Writers Books

I love Iyanla Vanzant and this book is better than it was twenty years ago

Tapping is really a HOW-TO manual of stimulating and maintaining that essence that we all have, no matter the tradition. The first time I read this book, I was searching but I wasn't ready. My faith walk did not embrace anything that did not look exactly like the pillars it taught. Isn't that ironic? In fact, I gave it away. Tapping is that powerful. My soul picked it off the shelf. If you are here reading the reviews, there is something in you that drew you to this book. I say LISTEN. This is a manual for powerful women to harness that power with a practice. I'm grateful for the re-release of Tapping at time and season where consciousness is transcending denominations and expanding ways of being. Iyanla was one of the only voice of my youth that spoke to this awareness when it wasn't popular. Iyanla spoke into me through her writing about the things that stirred in my spirit as a woman. Iyanla Vanzant through this first work can settle that which stirs in you. Don't be afraid. . . of your own power, Tap it! (LOL!)

ReBirth Int'l

This book is a powerful encouragement to us all, as the wonder-full women of life on earth open to our gifts and our charge to balance the patriarchal atmosphere that has prevailed [and failed] for so long.

Iyanla Vanzant is absolutely brilliant. Her power and wisdom continue to amaze and remind me of what Life and living is all about. The Yoruba rituals and traditions she offers in this book will definitely be added to my spiritual practices, particularly creating alters and blessing my head. I am humbled and encouraged by her courage to share her truth and remain committed to her vision. Not only is this book personally enlightening, it is necessary as I enter new phases of healing, self-awareness, and consciousness. This book is a must have.
Thank you Reverend, Doctor, Mama, Ms. Iyanla Vanzant for being my greatest teacher. You've done it again!

This book is a beautifully-written, honest, humble and insightful roadmap to self discovery, self-forgiveness, and self-empowerment. In this day and age of formulaic drivel, this author stands out as powerful, practical resource for living in vibrance. Ms. Vanzant shares deeply personal and often painful aspects of her past with the generous intention to heal the reader. Her sharp humor and poignancy make the read very easy. She gives specifics on how to connect with your power and making right choices, no vague greeting card nonsense here. Her style is easy to understand, and the wisdom and value is immediately apparent and accesible. She has that rare talent of making complex and subtle points seem effortless, clear and deceptively simple. This author is a true gem and the real deal. GET THIS BOOK NOW..don't let fear and procrastination talk you out of it. You CAN afford it. You are worth it. Invest in yourself and sow a seed into your life.

In the case of Jane Anne Staw's Unstuck, what matters most, is that the author has written the bible for writers who are blocked. I appreciate her lack of usage of the "B" word, but at the end of the day--Blocked is blocked and sometimes we all need a bit of fiber to get things moving! Make this gem a part of your writing resource library. You simply can't go wrong.

I've had a serious three year block and have tried desperately to get out of it. I had looked at several books about writer's block and all of them were feel-good garbage or throwaway 101 Tips to...

Staw's book is the best I found dealing with the subject. As one reviewer noted, it's difficult to even take time to read a self-help book, because you tend to feel that it's one more case of avoidance or procrastination and the hour it took to read could have been spent writing. But Staw has some salient, psychotherapy-based points about those feelings--guilt and avoidance. She emphasizes kindness to oneself instead of listening to the inner hypercritic, and while this might sound like feel-good nonsense, the way she writes about it makes sense and this technique pretty common in counseling. Her examples of patients experiencing writer's block range from mild to extreme--which made me feel better. This guide by no means got rid of my block, but in some ways it gave me (or allowed me to give myself) permission to write sloppily. There's no way I can write as well as I'd like to, certainly not while experiencing a block, and I feel that Staw really nails it when she points out how counterproductive this drive for perfection can be. I've since loosened up enough to start writing small things without caring so much about the outcome (these reviews for instance)--and it's been a pleasurable step in the right direction.

