Art History Books

Definitivamente es la mejor adquisición Floydiana que uno puede hacer de todos los lanzamientos del último año.
Thorgerson es dueño de una imaginación y talento asombrosos. En este libro que posee prácticamente todo su trabajo relacionado a Pink Floyd hay muchas pruebas de ello.
Vale la pena totalmente, junto al Libro de Nick Mason son un complemento perfecto para entender la magia que ronda a Pink Floyd en sus dos ámbitos principales: música y artes visuales.

If you like Pink Floyd, art, design or album cover, this is the best book I ever read.

Buy NOW!! =)

Storm Thorgerson is the artist who designed the bulk of Pink Floyd's artwork, and "Mind Over Matter" is a combination of memoir, scrapbook, and gallery. With the possible exception of Led Zeppelin, no British rock band of the 1970s paid closer attention than Pink Floyd to the potent magic a well-designed album cover could lend to music the album contained. Much like Zeppelin, it's almost impossible to think of Pink Floyd's music without imagining the incredible visuals on their album covers. In essence, Thorgerson is almost an adjunct member of the band.

Graphic artists will appreciate this collection because Thorgerson's almost Magritte-like graphic style is also perfectly and endlessly adaptable to the commercial marketing. Casual Floyd fans will get a kick out seeing so many classic Floyd images reproduced at much larger than CD size. More serious Floyd fans will savor Thorgerson's behind-the-scenes insights regarding the band. (I was surprised to learn that Thorgerson leans more towards Gilmour than Waters). Throughout,the author discusses his designs in a very straightforward, conversational, non-pretentious way. As a bonus, he also includes graphics from Floyd tour books, posters, and DVD clamcases.

Given that so little video footage exists of Floyd, this oversized hardcover collection provides the perfect collection of visuals to leaf through while you're listening to "Dark Side of the Moon" for the umpteenth time.

As a music fan, there are two things you want to add to your experience, a songlist compilation and a biography. Anything more is really too much, but in the case of groundbreaking album cover art, and knowing Pink Floyd's history of employing visual effects in their shows, a book like this is necessary, especially since albums are gone now, and the tiny graphics you get on a CD jewel case don't compare with the stuff promoters used to jam into album jackets. This book is a trip into Storm Thurgeson's head, not necessarily Floyd's. The difference is not much since Storm was a boyhood chum, and listened so well to his employer's ideas, instead of pushing his own. That's one reason the band was so successful musically as well, was Hypnosis' reliance on the members' themes. This book is not a graphic artist's design book, though I wish it were, but it would be tons bigger. It covers 30 years (and not even all the Floyd's covers (for instance, The Wall)). But you will appreciate the fact that Storm operated more under impluse as a designer than by today's modern design houses which try to render graphics in a production line style...can't be done. The author's bylines give us insight if not in technical process, then in the intellect process, and it's good fun knowing this guy was a friend to the Floyd for a LONG time, even having to uncomfortably stand in the middle of relationships for the 'Is There Anybody Out There?' live Wall issue. All in all, I'd give 5 stars for the artwork and presentation, but lose half of one for lack of technical explanation. Enjoy!

I absolutely knew I had to purchase "this" book the second I saw the book cover. Storm Thorgerson is utterly amazing, eyecatching & perhaps a bit eccentric (aren't most true artists?) I loved reading about his ideas/how he came up with them & how he laid them out in the end, and after reading this book, I now want to check out other material on him as well. Pink Floyd is indeed legendary as are the works of Storm Thorgerson. A Fantastic view of Unimaginable Talent. Check it out.

This book has stayed with me like few other things, since reading it many years ago. I often find occasion to quote from it; brilliantly witty, charming, scathing and life affirming all at once. Bunuel led an unusual life, but his autobiography is filled with universal truths to which any reader can immediately relate. Buy it at once, and you will find yourself reaching for it often...

An interesting short semi-bio, in whuch Luis speaks about his life and the people he has met.

