Writers Books

Writing The Right Word by writer, editor, and educator Dave Dowling (President of Write On Course, LLC, a company specializing in business and technical writing seminars...) is an excellent practical resource for writers of all skill and experience levels and backgrounds. Featuring entries in a lexicographic order, Writing The Right Word teaches aspiring writers the proper definitions of easily misused or confused words, such as levee versus levy, lightening versus lightning, spoor versus spore, and much, much more. A useful 235-page reference tool for avoiding common errors that computerized spelling-checkers will not detect, Writing The Right Word is a highly recommended and much appreciated addition to any personal or professional writing reference collection.

This is one reference book that won't languish on your shelf. Once one starts using it, it becomes second nature to double check your accuracy. My initial thought was that it was a bit slim (230+ pages), with largish type, but this is only a plus. Access becomes very quick and straightforward. The examples are clear and concise...it obviously de-fogs the memory banks (re proper word usage). ANY writer will use it and the book should be mandatory for any high school freshman (and your college student would thank you forever for the gift). Indeed, Dowling has presented us with a book that makes it much easier for writers--at the very least--to appear to be smarter...and that's a bargain. No regrets on this purchase. ((On second thought, it will help you with spoken english as well...ever use the wrong word at a meeting and feel like a schmuck?))

As a college-level instructor, I am often struck by how poorly most students use the English language. 'Writing the Right Word' is a unique and indispensible tool that can help anyone, from high school student to professional writer, learn how to write what he (or she) really means. In today's complex world, the importance of using the correct word cannot be overemphasized. This book explains the most common word confusions in a clear, concise, and 'user-friendly' format, complete with thought-provoking quotes at the beginning of each section. I found myself reading it for the sheer pleasure. Personally, I think this book should be required reading in the schools, and is definitely a 'must have' for anyone who makes his or her living as a writer. Dowling's descriptions are clear and understandable, his examples vivid and sometimes amusing. The sections on 'affect versus effect', 'that versus which' and 'who versus whom', words that rank among the most notorious for confounding the average writer, are themselves worth the price of the book.

The book is very useful and to the point. It is an excellent
resource for my business correspondence. Since people still
judge you on your ability to communicate in writing, it will
be very helpful. Will be using it frequently.

This concise guide is an excellent reference tool for any writer: published, aspiring to publish, business professional, or student. It contains most of the common word pairs that are likely to cause confusion, and provides clear definitions and examples for each. Equally importantly, this guide fills a gap that other reference texts fail to address. No writer should be without a copy!

In real estate they discuss the three "L's" Location, location, location. This is the three "W's" Write, Write and Write more. I highly recommend this book for anyone who wants to write a screen play.

I always find it frustrating when I go to Amazon and look at the reviews that are posted and find that they are at least 2 to 3 years old. So I decided to at least make a more up-to-date review.

First and foremost, this book is NOT a `How to Write a great Script' book. This book is about screenwriters and their knowledgeable insight on the practice we all know as Screenwriting. These established screenwriters ( Akiva Goldman: A Beautiful Mind, A Time to Kill, and the up coming The Da Vinci Code Steven E. de Souza: Die Hard, 48 Hours.) reference their past experience on what works, what does not work, and what habits you need to establish to have a successful career in the shark infested waters of Hollywood. Not sure how many hours you need to write day in day out? Thinking that you are the only one with a spouse and kids, fearing that you will not have enough time to write? Arrived at Hollywood lost with no plan of action on how to get your script read? Worried that you born yesterday and began sending inquiry letters to agents and producers? Fear of rejection (it is inevitable) from everyone? All these topics are discussed and more in this book.

This book is required reading for all serious screenwriters. I also suggest Breakfast with sharks by Michael Lent, The Art of Dramatic writing by Lajos Egri, Story by Robert Mckee, Making a good script Great by Linda Seger, and The Writer Got Screwed by Brooke A. Wharton.

This is one of thost books that you absolutely must read if you are an aspiring screenwriter. It's a goldmine of quality information to help you go from being a decent or lousy writer to a great one. Fourteen of Hollywood's most successful screenwriters share their secrets and tips to writing and selling your scripts to Hollywood. It's like getting private lessons from the pro's. Don't pass this book up, it will make a big difference in your writing career.

