Writers Books

This is a wonderful case book for caregivers. Many different situations are included and the essays are thoughtful and well written. It's a must for all those involved in such cases, including health and psychological problems. I came away with many ideas to help in my own caregiving.

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The variety of emotions and experiences in this beautifully written and profoundly felt collection covered about 80% of my gifts and disasters during my 12 years of 24/7/365. It's wonderful when we can read that others share our sorrows and joys while putting careful and caring words and analysis to them. New Wave CareGivers are not your father's Buick anymore.

Most of us are amateurs in caring for ill people. As one reviewer wrote, the burden of doing so "is apt to descend upon us like a blow from fate, stunning and unforeseen. ... [Then] something cracks open -- a father or a friend gets cancer, a mother succumbs to Alzheimer's, a husband has a terrible accident, a child dies -- and what Virginia Woolf once called "extreme reality" floods in." Any one of us can find ourselves unexpectedly tested to the limits of our endurance.

In number terms, there are 30 million caretakers in this country, and of course at least 30 million patients. As our population ages, both numbers are sure to grow, and the number of patients will undoubted grow faster than the number of caretakers.

These 19 people have written honest accounts of their experiences. The essays will help anyone understand the possible tests to their own endurance: the blow may happen to you as a caretaker or as a patient -- in either event, it will help to be as prepared as you can be.

Caretakers in this book describe the burden as "a black hole of time and energy," a "Black Balloon," "our own little prison," "Planet Autism" and "this unfamiliar country with different weathers, different rules." The caretaker's love is often meaningless; "You and your love don't help me," Helen Schulman's father says. "How could this be? How could this endless reservoir of affection and attachment and respect that I felt for this man prove so powerless, so worthless?"

Dr. Jerome Groopman finds that when a friend is diagnosed for cancer, "for the first time in my career I had reached my limits as a treating physician... [Now I'm only a] physician once removed."

Many caretakers can't escape at all. Scot Sea, the father of a severely autistic 15-year-old girl, describes the daily routine as "just the same scene from the same interminable clip on the late show from hell". He has contempt for those "New Age pests, overdosed on media mythology," who tell him "that being the parent of an autistic child is a blessing." Nevertheless he continues to take care of his daughter.

Helen Schulman echoes the thought: "I think that people like to believe there is a reward in the end for caregiving. There were no rewards."

So does Ann Harleman: "MS is something that goes on happening .... Something huge and black that descends slowly and inexorably and surrounds you ... Bruce and I have christened it the Black Balloon. To anyone who sees me ... I seem to be in their world, the world of the well. Going about my work, going about my life. But, actually, I am inside the Black Balloon with Bruce."

Eleanor Cooney writes of reaching her limits: "I felt hard and mean and full of sorrow all at once, and it drove me truly mad. Drove me, in fact, to drink." She moves her mother into an assisted living center, who finds her too "high maintenance" for the staff to handle. With her mother back home, she asks" "What would you do? I'm still waiting for the answer."

Abigail Thomas cares for her brain damaged husband: "Sometimes I feel as if I'm trying to rescue a drowning man and I only have time to rise to the surface for one gasp of air before I go back down again. There is an exhilaration to it, a high born only partly of exhaustion, and I find myself almost frighteningly alive."

Ann Harleman writes that her marriage improved when her husband was moved to a nursing home: "I'm no longer his physical caregiver, I'm no longer implicated in his illness. ... Because our bodies don't connect, our hearts can."

There are essays here by Andrew Solomon, Amanda Fortini and Julia Glass discussing the patient's perspective: "the helplessness of surrendering to another, the paradox of both wanting attention and not." No one speaks for the patients who have no one to be their caretaker, an increasingly large group of people. And, you may find some essays weak, too light hearted or too New Age or even too self indulgent.

My personal advice: don't judge others too harshly. Sometimes the very best that someone can do is far below your own standards.

The one thing my life experience teaches, first as a seriously ill patient for a few months, later as a long term caregiver, is that each of us has to face these challenges, whether caretaker or patient in our own way. It is very easy to criticize how others face their challenges, but if this book does nothing else, it should convince the reader that there is no "right way".

Robert C. Ross 2008

"An Uncertain Inheritance" is a most wonderful book; I simply can't recommend it highly enough! It contains some of the most powerfully written short essays about taking care of very ill family members at their most vulnerable -- whether they be parents, children, dear friends or siblings.

I first read "An Uncertain Inheritance" several months ago, when I was sent a copy to review for my website, Honest Medicine. I loved it from the first page to the last. Among my favorite essays are those by Ann Hood ("In the Land of Little Girls"), Eleanor Cooney ("Death in Slow Motion"), Abigail Thomas ("The Day the World Split Open") and Susan Lehman ("Don't Worry. It's Not an Emergency"). But for me, the most touching true story of all was cartoonist Stan Mack's "The Elephant in the Room," abridged from his very tender book "Janet and Me," also available on Amazon.

I realize that, despite its uniformly excellent reviews, "An Uncertain Inheritance" probably won't be a best seller, because caregiving isn't a "sexy" topic. But it should be a best seller. As former First Lady Roselynn Carter has been quoted as saying, "You either are a caregiver, have been a caregiver or will be a caregiver." That's each and every one of us.

