Writers Books

This book is written in the true Russian style. It's poignant and shocking and hard to put down.

The forward explains how the writer was treated in Tashkent for cancer while serving a sentence of forced labor exile. Post World War II Tashkent was cosmopolitan. The story takes place in February and March 1955 in a city like Tashkent. By then Stalin had died, Beria had been executed, and Malenkov had fallen from office.

The number of the cancer ward is thirteen. An official is to be treated for a tumor at the hospital. He resents the squalor of his surroundings. He consents, nonetheless, to undergo treatments. Dr. Dontsova has three residents. They call her Mama.

The bureaucracy insists that Dontsova dismiss indeterminate cases, cases where there is no improvement. Dontsova is troubled herself by stomach pains. Guilt she feels, though, is triggered by the existence of radiation sickness since she is an oncologist and radiologist. She cleans and shops and cooks for her family consisting of her husband and son.

One evening the male patients have an argument about moral perfectionism. It is claimed that Gorky, Stalin, and Lenin all thought that Tolstoy's doctrine was dangerous. Continuing their discussion, the male cancer patients are happy to think of traditional peasant remedies. Illness levels. The functionary and the exile are similarly situated.

Sickness provides respite from work and citizenly duties. Centers for treatment draw a cosmopolitan mix of people. Many people had lives interrupted in war service. Fairly detailed descriptions of the soviet medical system are given. Shortages of cleaning rags and other dysfunctions are common. Attempts to rationalize procedures and safeguard limited resources slow progress and create inefficiencies.

Oleg Filimonovich Kostoglotov, one of the points through which consciousness flows in the novel, resides in Ush-Terek, a virgin lands territory, and is a topographer but works as a land surveyor. The Ministry of Internal Affairs required that he live there. He was administratively exiled.

Pavel Nikolayevich Rusanov, the official being treated, strives to be optimistic as Gorky couseled. He looks forward to the visits of his wife, Kapitolina Matveyena. At first a geologist, Vadim, thought that Oleg Kostoglotov was a rude loud-mouth. (Vadim was collected, proud, and polite.) He saw that Rusanov was a standard sort of bureaucrat. Later Vadim discovered that Oleg was not arrogant. In fact, he was even generous.

Oleg discovered that after the world of the camps, exile could not be cruel. He was thirty-four and now too old too obtain a university education. He felt he could be content in exile if only he had his health. Oleg's good friends in Ush-Terek were a pediatrician and his wife. Oleg admired the chief surgeon at the facility. He had worked in the camps. Oleg picked up this piece of biography through the surgeon's choice of words. Oleg accused Rusanov of not being patriotic, of not having a love for country, but rather of wanting a fat pension.

Someone cites a writing of Lenin that an official should be paid a wage equal to the amount paid to a good worker. An older man tells Oleg that with his history he is fortunate since he has had to lie less. The man, a scientist, had been forced to follow the faulty teachings of Lysenko.

Dontsova had dealt with the ailments of other for thirty years. Now she has been diagnosed. She is to take sick leave and proceed to the Moscow Institute She makes her final rounds. Rusanov is released. He believes that he is cured. Oleg is discharged to recover from the treatment and to return to Ush-Terek. This is a masterpiece.

What could be more depressing than a group of people living in an austere Soviet structure in 1955, discussing their dismal lives as denouncers, soldiers, labor camp workers and exiles under Stalin's policies? All of the aforementioned set in the confines of a dreary cancer ward. The conversations, thoughts, and actions involve a dozen or so patients undergoing treatment and the hospital staff providing it. Solzhenitsyn, winner of the Nobel Prize in Literature, survivor of cancer and of eight years in a labor camp, is a master writer, but this grim novel about life in a cancer ward can best be described by...any word synonymous with "depressing." The patients' ponderings on their diagnoses, treatments, and prognoses, as well as of their former lives "on the outside" are covered extensively. Preferable reads: The Gulag Archipelago by Alexander Solzhenitsyn, Kolyma Tales by Varlam Shalamov, and Journey into the Whirlwind by Eugenia Semyonovna Ginzburg.

The media would like us to forget how wrong they were about the Soviet Union for 70 years. Stalin and his ilk were not agrarian reformers or overly enthusiastic New Dealers. They set up the most brutal political system in human history. Or maybe they were just overly enthusiastic New Dealers after all. Solzhenitsyn shows us what life was really like for those we helped condemn to live under that system, especially in Eastern Europe after the sell-out of Yalta. In this and in First Circle and Ivan Denisovich, he doesn't speculate like Orwell in 1984, he just tells it like he saw it. Consequently, he would never win a Nobel Prize today, not anti-American enough.

