Writers Books

Warren Ellis' (Transmetropolitan, Thunderbolts, Desolation Jones, Astonishing X-Men, this list can go on and on...) brilliant crime fiction saga Fell is something you have to read to believe. Revolving around the incredibly skilled Detective Richard Fell, who has been transfered to Snowtown: a crime-ridden wasteland from which there may be no escape. As the area around him decays with every passing minute, Fell makes a number of encounters (most frequently with an eccentric bar-maid) with the townspeople, and comes to one conclusion in the end about them all: everybody is hiding something, including himself. Peppered with fantastic dialogue, Ellis manages to make Fell one of his most intriguing works of crime fiction, with Fell himself being one of his most interesting character creations. Ben Templesmith (30 Days of Night) provides his typical dark and moody artwork, and it more than suits the atmosphere of the universe that Ellis crafts here. All in all, the first volume of Fell is a brilliant piece of crime fiction from one of the true modern day comic book masters, and it more than deserves your attention.

Oh boy! Good doesn't even begin to describe it. Warren Ellis does noir and sets a different standard for everybody else. His inner cityscape is gritty, convincing and creepy. And I am not easily spooked. Richard Fell is beautifully characterized as the detective dedicated to his craft and every bit human and vulnerable. And Snowtown is the ultimate urban nightmare - a town that the rest of the world gave up on and only exists in the shadows of human society - inhabited by the true scum of the earth.

This is intense, gritty detective crime fiction that everyone who has any interest in the genre should not pass up. I'm not familiar with much of Warren Ellis's other work but he has brought a completely fresh new twist to your classic detective story. Its hard to believe that each issue is only 16 pages and is still more intruging than books that go a full 24-32 pages. Its hard to put down. My only gripe would be for a mature themed book the language is a bit too toned down for my taste, lets face it in a knife fight with a deadly criminal one would really call the other a "living fart" as he bashes his face in? But this is just a minor annoyance compared to the rest of a unbelievably great graphic novel.

Warren Ellis and Ben Templesmith have been around awhile. Warren is famous for his over the top horror and thriller type comics and Ben got famous for his incredible art with the original 30 Days of Night. And while this book has no vampires it has everything you would come to expect from these two masters. Warren delivers a great tale or I should say tales of Detective Fell and Ben creates his world with incredible art. When you have two master come together like this it's amazing what happens. I won't spoil the story lines I'm sure someone else will do that or has done that. If you enjoy Stephen King, Dean Koontz, or Chuck Palanuik you will most definately enjoy this graphic novel. Engrossing and at time nauseating you won't be disappointed.

With all the other praises to look at, I can't add anything new or of additional value. All I can say; This is a perfect comic book. Highly recommended.

SC

I just cannot praise this book enough. Ellman's biography of Joyce is amazing, bewildering, daunting (at least in its length) and wonderful -- not coincidently, just like James Joyce. One caveat: I imagine a reader might be quite confused if s/he read this before reading any of Joyce's major works (Ulysses or Finnegans Wake). I am kicking myself that I didn't read this biography years ago! Truly a marvelous work -- and a must for readers of Joyce.

For those of you interested in a biography of James Joyce that's as erudite as his works themselves, then Ellmann's "James Joyce" is most definitely for you. This is a product of years of interviews and correspondence with many of Joyce's friends and family members; and Ellmann's love for both the writer and the man radiate through every page. His sections on the key themes and events that inspired both "Ulysses" and "Finnegans Wake" are invaluable. Moreover, you'll find yourself chuckling a great deal of time, and even shedding a few tears, as I did. My only critique of the book, albeit fairly minor, is not so much directed at the author as it is at the publisher: there is little room in the margins for notes, as well as very sparse flyleaves; hence for those of you who like to engage a book with gushing pen in hand, then you'll find the layout of this book quite restraining, as I did. One might counter this critique, however, with the perhaps granted point that it leaves all the more canvas space on which to overlay layers and layers of brush strokes much needed when attempting to paint the life of this very complex, gifted, and charming man.

In all things about James Joyce, no one has exhibited more of an acute understanding of the man and his works than Richard Ellmann. He is the bridge by which readers who have not read Joyce or do not understand what they have read by him to the inner workings of the artist and his life.

This biography, "James Joyce" has been around for decades, virtually unchallenged. He presents to the reader all the facets of Joyce's life and personality. This is no mere star-gazing. Along with all the great things about Joyce, he also examines his weakness: his superstitions, his drinking, his occasional selfishnes, his sexual complexities, and his failure to really take care of his family. We get to see Joyce in all his dimensions and from several perspectives. That makes this book not only the best biography of James Joyce but one of the classic biographies of all time.