I'm using this book right now and it's a healing and compassionate book for writers. I was already writing again, but the book is helping me to go back and heal the gaps from decades ago when I quit writing. I hadn't realized that I needed to be healed as a writer. The need to write never went away even though I tried not to write. This book is helping me to understand many things. I can't say enough. It's a valuable book if you have ever felt hurt or discouraged as a writer. The author is perceptive and knows of what she speaks.

I am posting this review for a long-time friend and exceptional writer: "UNSTUCK offers us a mother lode of authorial insight, inspiration, and encouragement. Dr. Staw, the ultimate writer's empathist, speaks with the authority of an unblocked writer herself, making this handbook of discovery and recovery both an indispensable road map for overcoming writer's block and a trusty guide for avoiding its recurrence."

As a near-life-long collector of books on the art/craft of writing, I treasure them not just because of their professional wisdom but also because, well: they're so well written. I've placed UNSTUCK within the top part of that latter characteristic. Thank you for writing it. -- Larry W. Bryant

Unlike most books for writers, this one assumes that you are already a writer of some kind, and treats you intelligently and sympathetically, exploring the various fears that are common among writers and are at the root of writer's block, and ways to work through them. The book assumes that all writers have their own backgrounds, their own way of working, and their own individual quirks, so it does not prescribe a set program that everybody should follow. Instead, it talks about how to use your own personality and techniques to get you past the block and put your butt back in the chair.

Some of the examples seem pretty extreme. There are successful writers out there, apparently, who develop such a strong block that they have panic attacks when they sit down to write, or even just look at their computers. I figure if Dr. Staw's approach can help them, it can help me. I don't really fear writing (or do I? the book made me think about that), I just have trouble getting to it. Several times I read what she writes and thought, that's not me, then realized hours or even days later that the writers she describes aren't as different from me as I wanted to think they were. It gave me a lot of insight into the way I approach my writing, how I think about it, how I think of myself as a writer (a not-quite-real writer--there's a whole chapter about that).

The funny thing is, I realized early in the book that I was actually using the book as an avoidance technique to help justify not writing. After all, if I was reading about writer's block, then obviously I was doing something about it, so that's almost as good as writing. Of course, the best thing I could have done was put my butt in my chair and my fingers on the keyboard, even if only for a few minutes, rather than keeping my nose in a book. But I'm glad I read it anyway.

If you want to understand your writing mind, your fears about writing, how to get past that inner critic, and so on, the book is worth the time it takes to read it, and the time it takes to digest what you've read.

This book is brilliant - the layout, execution and even the sentence crafting make it easy for anyone to believe "I can do this!" I'll have to acknowledge the author when I'm accepting the Oscar - LOL.

This was both informative and useful. Cynthia's use of examples are few, but powerful and relevant. I have read both this book and Michael Chase Walker's Power Screenwriting: The 12 Stages of Story Development, and if you have to choose one, buy this one.

I'd like to say more, but I'd be repeating myself. Highly recommended.

This book is practical, easy, and very encouraging. Cynthia knows you can do it, and she wants you to try. She gives really solid advice, along with some insightful anecdotes. I've read a lot of screenwriting books and I highly recommend this one. It'll get you going!

I'm writing my first screenplay and found this book to be invaluable. Worth its weight in gold.

Top of the line. Easy to read and pleasant-toned in layman's terms. Organized and simple. Demonstrates the usefulness of 3x5 index cards for story-plotting. Tells you how to make good characters, scenes, dialogue, plot, etc. by demonstrating good and bad examples in movies that we are very familiar with. Simplifies the Three Act Movie formula by telling you how many minutes in the movie you should be starting your act and the significance of each act.

Additionally, the book demonstrates correct formatting for a screenplay, explains screenwriting terminology, explains the "& vs and" in writing credits. Explains certain dos and dont's with your script when presenting to a agent/producer. Whitcomb also tells how she started off as a preacher's daughter who was not allowed to watch TV and ended up becoming a successful screenwriter. She's a prime example of starting from square zero and proves you don't need to know someone in hollywood in order to make it big.

For all beginners--read this book first!