This is a must read for anyone who aspires to be a screen writer. Any wannabe writer has their own personal favorite blogs, a blog that helps inspire, motivate and teach them. This book is almost a best of those blogs from successful writers whose movies they have written have actually BEEN PRODUCED.
The one main theme of this book is just write and write and write because you love writing and not because you want the Hollywood celebrity lifestyle. Great writing will open a lot of doors for one and most importantly, keep that door open.
In my opinion, I like to study and and read how successful writers from all genres got their first break, their work ethic and how most importantly they work through writer's block and rejection. Again, Karl Iglesias' book does that successfully.

I was lucky enough to meet Mr. Iglesias at the Screenwriting Expo. He knows his craft, he loves the business. And he's brutally honest in conveying the realistic odds of breaking into Hollywood. While no one ever says it's easy, he can tell you just how hard. This book is a must read for any aspiring screenwriter. Interviewing some of the greatest screenwriters, they all are forthcoming in telling their own tales of struggle, achievement, success, and most of them, frustration.

This book may be geared toward all screenwriters, however it succeeds in leaps and bounds, by telling the realistic truth any up-and-coming screenwriter needs to hear. Too often people are putting together a script hoping to win the lotttery, sell it for mid-six figures, and not taking the time to understand that the money should never be the motivating factor of writing any script. And if that's your only motivation, you'll never succeed in making your dream come true. This book reminds those of us that do it for a different reason, what that reason is. It's the love of writing. Anything else, any other reason, is simply a waste of time and energy.

Mr. Iglesias lays it out in plain view, through interview after interview, just how much of an uphill battle it is get someone to simply give your script a look, and even then, chances of your selling it are slim. Nicholas Kazan once spoke at a seminar. He told them to go turn in their registration forms and go home. He then told them that if any of them seriously entertained that advice, they would never make it. It's all about challenge and it's all about sacrifice. This book will help you realize how important both of those things are.

Reading this book was like driving by a car wreck - you know you probably shouldn't keep looking, but somehow you just can't stop. First the good stuff: Harold can ride. Bigtime mileage. Everyday. He also appreciates nature and doesn't let things like wind & rain bother him too much. Now the downside: while the guy claims to work in a missile factory, he's no rocket scientist. Heavy drinking, fast food gluttony, lechery, and latent bigotry were all mildly amusing if somewhat annoying, but his ignorance of bike mechanics was just plain hysterical.
I definitely admire the guy for his feat, and I admit the book was entertaining in a Jerry Springer kind of way, but if this guy can sell a book for $23.95, in the words of Al Pacino,"Somethin's really wrong here!"

I thoroughtly enjoyed reading 28 Days Behind Bars. Wagoner knows how to bring things to life with words. It was as though I were right there with him throughout his tour.

I found this book disappointing, especially after reading the rave reviews of others. This book tells the story of Harold Wagoner's bike ride from Seattle to New York. While I admire him for the adventure, most of the book is just reporting mileage, temperature,and meals. It is more a log book/journal than a travel story. We see little insight or growth from the author as he makes the trip and when it is offered, it is all Archie Bunker and bumper sticker slogans. By the end of the book, I was ready for the trip to be over.

I gather this book is published through the modern day version of a vanity press. There were some enjoyable moments and the author has writing talent. But jarring typo's, punctuation errors, and spell check errors like using "they're" for "there" reduce the enjoyment. He could have benefitted tremendously from the help of a good editor.

I don't think this book was worth the price.

I have just finished reading Wagoner's book and I LOVED IT! It is the best bicycle touring book I've ever read. It really is a first rate adventure. A must read for every cyclist.

Bravo to Harold Wagoner for both an amazing feat and a great story. A must read for any touring cyclist or for anyone interested in the triumph of the human spirit. Wagoner details his 28 day ride from Seattle to NYC dispensing self-deprecating humor and homespun wisdom along the way. Wheel wobbles, headwinds, tailwinds, crosswinds, bears and bees can't stop him, nor can the roadside Sirens he encounters along the way. His eating habits provide an instant cure for anyone concerned about their diet. A heart-warming and life-affirming tale, well told.