Richard Ellmann's biography of James Joyce is hands down among the three best or the best biography written in the 20th century. For anyone with a serious interest in Joyce or his writings, will truly enjoy getting to know Joyce and his writings through this book.

I've read maybe a few thousand reviews of other titles on this website but this is the first book I've felt I needed to comment on. I comment mainly because I noted that two reviewers gave this book "4 stars". What unmitigated gall!

Richard Ellmann's biography is the most definitive and complete examination of James Joyce that has been written. This extensive work examines Joyce's life from his birth to his death. Ellmann's narrative derives from Joyce's letters as well as accounts from Joyce's brother, Stanislaus. The book is most revealing in offering an understanding of the process it took for Joyce to come up with his most monumental works, ULYSSES AND FINNEGANS WAKE. Ellmann states that Joyce intentionally made it difficult for anyone to understand what he wrote. He wanted to keep his critics, academics and scholars, guessing of what significance his nonsensical gibberish creation represented. In addition, Ellmann intertwines events that occurred in Joyce's life that show how they closely resemble the characters in the works he produced, such as his early work, A PORTRAIT OF THE ARTIST AS A YOUNG MAN.

James Joyce most likely can be considered a "starving artist." He would go without a new pair of shoes until they wore down to the soles, but looked debonair and sophisticated with non-matching suits. In the beginning, he aspired to be a work within the realms of Jesuit studies, but later opted for a writing career that would take him from Trieste, Paris, and Zurich. Joyce struggled with poverty through out his life even as his most famous works were published. Monetary problems and health conditions that affected his eyesight never hindered his creative process. If he lost his eyesight, he probably would have continued to write blind. Joyce appeared to be an eccentric and stubborn man. However, Ellmann shows a caring and supporting man who loved his wife and children, and most of all, his father, John Stanislaus Joyce.

In terms to history and literature, Ellmann constantly references Joyce's fascination with Shakespeare, ancient civilization and history. This is best displayed in ULYSSES, but one significant footnote is that he did not appear to care for American history. He makes a minute reference to Ulysses S. Grant in ULYSSES, but he did not even know who the man was; Joyce loathed the United States. Also, Ellmann offers a birds-eye view of what his cohorts thought of his work. Gertrude Stein as well as Ernest Hemingway praised and envied Joyce's contributions to Modernism.

Ellmann examines a tremendous amount of information within his narrative. When one completes JAMES JOYCE, what else do you need to know about this genuine writer who used his craft as a means of getting back home, but never quite made it there? But he preferred Zurich and its snow-capped mountains as home rather than the complexities of his former Dublin. JAMES JOYCE is the springboard one needs when beginning a study of Joyce the man and his works, which should begin with PORTRAIT and ending with WAKE.

The first thing that attracted me to this book was the play on words in the title (paradise/pair-a-dice). After the first few pages, it is obvious that the title is very appropriate. A serial rapist/killer stalks the environs of Las Vegas, terrorizing the city to ever increasing levels.

There are several sub-plots to this mystery, and the reader can't help but anxiously turn the page to see how each of them plays out. In the end, the intricately woven story comes together in a flash of brutality as disturbing, as compelling, as the rest of the book.

Mr. Griffin's knowledge of police work and crime investigation is readily apparent. No amateurish guesswork here. It's as if you are reading from his own journal of experiences. This makes it all the more pleasurable to read.

In my opinion, Dennis Griffin is one of the very best mystery writers of our time. For anyone who enjoys this genre, his books are an absolute must!

In his latest book, Killer in Pair-A-Dice, Dennis Griffin takes a simple story i.e. man stalks beautiful woman and kills her, and kills another, and turns it into a story that makes one read this while sitting with ones back against the wall. I especially liked the profiles of prominent persons living in Las Vegas. Very important information is given by the detective investigating the crime to women everywhere as to ways to react when in a threatening situation. We used to be told to submit to the attacker, but now, even in airline travel, we have to be ready to protect ourselves and others.

KILLER IN PAIR-A-DICE SETTING WAS WELL PICKED AND TITLED. THE YEARS OF EXPERIENCE WITH NEW YORK POLICE CAME TO THE FOREFRONT IN THIS BOOK. VERY HARD TO LAY IT DOWN ONCE YOU START TO READ.