I hope that everyone who reads the wonderful reviews this book has received will buy it!

Julia Schopick
www.HonestMedicine.com

All of us at some point in our lives will need to confront the issues written about in this eloquent collection -- whether it's our parents, our spouses, our siblings, our friends, or even ourselves. The writers here tackle the subject with intimacy, poignancy, grace...and a great amount of courage.

There are stand-outs for me in this collection: the writer Helen Schulman asking her father, "We all love you, we still have fun together, we still can enjoy one another, does any of that help at all?" Her father's reply: "No, you and your love don't help me." As a daughter myself trying to tackle my mother's depression after my father's death, this line really resonated.

Then there's Eleanor Cooney's remarkable essay, "Death in Slow Motion", about her mother's descend into Altzheimer's disease and the toll it takes on her -- unflinchingly real, not at all flowery, straightforward and raw. Or Ann Hood's essay "In The Land of Little Girls", about the death of her five-year-old daughter...which broke my heart by the courage it took to go back to those emotions and write it so perfectly. And Amanda Fortini's "The Vital Role" about her own debilitating tropical illness and her symbiotic relationship with her caregiver: "a story that arose from a perfect confluence of needs: one person's desperate need to be cared for and another's equally urgent need to care."

I could go on and on about these gems, all focusing on the most elemental of needs -- connection, intimacy, loss, courage. This is an important book, and I recommend it wholeheartedly.

This was actually my first experience with Doris Lessing, tho I've heard of her for years. Her picture of the So. African experience was quite revealing but I got a little tired of the analysis of those who joined the communist movement. It seems that though she worked as an activist, she never really
'bought' the doctrine, to her credit. But she seems to have a need to over analyse the motives. It seems to me that most of the people were just trying to improve the social ills of the time and were taken in by the communist rhetoric. The writing was good enough to keep me reading even though I wasn't too happy with the her bohemian attitude; abandoning her children, taking successive lovers.... I respect her intellect but not her morals.
I am not inclined to look for the second installment.

Doris Lessing has led such an interesting life, and writing a diary all the time. She writes of a time completely foreign to me, living a history of the changes in Southern Afica. I find her autobiography a great read, and prefer it to her novels. Interesting and moving, and explains much about her!

This is a hard-hitting piece of autobiography. Lessing looks at her parents and their world of colonial mastery from the point of view of her younger, increasingly disenchanted self. Lessing was gathering steam in those years, to emerge as one of the prominent novelists of the post-war era. In this, the first of a two-volume autobiography, she is beginning to grow critical of her parents, colonialism, white supremacy, men - her husband in particular - and just beginning to flirt for a short time with the great experiment in group-think of the period known as Communism. She falls for it for a time, but not for long. It will take her a while, but she finally emerges along with George Orwell as the most articulate critic of this mindless, toxic form of self-imposed mental slavery. She writes of her fellow-traveling, communist-sympathizing friends as silly people, which strikes me as as good a way to think of them as any. Lessing provides, along with her political autobiography, a lovely evocation of Africa, the landscape and people, about whom she wrote as a young novelist and to whom she has continued to refer throughout her long and continuing career as a writer.

This is a candid autobiography with as main themes love, sex (good sex, as Doris Lessing calls it, is a right for everybody) and politics in South-Rhodesia (now Zimbabwe) ruled by a blank minority.
It is a gripping, moving and realistic picture, wherein the author tries to find answers to personal and more general human questions: why was she so outspoken rebellious and, on the contrary, so strictly loyal to the communist movement?
Why are people fighting relentlessly each other, and on the other hand, striving for happiness?
Are the people of her generation all children of World War I? Why was her father a freemason?

This book is written like an irresistible waterfall. Not to be missed.

Under My Skin

Doris Lessing's autobiography traces her political and emotional development from her earliest childhood memories to her growing, overwhelming, disenchantment with provincial (as she saw it) small town life. "Small town" life for her was pre-WWII Salisbury in the (then) British colony of Southern Rhodesia. Salisbury was a complacent capital city of 10,000 white settlers in a country the size of Spain.
Lessing is quick to debunk the myth of the prosperous, close knit, white farming community - poverty was a real fact of life both for blacks and whites. Her most vivid childhood memories are of escaping from the family home and off into the limitless veld. The emptiness of the veld parallels her youthful emptiness and her growing convictions that the communist party represents a real hope for the world.
The book, a masterpiece of autobiographical writing, is brutally honest in parts and wilfully obscure in others. Some of her emotional mistakes are hardly glanced at (leaving her first two children, for example) but others (the joys of being part of a fast, hard drinking sect, embracing radical politics) are wonderfully engaging. Reading her thoughts you could be forgiven for thinking that the "party" was the only opposition to conservative white rule in Salisbury. This is what makes her book so appealing, her supreme skill as a novelist allowing us to enter the heady world of rushed meetings, leftist newspaper deliveries, drinks on the sports club verandah and back in time to find the cook still waiting to prepare supper. Naturally it couldn't last and Lessing is far too intelligent to think that that is all there is to life. The book ends in 1949 as she arrives in London, apprehensive and hopeful in the capital city of her parents.
This is more than a `who-did-what' from a long time ago, times and dates are (probably deliberately) rarely mentioned. It is the personalities and the ideas - most of all the ideas - sliding from youthful enthusiasm to mature realism which fuse the book with life and vitality. `Under My Skin', published in 1992, is that rare thing, a candid autobiography written by a consummate novelist with skills to spare. Doris Lessing is a national treasure.