Begin with Hero Archetypes and learn about the Chief or the Lost Soul or the Warrior. See what might make them tick.

Move to your Heroine Archetypes to visit with the Free Spirit, the Nurturer or my favorite the Spunky Kid. Learn how they got to be who they are.

Then you will learn how to use the Archetypes to Create Characters. As most writers understand, great characters are not one-dimensional and flawless. It is their layers that make them truly intriguing. Indiana Jones' fear of snakes made him believable.

Finally play with Archetype Interactions and see how the Waif might react to the Professor type. What if the Waif were layered with the Librarian and the Professor had a bit of the Swashbuckler in him. What would these two encounter? Where would they take your story?

Tami et al's book is invaluable to me. If I had no other book on characterization, I would be fine. My only quibble is that we didn't get the Villains, but Tami teaches a Villains Archetype class online as well as face-to-face. I just recently had the pleasure of taking that class with From The Heart Romance Writers.

Put this on your "must have" list if you want rich, complex characters.

In the quest of refining character, I have devoured a number of psychology texts and writer's guides, and I do believe that this one may be the best book on that topic I have ever discovered. I would quibble with Cowden, LaFever and Viders in their assertion that the 16 Master Archetypes are the only archetypes, but it's such a small point that it doesn't detract from what they present. Peppered with easily accessible examples, their book breaks down character into strong, clearly sketched components and then discusses how the palates may be blended--in individual character development and interpersonal relationships. I don't know if I would ever use any guide to create a character from scratch, but I'm always happy to find something to help me ensure that my characters behave consistently once they've been created. I expect this book to prove valuable for that, and I highly recommend it.

I started using this book for my writing the very day I received it. It's great--I can't recommend it highly enough

The book is a great tool for aspiring writers and screenwriters. It offers great insight into the different archetypes. That information is presented in a dictionary type form. Anyone can look up a personality type and find its virtue, flaws, style and background. I highly recommend the book to all aspiring writers.

I can't say enough good things about this book. Fantastic character profiles. I wish it had been available when I was studying Sociology at university! I own two copies so I can always have it at hand when I need some help. My ONLY complaint are the pop culture references as archetype examples. But, overlook Dr. Spock and Ally McBeal and this book is priceless!

I have really enjoyed reading this book. I have been interested in Feng Shui for years but could never find a book that defined it so well as this one does. She set me straight about the differences in Feng Shui practices and how to use intention along with techniques. Great book with no confusion!
Kristi

I hardly knew about Feng Shui before I read this book--Plus, I really was not interested--so I guess I was a skeptic. A friend gave me the book for Christmas. And though I still am a skeptic to a degree, Alizay seems to describe Feng Shui in a way that I found surprisingly charming and easy to understand. I have tried a couple of her suggestions and I have been rather amazed. I had results! I am still not a complete convert, but the book is enjoyable to read, well-written, and worth the time investment for anyone to finally "get" a bit of comprehension on what this Feng Shui "frenzy" is all about.

I have purchased several books in the pursuit of understanding and applying feng shui to my home. After all, I know that I feel better in rooms that are uncluttered and clean per basic feng shui principles. Therefore I hoped to dig deeper into feng shui applications to discover how to increase the sense of peace and comfort into my home.

This is the book that I needed to make sense of the other books that I own, although this book could just as easily stand on its own. Gabrielle Alizay has a simple, straightforward, and down-to-earth style of writing. She imparts her knowledge in an easily accessible manner and encourages readers to make the art of feng shui "their own." She doesn't bog readers down esoteric mumbo jumbo, but explains how gain positive results by personalizing things within one's own belief system.

Feng shui is not some mysterious religion, but rather a science of symbols and their effect on our subconscious mind. This was the book that cleared the confusion of feng shui and made it easy to understand how to put it into practice. When reading other books on feng shui, I use "Feng Shui for the Rest of Us" as a sort of feng shui encyclopedia or reference guide. But, if I could only keep one book on feng shui, this one would be it.