CORWIN MCINTYRE AUTHOR OF FOR AMERICA OUR LAST HURRAH

Excellent book! Kept me awake at night...couldn't put it down until I was finished. When I reached the end, I was wishing for more! Mr. Griffin certainly has a way of capturing his readers and making you feel as though you are actually living the story!
Anxiously awaiting this author's next book

The story is rivoting !! Dennis Griffin's book intertwines the real Las Vegas with his fictional story of a sociopathic, serial rapist and killer. You can read of the thinly-veiled political figures, police and geography of the city while following his clues to the identity of the suspect. Once you begin reading, the story stays in your mind until you reach the surprising climax. Read this book, and you'll go hunting for another Dennis Griffin masterpiece.

Before he went on to invent Cybernetics, L. Ron Hubbard was a prominent author of science fiction and eventually launched annual collections of science fiction and fantasy drawn from the best and the brightest in the field. The newest addition to the L. Ron Hubbard "Writers Of The Future" series is volume 18, ably compiled and edited by long time science fiction expert Algis Budrys and highly recommended reading for any fantasy fan and science fiction enthusiast. Included in this outstanding anthology are: The Dragon Cave (Drew Morby); The Haunted Seed (Ray Roberts); Rewind (David D. Levine); Windseekers (Nnedi Okorafor); Magic Out Of A Hat (L. Ron Hubbard); Lost On The Road (Ari Goelman); Graveyard Tea (Susan Fry); Carry The God (Lee Battersby); A Few Tips On The Craft Of Illustration (H. R. Van Dongen); Memoria Technica (Leon J. West); Free Fall (Tom Brennan); All Winter Long (Jae Brim); The Art Of Creation (Carl Frederick); Advice To The New Writer (Andre Norton); The Road To Levenshir (Patrick Rothfuss); Eating, Drinking, Walking (Dylan Otto Krider); Origami Cranes (Seppo Kurki); A New Anthology (Tim Powers); Worlds Apart (Woody O. Carsky-Wilson); Prague 47 (Joel Best); and What Became Of The King (Aimee C. Amodeo). L. Ron Hubbard Presents Writers Of The Future, Volume XVIII concludes with "The Year In Contests" by Algis Budrys and "Contest Information".

WotF XIX is a compilation of excellent stories (with a few, notable exceptions) spanning the genre range from historical fiction through horror and fantasy to science fiction. Despite the ever-present copy-editing errors, this was a very good read.

I would put the stories in four categories of excellence (well, three of excellence and one of crap).

Group One: The best

Walking Rain - Ian Keane's tale of supernatural beings in present day America, reminiscent (but not derivative) of American Gods, is compelling. The writing is lush, the characterizations beautiful. Hands down the best of the best. I can't say enough about this story. The book is worth buying for this story alone.

Into The Gardens of Sweet Night - Algis Budrys weaves a fairy tale-like tapestry of words as a boy takes a fantastic journey into the sky looking for the fabled gardens. Sometimes the discussions on freedom get a bit thick, but still great.

Blood and Horses - Myke Cole brings us a story of military sf where rebels riding horses seek the oil that gives life, losing their own blood fighting against a technically far superior opponent.

Group Two: The very excellent (in no particular order)

From All the Work Which He Had Made - Michael Churchman's style is strikingly odd at first, but within a page he had made me a convert with this interesting tale about the development of a humanoid robot exploring the questions of his soul.

Dark Harvest - Geoffrey Girard brings us a story about what happens when you find your worst nightmare dying in a field, and it becomes a tourist attraction. Excellent writing, and a wonderful story.

Beautiful Singer - Steve Bein's story of a haunted sword is elegant in its way of presenting feudal Japanese culture and characters. Every word of this story echoes with the culture of the samurai. The only thing holding back this most savory of writing from the top slot was the way the ending rushed together (a common difficulty in short-story writing).

A Few Days North of Vienna - Brandon Butler takes us along as a band of thieves join up with a group of vampire hunters to eradicate those evil creatures. The plot is nothing new or innovative, but the writing is top notch, and that's more important anyway.

Group Three: The still excellent (still in no particular order)

A Ship That Bends - whatever Butler lacked in innovation, Luc Reid makes up for in spades with his characters who live on a flat world and must build a bending ship if they wish to sail to the other side without falling off. The ending is its great weakness, suddenly ending the story before it really reaches its climax. Fun world, great writing, but it just stops cold.

A Silky Touch to No Man - a weak ending is also the problem with Robert J. Defendi's exploration of life in the near future where virtual reality has become the only reality. For a murder mystery, it was painfully apparent "whodunit" from the very beginning. But the writing is strong and the world well conceived (almost scary, actually) which makes it fun anyway.