Fond childhood memories came to mind when reading "With the Stroke of the Pen." The story line was so beautiful I stayed up till the wee hours of the morning so I could finish it. Her descriptions of the period truly took me home to my parent's small town restaurant which included a soda fountain and where the school kids came for lunch and after school. I although I was under 6 years old at the time, I vividly remember "Senior Day" when all the graduates got a free treat. Can you imagine ice cream sodas being $.20, sundaes were $.25 and bananna splits were a real luxury costing $.35!!

This is the only book I've ever wanted to keep. It will be placed with special keepsakes for my grandchildren with the notation, "This book gives a great description what life was like when Oma was a child."

Our book club read With a Stroke of the Pen for our June meeting. We were honored to have Kimbra Leigh and her editor, Neil Wiseman, as our guests to discuss the book.. What a thrill for us..Telling her how we related to the book, as well as being able to ask questions of her, was a great experience...We highly recommend this book and are looking forward to her next novel.
The Blue Stockings Book Club

Kimbra Leigh's book strays from my preferred reading genre, but after a couple of chapters I found it very difficult to put this novel down. Perhaps that's why I so thoroughly enjoyed it, because it wasn't the same-old same-old; rather, it was a pleasent departure from my normalcy. Reading "With A Stroke of the Pen" I found myself recalling the simpler, happier days of my own [recent] youth, and I even sent an autographed copy as a gift to an ex-girlfriend who I still love as dearly now as I did when I held her close.

Hopefully we won't be kept waiting long for more from Kimbra Leigh!

I highly recommend this unique and spellbinding book to any who have loved...

I read this book in only a couple of days and when I reached the final pages nothing could have made me put it down! Truly a beautiful work by Kimbra Leigh...I'm anxiously awaiting her next novel and know for a fact that I won't be disappointed!! Thanks for everything Kim!

The book was great, I enjoyed every minute of it. I couldn't put it down, I was reading while eating dinner, washing clothes, and in between housework. It held my interest, wanting to know what was going to happen next with the storyline. I read romance novels all the time, some you start and it doesn't quite grab your interest and you put it down and maybe you will get back to it, this book as soon as I picked it up it grabbed my interest. I can't wait till her next book.

Let's face it. Most books about writing are b o r i n g. They usually range from dry to ... dry. I've often thought of this as a case of "physician, heal thyself." Ryan's ridiculously long title made me wonder if his book would land squarely in the middle of that dry pile. I was pleasantly surprised to be wrong: Ryan has a straightforward and practical approach to writing. In fact, he goes as far as to talk about writer's intuition, and dares to promote a straightforward writing approach, "Plan Then Write." This book talks about general corporate writing, but the information can be applied to other types of writing where we need to remember that every word we write, whether in team communication or in our work product, is an opportunity. This book is great for less experienced writers trying to find structure in a formless void. And it is perhaps equally valuable for experienced writers who are trying to call themselves back to the basics.

Another book about writing well? Who needs it, you ask? My answer is: Anyone who wants to write better. Those who want to be better writers must continually practice their skills. Sure, you could probably improve your style without this book, but why not learn a few more tricks of the trade? I especially enjoyed the rewrite examples ("Rewriting History" was particularly interesting). Expend a bit of energy reading and studying Ryan's book and then expect to write with a bit more ease. Someone once commented that even good writers need perpetual reassurance. "Write Up the Corporate Ladder" is that reassurance.

Clever title. Also, Ryan and his contributors really do reveal various techniques that will help anyone to "write with ease and get ahead." However, I think it would be a serious mistake to determine the value this book wholly on the basis of its relevance to career success. It offers more, far more than that. Ryan carefully organizes his material within three parts. In the first, he explains what he calls the "Plan Then Write Method"; next, he provides a series of interviews with ten successful business authors; finally, he provides a series of "views" from corporate executives. The "Plan Then Write Method" is explained step-by-step. Think of Ryan as a personal tutor who helps his reader to understand the importance of Subject, Audience, and Purpose. Basis stuff, yes, but presented with a crisp style and in sharp focus. (Would we expect less from an expert on effective writing?) He has chosen his collaborators well. More to the point, with uncommon skill, he elicits from them their most valuable advice concerning so-called "secrets" to effective writing. All agree with Ryan that the ultimate objective is successful communication.

Time Out. Within the classical tradition, there are four levels of discourse: Exposition which uses information to explain, reveal, "expose," etc.; Description which makes vivid with compelling details; Narration which tells a story with a plot or explains a process or sequence; and Argumentation which convinces with logic and/or evidence. The best writers of both fiction and non-fiction operate effectively on all four levels.

