Training Books
Related Subjects: Schools
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Used price: $3.57

How to Climb 5.12, 2nd (How To Climb Series)Review Date: 2007-08-23
Very Good, but...Review Date: 2007-08-16
Great book - but if you're on a budget - decide between this and the other Horst bookReview Date: 2007-08-03
The book "Training for Climbing" is an equally excellent reference - it contains much the same information as this book, only in more detail, with sections on anatomy, physiology etc. If you want to dispense with those discussions, buy this book. But I'd say buy one or the other, and save your extra money for another reference.
From physiology to phenomenal climbingReview Date: 2005-07-06
Explaining the basics of medical knowledge the author lucidly shows how to apply this to climbing.
The book is rife with plenty of exercises and routines to keep even the most experienced climber busy.
By applying the principles in this book and training consistently you should see your climbing level jump by at least 4 grades within a few months ( eg - 5.10a - 5.11a ).
Be sure to mix your routines and not overtrain.
This is definitely not a book for beginner rock climbers.
Can't Slow DownReview Date: 2002-02-21

Used price: $10.00

Now I know how they train dolphin to jump...Review Date: 2004-12-07
For the trainer, the dolphin enthusiast, or both!Review Date: 2002-08-09
Most Fun and Information BookReview Date: 2002-02-14
Fun to read again and againReview Date: 2001-12-06
Great book-a must have!Review Date: 2002-06-12

Used price: $3.30
Collectible price: $24.95

valuable addition to your fitness libraryReview Date: 2007-09-09
An orchestrated approach culled from the successful experiences of celebrity stars.Review Date: 2007-06-18
Diane C. Donovan
California Bookwatch
Nice Easy to Use BookReview Date: 2007-06-08
Very good bookReview Date: 2007-03-26
Very good workout book!Review Date: 2007-03-27
This is very well written with weekly workout routines and every exercise has photos to follow up on. They separate your goal into different routines.
What I love most about this book is that they don't use the default strength training moves! They use band resistance (or tubing) and do different, unique moves to tone the body! This is really a workout you could do at home in your living room. You don't need a treadmill, if you have a nice place to walk and run or jump rope even!
The star's trainers, for example, Mike Alexander (Jessica Simpson's trainer) writes a whole section for abs and the exercises he uses. In another chaper, another trainer writes about the best shoulder toning moves.
I felt like the nutrition section wasn't gimmicky or to hard to follow. They were real in their advice, following a natural whole foods diet with fish and lean meats to get your protien.
All in all- I might have an addiction to buying diet and fitness books, but this is a great one to add to my collection. Especially because I love using the Physioball (think that big, pop resistant workout ball) and resistance tubing!
Used price: $4.95