With this book, Judy Reeves secures her place as the best "writer about writing" we have. In this finely crafted work, as well as in her "A Writer's Book of Days," Ms. Reeves has single-handedly rescued thousands of writers from the fears and insecurities that can cripple even the most talented scribes. If you are serious about writing, wait no longer--BUY THIS BOOK, and write, write, write!

Judy Reeves' latest writer's helper is chock full of supportive hints, tremendous insights and guidelines to forming, participating and getting the most out of a writing group. In her clear, concise and genial manner, Ms. Reeves breaks down the "ins & outs" of what writing groups can offer to either neophyte or established writers. It is apparent that Ms. Reeves has garnered much understanding and is excited to share information on how to participate in a writing group-the pages and margins of this book are brimming with assignments, suggestions, prompts, quotes, checklists, everything a writer might need to get going. This book walks the reader/writer through scenarios and suggestions, offering advice of how to start or find an established group and what to do once you are there. She hits on some of the basics, like how to make time to write in our busy lives, to understanding the "Qualities of a Good Group, all the way to dealing with the dreaded "Bores, Whiners and Thugs." She's masterfully included a "how to" guide for the process of reading and critiquing other's people's work. Her "Guidelines for Writing Practice" are worth the cost of this book alone. As with her previous book, "A Writer's Book of Days," Judy Reeves goes for the bull's eye and gets it.

This is a great resource, whether you are trying to piece together your own writing group, deciding how to choose a group to join, or hoping to reinvigorate your current group. Ms. Reeves offers plenty of practical advice, with true-to-life examples. This is a great follow-up to her collection of writing prompts, A Writer's Book of Days, which I have used almost daily for the past four years!

As a lifetime lone writer, I owe Judy Reeves for pulling me-and other fellow writers-out of our caves. This review is not to undermine other books on the subject, for they all have contributed much. What is different about her book, is that words come from the heart with such a direct and deep understanding, they have no other way but to settle in the reader's heart. It sometimes soundss like she knows-and it matters to her-that we benefit from it. As someone who has worked with many writer's groups, she knows their doubts and confusions. Not only does she address the problems of writing in a group, but reveals solutions to help us deal with what we so affectionately call the "block". Although her second book does talk of "writing alone", it succeeds to open a new door to the pleasures and benefits of "writing together". Not only is the book a master's guide for the lost writer, but she connects with the reader and shows how to stop the distraction before it stops the artist. To me, this is a constant guide to fall back on time and again. It is a pleasure to share it with friends and I'll continue to make a gift of it to other fellow writers.

I found this book very helpful with the nitty gritty stuff about organizing my writing and working with a critique group and classes. It was also quite inspiring and full of ideas about how to write, where to write, who to write with, how to critique, how to revise, etc.

It helped enormously when three other writers and I formed an online critique group. Any questions we had, the book answered. It also gave invaluable suggestions for improving our group and our writing.

The author, Judy Reeves, has lead all kinds of writing groups and classes and gives concrete examples of what works best. Her book is well-organized, and an enjoyable read to boot.

Due to ever degrading literary taste of our post-war generation, Stefan Zweig has been forgotten for few decades,in spite of the fact that the first half of the 20th century , Zweig was perhaps one of the most famous and popular authors in the world. He and compatriot Hugo von Hofmannsthal had almost pararell lives.They were both some sort of literary prodigies(Hofmannsthal and Zweig earned their fame in their teens).They began their literary careers as poets and ended up writing various kind of literary genres,including libretto for Strauss. Also both ended up committing suicide. Zweig wrote many memorable fictions ,but only one novel.And, this is "Beware of Pity".
The novel is a kaleidoscope of the Habsburg dual monarchy.Zweig's talent lays on his superb description of human psyche of each character and the representation of comtemporary time. this work well represents decaying , both morally and physically , Habsburg dual monarchy. It shows how anarchoronistic system of mores( of K.u.K) that led otherwise good natured and a bit simple minded Leutenant Hoffmiler conered to the desperate situation. Does Hoffmiler deserve his fate? read book and decide that by yourself. what amazed me was how well Zweig synchronized and symbolized tragic denoument of kekeskalva family with the outbreak of" the war to end all wars". This is both pcychological and historical drama par excellence.One of forgotten masterpiece that recently rediscovered. Thank you NYRB to bring Zweig back.