I know that sounds like hyperbole, but seriously. He's just so very good at capturing a very wide variety of characters. It starts out like "Things Fall Apart" or "Palace Walk" as a portrait of an unlikable man. But it very quickly morphs into something much more complex and amazing as he widens the scope again and again to incorporate every one of the people in the Cancer Ward. Truly it's hard to speak about exactly what he's doing. But as a friend of mine said, even with that Nobel Prize, he's still underrated.

This book is actually a collection of essays. Lewis addresses various things such as, the glory of man as being a reflection of the glory of God, why he is not a pacifist (where he gives some pretty strong moral, biblical, and sensible arguments), speaking in tongues and various spiritual gifts (moreso on their implication, not on the technicality of each or what exactly each gift is), what he calls "is theology poetry" (or in other words, do we believe in theology just because the idea of a cosmic drama appeals to us), the affects of peer pressure and the gradual degradation of one's inner principles and also its positive affects when one surrounds him/herself with Christians, and forgiveness.

Overall a very enlightening read, in which many issues that are not commonly talked about are given attention. Not very long either, but packed full of insight.

I agree that this collection is often overlooked when considering the best works of CS Lewis. Among the essays, my personal favorites are Weight of Glory and Transposition. I highly recommend this book.

This is one of my favorite books by C. S. Lewis. The essays are all valuable in many ways; they all touch upon not just theology, but politics, science, life in general. Lewis packs down into uncomplicated prose some of the most profound thoughts I've ever considered in "Transposition" and "Is Theology Poetry?", and they have to be read several times to be understood. In some ways, all the essays are interlinked; it makes sense to read it--the first time--from start to finish. Those who have read only MERE CHRISTIANITY and SCREWTAPE will find here more personal, complex, and unsimplified Lewis.

For the serious reader of C. S. Lewis Christian apologetics, as opposed to his fiction and literary criticism, "The Weight of Glory" is Lewis at his deepest and best. The title essay alone is worth the price of the book.
And what is the weight of glory? "The load, the weight, the burden of my neighbor's glory should be laid on my back, a load so heavy that only humility can carry it.... All day long we are, in some degree, helping each other to one of the other of these detinations [heaven or hell]." (pp. 46-47)
But, wait, there's more!

There is a jacket blurb on The Weight of Glory from John Updike, who comments on both the comfort and pleasure afforded by Lewis. Neither should be underestimated. This is great devotional writing but it is also great writing, writing that is typified by Lewis' ability to deal with the weightiest of matters with a light touch.

It is a truism that our faith is reinforced whenever we see it embraced by great minds. Samuel Johnson believed that and it is interesting that Lewis often turns to Johnson for such reinforcement, as we turn to Lewis--one of the indisputably great intellectuals of the twentieth century. Part of that greatness comes from the stark clarity with which Lewis sees important matters. That makes his work accessible; it does not make it simplistic.

All of the lay sermons in this volume are trenchant, though 'The Weight of Glory' and 'Learning in War-Time' are exceptional. I especially like 'Is Theology Poetry?' and 'Membership' and find 'Why I Am Not a Pacifist' of particular interest and importance these days.

This is a book to be read, embraced, and shared.

I'm a big fan of these annotated books, not only for their visual appeal on the bookshelf, but for their ability to transport me away from the everyday world. And you may think you know Oz because you can sing "Over the Rainbow" and "Follow the Yellow Brick Road", but I assure you, this book will take you farther into Oz than you ever went before. Unlike The Annotated Alice: The Definitive Edition, which is dense with text, this volume is packed with art and illustrations, including a lot of full color pages. The movie images floating in your brain take on a different hue when you see the illustrations which actually brought the Ozian creatures to life. As with all the annotated works in this "series", this one has crisp, cleanly printed pages, an artsy dust jacket that is pleasing to behold, and tons of Baum biographical information, and of course, lots of notations. If you are an Oz fan to begin with, you owe it to yourself to buy this book. If you just like children's stories and the history behind them, this is also for you. And don't forget: the book is better than the movie, anyway!

This is a wonderfully informative book. It has its biases, but they're of the harmless, author-worship variety. The only caveat I'd add is that this isn't the book to have as your sole copy of The Wizard of Oz. It's nearly impossible to read the actual story amidst the annotations. That's not a criticism: that is, after all, the purpose of the book. But if you've never read the story, or want to read it to your children, get a simple copy of the book as well.