excellent acting resourceReview Date: 2008-04-25
Its perfectReview Date: 2007-10-04
Also an easy read.
No Acting PleaseReview Date: 2007-06-03
Proceed with extreme cautionReview Date: 2003-07-24
That said I reject Eric Morris' approach to acting on a personal and professional level.
As every actor knows (or at least should know), his/her job is "to do nothing more than to be believable while telling the best possible story that serves the script" (Bruce Morris). Or as Stanislavski defines acting: "Acting is living truthfully under imaginary circumstances". The root of an actor's technique must always be action. Again with Stanislavski: "while on stage, an actor must always be enacting something". Action verbs are the basis of all acting/storytelling craft. An audience does not pay precious money to watch an actor have an emotional moment, but rather to have the moment themselves.
All the great acting teachers, building upon the work of Stanislavski, have stressed the importance of finding and playing an action as opposed to an emotion. Robert Lewis, Sanford Meisner, Stella Adler, Uta Hagen, Michael Checkov and even Lee Strassberg (although he ventured too far into the emotional realm) all taught students to find the appropriate action and embrace that reality as the basis for their storytelling craft. Emotions are the by product of a person engaging in an action and either failing or succeeding in the quest to fulfill that action.
Eric Morris' approach, centers on "Being" exercises. He asks his students to simply get up in front of a group of people and simply "Be". As related in this book, he proceeds to grill them about their day and call them on the carpet for any false emotion as he dredges for some emotional moment. Morris' approach, at least to this reader, comes off as simply another example of acting teacher "power tripping" as well as pseudo-therapy hidden in the guise of acting. This approach simply leads to the teacher holding such power over his/her students as they become obsessed with pleasing the teacher as opposed to truly pleasing the audience.
This approach leads to emotionally crippling an actor. Actor's become obsessed with evaluating their acting on the basis of whether or not they "felt" the scene. If an actor finds they cannot reach the emotion, they immediately fill themselves with a great sense of guilt and personal disgust at their inability to produce an emotion. Acting should ultimately be a freeing experience as well as a fun and celebratory bit of life. Many acting teachers and actors, bowing under the weight of thousands of years of social stigma feel that they must deny the "fun" factor of acting and make it a painful and serious affair.
As any director or acting teacher can attest, when one simply asks an actor to "be" on stage, one will watch an actor squirm, blink and fold inside him/her self. Put an actor on stage and ask him/her to push a giant stone up a mountain, one will watch a fantastic story filled with all the emotional truth an audience could ever hope to find.
The key to acting is not "being" it is in fact "doing". Apparently Morris has a workbook that combines the two concepts. I will certainly read that as well- again the justification for the high rating. I am still learning my craft and I pray I will always continue to do so.
NO ACTING PLEASE is certainly worth reading and worth trying though so that one can form their own opinion. After trying Morris' approach, this review is simply my opinion. Proceed with caution.
Acting that makes sense...Review Date: 2005-12-14
I too was skeptical in the beginning, but after studying this technique (with Eric, but mostly with Anthony Vincent Bova in NYC, Eric's protégé), and after seeing the difference from "acting" and what this Work creates, there's no way I'd ever go back to the "acting" form.
Eric Morris teaches the actor how to react honestly and in the moment, including everything that's going on inside and out-the other actor, the props, the imagined objects that one might be working for-that impels you to "do" whatever the character is required to "do", but out of a real reaction, not just because you're doing it.
I've studied Adler, Strasberg, Meisner, and with Robert Lewis. I've hashed through the process of verbs, actions, objectives, obstacles, and onward; and they're all good and dandy for figuring out what's going on in a script, what the characters are doing and why; but other than that, these techniques never helped me figure out HOW to make it real to ME... How to get to a place where I'm actually functioning from a real, organic, truthful state ... How to get to the point where I am "doing" all the script tells me to do, fulfilling the "actions," out of an honest REACTION to what's going on.... Not just "playing" as if I am; how, in essence, creating the realities of the character....
No matter where you go, all the great teachers (and actors) say the same thing, "Acting is reacting." Even the most used and cherished word in the actor's language, LISTENING, is about focusing outside of yourself and REACTING to what is there. This Work trains the actor to create the stimuli that will fulfill the demands of the piece, specifically, wholly, and with Truth.
For the most part, plays and movies are imagined circumstances, and we as actors, have to create stimuli to react from, so we're not just faking, or indicating our performance. I'd rather watch two people have a relationship on film or on stage, than two actors reciting words, no matter how well they "act" it. If they don't believe it, I won't. This System trains you to create those stimuli and REACT to them honestly, fully and truthfully.
A crucial part of Eric's System is based on Instrumental Work, which is the process of identifying blocks and fears and tensions to expression and, one-by-one, through the use of hundreds of exercises, eliminating them. It's really about self-awareness-learning about yourself and how you function, so you can "get out of your way" and function truthfully on stage or film and get to where you need to get to in a scene. I think this is the aim of every method, but I feel that this System is the only one to address the issues of the actor on a personal level. If I'm tense and depressed (in real life; me the actor), I'm not going to be able to REACT truthfully in a scene where the character has just won the lottery and is jumping with joy. If I push for the emotion, I'll be faking and will "act" that I'm joyful. If this is enough for you, then Eric's work is definitely not your thing. But if you're looking for creating reality and REACTING with truth, nothing surpasses this Work.
I know that Meryl Streep, Brando, Ed Norton, Johnny Depp, Jack Nicholson, Al Pacino, Robert DeNiro, and a handful of other amazing actors don't fake it, don't just indicate the realities of the character and the circumstances. They create them. Be it imagined stimuli they are creating, or through the available stimulus around them, they open themselves up and REACT truthfully to everything -the other actors, the set, the space, the props, the object or person via Sense Memory, etc. I KNOW they do this for a fact! They've talked about it for years.
Eric helps you get to the place that they do-where you can function truthfully, where your instrument is accessible and available, where you are open and are willing to go where the character needs to go, emotionally, psychologically, and physically.
My advice is read Eric's books. If they pique any interest in you, if they strike a cord, study with Eric or Anthony, or at least contact them for further information about the system. I think you'll be quite surprised and utterly amazed at the tools this Work can provide you as an actor.