Super easy to read! Humorous and fun. Alizay un-mystifies a foreign mystery . One that will help direct our lives onto a better path. Tibetan Black Hat Feng Shui is much less complicated than the Chinese compass version. It is much more forgiving as long your actions are done with intent. This book gives real world examples and understand that we dont live in a perfect world- otherwise there would be no need for Feng Shui anyway. So far i have been very please with the book and the results. If nothing else, it has made me take a closer look at how i am living, my surroundings and what they say about me and why.

As of Jan 2007 all but three reviews of this book were made in November 2005. They read like they were written by the same person to me.

It think the author scores points for writing this book because of her fame AFTER her death.

A great way to spend a summer morning or better yet a winter one! Grab your hot cocoa and enjoy.

my very best childhood friend gave me this book last year as a present. i loved reading it. i had never "read" a cookbook before. The author did a brilliant job of blending recipe and words of experience together. It was a very lighthearted read and I found it enjoyable to read over and over. I keep a copy in my kitchen where I can utilize the recipes,which by the way are also very unique and practial.

I'd rather dine out than in, and I hate to cook, but I like Laurie Colwin's style of writing, so I bought this book. Even Ms. Colwin admitted that she bought cookbooks just to read them, but I'm sure she tried some of the recipes as well. She described, by name, several cookbooks she had on hand, most or all out of print, and it made me wish I could read them as well. To show how cleverly she turned a phrase, I was inspired to cook something and did! I tried a recipe for bread that, when she wrote it, had me almost tasting it. Alas, said bread did not turn out as hoped. I had someone else (an experienced cook) try it as well, and it was somewhat disappointing. No big deal. I'd rather read than cook, anyway.

'Home Cooking' by Laurie Colwin is the kind of book that really makes you wish you could become friends with the author. Unfortunately, the author is no longer with us, so there is a lot more than the usual barrier between celebrity and mere mortal between reader and writer.

The chapters in the book are essays composed of both culinary and autobiographical material, although the book is not a memoir a la Ruth Reichl's two books. It is also not culinary criticism or exposition in the style of John Thorne. It is most similar to the kind of essays written by Elizabeth David, one of the author's heroes, and M.F.K. Fisher.

The author has the advantage of most good writers in that she has lived in interesting circumstances providing fuel for her writing. One premise for much of her culinary advice is based on the fact that for several years, she lived in a very small Greenwich Village apartment with no oven, two hot plates, no sink and a tiny refrigerator, with literally enough room to hold no more than three people at a time. Amazingly, the author was able to actually entertain in this tiny space, using the bathtub and commode as a means of washing up the dishes.

Much of the culinary advice is quirky and some is actually a bit dated, as it predates the microplane and the cheap plastic mandoline. I suspect the author may have changed some of her opinions if these tools had been available. Colwin's advice about knives is also a little dated, as she swears by carbon steel blades rather than modern stainless steel. Since there is no evidence that she sharpened her own knives, I suspect a modern Santoku knife may have changed her opinion. Even so, the essays are a testament to cooking with only the bare minimum of equipment and space.

It is not surprising that Ms. Colwin's recipes never made the 'Best of' series, as they are quirky rather than true gourmet fare. While another of Ms. Colwin's heroes is Edna Lewis, the very influential writer on Southern cooking, Ms. Colwin's recipe for Southern Fried Chicken does not follow Ms. Lewis' lead on a number of things such as an overnight buttermilk marinade. He does, however, keep to the gospel of pan frying rather than deep-frying.

Ms. Colwin's writing provides much more food for the soul than it does food for the gut. Reading this book makes one wish that Karen Duffey would have channeled her not inconsiderable talent for the simple in her book 'A Slob in the Kitchen' into a style more like Ms. Colwin's very entertaining twists on culinary matters.

Highly recommended reading for foodies.

I cannot imagine trying to read Proust's Everest of a novel until I've had enough life experience to be able to identify with his insights. How on earth was a man who died young and was confined to a bed for so many years able to learn so much about life and common human experience, emotion and perception? I don't know how, but I thank God that he was.