Bunuel gave some interviews towards the end of his life discussing his long list of movies. That's why I was delighted to find that his autobiography--which is one of the greatest, if not the greatest by a filmmaker--does not dwell on them. Instead Don Luis chronicles his childhood and upbringing, the relationships he cultivated, and meditates on life, love, death, art, alcohol and cigarettes. Many of the stories from his younger days are even more surreal than his movies. He writes in detail about his stormy friendships with Garcia Lorca and Dali, about his half-hearted attempt to try Hollywood on for size, meetings with Hitchcock, Fritz Lang, and others. The book is not somber or sentimental, it's not over-inflated. Bunuel's voice does not intimidate, it soothes. He's a master storyteller, a very gifted and generous writer.

As a young person, don Luis helped me find my way out of the hormone fog, ... authoritarian adults and their institutions, and equally lost peers. Years later upon reading MY LAST SIGH, I was not surprised at all at the depth of don Luis' humanity and intelligence.

Nevermind the moniker "filmmaker" when talking about don Luis; he is an artist's artist. With his autobio, he only confirms what an equally supreme being he was. I miss him. However, encounter this book and become lit by life itself.

Writings by film directors tend to resemble their films, and "My Last Sigh" is no exception. Bunuel's films are anarchic, funny, unpredictable, subversive, and often disturbing in a way that's hard to pin down. So is this, his autobiography!

Though he disclaims literary talent, Bunuel turns out to be a wonderful writer, and the book is stuffed with piquant anecdotes and elegant observations. I'm afraid to quote examples, because this review would go on forever. Suffice to say that, if you could choose to live any person's life, Bunuel's would be a hard choice to beat, just for the adventure and entertainment value. This may be my favorite book written by a filmmaker.

This book is 8 pounds of all you wanna know about exploitation movies.i cant beleave how big this book is.If you consider yourself a horror freak and you love to learn every thing about those movies..... get this book !!

So great a book I bought two one for my business partner and one for me!

I've written a longer, more extensive review for Film Threat, but I'm going to do another one here because I believe this book belongs on the shelves of every horror/exploitation fan, film buff and film journalist. Yes, it is expensive, but it's also a 500+ page oversized hardcover with color and black and white photos (many from filmmakers' personal collections), movie reviews and interviews (many with directors who have never spoken about their films publicly before). As I said in my previous review, this is probably the best film book of the decade.

If exploitation films are your cup of tea, you need this book. Period. At some point this should become some sort of mandatory college text book, as it is not only a history in filmmaking that is rarely covered by more "serious" journalists, it's also a crash course on filmmaking.

Once you read this incredible book, which will cause you arms to fall off if you try to do it in one sitting, you'll be thrilled to know it's only the first volume (the second one, according to the author, is scheduled for 2010). And you thought things couldn't get any better.

Simply put, you aren't a fan of exploitation/horror if you don't have this book in your library.

Price:
I've talked to many people that feel the price is a bit steep and I agree the book isn't cheap. It is however 500 pages filled with interviews, pictures (everywhere), and essays. Think Arnold Schwarzenegger's The New Encyclopedia of Modern Bodybuilding : The Bible of Bodybuilding, Fully Updated and Revised size wise but about horror films. I mean the book is no joke and there could be an exploitation horror film made about a serial killer who uses this heavy book as his weapon, that's how big it is. I felt the price was well worth it as a horror fan and film lover in general.

For those of you who aren't the biggest readers:
Basically, all you have to do is read section I The Exploitation Independents which is the history of American independent exploitation films during 1970-85 and goes from page 11-48. After you start reading you'll want to keep going and after that it's basically a reference book with essays and reviews, so you could read up on a particular film. What I'd do is either read up on a film I found prior to watching it or after I watched it to learn more.

THE BOOK:
Stephen Thrower appears to know film even though he made a rule to not include reviews on classics, foreign, and studio made films, he still makes tons of compare and contrast references to classics and mentions great directors such as Bergman and Fellini. I highly recommend this book to horror and film fans, my friends in everyday life not so much but I think my horror Amazon friends will love it, specifically reviewer Clint Bronson. Clint has crazy knowledge on horror and from my readings of his reviews 1970s imparticular which, after much thought, is the best decade for horror hands down. Be sure to check out Clint's reviews as well.