This is an intense, psychological drama, and a page-turner to boot! What's so great is the wonderful language, the "lofty" writing. I just loved every page, and our poor, tortured hero.

In the introduction to this book Joan Acocella tells Zweig's story as a writer. One of her claims is that despite his enormous popularity as biographer, essayist, writer of great novellas and stories, this novel is his masterpience. The novel is in essence the story of a feeling, of 'pity' of how it becoming the obsession and duty of the main character turns self- serving and destructive. Briefly , the book revolves around the relationship between a poor Austrian officer Hoffstein and a crippled seventeen year old daughter of a wealthy family Edith Kekesfalvas. After he has inadvertently insulted her by having asked her to dance he becomes bound into a relationship with her, in which she falls deeply in love with him without his truly reciprocating. This is how Acocella reads the protagonist's reasoning and its result after her doctor informs him that it would be disastrous for him to abandon her.

"So he descends ever deeper into hypocrisy. In the process, Zweig gives us a piercing analysis of the motives underlying pity. Gradually Hofmiller realizes how much he enjoys the courtesies paid to him for his emotional services, how it pleases him that when he arrives at the Schloss his favorite cigarettes--and also the novel (its pages already cut) that he had said in passing that he wanted to read--are laid out on the tea table. Nor is it lost on him that his own sense of strength is magnified by Edith's weakness and, above all, by his growing power over the Kekesfalvas, the fact that if he, a poor soldier, does not present himself at teatime, this great, rich household is thrown into a panic, and the chauffeur is dispatched to town to spy him out and see what he is doing in preference to waiting on Edith. Beyond the matter of power, however, Hofmiller finds that the emotion of pity is a pleasure just in itself. It exalts him, takes him to a new place. Before, as an officer, he was required only to obey orders and be a good fellow. Now he is a moral being, a soul."

This end in destruction is somehow a foreshadowing of what would happen to Zweig.Having been betrayed with the rise of the Nazis by the Europe he loves, tried to make a new home and life with his second wife in Brazil. But it does not work out and the both of them are found after having taken fatal overdoes of drugs hands intertwined.

It's a fabulously written book about love instigated by pitty, which can be very dangerous. Worth reading as this kind of thing still happens every day.

...no, not the book by Dave Eggers, but this masterpiece by Stefan Zweig. I came upon this by accident, and bought it, intrigued by the story outline and the reviews below. Only very, very rarely does a book have the power to draw me into the lives of the characters, probably because they're usually just that - characters. Not so here. Here we have flesh and blood and all that entails. I'm still amazed at Zweig's story telling. He's the kind of writer who could make a shopping list fascinating. I lived and breathed every single word in this incredibly beautiful book, and, as has been said elsewhere, the tension becomes almost unendurable. I can hardly do justice to it in a few words. Weirdly, I often found myself smiling, not because it's a funny book, far from it, but just through an appreciation of Zweig's supreme mastery of his art. This is one of those books appearing only a few times in your life that wring emotion out of you whether you like it or not. A heart-breaking, unforgettable and life-enriching experience.

I'd also like to praise the translation, by Trevor and Phyllis Blewitt. At no time is there even a hint that you're reading a translation - something that occurred to me only after finishing the book. On the contrary, it seems to me that the elegance of the language and all the magnificent virtues that contribute to Zweig's humanity and genius have been faithfully rendered. The proof is in my twin disappointments; coming to the end, and learning that there are no further full-length novels by Zweig. I'll definitely be reading all his other works, though.

These stories set in Mr. Parkhill's classroom at the American Night Preparatory School for Adults ("English -- Americanization -- Civics -- Preparation for Naturalization") are wonderfully humorous and warm. They reflect a generous humanity and a keen ear for language in author Leo Rosten (1908-1997), who first wrote the stories for The New Yorker using the pen name Leonard Q. Ross.