The "Annotated" series is simply wonderful. Best of all, they are getting better and better all the time. My first was The Annotated Alice: The Definitive Edition and since then, I've gained a small collection of annotated books. These books were the original DVD commentary track. Now, it just seems strange when I'm reading a book and there's no footnote for further insight!

This was the second Annotated book I bought. The first two books I bought in this series represents the top two lifelong obsessions within fantasy: Wonderland and Oz (now, if only they'd do Neverland to complete my personal trilogy!).

Upon first reading, I'll admit -- this was a bit hard to start. Sure, it was interesting, but compared to the introduction to the Alice book, it seemed a bit rambling. It seemed like I'd never get through to the actual book!

Recently, I decided to give it another go. So, starting from the beginning again, I read. Age must change my opinion on things. It was no longer so rambling. I rather enjoyed the introduction -- in fact, wish it was longer!

When your first introduction to the Annotated series is Alice, a highly satirical book with a lot of symbolism, you may have expectations of all the secret meanings revealed. Don't expect it here. As is stressed in the introduction, this was a story purely meant to delight. While there are similarities in the ultimate purpose of writing it -- a boredom with the children's books of the day -- the two are completely different in their approach. Carroll used the book to make fun of the children's books of his day. Baum just wrote a good story.

So, therefore, the annotations have more to do with what was going on around Baum at the time, things in his life that may have had some influence, and criticism rather than the hidden symbols found within. You'll get a history lesson of turn-of-the-century America that we may not hear much. You'll learn about changes to the book made over the years.

The greatest thing about this edition is that it's a facsimile of the first edition. The pages aren't perfect -- there are age marks every now and then. But you'll finally be able to see what exactly made this book so novel in 1900 -- colors and text are reproduced in a way most editions do not. Most other editions using Denslow's drawings are usually incomplete with a more modernized setting for the fonts. This causes many pages of illustration to be omitted as the illustrations are a bit more difficult to reproduce when the original text is overlapping.

The accuracy of the reproduction may be a huge downfall for the annotations, though. Unlike most annotated novels where you'll find the numbers within the text and the annotation in the margins of the book, the numbers have been moved to the edges of each line of text with the annotations on a separate page. Probably, this was done to interfere with the original text, but it means that some confusion might come in when to look at a note. Two numbers may try to squeeze into a single line, which is a little awkward. Or, because the note numbers are no longer attached to the text, we won't know what words those numbers are attached to until we look at the next page (or a few pages ahead, depending on how long the note is).

This isn't quite enough for me to take any stars off, though. It may be an inconvenience, but it's no way to judge the quality of the book. In fact, the rarities -- bonus story, reproductions, and art in the Deslow Index -- more than make up for the structure.

This is an over-sized book, so if you want to add it to your Oz collection, it might be out of place a bit -- if you want an edition to fit in perfectly with your other Oz books, I'd suggest getting The Wonderful Wizard of Oz (Books of Wonder) along with this just for casual reading or completeness on the bookshelf.

This book was purchased for my grand daughter who is 18 years old. She thoroughly enjoyed receiving it as a gift. She liked reading the "annotated information" while reading the story. It was a hit as a Christmas gift.

This is a wonderful story told by a master. The illustrations are just beautiful. I've been watching the film since I was five years old and have always loved it. Now I love the book.

wow as usual Ms. jackson makes us laugh cry go through the whole nine yards of emotion and thats why i cant stop reading her books. clayton what can I say about Clayton whoo i have been waiting for his story since i read Whispered promises and it was so worth the wait cause him and Syneda killed it. if u love Brenda jackson books then you wont regret reading this one once you pick it up you wont put it down until you are finished i guarantee it.

I absolutely loved this book...Clayton had my attention right away. I mean this book was so real and steamy that I could not put it down. Clayton sounds so scrumptious and then his character is so determined and bold...I love it!!!! I would recommend this book to anyone because there was never a dull moment and the surprises at the end I would have never guessed, I thought I had the mystery figured out but boy was I wrong. I love Clayton and Syneda...I can't wait to read the rest of the Madaris stories since I see that I read them out of order.

I love the Madaris Family. It is about strong black men who know how to love, cherish and take care of their black women.

Clayton is my favorite Madaris brother. He is good looking, fine, funny and smart. His and Syneda relationship moves from friendship to the bedroom and the fire works begin. It took one woman who would give him the challenge he needed to turn him from his womanizing ways. When you met your match, there's no denying. Loved this book, loved this man and I love Brenda Jackson! You go girl! I can't wait to read One Special Moment.