Section I- As I mentioned details the history of the exploitation film from 1970-85
Here is how Thrower breaks down section I and the history, this was a great read.
The roots and the Godfather of gore H.G Lewis.
Romero and the Modern Horror Pantheon
Critical Responses to Exploitation Cinema
Drive in Massacres
42nd Street Monsters
Serial Killers
Psycho-Killer, Qu'est-ce que c'est?
Slashers- J'adore
When Blood Is Not Enough
Torture
R ape
It Came from the Stars/Swamp/Bushes/Caves
Things That Go Bump in the Night - One of my favorite avenues of horror being the ghost story. Thrower is honest in this area saying a bigger budget with good acting helps this area of horror.
Art of Perversity-Horror and Incoherence
Decline-Carpenter, Hooper, Romero, Craven
Hollywood Trash

Section II
Essays on Films and Filmmakers
This goes from 73-373 and like I said at this point it's a reference book. You can skip around read films that interest you and as you see others go back to the book and read up.

Section III
Reviews
118 Additional reviews. These are done in a shorter format then the essays above.

Section IV
Appendices and Index
Including an exploitation independent checklist Horror, 1970-85
A Bibliography
Index

I actually learned about this book in a non horror magazine Film Comment which gave it very high praise as well.

If anyone wants to know if a particular director or film they like is talked about in the book feel free to ask.

Being somewhat obsessed with the period and films covered in this mammoth tome I can unreservedly say that reading this was a religious experience for me. The amount of research gone into this project is extraordinary and the enthusiasm author Thrower has for forgotten gems like THE CANDY SNATCHERS, DEATH BED, BOARDING HOUSE and others is truly infectious. Not since Mike Weldon's original PSYCHOTRONIC came out in the early 80s have I been this giddy about a movie book.

Part 2 is announced in the back of the book which means the good times keep coming.

This book is big and thick and it is hard to put down. It opens the reader to the media-the reporters-the owners-the news broadcasters and the men and women behind the scenes. He tells in vivid detail how the reporters all over the world as well as covering wars are supported or not by the publications that put them there. And he vividly relates the love-hate relationship of the above people with the various presidents of the USA. I have recommended this book to everyone who will listen to me. I would go on a book tour to get people to read it.!

I read this book years ago and it still sticks with me. As a reporter in Vietnam, Halberstam was a thorn in the side of the Johnson and Nixon administration. He was watched by Nixon's plumbers and the FBI; Nixon thought he was a subversive. What he is is an exceptionally perceptive historian. In this book he follows the growth of the media industry from newsprint to magazines, radio and television. He told the Edward R. Murrow story before anybody else and his details on Watergate are even more frightening than Woodward and Bernstein's "All the President's Men." Halberstam seems to have that unique capacity to crawl inside the heads of people like Luce who gave us Time magazine. From their perspective, and those of everyday reporters, we see the struggle to balance grasping for the truth and the glory of the headline. We begin to understand how McCarthy could rise to power by using the deadline to sneak in enuedos about people. The author does a masterful job of showing the frustration of reporters and editors and how they finally overcame McCarthy's sinister power. This is an excellent book, not only for journalist but also for those who wish to understand the power of the media in shaping our world.

Please rate this review. Thanks.

David Halberstam proves again what a thorough and engaging journalist/historian he was. He presents a detailed account of the rise of the great media families and individuals of the 20th century without being pedantic or tedious. Anyone who wants to understand The L.A. Times, The Washington Post, Time or CBS should start here. The book unfortunately highlights the huge loss that Halberstam's death represents.

Read all the other reviews for the media impacting intent which is only a small part of Halverstam's real message in spite of the title of this epoch. Halberstam's media message ranges from imformative to scarry.