For modern readers, Proust is definitely an acquired taste that rewards patience. I never thought reading the works of one author would make those of others seem so much easier to read. But such is the case with Proust. Nevertheless, one shouldn't regard his writing as therapy or medicine; it may read like self help at times, with its frequent use of the first-person plural, but it is a story first of all. His writing is just more detailed and insightful than that of all but a handful of modern novelists.

Within a Budding Grove is a primer on patience and perception, one that will probably make you a better reader, perhaps a better writer, and certainly a more interesting human being. Struggle on patiently. You will get used to the labyrinthine sentences, paragraphs that run on for pages, and gargantuan chapters (if they can be called that) that don't really begin or end anywhere tidy. Eventually, you will likely come to enjoy it.

My only criticism: at times one does get annoyed by the slow pacing. For instance, I knew that this is the volume that introduces the reader to Albertine. But it did take about 600 pages for the narrator to meet her! That said, there are plenty of tasty morsels along the way. Read it, not so much for the simple story or the minutely detailed descriptions, but for the numerous insights and the astounding wisdom.

How can anyone summarize even a single volume of Proust's massive six volume novel? Within a Budding Grove (sometimes translated as In the Shadow of Young Girls in Flower) is the second installment of In Search of Last Time. We find the narrator perhaps marginally older on vacation with his grandmother living in a luxurious hotel in Balbec off the coast. This volume, paired with the first (Swann's Way), is really the introduction to the work entire if you can believe it. In it, the narrator perhaps matures slightly; he cultivates his keen awareness of art, meets new people, and ultimately falls out of love with Gilberte and falls in love with Albertine. His relationship with his grandmother is certainly expanded, and the reader comes to learn that the narrator is not merely motivated by a trivial pursuit of pleasure and bourgeois charm. He is in fact, a truly full human being, complete with fear, love, desire, and ambition. He meets one of my favorite characters in the whole book, the impressionist painter Elstir, a character clearly based Monet, Manet, Pissaro, and others. He introduces the narrator to Albertine through his paintings, and teaches him about the joys of life and art. There are some passages in this section of the book (the latter half) which I just can't resist from quoting,

"I could never have believed that I should now be dreaming of a sea which was no more than a whitish vapour that had lost both consistency and colour. But of such a sea Elstir, like the people who sat musing on board those vessels drowsy with the heat, had felt so intensely the enchantment that he had succeeded in transcribing, in fixing for all time upon his canvas, the imperceptible ebb of the tide, the throb of one happy moment; and at the sight of this magic portrait, one could think of nothing else than to range the wide world, seeking to recapture the vanished day in its instantaneous, slumbering beauty" (pg. 657).

also (how French is this?),

"For a convalescent who rests all day long in the flower-garden or an orchard, a scent of flowers or fruit does not more completely pervade the thousand trifles that compose his idle hours than did for me that colour, that fragrance in search of which my eyes kept straying towards the girls, and the sweetness of which finally became incorporated in me. So it is that grapes sweeten in the sun. And by their slow continuity these simple little games had gradually wrought in me also, as in those who do nothing else all day but lie outstretched by the sea, breathing the salt air and sunning themselves, a relaxation, a blissful smile, a vague dazzlement that had spread from brain to eyes" (pg. 669).

I certainly cannot add any insights into the greatness and profundity of this work which has not already been said by Edmund Wilson or Vladimir Nabokov. Within a Budding Grove is a deeply felt, beautiful and fleeting segment of one of the finest novels of the last century, I urge you to read it.

Montcrief's translation, is the quintisential Proust. The, beautiful, florid prose is reminiscent of a time and a place that no longer exists, and captures the French aristocracy in the advent of WWI -- full of old-world trappings, yet abounding with subtle reminders of the globalization that was to follow. Proust's style and vision are directed admirably towards his artistic goal of appreciating art through sublimation, and express his idea that a true understanding of art comes first through appreciation, and then expression through a medium. This volume is full of Proust's own philosiphies on art, life and the people who abound in both. His observations, pointed and amusing, keep this volume relevant. Considering the wave of expatriate and existentialist writers who propogated Paris after the Great War, this book is truly the last in a line of works that view life in a grand, sweeping and elegant manner. Within a Budding Grove brought Proust fame and acclaim in his own time, and in ours can be seen as a masterpiece reflecting a time past, yet glimsping assiduously into the future. For those "in search of lost time" this is truly a great read.