When Rosten wrote the stories in the 1930s, the debate that had roiled American society over the high levels of immigration at the beginning of the century had ended with passage of the restrictive Johnson-Reed Immigration Act of 1924. Readers of The New Yorker could well remember the rancor and the stereotyping of the debate.

Rosten countered the prejudice against immigrants by portraying Mr. Parkhill's students, drawn from several national and ethnic groups, as earnest learners eager to know about and join American society by first learning the English language.

When people from different cultures meet, there are bound to be some collisions. A dark side take on those meetings is the ethnic joke. The bright side is this book, finding humor in the encounters that all can smile at.

I read The Education of H*Y*M*A*N K*A*P*L*A*N as a teenager in the early 1960s. Though I do not recall negative attitudes about immigration in my family, school, or suburban New Jersey neighborhood in that decade, the book surely shaped my attitudes and feelings about immigrants and immigration in a positive way. Hyman Kaplan taught me immigrants make America a better and richer society.

Each time I look through the book now, I worry whether Rosten crossed any of our modern "PC" redlines that would cause it to be crossed off reading lists. The book's humor ("comic dialect" is the scholar's term) depends on the rendering of accents, not much used at present. I found one use of the N-word (misspelled, in accent, not in anger) by a student character. On the whole, however, the book stands up well.

I give copies of this book to friends who are ESL (English as a Second Language) teachers. Leo Rosten's own nights as an ESL teacher, while he was working on his Ph.D., gave him the inspiration for the stories.

The shape of our nation's immigration policy is certainly a licit issue for debate and disagreement. Current immigration has some different countours than in the 1930s. Some voices, however, get carried away and tip over into negative stereotyping. They should take a break, have a cup of coffee, read this book, and meet Mr. Kaplan.

-30-

Having just begun teaching English As A Second Language to a group of Asian adults, a relative thought I might enjoy "The Education of Hyman Kaplan". The novel takes place entirely at the American Night Preparatory School for Adults. There under the tutelage of Mr. Parkhill, Hyman Kaplan, Miss Mitnick, Miss Caravello, Mrs. Moskowitz and an assortment of Jewish and Italian immigrants struggle with the complexities of the English language, anxious to master the language and learn about the history and culture of their newly adopted home. The irrepressible Mr. Kaplan takes center stage in the classroom with his singular logic in using the English language. Abraham Lincoln becomes Abram Lincohen, King George III of England is an autocrap, and Valley Forge becomes Velly Fudges. Kaplan conjugates the tense to die as "die, dead, funeral", and when talking of the contents of a newpaper he can't understand why he must say "it said", instead of "he said", since the paper is decidedly of the masculine gender. It's the Harold Tribune after all. This is a hilarious yet touching book. We are never laughing at Hyman Kaplan's linguistic foibles but with him, as we appreciate the struggles of all immigrants, those seventy years ago, or those today to come to terms with becoming Americans and learning the language that binds us together.

Think you can read an uproariously funny book without laughing out loud? Think again. Adventures of an English-as-a-second-language class for new immigrants in 1950's America.

As a new ESL teacher, my husband thought I'd enjoy this book. H*Y*M*A*N K*A*P*L*A*N* is an irrepressible immigrant to the US, struggling to master English, but that doesn't stop him from communicating at every opportunity. Waves of malapropisms spoken with a thick Eastern European accent don't get in the way of his enthusiasm. Set in the 30's, this is a world where teachers and students are Mr., Mrs. and Miss, immigrants worked in garment factories, and all still believe in the American Dream. Even Mr. Parkhill, the god-like teacher, can't help but be infected by Mr. Kaplan's unique interpretations of the great works of English literature--the Shakespeare story was a classic. Definitely dated, certainly politically incorrect, these stories hail from a simpler, but maybe tougher time--Leo Rosten originally wrote under the name Leonard Ross. A lovely little collection of stories!