I really enjoyed Clayton and Syneda's story. They were both full of fire and it was hot reading about how they melted together.Whispered Promises (Arabesque)

I don't think any book creates the inner tension like this one. This and Brothers Karamzov are must reads of FD.

The protagonist (Raskolnikov) is a highly intelligent, young man of 23 (although broke). He has a philosophy that there are two types of people in the world: the ordinary, and the exceptional. The exceptional consisting of those with high intelligence or outstanding abilities, and when necessary, to better help humanity, these people are above the law. To test his theory he murders a mean, selfish, and rich old lady.

The reader should expect more than the above summary. The story is intricate, and there is meaning behind each character. Otherwise, the reader, may find the book boring and confusing.

A book you'll either love or hate.

Crime and Punishment is, without a shadow of a doubt, the greatest novel ever written. I first read this masterpiece of fiction and philosophy at the beginning of my senior year in high school (August 22) and finally got to its end with tears falling from my eyes on the night of December 23, 2005.

Not since finishing On the Road can I say that I have read a better novel.

It was like a pathetic escape from life when I followed all of these facinating characters around Dostoevsky's St. Petersburg.

Without a doubt, my favorite part of the book was at the beginning when Raskolnikov wandered into a bar and met Marmeladov, the hopeless, yet loveble drunk who is kind of the Micawber of the story if we may compare this monumental work of fiction with an obviously inferior one. Marmeladov just gives Raskolnikov his life story and talkes about his alcohol addiction and how it harms his wife and children. What really struck me the first time I read that part was Marmeladov's eloquence in saying how much he was ashamed of himself and sorry for putting his family through such pain. Then he says that meek ones like him on the last day shall be redeemed.

What we have at that part is the most beautiful part in world literature. It hit a bullseye with me and this simple scene of the drunkard's dignity is just the welcome Dostoevsky gives the reader. I love the friendship between Marmeladov and Raskolnikov and the depth of the character of Raskolnikov is simply astounding. It is just the epoch of psychological characterization.

The philosophy Marmeladov lays down to Raskolnikov at the beginning, salvation, redemption through suffering is very powerful (and true). We all have a cross to bear, especially Dostoevsky when he was writing this incredible work of fiction. It makes one romantically picture the great prophet slaving over this masterpiece with only a candle to light his writing in that beautiful language of Russian and finally finishing it and probably using the first pay to gamble.

I love you friend Fyodor Mikhailovich
and I love your novel.

I hath spoken to my friend...ECCE HOMO.

What can I say that hasn't been said already?
This is probably the best fictional study of the effects of guilt and radical ideas on a troubled mind. The prose is flowing, and it's not hard to see why Dostoevsky considered his novels "poems".
Dostoevsky's works in general are marred by a flaw I prefer to ignore as much as I can, and in this novel it is hardly present. Dostoesky's politics are odious, his nationalism, anti-Semitism, and anti-Polish sentiments absolutely ruined a section of The Brothers Karamazov for me and in The Gambler I felt their effect dramatically. They only crop up once in Crime and Punishment, that is when (plot spoiler coming soon) Svidrigailov is about to shoot himself, when Dostoevsky describes the Jewish guard as having "that sour look common to all members of that tribe", or something very close to those words.
All in all, I feel that Dostoevsky's politics can be excused, and prefer to focus on the positive attributes of his writing. There are many, and it isn't difficult.

I absolutely loved reading this book. Unfortunately, most people are forced to read it in college, skim it because it is so long (550 pages of text), and, therefore, never get a chance to appreciate Dostoevsky's genius, which lies in his description of characters and what drives them. Dostoevsky's reputation for writing depressing books just isn't relevant here. Suspense and reveling in his insight into his characters dominates. Despite the book being over 150 years old, you feel like the book could have been written yesterday.

Just a note of interest, Woody Allen's excellent movie Match Point (2006) takes a huge amount of thematic material and action from Crime and Punishment, and some particularly memorable sections are taken down to the smallest details. The main character in the movie is pictured several times reading this book, so Allen definitely wanted us to know something was up, and as I started reading, I just smiled and smiled, knowing that Woody Allen was rewarding me for following his not so subtle hint. When the movie came out I had just discovered Dostoevsky and was reading The Brothers Karamazov. Talk about chance!