Gossamer - Ken Liu offers a scenario where Earth finally makes contact with an alien species, and has no idea if they can even communicate. Art seems to be the only thing the Gossamers are interested in, but what does that mean? Interesting twist on the first contact plot.

Numbers - Joel Best brings us a stark account of a world where mathematicians can do almost anything, including make animals and people. In this world one woman seeks to create the perfect mate, but learns that perfection (and creation) are about more than doing everything flawlessly.

Group Four: The stories that really don't belong

Trust Is A Child - Matthew Candelaria's overly long story of negotiations with aliens is really just a painful rehash of about a thousand other identical stories, offering no new slants or anything. That alone wouldn't make it so horrible, but the main character is painfully stupid, and the plot has a hole in it the size of a small star system (it has to do with her being stopped by Marine guards while the aliens can just cruise on by and enter her private quarters without explanation). Also, her solution to being stopped is just horrible (apparently the guard is even dumber than she is). Still, with a good edit and re-write, I think it could have been decent, so I wouldn't write off the author.

A Boy and His Bicycle - Carl Frederick offers a story about just that: a boy and his bike. They don't do anything interesting, or go anywhere fun, or give us any reason not to hope that they just crash into a bus and die. The only saving grace is that it's short and over quickly. And to think this story got first place that quarter...

Bury My Heart At the Garrick - Steve Savile takes the prize for plodding, pointlessness. This story of Houdini was confusing, but not in that good way where you want to know what's going on, more in the way where you just don't care and want to skip to the next story. I kept reading to see if it would get better (imagine a short story that took me a week to read!). It didn't.

A Boy and His Bicycle is a great story.
(I put this in so I don't continuously trip over the review by someone who apparently didn't get it. I must offer the disclaimer however, that I wrote that story. It's a subtle tale, and I'm very grateful that the judges understood it and gave it a First Place award.)

This anthology, Volume XIX, (IMO) contains richly tapestried stories, strewn with new ideas or new takes on old ones. I've no doubt that before long, many of the authors will be Hugo winners

While I do not get a chance to read much science fiction, I decided to pick up this book mainly because I enjoy short stories. And I must say that this book surprised me. There are a number of well-written, very entertaining stories in this book. There is also a good amount of variety. As more than 12 authors contribute to this book, if you are not a fan of one story, you can move onto the next. There should be four stories in this book that will captivate you. From the quality of the prose and the structure of the stories, I was at first surprised to see that these are first time authors. Now realizing that these are contest winnners from L Ron Hubbard's Writers of the Future contest, it makes more sense. My favorites include Oragami Cranes, Eating Drinking and Walking, Windseekers, and Rewind (for it's writing style).

It's not perfect but I found this anthology very satisfying. When every single one of the stories is able to take me somewhere interesting, then the anthology is worth the money.. Favorite stories: Graveyard Tea, Windseekers, and Origami Cranes.

"Lovely Me" is riveting. I had read Valley of the Dolls and enjoyed it, but was surprised when I found out it was one of the best selling books of all times, so I picked up "Lovely Me" to find out more. What I found was an inspirational biography of a flawed but driven woman who took the world by storm, but not until after the age of 44, after a failed acting career, and after her diagnosis of cancer. Jacqueline Susann's story can be heartbreaking (her son was institutionalized) it can be gritty (her numerous affairs) but is also shows a fierce determination to survive and thrive in this world. Two very important points of her life will stick with me throughout mine: 1) her fierce loyalty to friends 2) her determination to make her books a success. She went above and beyond most authors to promote her books. She may not have been the best writer but she was a best seller.

WOW! LOVELY ME is the terrific biography of an absolutely amazing woman who was HELL-BENT on fame since childhood - a very inspiring woman who didn't even BEGIN writing until her cancer diagnosis! She gives determination a new name. Jacqueline Susann was also a woman who LIVED Valley of the Dolls --- she schmoozed and worked for the marginal actress stardom she achieved on stage and in early Television with pals/lovers(?) like Carole Landis...the book also has a lot of GREAT celebrity tales. Jacqueline Susann was a woman whose fridge was stocked with only olives, gin, and pills! She was a woman who loved bedding elderly Jewish comics, and a woman who (along with her devoted husband Irving) was an ABSOLUTE GENIUS at SELF-PROMOTION!!! She was a woman who even stalked Ethel Merman (!!) etc. This extremely well written biography is brilliant, crazy, and engrossing --- and the perfect coming together of writer and subject. Reading it you are VERY aware of where JS's got the inspiration for her novels.