This book, along with its sequel, "The Return of H*y*m*a*n K*a*p*l*a*n," (and don't be fooled, those stars are important) is a beautiful work and one that I'm surprised hasn't been rediscovered by critics and readers alike. Originally published as a series of stories in a magazine, these stories were finally collected into book form and later combined with its sequel in a grand form called O, K*a*p*l*a*n, My K*a*p*l*a*n (which is now out-of-print, but worth reading if you find it in a library or rare book store, since it was edited and improved by the author, with new characters and stories).

The stories all revolve around a group of immigrant adults attending the American Night Preparatory School for Adults in New York City in the 1930s. Under the tutelage of the fastidious, but patient and kind, Mr. Parkhill, the book chronicles their challenges in learning the English language. This is in and of itself a masterpiece: Leo Rosten (who had to publish the stories under a pseudonym since he wrote them while living off a fellowship and did not want to let his professors know that he was working on totally unrelated research) has found humor in GRAMMAR!! He not only shows how difficult English is to master, but how irrational and arbitrary the grammatical rules are that we all, as students, desperately try to commit to memory. Moreover, he writes with an expert ear, hearing the subtle differences in the accents and common foibles of English speakers from various language backgrounds. The fact that these passages are life-out-loud funny (and not at all in the sense of laughing at any character's mistakes but at the English language itself for torturing non-native speakers so) is astounding enough.

But this is the story, however, of a true comic hero - Hyman Kaplan. Leo Rosten has created a character as complex and poignant as Shakespeare's Falstaff, or John Kennedy Toole's Ignatius J. Reilly. Hyman Kaplan is a force of nature, yet distinctly human -- irrascible, dogmatic, determined and yet sensitive, noble and joyous. He is a man who refuses to kow-tow to the rules and guidelines of the English language and who truly relishes the joys of wrestling with learning. Since his exuberance leads him into constant conflict with his fellow students, his character is one of the greatest literary devices ever devised by an author. The stars emblazoned in red, green and blue crayon that are part of his signature, only serve as the ultimate monogram, defining this character as one worthy of the ages.

While this book is about efforts by foreigners to assimilate as Americans, it also highlights the glories of America's immigrant, melting-pot past -- a heritage and tradition that is sadly rapidly being forgotten and lost in this modern globalized world. Moreover, with the advent of the politically correct era of hypersensitivity, it is likely that this book will never experience a renaissance of popular support that it richly deserves. This is a true treasure -- I discovered it as a teenager and have often enjoyed returning many times to visit with these charming, inspiring characters. I cannot recommend it enough!

Bangkok once again stars as the setting for an adventure by Poke Rafferty, who makes his second appearance in what one hopes is a continuing series. He is determined to avoid trouble this time and settle down, marry his girlfriend Rose and enjoy his newly adopted daughter Miaow. Unfortunately, the best laid plans . . .

Poke has an idea for another book--something involving someone being followed and trying to avoid those tailing him. The book would be similar to those he writes for his "Looking for Trouble" series. This leads to an amusing episode which has little to do with what ensues. Now that Poke is ready to enjoy family life, who turns up but his father, who abandoned Poke and his mother 20 years before. Frank Rafferty is a rogue and is being chased by a Chinese gangster whom he has defrauded of a lot of gems and cash.

All this leads to an exciting story, filled with violence, descriptions of the Thai sex trade, counterfeiting, and of course, the exotic splendor of the city. Once again, as in the initial entry in the hoped-for series, intrigue and danger prevail mightily.

Recommended.

The Fourth Watcher is a fun read, lots of rollicking action and character intrigue. The stakes are solid, from death and destruction to intimately personal, and Poke grows as a character. Hallinan's vivid descriptions masterfully drag you into Bangkok and hold you there for the duration. Everything in this book makes me want to read more about Poke.