I would also highly recommend the Pevear and Volokhonsky translation, because it definitely does make a difference.

This was my first introduction to this writer. Though this book was a little rough...grammatically and style wise, the content was very good. And as I continue on reading her work, she gets better. Five stars for effort!

This was a great story. It's set up like a soap opera. Many twists and even more turns and surprises. If you like a great saga/soap opera you'll love this. And even if you don't, you just might get hooked. The character's reach they're lowest as well as they're highes in this story, they have relationships that interweave and tangle. It's a dance, a never ending dancing cycle. You start reading and you're in a whole other world that will shock, surprise, instill fear, and make you laugh and cry. It's grea and I loved it.
I hope all of you do as well. It's a story unlike any other, your not to meant to expect what they say you're supposed to. It' not like the fluffy harlequins or silhouettes, it's way more.
Enjoy!!!

I just knew the writer could do better. I read the original version of this story and it was good, but this is fantastic. So much richer and fuller. I'm hooked.

I'm so bad, I read the online version of this book while at work. During breaks and lunch, etc. It was great. It's written like a soap opera and I just loved it. You love the people, you hate the people. Jimmy, Eljen and all the rest are just so captivating. So many twists and turns I never wanted it to end. I cried and laughed. I really enjoyed the way the writer transitioned from the 50's up to the now. It was neat watching them grow as people. My friends and I talk about the characters like they are real. I can't wait to finish the new book. I think it's going to be a tear jerker, it's heading that way. Like I didn't cry enough reading Majestic Secret. But I got some good laughs too. Like I said, the whole ride. This book gave me the whole ride!

With a name like Majestic, what's a girl to do but to dream big dreams and have itchy feet? With a name like Majestic, how can you NOT want to be a star or want the world as your oyster? With a name like Majestic, how can you not love with your whole heart and soul? Majestic was those things and more. And she was only fourteen. How can a fourteen year old girl, fresh from the county, impact so many lives in so many ways? Well, I guess you'll have to read the book to find out. This book had so many plot twists and turns, it had you barely hanging on the edge of your seat. Like Betty Davis once said, "you better strap yourself in...it's going to be a bumpy ride!"

Majestic Secret is about a young lady, a child really, who wants to grow up too fast and learn too much too soon. When she runs away from home to follow a man she thought she was in love with, a white man at that, she soon finds that it is not him her heart has been searching for, but his son. From the minute they set eyes on each other, theirs lives are changed forever. However, Eljen has no idea how young Majectic really is, especially after she lies and claims to be older. With a beautiful face and bangin' body, he never stops to consider that her story has more holes in it than a piece of swiss cheese. However, in an effort to save Eljen from himself, she ends up telling the ultimate lie that tears them apart. Majestic may have been out of Eljen's life, but never his mind or his heart. They had been each other's destiny. He learns this to be true when Majestic's Secret is finally revealed.

Along the way there are colorful characters like Jimmy Smith, Majorie, Mary and Judith, all with secrets of their own.

Michell McGriff has written an outstanding novel with many well thought out, richly developed characters. This read will hold your attention from the first page to the end. I literally did not want it to end. There are some wonderful jaw-dropping surpises and zingers too!! Thankfully, there is a follow up to this book called "Rested Memories." I look forward to finding out what happens to all of the characters I came to love, hate, laugh and cry with! Michelle, you have one hell of a book here! Keep up the good work. This is a book I HIGHLY recommend to anyone to read, whether you like romance, mystery or just an all around GOOD book!

Delicious recipes, humor, and insightful remembrances are just a few of the components that have made this book a top-seller for more than 5 years now! The "Hushpeoples" are terrific... "Hushpuppies so hot they hush peoples too." The "Fleur de Lis Chicken" & the "Pasta St. Pierre" are two more outstanding offerings in this celebrated and mouthwatering collection. I first discovered this title when it was featured in Cooking Light Magazine for a Crawfish Story, that included some of the Cajun Recipes from "Jambalaya," there was also a great review in the San Francisco Chronicle a few months back. And what a bargain too! At this price you can have all of the famous flavors and local color of South Louisiana without breaking the proverbial bank!

You get a lot in this little book. Dozens of great recipes that include the essentials you likely are looking for as well as some creative recipes you won't get anywhere like his pasta st, pierre. In addition we get nice commentary, a bit of wisdom and some great poetry.

What runs through this book most of all is passion. This guy is passionate about his culture and his food! He is not just sharing recipes but a piece of himself and always with good humor.