Here's the book that reveals all about the queen of the published melodramas, Jacqueline Susann. One thing's for sure, her real-life tale is as bumpy as anything she's ever written: jealousy, revenge, sexual deviation, incurable diseases... Author Barbara Seaman doesn't miss a beat in bringing you the story of a lady whose marginal frame of mind automatically made her an activist in human rights. Told with real pizzazz, LOVELY ME meticulously brings you back to a time when evolution was everywhere, even in so-called fluffy novels like the ones of Jacqueline Susann. Her personal struggles behind all of her fiction glamour definitely make for a compelling read.-----Martin Boucher

Ms. Seaman has produced a work of exceptional depth and quality, truly bringing the essence of Miss Susann to life, and making her compulsion for fame and regognition understandable. What struck me most was the tenacity with which Miss Susann clung to her dream of glory, only to have it so cruelly taken from her at such a young age--almost like a character in one of her classic novels. If the life of a working artist and the world of celebrity interests you, this is a book you will quite enjoy.

LOVELY ME takes honors for being the most lurid bio I've ever read. It was great!

I recommend reading this book before you pick up VALLEY OF THE DOLLS, because once you read VOTD, you'll know from exactly which well Jackie drew these experiences. Just as VOTD was a roman a clef for life as Jackie knew it, LM is the real-life retelling of VOTD.

I admire Jackie Susann. Not only was she a Philadelphian and a writer, like me, but she had such tenacity. Even when cancer, a failed career, a mentally-ill son, and a dim future stared her in the face, she plodded on and closed her ears to the naysayers. She never once took her eyes off her dream of being a published author and bolstering VOTD to being the best-selling novel in history. We can all learn something from her.

I am stunned by all of the wonderful reviews for this book. I thought it was by far, the worst book I have read since high school. It could not have moved any slower. The thing I did like about it was the ending and things turn around to get you. Just so much of it was completely out of left field. Boring! Boring! Boring!

This is an unbelievably wonderful novel to sink your teeth into. A page turner of high literary merit, accessible and intelligent. Fabulous craft and language, a most diabolical villain who drives even saints to wish him ill.

Yes he is intelligent, arrogant, rough, caustic, poisonous, and evil, all to hide one tiny chink in his armor that nonetheless, one person manages to find.

Read this book! My one regret is that Thomas Savage doesn't know how popular he is today.

The afterword by Annie Proulx reveals even more about Savage's motivation for the novel, and provides an extra ounce of satisfaction to to novel's end.

Read this novel as slowly as you possibly can, for every paragraph is painted with no fewer than two rich coats of molasses-thick paint, and sometimes silver paint in one layer reflects off of another.

Hunted by a dog, chasing prey as a dog, or dog pursuing dog?

Savage leaves nothing to chance, for this novel will speak to all three.


Skip the after-word, initially.

Thank you, Amazon, for recommending this exquisite novel to me as a Gold Box special. With an afterword by Annie Proulx and the recent success of Brokeback Mountain, this exceptional piece of western literature should now find the audience Thomas Savage so richly deserved in 1967. As restrained and sparing in language as its central antagonist, Phil Burbank, Savage has the uncanny gift of eloquence through omission, allowing the reader to read between the lines. I was captivated by his talent, and jolted by an entirely unexpected but immensely satisfying conclusion. This book has been five times optioned for film, yet never made. I doubt that will go on much longer.

A completely unexpected and disturbingly powerful character study of a small group of characters in the West, circa 1940s. The prose here is incredible, and the plot unfolds slowly and myteriously. Palpable tension-- the author knew precisely what he woas doing-- with an ending I truly didn't see coming. One of the most remarkable books I've ever read.

I bought the book on impulse, based on a very strong recommendation, and found it contains the best help I have ever discovered for a writer and/or speaker using the Internet. I highly recommend it. She has an unbelievable amount of detailed research at her fingertips.

The world of the Internet is constantly changing. Without a bunch of ever-changing computer jargon, Carmen Leal has provided a set of tools and techniques for writers and speakers to learn how to research and market online. While there are many websites listed throughout this book, Carmen provides the updated links with something called Living Links.

No one can know everything about this topic of research and marketing but Carmen gives each writer and speaker a running start at the topic with this well-crafted book. It's a resource to get, read, then schedule time to periodically re-read and keep learning about this important area.

