellent, and certainly the most personal insight into the life of Mr. Frick.

Mr. Frick and others like him make easy targets, that they were flawed is not the issue, they were. They also gave back in a variety of forms a great deal of the wealth they accumulated. This may not be enough for some or even for many, but to have left no legacy other than that of brutal businessmen, I suggest, would be a great deal more disappointing.

The illustrations are glorious. The text is well-researched. The narrative flows effortlessly. The book is a treasure!

This is the book you want to read if you want to know more than the basics about the true stories from Mr. Frick's life, his involvement with the steel industry of Pittsburgh in all of its ramifications, the accumulation of wealth and the intricacies of running a powerful corporation in those heady days.

Thank you, Martha, for telling a bit more about the story of the South Fork Club and its members... And also for telling about the assassination attempt... Yes, we would have wished a bit more on the on-again, off-again relationship between Mr. Frick and Mr. Leishman. Perhaps you might consider making the story of their eventual falling-out the centerpiece to another good book?

Because there is more to the story!

Much of it has been discreetly hinted at in this book. The careful reader will find himself or herself looking into other books that tie in with this one, some of which I review elsewhere.

One only wishes that we could eavesdrop on a long conversation between Ms Sanger, Patricia Beard ("After the Ball"), Teresa Carpenter ("The Miss Stone Affair"), Les Standiford ("Meet You In Hell") and - of course - the incomparable David McCullough ("The Johnstown Flood")!

Oh what a treat that would be!

It would have benn helpful had Martha chosen to describe the lives of those who interacted with Frick as members of the South Fork Fishing and Hunting Club he established, in much more detail. They were his Pittsburgh friends and buisness colleagues, and many were related to him by marriage.

If you find this review helpful, check out the others I have mentioned! Happy reading!

The book is amazing in so many ways. When I had finished it, I felt as if I'd experienced something far more important than a mere biography; her legacy or her life's masterpiece, perhaps. If so, then in my opinion, and with all due respect, she's outdone her forebearers.

Do not be fooled by the size of this book. Once you open the book you will not find it easy to close it.

This book satisfies on many levels. If you are an art lover, you are amazed at the artwork and how beautifully the publisher reproduced it. It's the next best thing to being in Frick's art collections yourself.

If you are interested in Frick or the post Civil-War industrial era, you will at last find a revealing biography of the man that finally acknowledges that he was a human being, albeit flawed in some ways. This book should shatter some commonly held myths about Henry Frick.

My only complaint is some incomplete research. I have discovered several historical errors that a good editor should have caught. For example, and perhaps most blatant, many figures and stated facts relating to the 1889 Johnstown Flood are incorrect. But Frick's reaction to the Flood is an insight not known to many until now.

Mrs. Sanger should be proud of her book. This will serve as a definitive history of both the man and his legacy. This will be a valuable addition to your library.

This book was produced as he was shown at the Royal Academy in London. I begged the poster at the tourist-board in Stockholm and got my parents to buy the hardcover version at the exhibition. Collecting Hiroshige prints in Stockholm I would have loved to see them in London, but the book is the second best thing. The reproductions are terrific, the text short but informative. All the different subjects of Hiroshige are displayed, landscapes, fan motives, fish, flowers and so on. Get it and then get some real prints!

I recieved this not knowing its large format and the images in full color on quality paper. Informative and accurate descriptions of the work. You will not regret buying this book. Makes me sigh....

I have no experience with art at all, but from my point of view this book is a jewl. Printings are so beautiful and relaxing, and they are numerous in this book. Also the book is well organized with explanations about the paintings.

The text provides the necessary background to facilitate understanding of the fantastic pictures. A great variety of photos provide wonderful insight into the world of Hiroshige. The pictures can be perused for pure enjoyment. Terrific book.

Quick, stop reading this review and buy this Hardcover book in New or Like New condition now, while you can. For, this is one of the greastest modern so-called 'coffee table' art books that I have come across. Too often these days one finds that such art books which should be large, lushly produced, lovingly put together and brilliantly written are unfortunately done with punk production values resulting in poor reproductions on cheap looking paper stock and accompanied by unedifying, often stultifying essays. Not this one. As I said above it is one of the most impressive art books that I have come across in twenty years of buying them. It is printed and bound in Germany which in itself is commendable and noteworthy because it is quite expensive to produce a book there. I am so glad they did because, as good as they are, Italy and Hong Kong, two places commonly used for producing today's art books, just don't do as good a job as Prestel has done in Germany. This book was originally produced to accompany an exhibition at the Royal Academy of the Arts during 1997. As such, it commanded a skilled and erudite staff of authors to craft both an accurate history and an illuminating commentary of the artist and his art. They are: Matthi Forrer, author of a similar book on Hokusai; Suzuki Juzo, the author of the standard monograph on Hiroshige; and Henry Smith a Professor of Japanese History at Columbia U. You will come back to this book many times over the years because there is so darned much information to absorb, visually and intellectually and because the publisher's top notch production values have accurately captured the spirit and beauty of Hiroshige's Woodblock Prints. This is the sort of book that will be actively sought out by art book collectors in years to come. This is why I say, buy it now, while you can at such a low price. You won't be sorry.