Here are a few brief excerpts from various interviews:

"The first thing I ask myself is: What do I want to focus on, what do I want to teach? I always try to break my subject into three or four main points, the most teachable concepts, because I don't think people can grasp more than that. The second question I ask is: How do I want to teach it? Do I want to write it like a regular book, a parable, a quotation book?" Ken Blanchard

"The act of writing is the process of clarifying thought. Not just for the reader, but for the writer....There needs to be momentum, and you have to create that; you have to set up the questions at the beginning. That's actually one of the fun things to think about, How am I going to get the reader to turn the page? Now we're on quest together!" Marcus Buckingham

"There are three steps to writing well in my opinion., regardless of what you are writing. Step one: how to end. Step two: where to begin. Step three: what to leave out. Also, I only write one draft that I keep changing until I don't believe it needs to be changed anymore. When I'm finished, there may not be a word left of what I originally wrote down." Roy Williams

Later in the interview, Williams shares what I consider to be especially valuable observations about effective writing:

"The most valuable tip that I can give anybody is: If you want to be a brilliant writer, truly a brilliant writer, then you need to read books of poetry. Poets are the most confident group of writers I know. Let me explain. The simple truth is that a poet is the only writer whose goal is to persuade and cause you to see things with different eyes, and to communicate that new perspective in a very brief, tight economy of words. Poets use unusual combinations of words in a very unpredictable way. Poets have the freedom to put together sentences and utterly break the rules of communication."

As I have attempted to indicate in this brief commentary, Ryan's book is really less about using effective writing to advance one's career (i.e. to climb the corporate ladder) than it is about effective thinking which is communicated through effective writing to achieve whatever results the writer may seek. All of the techniques which Ryan and his collaborators so carefully examine are but means by which to achieve that ultimate objective.

One final point: Ultimately, the effectiveness of communication with others depends almost entirely on how honestly one first communicates with one's self. In this context, I am reminded of Polonius' advice to son Laertes:

"This above all: To thine own self be true,
And it must follow as the night the day,
Thou canst not then be false to any man."

This book tells the two real secrets that create good business writing, rule of thumb and writer's intuition. It also shares a very special secret in all good writing, how to avoid the rule-burdened mechanics-based approach that ruins most writers before they begin.

Professionals everywhere should soon be singing the praises of the straight-forward, common sense advice imparted from the author and an impressive showing of well known writers and executives in Kevin Ryan's, Write Up the Corporate Ladder. Void of the antiquated, worn out writing adage we've had our fill of-it's a fresh look at what experts concur is one of the most essential skills in business today.

According to Ryan, an easily achievable and winning combination of confidence, commitment and focus takes the anticipatory (and sometimes painful) pressure off of writing performance in an era of increasing volubility.

From Waterloo to the space race to modern day memos, Ryan presents a number of well excerpted communication examples to reinforce key concepts and keep readers interested and engaged. His reader-friendly style is sure to put even the most timid writing protégé at ease.

Cleverly, Ryan begins by justifying the importance of clear and effective business writing (in case you still had any doubt!) Then, after a step by step introduction to the Plan Then Write method of composition, we're reminded by the expert interviewees once again just how valuable good writing skills are in today's competitive marketplace.

As a writer and editor, I mightily concur that the Plan Then Write method does indeed produce great results and Ryan's helpful instruction is among the best I've read in this area.

My favorite chapter? Definitely chapter 5. The Art of Writing: How to Solve Problems Using Your Writer's Intuition, in which Ryan explains that, "We all have a writer's intuition. It consists of our innate logic, common sense, and everything we've internalized about writing and reading after doing both-almost daily-since the age of five." If you "get" this concept, you're well on your way to becoming a better writer and will most certainly gain an impressive advantage over those around you who don't!

Robin Hendricks, M.Ad.Ed.
Managing Editor

Medical Education Broadcast Network

A great resource for the starting writer and an even better way to know what publishers and literary agents are out there. This along with the novel and short story market book are sure to help you get published.

These books are my annual present for loving to write. Each is filled to brimming with articles and publishers that real people need. Always a wonderful buy, always worth every cent.

I first saw THE WRITER'S HANDBOOK sometime in the mid-1970s. I was already aware of (and owned) WRITER'S MARKET, but as always and still, I craved more market information. I found it in THE WRITER'S HANDBOOK.

What's the difference between the two? Oh, where to begin ... THE WRITER'S HANDBOOK has the nice feature of listing items in multiple categories when appropriate. THE WRITER'S HANDBOOK and WRITER'S MARKET each contain listings the other doesn't. Some listings are more informational in one than the other. And of course the articles are different in each.

And, if nothing else, when I cannot turn up a listing that turns me on, or info I need in one market book, there's always the other.

The bottom line: I recommend THE WRITER'S HANDBOOK equally and concurrently with WM. Buy or borrow both!

If you were to use only two of the best writer's resources I would say that "The Writer's Market" and this book along with it as your main tools of marketing and refining your work. Why this book? This book contains about 60 articles of advice by the most successful writers in the business. Even for a beginner this may be the only book they'll use.

It's packed with useful information. It's gives the writer techniques, inspiration and advice. Some of these techniques are discussed how to find more time to write, creating memorable characters and revising your writing. It evens tells you specific wways to market your work, designing your website and writing for niche markets. As an added plus there are over 3000 listings of markets and resources including 2000 magazines in 45 categories ranging from performing arts and religion to adult literary to juvenile. Each one with descriptions and contact information. There's 600 book publishers, plus organizations and a glossary. This is one source that will be referred to many times over. I know I have. This is one of the best writer's resource book you can get. I'm sure this is to be updated in 2003.