But that which will stick with me forever is the way Halberstam delivers the frailty and fate of America to a mere mortal, the President of the United States. Eisenhower fiddles, Kennedy charms, Johnson screams and Nixon frightens. It took Halberstam seven years to research and write this book and after you read it you will wonder how he did it so fast, a monumental effort.

Fortunately the truth is often downright funny. Nixon's twenty eight year old publicity man making a side comment that Nixon looks like he drops down out of his closet every morning in the same rumbled suit and badly in need of a shave.

Halberstam conveys how power was for the taking and that those who had it developed it primarily in accordance with their own agendas, personal or family politics and use it and us in the process.

No matter that this is now just history ending with Watergate. Halberstam's real message is that the circumstances he describes will remain the same in any generation.

The Powers That Be may change the way you think of power and how it affects you.

Author David Halberstam takes us behind the scenes as he analyzes U.S. media from the 1940-1970's, showing many factors and internal squabbles that influence the medium. The author shows how a mix of professionalism, sloppiness, arrogance, and favorites affects what the media reports, plus how it reports. We see how the media sometimes kowtows to corporate sponsors, and often allows itself to be manipulated. Consider the 2004 campaign, when the media routinely filmed President Bush before cheering crowds, but never his secret service illegally detaining silent dissenters at rallies. Readers also learn about skilled leaders like Edward R. Murrow, capable if imperfect executives like William Paley (CBS) and Katherine Graham (Washington Post), and shysters like Henry Luce (TIME) that avoid truths when they don't fit the agenda.

This book arrived in 1979, before the advent of Internet and most cable news. Still its lessons remain appropriate, even if media often fails to live up to the hopes of the founding fathers and the First Amendment. Halberstam is a talented observer who capably follows George Selby, Theodore H. White, and many others with a critical eye towards the media. I gave the book just four stars because the prose is a bit thick, but this remains an important read.

A lot of the people I know never KNEW about this part of our history. I'm glad someone had the good sense to write about it before it's lost for all time. Ever wonder why a person's blood boils in a vacuum? What the highest parachute jump was? Who were the people that pioneered this effort, even before the U.S. considered having a space program? That and more is in this book.

This book tells a story that happens in a time when the romantics were more powerfull than the cynics. This happens at a time when it was possibe to be non conformist and still contribute in very valuable ways to the advancememnt of humankind.

The book of Mr Ryan is instructive yet very pleasant and relaxing to read. It is very rigourously documented, logically organised, systematically researched. He was able to tell the facts, while at the same time describe the human beings and analyse the human factors . The autor worked hard to write so you can effortlessly witness the lore of these chivalrous people.

At the end, you will find yourself more knowledgeable and emotionally moved. You will feel like these heros are your personnal friends.

This book is a complete compendium of Project ManHigh and Stratolab. Includes a full story about Col. Kittinger epic jump from a stratospheric ballon (the first person ever to break the sound barrier...in a freefall!!!) and the contributions of Dr. Stapp, and the others that made the U.S.A. space program possible.
Well written and informative.
Yes!A must-to-have for aerospace enthusiasts!

This book is a complete history of Project ManHigh and includes a full story about all three flights. It also details the flights of Project Excelsior, Project Stratolab, and the flights of aeronaut Nicholas Piantanida. A must-have for aerospace enthusiasts.

This book is an awesome book about an awesome feat of humans thirst and curiosity to go higher!!! I love this books look at this interesting program. I would recommend it to any and all space fans!!!

Excellent! Great images.

(Although much of the text is very technical and concerned with small and trivial details.)

This book explain a little about Rembrandt technique and some details in his paints. You can understand how could he painted so beutiful arts. But you won't be Rembrandt reading this book. Only the technique is not sufficient to be a master!
But, if you are a Rembrandt fan, you have to read this book!

This book is generous with loads of quality pictures of the masters work and an equal amount of text for the reader of history and the technical , a good buy certainly worth the money , I really enjoyed this and I suggest it to any one with even just a passing interest in Rembrandt and an insight into how he produced his work , they actually found some of his dna in his paintings (i bet that makes you curious). This and the other book " Rembrandt's Eyes by Simon Schama" is another beauty possibly a bit better than this one Schama's book spend the first half talking a about Peter Paul Rubens and the dreams Rembrandt had of being his equal , both are great companions to each other I recommend them together.