I guarantee you'll enjoy every twist and turn in this ride. This is my fist meeting with Poke Rafferty and I guess I'll have to look up his first adventure now. Well, I shouldn't say his. All the characters here are sharply drawn and I'm looking forward to the novel that brings Poke, Rose, and Miaow together. I'm glad I bumped into this one though and look forward to a future novel which will also continue the characters of Poke's father and his half sister who are introduced in this volume.What I like about Poke is the fact that he doesn't really know what he's doing but sort of bumbles his way through. He's not very great at making friends all the time, but you gotta like the guy.You'll find yourself caught short a few times....kinda laughing at what's going on and then suddenly feeling honest emotion and caring for the characters. I think that the less you know of the story, the more you'll enjoy it. The flaps on the cover and many of these reviews tell much of the story, but you might get more out of it by ignoring them and just finding out for yourself.

Poke Rafferty is a writer living in Bangkok, Thailand, with his fiance, Rose, and his adopted daughter, Miaow. Poke writes travels books with a unique twist - travel books that focus on the criminal aspects of locations. But he's ready to give up the danger associated with these books to have a life with his two special women.

Enter trouble! And not just trouble, but trouble in spades. Chu, a Chinese gangster is after Poke's father, Frank. He figures to reach Frank through Poke, even though Poke hasn't seen his father since he was 16. At the same time, Rose and her business partner, Peachy, innocently wind up caught in a counterfeiting ring. Throw in some crooked cops and an American Secret Service Agent, and you may think you have the makings of chaos. But quite the contrary. You have the makings of an incredible, suspenseful crime fiction novel.

Hallinan's rain descriptions set the stage for the monsoon of trouble that is about to rain down on Poke and those around him. The foreshadowing is brilliant, and the rain continues to set the tone of the book throughout the course of events.The imagery in this book is absolutely mesmerizing.

Rafferty says that "'English is polyglot tongue...A linguistic hybrid enriched by grafts from many branches of the world's verbal tree.'" Hallinan was plucking from that tree constantly in this book.

Hallinan's talent for imagery swept this reader away to a foreign land, but his knack for character development held my hand and helped me walk right into the lives of these people.

When I taught high school English, I hammered home the multitude of ways an author could develop a character. One of the hardest elements for students to grasp was how a character was developed through his/her interactions with other characters. This book is a text on how to effectively achieve that development. Poke's interaction with Rose and Miaow obviously builds one layer of his character. His relationship with his friend Arthit adds another. But what makes Poke most interesting is his connection to characters like his half-sister, Ming Li.

All of the characters were extremely rich and added so much to the overall book.

The plot comes across at first as being all over the place. If you read the book jacket, you know that Poke is the main character. However, this main character walks himself right into the barrel of a gun and is shot in the face in the first chapter. So how in the world is he going to do anything for the rest of the book, right? Especially since the plot takes place over the course of three DAYS, and no, it isn't a flashback! Now THERE is a hook. And then you add in the counterfeiting ring, the American Secret Service Agent, Elson, the Chinese gangster and all his thugs, stolen rubies...just where is all this going? The way that Hallinan weaves all these independent elements together is phenomenally intriguing and it keeps the pace of the book quick.

The tone of the book could have gotten very dark and dreary, but Hallinan's wit lightens the heaviness.

I highly recommend this novel!

I love Poke Rafferty and his beautiful wife and child. I was pulled into the first book which was haunting to me . . especially since it coincided with not only the trial starting of the Khmer Rouge camp monster BUT ALSO the capture of a child molester monster in Thailand. 2 very dark subjects that somehow were eventually eclipsed in the first book by the human perseverance and sensitivity of Poke.

That is why he and his "family" evoke for me The Thin Man series .... because he has such heart. And this is another great example of story telling involving this character. I keep on wanting to see it in film. He and his beautiful wife and his mischevious "daughter" and all of the other characters that come to life.

I doubt if I will ever make it to the far East but I won't have to with these books.

Kevin Sheehan has simplified the great qualities of important leaders and placed them in an entertaining text. A gift which I have passed on to my dearest friends, this book is both inspirational and educational. My highest recommendation.

Poignant, powerful stories. Beautifully written with a distinctive and important design. This book's not to be missed--by you, your friends, your business colleagues. Bravo!