This is a veeeery long book, but it's most definitely worth it for any writer, and I recommend purchasing it on an annual basis. Before I decided on a market guide for the writing craft, I compared this book to "Writer's Market", by the editors of Writer's Digest magazine; and I must say that I love their bookclub, but "The Writer's Handbook 2003" is the guide that I picked up for me. Nowadays, competitiveness is everywhere, and in a market so vast and varied as the one for the writing craft, one needs a guide that feels also like a close friend. Thank God I found it in this big book (my copy is full of colored flags sticking out of it, marking my choices for submission, conferences I'd like to attend, etc).

The first part includes selected articles that at some point or another have been previously published throughout the year in "The Writer" magazine. Everything from inspirational ideas, to legal advice on copyright and selling your material through the different magazines and agents, advice for poets, etc. There is also an article on how to better set up your website, something that is no longer an option but a "must" as a promotional tool; plus conversations with famous authors. The different listings include non-fiction and fiction magazines, with as much information as possible on requirements, website, editor's name, etc.; book publishers, agents, arts councils and syndicates, writer's colonies and conferences, prizes and awards, drama and theater, TV and film producers; even greeting card publishers.

I recommend purchasing this guide on an annual basis or, at least bi-annually; if the price comes to be a bit too stiff for you. All the same, it can become your best friend.

David Burke's Writers in Paris: Literary Lives in the City of Light is simply perfect; not only does it present a treasure house of information (who knew it was Gargantua's tale that gave Paris its name?) but it's also written extremely well, with the scholarship balanced with wit and charm. I found so much in this book I had never known and timely connections between writers I had never guessed at. The joy of finding additional information about a particular writer popping up later in someone else's section gave Burke's book a rich sense of dovetailing detail. This book finally puts it all together for me, and I found great pleasure in reading it. Writers in Paris makes me exclaim: Euro be damned; I must get back to Paris!

This book is spectacular. It brings the writers alive in a Paris of the past but one that most travelers merely sense. The book is a must read for those who want to feel and see how Paris complimented the writers' lives. The meticulous research coupled with wonderful photos make this a pure joy to read.
I think this book would be of interest to anyone who enjoys a literary tour of Paris whether they visit the City of Light or take an armchair tour.

Literary Paris comes alive on the pages of David Burke's new book, Writer's In Paris. A beautiful and comprehensive book about the writers who lived, loved and created in the City of Light.
David Burke navigates the Arrondissements of Paris as easily as a native Frenchman, taking us through
the haunts of the likes of Andre Gide, Proust , Jean-Paul Sartre as well as the expatriate writers who
called it home, such as Ernest Hemingway, James Joyce, F.Scott Fitzgerald and many others. Buy this
book and take it to Paris - you won't regret it!

As an aspiring writer, this book was motivating, enlightening, and just plain enjoyable to read. It brings to life the lives of writers in Paris with more than broad brush strokes. It tells their story with details that shows their human and creative sides. Its easy to read and the index allows me to find my favorite authors immediately, making it a great reference for researching writers in Paris. Bravo David Burke!

How many streets in the city you live are named after writers?

In Paris: more than 400.

David Burke seems to have walked them all.

And that's just for starters. He also seems to have read all the books by those writers, cross-referenced their friendships, and then figured out a clever way to summarize his knowledge in a modest 240 pages, with 125 photos along the way.

But then, David Burke --- a "60 Minutes" producer who moved to Paris for a year and simply forgot to leave --- is a lifelong reader and Francophile. As a kid in the `50s, he went to Pamplona not just for the running of the bulls, but "because that was where the climax of `The Sun Also Rises' takes place." Later, he tried to find Jean-Paul Sartre in Saint Germain-des-Prés.

Now he's divided the city he loves into three sensible zones --- the Left Bank, the Islands, and the Right Bank --- and slotted in the writers who lived and work there, working mostly chronologically, delivering the most salient stories about each. Like...

The Church of Saint-Julien-le Pauvre
It's the oldest church in town. When we're in Paris, we like to go to concerts there. I had forgotten that Ford Madox Ford took his mistress Jean Rhys there - or, in one of her novels, his alter-ego did.

39 rue Descartes
Verlaine died there. Hemingway rented the garret he'd occupied.

Rue Mouffetard
What's in a name? Mouffle means "stink", and "skinners, tanners and tripe butchers" set up shop along the river here. No surprise that young, unknown George Orwell lived here.

Deux Magots
James Baldwin was taken here directly on his arrival in Paris to meet Richard Wright.

Colette
I don't know that she got her break with her "Claudine" book three years after it was universally rejected. Then another book about schoolgirls was a hit, her husband showed her manuscript around again, et voila --- Colette had a best seller.

Hotel du Vieux Paris
They called it "the Beat hotel". Allen Ginsberg lived here. He produced 56 lines of "Kaddish", "weeping as the wrote them in Café Sélect."

Gertrude Stein's Picassos
I never knew that the Gestapo searched her apartment and decided the Picassos were "Jewish trash, good for burning." But they left them hanging.