There isn't much more I can say, which hasn't already been said to reveal the great merits of this book. However I think the sheer quantity of 5 star ratings speaks volumes. This book is essential for any academic or personal study of Rembrandt, especially so for a painter as I am. On top of all the incredible detailed scientific analysis, the text is written very clearly and is even a pleasure to read. Above all, the detail shots of his paint surface, are breath taking and most instructive for any painter. They utilized different levels of magnification to reveal his work from the entirety of the picture down to the microscopic level. This book has revolutionized my studio practice!

Richard T Scott
Joelle-Scott Gallery

This book is not easy to evaluate, at a first sight is a very irregular book, amazing in many passages but extremely boring in many others, a whole chapter dedicated to the canvas support !?, with a great mass of technical information about thread density and weave, I think it is too much, a very important Rembrandt's trick like "glazing and sweeping" (that it is supossed he created this technique) is just overviewed when it is perhaps one of the constituents for the most amazing passages in many of his paintings.
My conclusion is that despite of Rembrandt's Project and a lot of scholars studying his masterpieces is very, but very little what we know. How he commited his works is an enigma like in Vermeer's case, so there are a lot of books about them but very little valuable information

What can I say besides this is a great book. It really helps understand Ringeck's work. Get this book if you are interested in German Longsword fighting. Though if you are starting off I would recommend the excellent book Fighting with the German Longsword, also written by Tobler.

This book also works well with Sigmund Ringeck's Knightly Art of The Longsword by Lindholm and Svard. Same material but some different interpretations.

If you are interested in this book go to the publisher's website. It's in stock there at the regular price, not this inflated used market price at Amazon.

This book is essential for anyone interested in doing medieval swordsmanship. Tobler has done all the hard work for you, he has interpreted the moves perfectly. There is very little guesswork left up to you, each move has many pictures showing every subtle change in position. Easy to follow and the pictures are very clear. A great book, none better.

`Western martial arts are every bit as sophisticated as their Asian counterparts. The German martial systems incorporate both armed and unarmed combat, with and without armor, on foot and on horseback, using daggers, long and short swords, bucklers, shields, falchions, and spears and poleaxes.'

In Secrets of German Medieval Swordsmanship, Christian Henry Tobler has done an outstanding job of introducing the reader to the skills and methods of the Germanic man-at-arms.

The book is broken down into five major sections:
>> Longsword Techniques
>> Sword & Buckler
>> Wrestling Techniques
>> Armored Combat
>> Mounted Combat

Secrets of German Medieval Swordsmanship is an interpretation of the teachings of Master Johannes Liechtenauer and of the later work in the 15th Century of Sigmund Ringeck, a descendant of the Liechtenauer school and master-at-arms to Albrecht, Count Palatine of the Rhine and Duke of Bavaria.

While there were, of course, no photographs in the 15th Century ~ Christian Henry Tobler has filled Secrets of German Medieval Swordsmanship with hundreds of photographs demonstrating the techniques of the masters. He has made an accurate interpretation of the techniques described in the writings of the masters and displays that described in photographs.

Each photograph is clear and in sequence allows the reader to learn the techniques of the masters. These techniques are highly effective and the more one practices, the greater insight one gains into the secrets of the masters of arms of the 15th Century.

The book concludes with a glossary of terms well-worth learning to improve understanding of this text and others related to it.

I found Secrets of German Medieval Swordsmanship to be an absolutely indispensable reference for the student of Medieval Swordsmanship and Western Martial Arts.

This book is very clear, well written, and wonderfully photographed.

It provides an excellent view of 15th century european martial arts as being every bit as advanced as those of the orient.

The instructions are clear, and the methods practical.
If you fence, practice kendo, or any other sword art, and are interested in learning how fights were really fought (as opposed to how Hollywood wants us to think they were) I fully recommend this book.