He provides a great dry spice recipe that beats emeril's and is used often here and his shrimp creole that proclaims to be the "best ever" probably is!

The title is correct for gumbo and jambalaya are the heart of this book but instead of the typical gumbo-jambalaya recipes you may already own there are some you definitely don't own. Try the beef gumbo cooked in red cabernet. Out of this world..

The Pasta St. Pierre on page 28 is worth the price of the book, by itself. And the author suggest you throw in some candlelight and a good bottle of wine. Another recipe that was outstanding is the Hushpeoples, on page 94 (hushpuppies so hot they hush people too)We also really enjoyed the Coonass Cornbread!

The White Bean Creole Soup is good and so is the Mud Bug Salad. Nice collection!

I laughed out loud at a lot of the commentary in this book. One really funny example is the recipe on page 110 "Hotter Than Hell Sabbath Dip" (From a drag queen in New Orleans who claims to be the original Creole Lady Marmalade) Very campy, very southern, other recipes make reference to Tennessee William's "A Streetcar Named Desire" and there are so many with that distinctly New Orleans flair. This book shows the city and its cuisine from a new, refreshing angle and not the same old boring "BAM!"

Just one read of Peter Miller's book, "Author! Screenwriter!" will broaden your horizen of writing possibilities. Don't just think screenplay, but consider formating that same story idea into a novel as well. And when you consider the odds, 100,000 to 200,000 books published per year, as compared to only some 1,000 stories produced for all of the Network Television, Motion Picture, Cable and DVD industries, Mr. Miller argues an interesting point. With over 30 years experience managing and producing writers, he gives insights into the industry that few others have even touched upon.

Definitely worth any writer's time and money. But regardless of one's writing goals, this book gives that big push every writer needs to encourage perfection and perseverance.

If you're serious about realizing your potential as a writer, this is the book you buy. Having successfully managed hundreds of books, Peter Miller truly is "The Literary Lion", and Author! Screenwriter! has left a huge impact on me as a professional writer.

Need an inside guide on how to write the perfect proposal or understand the delicacies of contracts? He's got you covered. Or maybe you really would like to take a look at some sample inquiries, be inspired by some success stories, have a better understanding of the do's and don'ts in a profession where millions of writers compete for the interest of professionals in the industry. Trust me, if you read this book it will never be far from your hands. Buy Author! Screenwriter! and you'll go back again and again to Mr. Miller's wellspring of experience and insight.

If you're like me, you want to be armed with the truth as a writer, and Peter Miller delivers. Read it, cloak your talent in its wisdom, and move forward. You'll agree that it's more than a book.

It may well be the key to your future.

The book is a must-have for a writer's bookshelf. But a companion DVD is also available with practical and pointed interviews that is well-worth seeking out.

Peter Miller's Author!Screenwriter! is direct and to the point, so I shall be also. This beautifully organized exposition provided me with more insight into the Book and Film industry than I have found in any other source. I could write much more, applauding the great chapters on the mysteries of film deals and the most helpful examples of project proposals in many genres -- but the bottom line is simple Author!Screenwriter! is definitive, the most helpful book on the subject.

I purchased Peter Miller's book at the recommendation of a colleague who knew I was in the process of writing a book proposal. Peter's book and DVD provide the reader/viewer with such clarity and direction. Peter provides wisdom and insights for the experienced and the novice writer in how to maneuver their way through the challenges, obstacles, politics and subtelties of the publishing industry. By the time you are finished reading his book and viewing his DVD you have a very clear picture of what lies ahead - no rose colored glasses, advice for the dedicated writer; you are clearer than you ever imagined you could be about what lies ahead. Buy this book if you are serious about our writing career.

Very inspiring. It really helped me finish my book, "My Vow of Silence - the roughest 3 minutes of my life"...

Great for writer's block. Read one essay per day and call me in the morning.

[...]

Sometimes this series seems wussy but this particular book is absolutely great. You get to read about authors during their struggling years and times of doubt, and, it's all across the board in writer types.

Enjoy.