This is a great copy of Vol. 2 of A la recherche du temps perdu [In Search of Lost Time] or [Delving into Things Past]. Each volume in the septrology may be read individually as an independent novel. This is, of course, the very best translation available in English; probably the very best that will ever be available in English: certainly the next best thing to reading the original French.

Note: Proust is not quick reading, and one who tries to read too quickly will just as quickly lose the tread of the narrative. This text has its own time scale, and the reader must adjust his/herself to the text--not the other way around. In this stream of consciousness narrative, the narrator (/author) digresses as he speaks (/thinks): he digresses, digresses, digresses; and then, he returns, returns, returns to the point where he began. One has to follow his line of thought: this is the art and beauty of the text.

Proust's achievement is one of the greatest edifices of Western art, perhaps comparable only to Wagner's Ring cycle.

It's my experience, reading this novel, to be perpetually grateful for the miracle of Proust, grateful, too, that he waited until his maturity to write; as someone who's spent time in writing workshops, I can only imagine the dissipation of his energies into anemic prototypes had he been persuaded to publish prematurely. Lovingly written, every word endowed with love of life and maturity's distillation of life experience, it is a novel (which reads like a memoir) of a life devoted to the connoisseur's pursuit of pleasure-how can that not alienate? Proust is consciously writing for an elite of mental or temperamental sympathy. To say that reading Proust has helped me through hard times is true-yet how can I-someone who has, to paraphrase a T-shirt I saw recently, a blackbelt in keepin' it real-not resent a courtesan with three ladies to aid in her toilette-however tenderly rendered?

The mature Proust's vision of love-in this novel at least-is adolescent and self-absorbed, and there is no sense of a selfless or mature love, such as that of a parent for a child, which contains a dying to self as opposed to an expansion of self. (One thinks here of the authorial contempt for the too-giving parent, Vinteuil.) I pity Marcel: to lose oneself-the burden-to lose time-sometimes-is very refreshing indeed. Mired in the adolescent and egotistical point-of-view, without benefit of even the illusory counterpoint of an adult lover's (Swann's) point-of-view, the narrative does sometimes suffer from too much Marcel. Coddled, effete, he finely calibrates the shades of disillusionment that possession as opposed to reflection offers-the "psychological impossibility of happiness"-after having his wildest fantasies (Berma! Bergotte! Balbec!) fulfilled time and again. And he universalizes his singular temperamental trait, that inability to live in the moment.

Proust is only too conscious of his weaknesses, and as a result, we get his poetics: "I am aware that this is to blaspheme against the sacrosanct school of what these gentlemen term `Art for Art's sake,' but at this period of history there are tasks more urgent than the manipulation of words in a harmonious manner," Norpois says, and one is laughing out loud with pleasure at the dissonance between Marcel's lofty musings on Berma and the cold spiced beef jiggling in its cubes of aspic, the delicious conflict of temperaments.

He gives me back to myself-it's a long time since I've felt the sole inhabitor of my consciousness and had the leisure to puzzle out my sensations. Usually my mind is full to the brim like this: "Mommy-mommy-mommy-here comes little bear! What does little bear say?! Mommy-mommy-mommy-mommy-moooooommy! Here's little bear! Little bear is talking!" So that I don't have mental space or leisure to process even the simplest sensation, how the sun feels on my shoulders, for instance. Visiting Proust's cool room of mirrors and ocean waves returns that feeling to me, and that is precious. There is something precious in his extremity-his lack of apology for a sensitive and aesthetically-driven nature that is anathema to middle-class American values. And that rhythm like ocean waves! It gets in your head, lowers your blood pressure, no doubt alters brain wave patterns, the chemicals in neuropathways.