Carmen Leal is not just a very smart lady; she's very nice, too. Both traits come across loud and clear in this book. Reading her easy, straightforward, advice-rich prose is like having a conversation with the wise, affectionate aunt you never had. And, without a doubt, her collection of helpful sites for writers and speakers is unparalleled. She had pretty much every link in my own Internet bookmark folder, plus about 25-30% more than I had -- and mine were considerable, being the result of more than six years as a writer. Without a doubt, this book will stay next to my computer and become dogeared from all the love and attention it gets from me.

That said, I do have a slight issue with the marketing of this book as pure Internet reference, because that's not exactly what it is. Ms. Leal's target audience is actually NOT the seasoned writer or speaker who just needs to rev up his or her personal research engine. She's writing for, and to, beginning writers and aspiring professional speakers. Much of her book (some entire chapters and several partial chapters) is devoted to introducing neophytes to the craft and the business of writing or speaking. Thus, considering my six years of experience as a writer, I found myself skimming great swaths of text, with my eyes pausing only when I glimpsed the italic print with which all those juicy internet links are helpfully set apart.

Bottom line: This book is most definitely worth the $10 Amazon will charge you for it, and more. However, its scope is, in my opinion, a bit broad. It would be more useful to professional writers and speakers if it came in a separate, streamlined edition -- one without all the newbie advice we've already heard and benefited from long ago.

Carmen Leal has done a massive amount of research to write this book. She's done the work, and we reap the benefits. Two things endear me to Carmen:

1. She can remember when she didn't know about the internet, and can remember how she learned.

2. She writes in a easy-to-follow style that leads me on the path to understanding.

If only every book on computer topics were written this well!

WriterSpeaker.com--no, that's not a website-- well, actually there is a website by that name. But in this case, it is the title of a uniquely informative book.

If someone other than the book's author had asked me to read this book, I doubt I would have bothered to do so. And, oh what I would have missed had I not read it! "Technical reading" is not usually my choice. In fact, the last time I read a technical book it was assigned reading in college. I swore then that I would never use my precious reading time for technical reading again. Carmen Leal managed to change my mind on the matter, and I am very glad that she did.

My chance meeting with the energetic and engaging author of several books must have been one of those fortuitous moments we all hope for. I found myself face to face with a published author who was real, down to earth, and interested in my personal desire to write. Her energy is contagious. Her passion for writing--and helping others to do so--is overwhelming. She makes the whole writing process from beginning to end seem so easy. With an attitude that says, "If I can do it, so can you," she encourages writers and would-be writers to strive to reach their goals.

Over the past year, I have had the pleasure of interacting with Carmen Leal on numerous occasions. She always takes the time to inquire about my writing life. She never misses an opportunity to inform or encourage. No wonder WriterSpeaker.com is so reader-friendly. Its author is reader, speaker, and writer friendly as well!

In addition to this, her first technical book, Leal is the author of Faces of Huntington's and the co-author of Pinches of Salt, Prisms of Light. She teaches writing classes for the Collier County Public School System's Adult Education Program, lectures on various writing topics for the Friends of the Library at the Collier County Public Library, and travels extensively to speak at various writing conferences.

Whether the Internet is a constant companion or a new acquaintance, this book offers an amazing wealth of information. Its pages are filled with information specifically designed to meet the needs of writers and speakers. This is a reference book unlike any I have ever read before. In just 269 pages, Leal has addressed internet features, research, tips for finding writing resources including copyright laws, self-publishing hints, business savvy, online writing opportunities and classes, website development, and much much more.

In a highly unusual move, Leal has taken her readers into the "web" via a web address which links to the untold numbers of resources found in her book. She is quick to point out, "All links are checked periodically, and dead websites are eliminated. New websites come with brief descriptions."

Written from her heart, Leal guides the beginning writer through the keys to becoming a successful writer: "Read and listen. Join. Work at your craft. Attend a writer's/speaker's conference or convention. Know the publishing industry." Internet sources to work at each of these keys are addressed in WriterSpeaker.com.

Leal writes that the internet can take us "beyond research and on to success" in our craft by (1)"allowing us to target our work to specific editors," (2) "providing a place to showcase one's work," and (3) "streamlining the communication process between writers and editors."

WriterSpeaker.com has been placed on my desk next to the computer. It is already looking a bit old and worn, but it will likely be my new best friend as I work at perfecting my own writing life with the help of Internet features and great friends like author Carmen Leal.

by Lee Ambrose
for Story Circle Book Reviews
reviewing books by, for, and about women

If you are a writer, or an aspiring one, you NEED this book. 90+% of publishers don't take unagented material. This book will help you to find an agent, and help you to get that manuscript you've worked so hard on published.