Used price: $4.43

Exactly what I expectedReview Date: 2008-05-09
Great Starter Trick bookReview Date: 2008-01-12
TricksReview Date: 2007-08-28
The BEST dog trick book everReview Date: 2007-09-15
Great BookReview Date: 2007-06-07
Collectible price: $39.40

Just what I've Desperately Needed!!Review Date: 2004-08-02
A must read!Review Date: 2001-09-04
Certainly one of the best books on parenting ever writtenReview Date: 1999-10-26
A Must Read for All ParentsReview Date: 2002-06-03
EVERY one needs to know!Review Date: 2000-05-19

Used price: $0.01

Pleased with Peke BookReview Date: 2005-10-12
Pekingese: Everything about Purchase, Care, Nutrition, BreedReview Date: 2002-09-21
Breeders - sell this with your puppies!Review Date: 2002-06-24
Nothing sticks outReview Date: 2003-03-10
Pekingese: (Complete Pet Owner's Manual)Review Date: 2003-03-22

Used price: $15.62

A Rare Find!Review Date: 2007-07-11
straight pool bibleReview Date: 2007-05-11
Your Pool ReferenceReview Date: 2007-04-10
The best book on straight pool available todayReview Date: 2007-01-09
greatly help you. This is the difinitive book on straight pool. It leads you through every possible situation you could run accross and shows you how to deal with it. The book can be used as a reference for
any pool game. This book belongs in any serious pool player's library.
excellent book on poolReview Date: 2007-02-04


AWESOME!!!!Review Date: 2007-07-27
Every new pig owner should have thisReview Date: 2007-05-18
Alot of helpful informationReview Date: 2007-04-01
Pigga!Review Date: 2007-01-06
Excellent Animal Training PrinciplesReview Date: 2006-08-02

Used price: $25.20

a book of courage and convictionReview Date: 2007-09-11
A non-professional perspectiveReview Date: 2007-07-02
What an awesome book!Review Date: 2007-06-04
An Original, Brave Book!Review Date: 2007-05-17
Well, this is not the case in this refreshing and frank discussion of training. While a number of theories are presented that are well articulated they follow rather than diminish the deeply personal experiences of those seeking advanced training and supervision. Complex, ornate and rarified theoretical nuances are not allowed to interfere with descriptions of effective, respectful and democratic training.
Senior supervisors, instructors and training analysts should be among the first to read this book. Candidates may also do well to study the experiences of other professionals before selecting a program of training. Honesty and learning go together best when done hand in hand for both student and teacher. -Dr. Becki J. Telford
Exploring the UnderbellyReview Date: 2007-05-16
For all our scholarship and dedication and aspirations to facilitate healing insight in our patients, it turns out that we have trouble walking our talk with each other. And worse yet, our candiates develop in our shadows.
As Raubolt demonstrates in this relevant and riveting collection of psychoanalytic experience, at least we have the wherewithal to turn an
analytic eye to our own fragility and our possibilities for reform and redepmtion. Both 'cult' and 'culture,' after all, derive from 'cultivation' ---of our own human soil, in this case. Luckily, we keep on tilling, often with humor, courage, resolve. This book speaks deeply to the task before us.
Nancy Spohn, LCSW, May 15, 2007
Related Subjects: Schools
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