Hours Press
And I didn't know about Nancy Cunard's poetry contest. A young writer heard about it on the last day, wrote 98 lines and stuffed them in an envelope. He won ten pounds. Samuel Beckett, aged 24. Of course.

Luxembourg Gardens
"Balzac circled the garden at night in his monk's cowl, candelabra in hand" --- another tidbit I didn't know.

Le Dome
The first big café. One night when Sinclair Lewis was boasting about one of his books on the terrase, someone shouted, "Sit down, you're just a best seller."

Rue de la Gaité
Henry Miller was "drawn to the erotic as a bear to honey." He loved the sex shops and vaudeville theatres here.

Georges Simenon
Colette advised him, "No literature. Suppress all the literature and it will go fine."

Jim Morrison
And I didn't know this: No one recognized his corpse, including "the man who came every day to keep the body packed in dry ice because of the city's heat wave."

Emile Zola
I had no idea he died of carbon monoxide poisoning. The police said it was an accident. Some evidence suggests he was murdered. A tantalizing incident, briefly told, that leaves you wanting more.

Proust
And I certainly didn't know he inherited the equivalent of $6 million, giving him $180,000 or so in today's money to live on each year.

And there's so much more, much of it exhilarating. But watch out --- you'll read with a pencil, you'll mark titles and writers, and before you know it, you'll have a stack so tall you might as well have bought a plane ticket.

This book is a 7 course meal for the eyes and mind! You will love the photographs of the rare Oz treasures, which are organized by decade.

This book is one of my favorite Oz reference books! John Fricke is truly the leading Oz expert!!

With Willard Carroll's Oz collection as a backdrop, John Fricke has cataloged the fabric of Frank Baum's stories of Oz. I am certain that Frank Baum could not have been aware this fabric would become a great tapestry upon which the world could identify what it meant to be human. Oz has permeated our society with its influence. It is found in our languages, our politics, human behavior, and is probably used more often as a simile than any other imagery in our language.

From the opening pages of this book to the last, the book is a compelling journey through Oz. The collection of Mr. Carroll's Oz memorabilia is so large that it is like trying to comprehend the distance between stars or that a few people actually have a billion dollars. This colligation of Oz collectibles somehow unites every civilization, geographic location, and human condition. It is one of the few things that have true universality.

After reading John Fricke's take on Oz, of course, based on Willard Carroll's collection, I am left wondering how history would be different were it not for Frank Baum's Oz?

The pictures are glorious, the layout intelligent and thoughtful-I will never see Oz in quite the same way again. John Fricke's writing is stellar. Willard Carroll's collection ---what can I say, WOW! 100 years of Oz is entertaining, educative and provides a new look at Frank Baum's Oz through the other end of the spyglass. This is a visit to a museum with a very knowledgeable guide through an unforgettable exhibit. Thanks for the tour. I'll be back again.

This book is a must for all collectors.

"100 Years of Oz" is a delight for everyone who has ever fallen in love with "The Wizard of Oz" (which includes just about everyone.) The success of the book lays in John Fricke's capabilities as a writer. His words are consise, thoughtful, and honest. The photographs, likewise, catch the eye like flashes of brilliant light. It is not easy to take one of America's most chershed series of books, its favorite film, and 100 years of mechandising and condense it all into one volume. Thankfully, Mr. Fricke has done that- impeccably. Buy this book today. I highly recommend it to everyone as an example of first class research. Above all, it is a time capsule of memories. Fricke will long be heralded as "Oz"'s best friend. Congratulations to all who made this book such a beautiful addition to my library.

Lions and tigers an bears? Oh my! Add Munchkins and Winged Monkeys and a Horse of a Different Color to the list. This is Oz Country, and things simply don't get better than this. To celebrate the centennial of the publication of L. Frank Baum's novel (and the 60th anniversary of the classic MGM flick), preeminent Oz historian John Fricke has written a glorious homage of all things fun and fantastical. Not only does the book offer a fascinating chronicle of the Ozian phenomenon, but the illustrations, culled from Willard Carroll's priceless collection of more than 10,000 museum-quality pieces, are breathtaking. Oh Auntie Em, there's no place like home . . . provided you're snuggled up in front a fire with this gem.