I found the information in this guide to be extremely helpful in targeting and securing the right agent. The details that are provided, such as what percent of new authors the agency represents, the types of books the agency represents, and quotes which detail advice from the agents insured I sent my information to those who would be most interested. And it worked!!

You know you need an agent to shop your work, negotiate your contracts and get your manuscript into doors closed to unrepresented authors. Your next step is to add the "2003 Guide to Literary Agents" to your writer's toolbox.

Articles from industry professionals address the most common issues writers face: do you need an agent, how do you find the right agent and how to avoid bad agents. But these articles also walk you through the entire process of getting an agent - from what to do before you begin your search, all the way to knowing your rights before you sign a contract.

The heart of this book lies within the agent listings. Every year contact information, current needs, submission guidelines and contract details are 100 percent updated.

Besides agents who represent fiction and nonfiction work, you'll also find sections on script agents, independent production companies and independent publicists. Most agent listings also specify which writing conferences the agents attend so be sure to look in the writing conferences section to find the details on a variety of writers' conferences in the U.S. and Canada.

Your search for an agent is crippled without this guide in your arsenal. If you're serious about getting an agent to represent your work, the yearly "Guide to Literary Agents" is an absolute must.

I'm telling you, these Writer's Digest people really do it right. If you're looking for a literary agent, this is the place to look.

The book starts with articles about getting and working with an agent and interviews with reputable agents and editors. Do you need a New York agent? Should your agent suggest rewrites? Do editors like agents, or is their relationship combative? How can you tell a good agent from a bad agent? Do you even need an agent?

All of these questions and more are answered. You'll even find examples of successful query letters, synopses, and outlines. You'll learn the components of a nonfiction book proposal. All of the basics are covered.

Then comes the actual agent listings, divided into two sections: nonfee-charging literary agents, and script agents (both nonfee and fee-charging). Listings include contact information (including e-mail addresses), professional memberships (like AAR or WGA), what they did prior to becoming agents, number of clients, percentage of new authors, percentage of novels versus nonfiction books, genres they represent, preferred method of contact, recent sales, conferences they attend, terms of representation, and tips. There is also a key to let you know how open the agency is to new writers.

New in this year's edition is a listing of independent production companies and screenwriting contests. And nonfiction authors and novelists may enjoy the listings of publicists.

More than 600 agencies are listed. I've begun querying, and have already found several agents who responded positively to my e-mail queries.

The agents listed in this book are pre-screened and deemed to be legitimate, reputable agents. No more surfing the Internet and trying to guess who's legit and who's a shyster. If you find an agent through these listings, the book can pay for itself a hundredfold. It's a very worthwhile investment in your career.

If you are a writer, or an aspiring one, you NEED this book. 90+% of publishers don't take unagented material. This book will help you to find an agent, and help you to get that manuscript you've worked so hard on published.

The Bedford Handbook
I was satisfied with my order, and was delivered as it said

i ordered it and got it in a very good condition and in time. customer service is awesome. my blessings. keep up the good work.

this book is good for when you're writing essays and you can't remember a certain format or something and you can flip through the book real quick for examples of essays, outlines and thesis statements, although I wish i had the cd version of it so i can always have it with me instead of toting around the book. they could have made the format of the book better.

for instance i remember seeing a book called "A Writers reference" both are MLA format and one came from my community college and just the way its put together is better over all than this one.

The Bedford Handbook is an excellent guide for anyone enrolled in a college English course. The book gives details on correct grammar usage, as well as descriptions of different essay styles. The book is very helpful to me with my English class.

Diana Hacker has an English comp book for any possible usage, she grinds them out every few years. My college requires me to use this book as a handbook. That is unfortunate.

Of course, this book provides a basic explanation of English composition, grammar, documentation, and document design and critical reading. However, the attempt in this case is to present something that is lighter than Rules for Writers, a full scale manual that is sufficient to use as the only text for a college composition course or as a full writers reference, and her Writers Reference, which is a good handy handbook that is inadequate as a full course book, but is great as a rule book to be used by students taking a course using another text.

Usuing this book, I have had to create supplements from web material for issues that I expect to be covered fully in a college handbook such as the requirements of formal writing.

To be sure there are interesting illustrations and graphics and like her other books, the text is intimately linked with the enormous online network that Hacker and her publishers have created. It is not an awful book to use, but I would prefer Rules for Writers, Jane E. Aaron's Litte Brown Handbook, or Writer's reference.