There is something so extreme (admirable!) in Proust's sensibility-the extremity of his pursuit of pleasurable sensation intellectually reorganized and savored-that one feels-paradoxically-something dehumanizing in his gaze. His musings on the protoplasmic nature of young girls frankly chills me! Yet I see it as part of the "green fuse," the life force pagan and repugnant at times. So, what happens in Vol.3? I can't wait, yet at the same time I hope for something I may not get.

Jenna is a great thought leader in this difficult, thrilling industry. She gives practical advice for those who want to make a real business out of writing. I get a lot of queries about how I stay in business--and I refer people to her book!

. . . do I rely on? Over and over again, I've been asked which books I turn to time and time again for reference. I can't believe I have talked about this book on here yet - I've been raving about it all over the Internet ever since its release. So, here I am, a bit late with a lot to say.

When it comes to venturing through the freelance writing world, it's not uncommon to take the first step with fear and a sort of sick feeling in your gut. You want to feel secure, want answers to all the hard questions, and you want your hand held. Well, Jenna's done all of that in this guide.

Don't let how slim this guide fool you at all. It isn't because it's lacking material, information and resources. On the contrary, it's bursting at the seams with everything a freelance writer needs to run a successful business. The key is that there's no fluff. Sure, there's a LOT of humor and personal experiences injected in just the right places. You won't find a lot of useless information just thicken the book up, though.

When I first started my business in 1999, I searched HIGH and LOW for an all-in-one reference to guide me through the process and never coule really find what I was looking for. Now, when I come across new writers in search of the same thing, I direct them to this book. And, each time they've talked to me about what they've learned from reading and USING this book, they've raved about how glad they were to have it right from the beginning.

Want to be a freelance writer? Jenna Glatzer tells you the truth about the business in a conversational, factual, no-nonsense style sprinkled with her warm personality and humor. She lays out the writer's path and bids you to take the first steps.

After reading so many books on writing that don't deliver on the promises they make, Jenna's book is refreshingly honest and practical. If I were teaching a course on writing, I'd make sure every student had her book.

Make a Real Living as a Freelance Writer is great for novices and veterans. She surprises you with solid tips on researching and using the internet to full advantage. Her book takes the fear out of an often imposing business and reminds one that writing is compelling fun.

Rebecca Jacoby, copywriter
www.afewchosenwords.com
www.beckyjacoby.com

Jenna Glatzer has performed a valuable service in her work. Her work is insightful to what the news taking place in the media today. I enjoyed reading it. It answered several questions for me. It also brought up things that I had not thought of. I appreciate her work and what I was able to get out of it.

This book is packed with tactical real-life strategic know-how about how to get published. It's not a book full of fluff! Every page contains something that a writer should know. Great source of information.

This is the only book of its kind--an explanation of Shadow Work, a powerfully effective and safe method of personal growth and emotional healing, authoritatively written by a skilled and experienced practitioner. Its explanations and metaphors are clear and insightful. By telling of her own healing journey through Shadow Work, the author lends solid credibility to her material. The "Honoring Your Risk Manager" exercise brings the entire subject home vividly. This is a wonderful book for anyone wanting to become more conscious, more alive and practically shameless.
--Dennis Hartwell (Michigan)

This personal story about her own journey was insightful and helped me to understand the terminology & process of "shadow work". The book was easy to read for those of us who struggle with technical jargon. I found myself cheering for her as her personal growth unfolded right before me!

Alyce Barry's compelling personal journey through courageous self-discovery and growth is a book that was hard to put down. Writing in the first person, Alyce travels through her life revealing her growing inner struggles to escape from her "box." She hides nothing. She is so open, I found myself grieving for my own childhood losses and lessons bound in shame. Someone has finally written a book on the pervasive shame that shrouds everyday lives in America. Alyce illuminated my own shadow places by so openly revealing her own and her ultimate victory over the control shame had in her life. Many thanks.

Whereas self-help books present a method and a few examples of how it works, Alyce Barry presents the examples, in the form of a story, which reveal the method. In Practically Shameless, Alyce boldly describes her own path through personal growth using Shadow Work. Her insight into her life experiences, behavior and emotions brings understanding and healing, allowing her to explore new ways of interacting in the world. She then passes this knowledge on to others who achieve similar growth. This easy-to-read book is a story of life, with all its pain and triumph. At the same time, it introduces Shadow Work as a successful method of healing. Congratulations to Alyce for taming her inner critic and sharing her life in such a beautifully written book.