I'm going to admit it. I love the books in the series CHICKEN SOUP FOR THE SOUL. I became an addict almost from the beginning. I even remember the first time I read a story in one of the volumes. I was having a terrible day, and all I wanted to do was complain, but no one was listening. It was suggested I sit back, relax, and enjoy a fire roaring in a fireplace. I grabbed the first volume in the series, the only one available at the time, and read a story at random. It was about a little boy battling cancer who dreamed of being a firefighter. I read the first paragraph, figured it was going to be sappy, and if it was too gooey, I'd throw the book in the fireplace as kindling. Well, that's not what happened. The child did not survive, but the local firefighters made his frame come true and as I read, I became emotionally involved in the story, almost feeling as if the kid was my own son. But it did more than just make me realize I was getting a bit to cynical in my not so old age, it reminded me of what writing can do for a reader: make a connection to a person's heart in a way no other medium can. Over the years the books in this series have made me take a few moments to reflect, appreciate life, and see the good that is out there even if we don't always realize it. No, not every story moves me, but I do believe that every story in the series moves at least one reader, and if writers claim to be pouring out their heart and soul on the page, isn't this the point? In some ways I have this series to thank for reminding me of my dream to write something that will be published. As I read many of the stories in this series, it reminded me that we may all have a story to tell, but writers take that story one step further and put it on paper.

Now, while I love the books in the series, I wondered if CHICKEN SOUP FOR THE WRITER'S SOUL would have enough of an edge. I guess I believe books on writing should be challenging in order to be credible. I've read the books on writing theory by people such as Eudora Welty, John Gardiner, Anne Lamott, and Brenda Ueland as well as the "you can write a best selling novel in thirty seconds" type of books. Of course I read the former as an artist, but the latter for research purposes. The main character in my novel in progress is a popular writer so I need to know how popular writers write, right? Right. I wondered if the CHICKEN SOUP volume would have the critical push I need, or whether it would be enjoyable stories without a bite, so I avoided the book. Then I remembered something. Jack Canfield and Mark Victor Hansen are two of publishing's most successful writers/editors, and the first volume was rejected by publishing houses that thought the idea would never succeed. I'm willing to bet they regret rejecting Canfield and Hansen now, but it also reminded me, these two people know the ins and outs of writing and publishing, and they may know what writers need to read.

Obviously I purchased this volume, and I've read it as I do most of the books in this series. I look for a story that interests me and read it. Usually I take something with me. This volume shows the variety of people who take words and put them together in an attempt to find meaning. Some of the writers with stories in this volume include esteemed authors such as Ernest J. Gaines, best selling writers such as Clive Cussler, and writers from the world of entertainment such as Garry Marshall and Art Linkletter. Most of the stories are written by lesser known names that may not have the notoriety but have the same desire to put words to paper.

I'll admit, most of the stories in this book I use in teaching, usually when teaching junior high students about the importance of pursuing dreams or having confidence in one's abilities. Yet as I teach these lessons and remember where the stories come from, I am reminded of my own desire to write, and since that's the purpose of the book., it succeeds.

This notable volume of "Chicken Soup" consists of eighty stories within ten chapters to thoroughly inspire and give voice to the value of writing, whether for profit and as a career or for the sheer joy in the outlet of creative expression.

Each true-life story was written by a professional writer within some genre of the field, and I found myself turning the page to find any familiar to me. Regardless of familiarity of name, each story will inspire, even if you have no inclination to write. And if you do write, you will find helpful tips, comradeship and motivation along with the encouragement.

As with all books of the Chicken Soup series, this one can easily be book-marked and read at leisure. I enjoyed every page and every story.

This is a collection of approximately 80 stories from various writers, some famous, some not. The stories are personal anecdotes of the obstacles faced in becoming a writer. Most of the stories seem to have a hardship story to tell, for example, overcoming poverty or illness. My favorite story was from the Christmas Box author, telling how he wrote and self-published the book.

If you are looking for writing instruction, this is not what you want. However, if you need to be reminded that many other people who have aspired to become succesful writers have faced and overcome overwhelming odds, then you will enjoy this book. I recommend this book to any aspiring writer who is currently feeling discouraged from rejection or self-doubt.