Bought this after surfing some amazon recommendations. Characters start strong and peter out half realized. The' Just Won't Die' bad guy is so cliche it's really annoying. Constant suspended disbelief after the first couple chapters. Safeties on revolvers.... its a shotgun, no a rifle.....maybe a 5 minute talk with a helicopter pilot if you're going to write obout a flight emergency. Sheesh. Three stars is generous, remember Gerald Ford and WhipInflationNow, star inflation that is.

Awards were just announced and this one won in the Thriller-Horror category. I have read it twice and while some find the action too violent and bloody, I found it to be a very fast page turner. Revenge sought by the local sherriff against the intentional killing of Jimmy Taggert's wife during a bank holdup is the central plot. But the killer, Baker, is a vicious mean spirited man who will stop at nothing to kill anyone who gets in his way. Expending his forces to escape with the money and rescue a prisoner from Attica State Prison, Baker leaves a bloody trail behind him, unmindful of thesorrow he is causing others. The action leads to the Peace Bridge between Buffalo and Canada where Baker plans to trap our President and the head of the Canada with innocent people gathered for a ceremony rededicating peace between the two countries. People are tossed into the Niagara River to be swept over the Falls of the mighty Niagara. Ony one 12 year old boy went over the Falls unprotected by a barrell and lived to tell about it.Taggert uses all his strength and wits to abort Baker's plans. While some people will think this is more of a man's book to read, I find that women have enjoyed it too.Congratulations, Mr Furlani....please bring us more!

This book has been nominated for the Bloody Dagger award and itearns it by the rip-roaring actionpacked in almost every page. Ijust read it again and it's evenbetter the second time around.The author is featured in this month's issue of The Third Degreemagazine, formerly known as Judas,It is on-line issue of Bumpin Guns. DR deserves all acclaim forfast action, thriller-suspensefans. The book is not fluffed upby tiresome descriptions of theimmediate surroundings. It takesplace in the beautiful area aroundBuffalo, The Peace Bridge and downthe Niagara River to the Falls, but your mind is on the action asJimmy Taggart, sheriff, chases down the notorious Baker and hisgang are killed. But is Bakerreally dead? A coming sequel toDR will tell the tale so you wantto read this book now and be readyfor more this fall. You are in forsome of the best reading out thereso hold on for the ride of a lifetime

I normally don't care that much for action books but this book was great! It had a little bit of everything for everybody. There was a little war action, some prison action, some robbery action, bombs and more! Everything you could ask for! This would make a wonderful movie. Very descriptive and thrilling to the very end.

Dead Reckoning
Robert Furlani
c. 2002 iUniverse, Inc.
ISBN# 0-595-21960-8
paperback
suspense
3 dynamite sticks + 1 knife

If you like your suspense hot, hard and brutal, Dead Reckoning should suit you fine. If it pushes the bounds of reason in a few of its survivals, it compensates plenty in grit a gall. Its twists and turns are numerous, its pace unrelenting and its body count appalling: a fast and breathless rush which can scarcely fail to satisfy those with a taste for what my dad used to call "the mud, the blood and the beer."

Jimmy Taggert lost his best friend in Viet Nam to the senseless violence of a savage quartet of VC. And avenged him in spades. Thirty years later, sheriff of a small town near the Canadian border, he loses his wife to the happy trigger of sociopath Michael Baker during an opportunistic bank robbery which had been meant to go much more smoothly. He takes that loss just as personally.

Between Jimmy's smarts and good instincts, and Baker's arrogance, a confrontation is inevitable. In fact, both being focused upon a small area, they have several run-ins in which both take their lumps, and their losses, neither of them gracefully. Luck and blind, bloody-minded determination throw them together repeatedly, the last time for the culmination of Baker's plans to commit an historic act of terrorism at nearby Niagara Falls.

Mr. Furlani shows us, in gripping and very effective fashion, the ugly side of life in the second millennium, through two characters who will stick in the memory long after you've laid the book down. In Baker we see the destructiveness and random violence typical of those who take up killing as a method of expression, and in Taggert we see the upholder of Society and all the best values of Mankind. Neither of them is stereotyped, neither blunted or fuzzy, and both are delightful in their own ways, though there's little to like in Baker. Mr. Furlani's writing is literate and vivid, if a bit fraught with favored turns of speech, an easy and lively read. You may gag in places, rage in others, but you are unlikely to put it down until you've turned the last page.

Kaththea
9/3/2002