I checked this book out of the library, and enjoyed it so much that I'm buying my own copy. Great pictures and really great stories. The mostly one-sided feud between Bette Davis and Joan Crawford is a great example. I love Bette Davis as an actor, her sharp mind and acid tongue, but, oh, what she was like to work with!

This book is not only beautiful to look at, it is so beautifully written! The text gives great insights into the genres of classic horror films and fills them with little-known details of how the films were made. Vieira understands that films are made by people and he explores the personalities behind some of the most indelible cinematic creations ever. For any fan of horror films, this is a must own, must read!

I read everything published on the horror movie genre, and a lot of it is repetitive (there is almost nothing new to be unearthed after so many decades), but Mark Vieira has written anecdotes and observations that are fresh and lively. With a slightly wicked delight in gossipy tales of professional jealousy and schadenfreud, he has also gotten access to the clearest most beautiful pictures I've seen on the subject. His interest and knowledge of photography is outstanding. Where did he get the juicy tidbits of personal knowledge he relates about the great figures of genre filmmaking?

It is one of the most familiar faces from Hollywood: huge, boxy forehead, heavy lidded eyes, railroad-track surgical scars, and bolt through the neck. Frankenstein (or more properly, Frankenstein's monster), in a gorgeous, detailed black and white photo (which for all the fussing over its production would have been called a glamour shot if the subject were someone else) stares from the cover of _Hollywood Horror: From Gothic to Cosmic_ (Harry N. Abrams) by Mark A. Vieira. In his Acknowledgements section, Vieira thanks his dad for letting him watch horror movies "on the Early Show, the Late, Late Show, and everything between." He also thanks him for making trips so he could buy _Famous Monsters_ magazines. One cannot doubt that he has a lifelong enthusiasm for his subject, and the format of his book makes this clear. It has large, glossy pages filled with black and white images of celluloid nightmares, and most of them are by the studio photographers (some of them famous, like Ernest Bachrach) who were responsible for the stills that would sell the film to the public. Although for many the pictures will be the show, Vieira's intelligent text and cataloguing of the films is worth reading on its own.

Vieira has chronologically divided the genre into the Gothic, Psychic, Atomic, and Cosmic. Boris Karloff's career stretches over them all, starting from his Frankenstein role, for which his costume weighed all of 48 pounds. Dracula and Frankenstein made lots of money, with violence and the sexuality (both of which seem wonderfully understated in our times) before the Production Code came out drew the "grandstanding censure of women's clubs, clergymen, and politicians." The Psychic section of the book is largely given to the films of Val Lewton, who refused to go along with any previous horror formula. Cutting in mere suggestions of horror into a love story about normal people was just what budget-conscious RKO went for. The Atomic years were a reaction to the atmosphere of the Cold War, and routine horror films "began to portray science as a tool more evil than Dr. Frankenstein had ever anticipated." The first of many films to show how nuclear devices could bring forth monsters was 1953's _The Beast from 20,000 Fathoms_, with a custom-designed dinosaur awakened by an atomic test. Vieira ends with the Cosmic films, paying most attention to a movie monster that is among the most realistic ever, and which has caused more serious analysis than even Frankenstein's monster: HAL the computer from _2001_. The years tick by and we have yet to make a machine nearly as smart (or fortunately, as diabolical) as HAL.

The final portion of the book also includes films that are quite dissimilar from the monster movies covered in other pages. In a book like this, one will always think of films that ought to have been included or excluded, but Vieira is calling the shots. He has included _Psycho_, which is not really a monster film but has plenty of terror. For real scares, read about how Alfred Hitchcock treated Tippi Hedren during the shooting of the filming of the climactic sequence of _The Birds_, or how Frank Sinatra treated Mia Farrow while she was making _Rosemary's Baby_. Also here are _Whatever Happened to Baby Jane?_ and _Hush... Hush, Sweet Charlotte_, in which the real monsters are the actresses Bette Davis and Joan Crawford, aging grandes dames of cinema, who were at each other's throats onstage and off. There are some eccentric choices here, but Vieira's book is a fine-looking survey of a genre of films that, like so many of their monsters depicted, just does not die, and if it does, it comes back with surprising transformations.

The horror movie has evolved from its origins in German Expressionism to our current day of graphic gore.Mr.Vieira is both entertaining and informative as he guides us along this shadowy path.We are offered behind-the-scenes anecdotes of the actors,directors,writers,producers and even the composers of some of the film scores.Quite fittingly we are given a glimpse of Universal's make-up wizard Jack Pierce.His painstaking creations persist more than sixty years later(even though we are told they did not look good in color).
All of the major as well as the lesser known works are covered.They are arbitrarily grouped under the titles of"The Gothic","The Psychic","The Atomic",and "The Cosmic".These unifying headings help the author to correlate relevant social and historical events with metaphorical images(eg 1950's Aliens as Cold War invaders).The section devoted to Val Lewton was especially enjoyable.I was able to better appreciate these artfully done low budget horror movies when viewing the recently released DVD collection.
I would highly recommend this book to the enthusiast and to the casual fan.Mr.Vieira obviously has a passion for this genre and it is infectious.An added bonus is the sumptuous black and white photographs many of which are rare studio stills.This is a book I was sorry to finish but I know I will be referring to it often in the future.