When I first saw this book years ago on "the Inernational Wizard of Oz Club", I wasn't really keen to get it (I guess the front cover looked a little too dull for me), but after seeing it in a bookstore and actually looking through it, I then knew I had to get this book, because (unlike the small "All Things Oz" collection), this book includes things OTHER than Baum's Book and MGM's Wizard, such as an unknown song from the 1904 Musical (not mentioned in "Oz: Before the Rainbow"), the Silent Films, 'Journey Back to Oz', 'The Wiz', both the Rankin Bass & Disney versions of 'Return to Oz', the 4 1987 CANADIAN-Animated Cinar Films (YES!! The mystery of their animation origin is written here!!), "the Wizard of Oz - Animated Series", "Oz Kids", the Asian "Space Adventures of Oz" TV series, "On Ice" Productions . . . it not only has all of this but also INCLUDES the most important and best of all, "The Dreamer of Oz"!! other language editions of the Oz books, and we also get a few 'Baum's Non-Oz' stuff, like his "Last Egyptian" Film and "Queen Zixi of Ix" book (plus a "Denslow's Picture Books for Children",) games/items/figurines, a few design sketches for MGM's Oz props/Emerald City and lots of other things that have to do with 'Oz' too - even though we don't get like 1-full page on info on every particular item, we still get some good information and lots of pictures too. Just like "All Things Oz", this book has lots of written information, pictures in the background/inserts and quotes from "the Wonderful Wizard of Oz" (and I'm glad to say that it doesn't have so many mistakes as "All Things Oz" does). But we also get a glimpse at some not-so pleasant Oz stuff, like the "Oz Comics for Adults" and a horrific Winged Monkey Creature Features model.
The Chapters of this book go by 10 Years (e.g. 1900's, 1910's, 1930's, 1940's, 1980's, 1990's, 2000's, etc.).
This was a pleasant surprise to find on a bookshelf (along with many other Oz books) and it was an absolute pleasure for me to buy it.
Also, what you see is a slip-on cover. The actual front cover is (an Italian poster of MGM's) Dorothy looking at the Crystal Ball and seeing the Wicked Witch of the West flying on her broomstick.
Trust me, get this book, and you'll love it - maybe even more than "All Things Oz"!

Novel and Short Story Writer's Market is an excellent resource for writers looking to expand their sales. Not only does it contain hundreds of markets, it also provides suggestions and writings from contemporary authors. It is a handy book for the new and experienced writers.
Anne Jones

You've created the perfect cast of characters. The most-compelling plot. Your novel or short story is absolutely solid.

Now what?

The "2002 Novel and Short Story Writer's Market" to the rescue.

This gateway to seeing your work in print identifies everything you need to know before you submit your manuscript - what editors are looking for, pay rates, how long you'll have to wait for a response, who to contact, even tips directly from the publisher. They're all covered in this 100 percent updated, annual guide to getting your fiction published.

But you could easily invest in this reference for the articles alone. Building believable worlds for science fiction writers, the business behind fiction writing and dissecting the short story are just some of the numerous articles included. And authors like John Updike, Joyce Carol Oates and Sue Grafton also share their experience on the writing life.

If you'd rather pursue an agent, flip to the literary agent section or search by genre represented. Choosing the electronic publishing route? Find out if it's right for you and learn how to evaluate your E-book options.

Achieving your publishing dreams begins here. Every opportunity imaginable is listed:

* Literary Magazines
* Small Circulation Magazines
* Zines
* Online Markets
* Consumer Magazines
* Publishing Houses
* Conferences
* Organizations

First-time novelists to prevously published authors rely on the Novel & Short Story Writer's Market year after year. If you're serious about getting published, the "2002 Novel and Short Story Writer's Market" is a vital tool for your writing career.

As a source book for the short story writer, this one is hard to beat. The advice, given by numerous authors, editors, publishers, etc. may be of value in encouraging the beginning writer, but doesn't mean much for those of us who have already suffered through the initial stages of the process.

This book has an extensive listing of magazines (general, specialized, and little), book publishers and agents. As a comprehensive listing of where to send your writing and what the markets are looking for, it is unparalled and for novice writers indespensible. Much of the rest of the content is just filler with a lot of personal stories about publishing or basic tips about writing and revising. I wish it had more about the 'business' of writing: how to format manuscripts, how to write cover letters, how to approach markets. For self-taught writers, I think this is more important than five page lessons on how to write. We'll have to make it on our own with our writing but we have no one to pass on the little 'do's and 'don't's of publishing.

An excellent tool for locating possible markets for your short stories, plus many extra helps such as how to write a cover letter, or query, how to present your manuscript, etc.
This book will not replace formal instruction, or hands on help from someone who knows the business, but if you are looking to break into print, you've already taken pains to learn the craft, and just don't know where to go next, this is a must have addition to your writer's "tool box".

This was given to me as a present. I had never heard of the book before, and indeed, when I told people about it, I always got strange looks. But the 52 capsules of people's lives--not all of them well-known but they're people you should know about--are fascinating. Some personal favorites are the guy who invented the U.S. zip code and the founder of an AIDS group in a small town.

An enjoyable collection of obituaries written my Robert McG. Thomas Jr. These short (2-3 page) obituaries will make you smile and wonder what would be written about yourself. Some of the people you will recognize, most you will not, but you'll gain an understanding and appreciation for their time on this planet.

Recommended

When this book was first recommended to me by a friend, I must admit I was a little put off. A book of obituaries? Now there's a fun read! Although I know there are "die-hard" obit enthusiasts out there, I certainly don't count myself among them. All of this is leading to the further admission that I ordered the book with some trepidation. I needn't have worried. This book is an absolute joy. To say that it is well-written would be an understatement of Homeric proportions as Mr. Thomas had a subtle way with words that hints at Twain (I know! I know! They're "just" obituaries, but this gentleman could turn a phrase with the best of them!). Far from being ghoulish or depressing, these 52 McGs are fascinating celebrations of everyday extraordinary lives. Most importantly, each humorous account is filled with such warmth and respect that you don't get the feeling you're snickering at some poor dead guy "behind his back". 52 McGs falls into the category of "little discoveries that you can't wait to share with other people." Heartily recommended as an addition to your library or as a gift to anyone that enjoys highly skilled writing.