The book is a practical primer on a proven process that enables participants a fresh lens of their life so they can choose to breakthrough those barriers that have held them captive - in a safe and sacred space.

Alyce's personal approach to her awakening and new found freedom is powerful for someone who is new to Shadow Work or a veteran of the process, alike. The book is meant to be read many times.

Barry Kaplan, New Jersey

This book, which by all means should be read before "The Letter of Marque" is a wonderful, if sad installment in the series. In the midst of the unfortunate treatment of Aubrey however, is a real powerful moment towards the end of the novel. Again, a real testament to the themes of honor and friendship that abound in this series.

This is the 11th novel in the Aubrey-Maturin seagoing series. This book is all about honor and reputation, how easy they are to lose, and how hard they are to get back. The story takes place mostly on land and finds Captain Jack Aubrey an easy mark for some stock swindlers who lure him into a confidence game, with terrible consequences. Doctor Stephen Maturin finds that he has been dumped by his flighty wife, who ran off with a Swedish officer. The book ends with the men in an unaccustomed circumstance, with Aubrey reliant on Maturin to salvage his own future.

It was nice to see the series back in good form after the silliness of "The Far Side of the World." However, some of the on-going international intrigue that spans several books has gotten so complicated that I can't remember what it was about, and I find myself not caring, either.

Reviewer: Liz Clare, co-author of the historical novel "To the Ends of the Earth: The Last Journey of Lewis and Clark"

The twelve books that precede The Reverse of the Medal in the Aubrey-Maturin series together form a coherent, engaging chronicle of naval warfare, intrigue, and romance. Had its thirteenth installment been simply more of the same, the appeal might have begun to pale; however, with a single plot twist, Patrick O'Brian changes the rules of the game completely, handing Aubrey and Maturin a whole new set of challenges.(Note: plot spoilers follow).

Captain Jack Aubrey, ashore and in funds for a change, is induced to invest in the stock market on rumors of peace. When the rumors turn out to be a hoax, Aubrey is falsely accused and convicted of stock fraud and dismissed from the Navy. With his fortunes in ruins and reinstatement to his rank a dim prospect, his only choice is to take up privateering in the newly-decommissioned Surprise.

What sets this book apart from its predecessors is the extent to which we see Aubrey struggling honorably with devious opponents and murky matters quite at odds with his seamanlike competencies, and dealing with the loss of his Naval identity, so much a part of his being. In so doing, it contains some of O'Brian's finest writing - the scene of Aubrey's punishment in the pillory, cheered and protected by a city square full of seamen, is one of his most bitterly triumphant and touching.

The Reverse of the Medal is not the place to start reading this saga. However, the changes that it rings on the previous books' formula ensure a fresh tone and a new perspective that will invigorate even the most jaded veteran of stern-chases and luffing-matches.

Just one of an awesome series focusing on "Lucky" Jack Aubrey and his friend, Dr. Steven Maturin (sp?). Series is a robust and rich historical men-at-sea and -at-war yarn that covers many years in the late 1700 to early 1800s. Ah-HA! (inside joke). Simon Vance's voice is excellent and each character is distinct.

This series is an absolute treasure, and I can't recommend it highly enough. I do, however, caution you on a couple of things. O'Brian is difficult to read. Well, that's not quite fair, it's not difficult, it's slow to read. Paragraphs can go on for a page and a half or longer, and that makes it difficult to digest all that happened.

Whatever you do, don't give in to the temptation to skip sections because they seem like long descriptions. If you take the time to read them, they seem to always offer some gems of wit and a sly turn of phrase; plus, O'Brian can resolve an entire dilemma or introduce a battle and the aftermath in a couple of sentences.

Looked at from a certain point of view, it actually enhances the story because you have to think about what you just read.

Read them all and read them in order. I can't speak to the rest of the series, but up until now it is superb.