Vera Brittain (1893-1970) was raised as the daughter of a mill owner in the north of England. She was an intellectual who dreamed of majoring in English Literature at Oxford University's Somerville College for Women. In the post-World War I period Vera would return to Oxford taking a second in History and later winning a Master's degree.
The first third of this book deals with Vera's autobiographical description of her raising in a conservative Edwardian home. She was close to her brother Edward; fell in love with poet Roland Leighton and enjoyed poetry. She and her generation were not ready for the horrific reality of the war which would kill over 10 million people.
During the war Vera temporarily dropped out of Oxford to serve as a
V.A.D. (a volunteer nurse). She would serve in London, Malta and France.
She would minster to German Prisoners of War as well as serving with distinction. Vera's beloved Roland was killed in battle as was her brother Edward who fell in the last summer of the war. Vera was seared by these overwhelming tragedies. And yet she went on with her life serving with bravery.
As the war ended she returned to Oxford becoming a feminist and pacifist. She lectured all over England on behalf of the League of Nations Union. Vera married a World War I veteran who became an academic.
Vera would write over 25 books becoming a beloved and popular author in her native England.
This is a long book over 600 densely printed pages. It is also one of the best books about non-combat, civilian life ever written about the war. Many of the scenes in which Vera is serving as a nurse are graphic and touch the human heart with the sadness and tragic loss of a bright generation of young Europeans. This book has become a modern classic which should be required reading in any course on World War I. Several years ago it was broadcast in a miniseries by BBC appearing on Masterpiece Theatre on PBS. This is a book which will remain lodged in your memory. Do your self a favor and purchase a copy soon!

I clearly am in a minority here but I did not like this book. A peer of other notable young British writers like Robert Graves and Wilfred Owen, Britton's book stands out among the male writers of the period as giving a woman's view of the war. The problem, at least for me, is that Britton is so over come with bitterness that she flogs the reader with it from the start.

An early feminist Britton had strong views and supported her male friends and family going off to the First World War but as they fell to the german guns she, like many of her generation, became disillusioned. This is understandable but in writing her book, Britton cannot set aside her bitterness and it makes the reading ponderous and heavy. For example noting a fete in her early childhood and the bunting and flags put out she says "If only I knew then it was all meaningless." we are taken from a little girl's views to a bitter adult in the blink of an eye and it just gets too much.

By comparrison the autobiography of Robert Graves, Goodby to All That, starts out with the childish illusions being enjoyed as a child and slowly the bitterness slips into the writer's world view as he matures and is exposed to the horrors of the war. this is far more subtle and easier to read, meaning you are guided to the ponit he wants you to reach, instead of trying to bludgeon you into the mindset as Britton does.

This is a fascinating, insightful book that it would behoove many of us modern folk to read. Learn about the harder times of the past, while sipping latte in a comfy chair. You'll be thankful for today's comforts -- and today's modern attitudes towards the capabilities and intelligence of women -- after you read what it was like for one woman early in the 20th century. Simply a great book.

The word "classic" gets thrown around a lot these days. Many so-called "modern classics" are not that important, but "Testament of Youth" deserves this reprint as a Penguin Classic. Brittain tells of her early life in the north of England between 1893 and the start of World War I in 1914 in beautifully clear prose, and her clarity of thought and powers of observation make the bulk of the book, dealing with the war's impact on her, painfully vivid without ever lapsing into self-pity. Like too many others of her generation (and the next and the next) Vera Brittain learned almost unimaginable lessons about life and her own inner strength. To that extent, "Testament of Youth" can serve as both example and inspiration.

Vera Brittain came from an upper-middle-class background shared by millions of young women in late Victorian England. One thing that made her different was her great intellectual curiosity and determination to escape a truly suffocating existence that few of today's Western women can easily imagine. What made her like most citizens of the time (and of later times)was her complete ignorance of the meaning of "war." Patriotism, her social conscience, and a desire to take part in the bigger world led her to volunteer as a nursing sister with the British Army. Her grueling hospital experiences were a revelation to her. Her personal losses are even more powerfully revealing of the human condition. Brittain was a "survivor" in every sense of the word.

"Testament of Youth" is just as fresh and moving today as it was when it was written 75 years ago and Vera Brittain tells a story that must be told and retold to each generation. For every reader who finds the book "too long" by current standards (its almost 700 pages), there will be two who wish they could follow the author even further. But even if you find yourself skipping ahead, particularly in the early part, you will not be able to forget Vera Brittain or her story. "Testament of Youth" is one of the great autobiographies of the past 100 years.

Vera Brittain enrolled in Summerville College, Oxford, in a time before degrees were granted to women. This was just before The First World War changed almost everything for almost everyone. When it was over, her best friends, her fiance and her brother had all been killed. She also personally witnessed the agony of thousands in the surgical wards where she worked as a volunteer nurse.

In response, she became a suffragette, a feminist and a liberal writer and lecturer. She sought to prevent such tragedy from reoccurring.

The answers to the political and social questions with which she struggled elude us still. But Vera Brittain's autobiographical account of her generation's trials, Testament of Youth, remains both a stunningly-honest portrait of a courageous young woman and a vivid chronicle of a time almost out of living memory. Through her words we see what we might have thought, felt and believed, had we been born into her era.