Regular readers of The New York Times will have noticed that while the paper's style has a certain consistently, some of its writers stand out anyway. Robert McG. Thomas was one of those writers. He made his mark not with flash, but with grace, and he did it in the most unlikely place of all: the obituary pages. Thomas (who died in early 2000) had an eye for detail, and an amazing touch in telling not just a life story, but the story behind it. Many obit junkies picked up on and actively sought Thomas's obits between 1995 and 1999; one was Chris Calhoun, who has pulled together this excellent collection of 52 of McG's finest offerings. They aren't stories of the most famous figures who passed on during his tenure. Quite the opposite, these are often people you hadn't heard of, but who, thanks to Thomas's style, won't want to forget. He could be serious, and he could be funny. He's as good writing about the South Vietnamese officer who famously executed a Viet Cong prisoner on camera as he is with "The Goat Man." He's as insightful on the woman who helped create soap operas as he is on the Greenwich Village icon who created nothing but a hipster reputation. Every miniature profile here entertains and informs, as the cliché goes. This is a great little collection; one could only wish for more.

Read 52 MCGS: THE BEST OBITUARIES FROM LEGENDARY
NEW YORK TIMES WRITER ROBERT MCG. THOMAS, JR. . . . this
is a quirky, fascinating compilation of obituaries about unsung
heroes, eccentrics and underachievers . . . among the inclusions were Edward Lowe, the inventor of Kitty Litter ("Cat Owner's Best Friend"); Angelo Zuccotti, the bouncer at El Morocco ("Artist of the Velvet Rope"); and Kay Halle, a glamorous Cleveland department store heiress who received 64 marriage proposals ("An Intimate of Century's Giants").

Thomas never got to put these pieces into book form. He died, but a fan of his work decided that his work should live on . . . and I'm glad this was the case . . . Thomas had the gift of being able to find something worth writing about--regardless of the subject . . . my only regret is that all obituaries in loca papers aren't as interesting . .. but as long as I don't come across mine, I won't complain!

There were several memorable passages; among them:
[in an obituary about Francine Katzenbogen] Her neighbors were
not amused that she planned to house 20 cats in a converted
two-story garage she had refurbished at a cost of $100,000. The
luxurious cat complex included tile floors, climbing towers,
scratching posts, skylights and cozy, low-lying window ledges
where the cats could stretch out and watch the world outside
their air-conditioned lair.

Not content to recognize a Brooklyn accent, Mr. Berger drew
on his broader knowledge of American speech and history to
develop a theory of just how the signature "Toidy-told Street"
evolved. It was, he theorized, a result of the close commercial
connections with the pre-Civil War South in which upper-class
southern speech, primarily from New Orleans and Charleston,
SC, was imported and hammered down to a lower-class
Brooklyneese.

A man given to gross exaggeration when simple embellishment
would suffice, Mr. McCartney also claimed to have visited every

state except Hawaii: His goats couldn't swim that far, he
explained, and if they could, they'd just end up eating the grass skirts off the hula dancers anyway.

Told through the eyes of Anna, a thirty year old woman reflecting upon her life, Autumn Seclusion is a tale of coming to grips with one's hidden fears and blemishes. Anna's experience of rejection at home set her up for a succession of draining and abusive relationships. The one loving relationship she experienced was with a Native American from Upstate, New York; her family severed her ties at home, and she eventually left the United States entirely to reconstruct her life. A tale that encourages the reader to think long and hard about themselves and the ones they love, Autumn Seclusion is ultimately a tale of the meaning of forgiveness. Highly recommended.

A powerful book that can help women undergoing a crisis. Ferrell's writing is savory and deep. She paints a beautiful picture of the Carolina shores and Thailand. The work brings hope and healing to not just women but also men.

I read Ms. Ferrell's book, Autumn Seclusion, several months ago. The main character struggled with adolescence, failed romances and an abusive marraige. However, she found the strength to slow her life and really look at how she was living. Fortunately, she realized family's importance and her own self worth. She gave all of us hope that we too can overcome adversity.

I have a friend that went through a lot of the pressures that Ferrell's main character, Anna, went through. She had controlling parents that dictated how she was to live her life. This caused her to rebell just like Anna. She did not have a forbidden love like the character but she married an abusive spouse like Chad. I watched her go through fear and depression but unlike Anna, she did not escape. The novel may have given her hope and the strength to get out of the situation. The book touched me on so many levels because it does indeed bring hope and an interal healing. I have shared the book with my husband and he also loved the work because he saw how it brings peace to those with scares. I do highly recommend this novel. Pen name, Ann Thompson

A powerful work that searches deep inside a broken woman. Anna is a character that teaches lessons in inner forgiveness and personal responsiblity. She learns the importance of healing. Her story reaches out not just to woman but to people. The novel is about facing conflict. Whether Anna deals with the heatache of her parents conditional love or the fear of losing her true love, she finds the inner strength and courage inside herself. As well, she overcomes an abusive marriage and finds the true meaning of friendships and acceptance of others regardless of race, religion or any other factor.