I first bought Mark Rector's _Medieval Combat_, but I didn't feel I truly grok'd many of the illustrations in that book until after I read this book.

For the most part I think that Mr. Tobler's interpretations of Ringeck's verse are dead on target. But in many cases, it seemed pretty nebulous what Ringeck meant - not that surprising considering we are trying to take a very abstract description of a full-sensory 4d event - verbal, and put back all those lost details.

In those cases were I couldn't figure out for myself what Ringeck meant, Mr. Tobler's work seemed at least internally consistant, and well thought out.

Again, excellant.

I can not get enough of Burton Silverman and this book was just what I needed.
I just flip open a page and study how he pulls it off, great painting that is.
I have not read the whole book, just little bits here and there.
But I sure have looked at all the pretty pictures and so should any one who likes B. Silvermans work.
Barry

You will have to admire the works of Burt Silverman presented in this well designed compilation of his work. I have followed his work for years and he's just one of those magical craftsmen that makes me just shake my head in wonder when I see what he can do with a paint brush. He is certainly one of the best artist of our age. If you love art in the realist format, you will be well pleased with this book and with Mr. Silverman's work. This one is a "keeper".

This is the story of a man's quest for truth in art in spite of a country's infatuation with its new found Modern Art. I found the book to be BEAUTIFUL, COMPELLING, ILLUMINATING, and INSPIRING...filled with IMAGES OF the LOVE that Mr Silverman has for his subjects, his kind & curious Humanist "take" on the World, and his incredible volume of awe inspiring work. He has crossed the barriers of "illustration" showing us that Art is Art when "spoken" by the true voice.

Most people who would buy this book are already familiar with Burton Silverman's paintings. The book is no disappointment; the reproductions are large and sensitive to color nuances, on heavy paper, and there are a lot of them. There are short essays by Silverman about each painting which show an honest, contemplative mind at work. It's not a how-to book; there's no pedantic bloviating, just a humble, intelligent man describing the circumstances behind each picture. At first I pegged Silverman as one of those East Coast types who paint their Greenwich Village friends sitting still with expressionless faces and vacant stares. It all seemed too academic, lacking action and vigor, like most modern art. But his understanding of color and composition is undeniable, and the personalities he depicts grow on you. They are of the type of person who can be found in artist's lofts, in front of Folger's coffee cans full of paintbrushes, wearing sweaters and spectacles, New York academics and intellectuals who go to poetry readings, listen to Public Radio, and fret about the fate of the Rosenbergs. He's a world traveller, so he has other types of people, too, but he seems to know all of them personally, and doesn't just paint anonymous models. Though his work is a little tame compared to the kind of entertainment industry stuff I'm interested in, commercial illustrators could learn a lot from Silverman's penetrating eye and calm, balanced judgement.

Just a few lines (as I chose to write below) to be an 'unhelpful' review.

My fingers wiggle when seeing the drawings. My nerve cells tingle trying to process/digest/analyze color combinations in the paintings, and half of me trying to get off the chair and get to the easel to "mix 'em colors".

Some body, catch me! I am falling... in love.

Bengston is insane. He's also a genius. Only crazy person would put as much work as he did into creating a masterpiece in an art and science that, until he came along, no one ever dreamed of.

Think "silent film archeology," but instead of digging into the earth. Bengston dug *above* ground in today's Hollywood to find remnants of the vanished world Charlie Chaplin used as a backdrop. And he found them - lots and lots of them.

Bengston is a man who deeply loves Chaplin's work, the world Chaplin worked in and the world we live in now and he's expressed that love in an entirely unique unprecedented way. This book is beyond great. It's a WONDER. Get it before it goes out of print. Bengston's similar work on Buster Keaton is selling at a massive premium as well it should.

Add me to the list of people raving about this book. If you have the Keaton book (Silent Echoes) you'll love this one too. I can't imagine a Chaplin fan (or any fan of classic movies) who wouldn't want to add this to their collection. That "Add To Shopping Cart" button is calling your name!

Excellent book with great number of photographies and explained of very detailed form. I recommend them for buying futures.