Within his book A Leader Becomes A Leader, Kevin Sheehan delightfully illustrates the essence of true leadership. He poignantly definies a diverse group of past and present leaders; while exploring their life events and characteristics of greatness. Encourage your friends, family and coworkers to read this motivational book!

The author does a phenomenal job of breaking the topic down into small manageable and inspiring readings; also covers a great cross-section of leaders and the characteristics that made them successful. I ordered a dozen copies as executive and motivational gifts.

J. Kevin Sheehan presents a celebration of what's possible in his biographical snapshots of great leaders. By focusing on the unique character traits of outstanding leaders the author transforms the mysteries of leadership into something very real. He answers the question "what made them great?" in an extremely concise and inspirational style. Great as a corporate gift or graduation present. My children have used it for school projects and I have found inspiration for my own business. No home or school library should be without this most valuable tool.

This is a compelling and honest story of a war. Not the war in Vietnam but the war inside the writer. Larry's honesty and storytelling skills make this book a great read in and of itself. His description of his own post traumatic stress and its long-term effect on his life, make this a "must read" in the context of the hundreds of thousands of soldiers who are, or will become victims of PTSD. No soldier who has seen combat comes home without wounds.

This book brings us full circle in the life of a soldier. Tender, tough, hard to read and yet I could not put it down. Then when it was finished, I couldn't stop thinking of it. Mr. Winters humbly and honestly talks with us as if we are sitting in his livingroom, sharing stories and sharing the healing that has come to him.

Larry Winters has written an honest, brave, beautiful and sometimes horrifying account of the making and unmaking of a soldier. As a woman, I have always been both curiously pulled toward and repelled by the world of war; Larry has given me insight into this world that made me weep with shame for my ignorance and insulation. I now have a new understanding of and an appreciation for the soldiers who sacrifice so much for us. Thank you Larry for baring your soul and for giving me hope that healing the wounds of war is possible.

What a journey I was taken on by reading Larry Winter's emotional story. After having survived a challenging childhood, he was asked to survive the Viet Nam war experience as well. As many young people may experience today going off to war,the idealism and optimism which brought them there may only be replaced by doubt and confusion.
Larry Winters tells this story in his own magnificent words bringing us to understand as closely as we can without actually being there, that strength and sensitivity can work very well together.

Larry Winters story is told with honesty, humility, and sensitivity. His ability to transport the reader into his world is truly wonderful. Mr. Winters shares with the reader, the childhood events that shaped his life, his experiences in Vietnam, how he coped with the effects of trauma upon return from Vietnam, and how he uses that experience to help others. This book was very difficult to put down, as Larry has the ability to really invite you into his world...

Provides great background information and explanation for using the notebook and lesson ideas. Yet, it's still easy to go straight to the lesson ideas without reading the rest of that other stuff. I bought this along with A Writer's Notebook by Ralph Fletcher, and I liked this book more for helping me teach.

I have been using writer's notebooks with my students for years and always struggled with integrating them into the entire language arts curriculum. This book has several hands on strategies which illustrate ways to use the students' own writing to teach a variety of writing skills. There is also a very helpful chapter on assessing the notebook. One of the most helpful books on the subject I have seen!

This book was a quick and easy read that easliy lent itself to great lesson plans for the whole school year. I highly recommend this book if you are a first time writing teacher, or a novice writing teacher.

This is not one of those books that will collect dust on a shelf. It will be read and reread many times! It is a great resource for any teacher of writing! Thank you Aimee Buckler! This book contains a wealth of organized and practical strategies that will add to any writing program. Buckler gives teachers easy to model tools to pass on to their students. She gives many examples from literature that can be used as springboards for specific areas. I will never look at notebooks the same! What an inspirational addition to my teaching library!

I am torn by this book- the first half was full of ideas and lessons that I felt would help me improve writing instruction. The second half was not, at least for me. The writing is brillant and down-to-earth. Buckner has good ideas and great real world lessons.

The downside for me was the amount of time it would take for me to do everything- the ideas work best for self-contained teachers.

Do I recommend this book? Absolutely.