In 1999, I posted a 4-star Amazon review of John Bengtson's "Silent Echoes--The Films of Buster Keaton." While I praised the book as a masterpiece of urban archaeology, I think...at the time...I ultimately considered it to be an accomplished curiosity. It's not and, if I had it to do over, I'd opt for a 5+ rating. "Silent Echoes," and now "Silent Traces," are ingenious works of film scholarship that use environment and architecture to map the unique genius of their respectives subjects. At the time of the "Silent Echoes" publication, I lived in California and made a number of trips to LA armed with my now dog-eared copy of the book. (The related website was an equally dazzling revelation in unearthing long-lost LA.) The more I used the book to guide me through the landscape of Keaton's filmography, the more it became apparent that Bengtson was, in fact, charting the manner in which Keaton spun comic genius from the world around him. He constructed a unique world view from the pieces of the real world...a now quaint and unrecognizable LA of a past age more akin to the gentleness of spirit that imbued his work. If nothing else, the book was worth it for its view into the now faded glories of Venice Beach. I'm now on the East Coast, so I'll have less opportunity to trace Chaplin's journey through old LA, but that doesn't make the book any less rewarding. Now, we can only hope that, six or seven years down the road, Mr. Bengtson does the same service to Harold Lloyd, thus completing a study of the Holy Trinity of silent comedy. The rating for the Keaton and Chaplin books: Not enough stars in the heavens!

Along with Bengtson's previous SILENT ECHOES (Buster Keaton) this is absolutely amazing stuff!!! I've been fascinated by this before & after photography since purchasing several Dover books (NEW YORK THEN AND NOW; WASHINGTON...etc)in the 1970's (still available at amazon) & Frassanito's series of Civil War books (GETTYSBURG...ANTIETAM, ETC...1980's) that show modern views of battlefield sites (also still avail...). But Bengtson clearly is the undisputed master of such "STUFF". The detective work involved in locating the actual sites where Chaplin (& Keaton) filmed their masterpieces is nothing less than astounding! Why isn't this guy working for our government on some top-secret spy project? I was & am simply blown away by Bengtson's books! I've revisited Chaplin's & Keaton's films & have enjoyed them even more (if that can possibly be) thanks to Bengtson. What's next...Lloyd?...Sennett& Keystone?...Fatty?
AN ABSOLUTE MUST-HAVE FOR FANS OF CHAPLIN, KEATON & SILENT SCREEN COMEDY!!! BUY AT ALL COSTS.

a beautiful coffee-table book on old and modern Southwestern Pottery. I would have liked a little more on the old stuff and a little less by modern potters, but it is a minor quibble.

this is a beautiful book the the pictures in the book are so vivid and colorful, it would make a wonderful addition to any library or it would make a great coffee table book!

I was impressed with the display groupings presented and the journey of the authors beginnings of his collections and the knowledge he aquired along the way. He gave good advice to new collectors. I open it daily and alway see something I missed. It's a great book to add to your collection.

This is an excellent book for both the beginner or serious student of Southwestern Pottery. It gives examples of all styles, types, and designs, making it easy for anyone to understand what makes each Pueblo's pottery unique. Perhaps not as "in depth" as some others, this book is easily the best book out there today as far as explaining and illustrating the basics. It really is an indispensable guide and reference book. The authors are regular guys rather than scholars, so it is easy and enjoyable to read, and filled with great photos of their quite amazing collections. I would highly recommend this book to anyone looking for a place to begin learning about Southwestern Pottery.

I'd been looking for a book like this for ages. It goes through every pueblo's pottery, describing the special characteristics of each, and talks about the important potters in each pueblo.

This is very well written in an easy going, non-snobish style, instantly increasing your depth of knowledge in southwestern pottery. The photographs are excellent and plentiful, giving many diverse examples from each pueblo/region/era.

Highly recommended for those new to collecting. I gave a copy to my parents in New Mexico, and even though they had been doing a bit of collecting for years, they have a much better understanding of the history of some of the pottery sitting on their shelves. They love this book.