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useful at times, but overall boring to readReview Date: 2008-05-20
Non-FictionReview Date: 2008-05-05
Along with brief episode descriptions and information there is a whole lot more fun stuff to be found in this look at the first couple of seasons of the tv show.
Informations on the various quips and references made by the characters, and also some quotable quotes will come in handy for fans, no doubt about it.
Plenty of other bits and pieces following the characters and their relationships.
Good stuff.
Great resources, but...Review Date: 2008-04-26
Not the best, but a must have for any avid fanReview Date: 2004-05-25
This has an excellent array of quotes from seasons 1 and 2(which is what this book covers). It also has pretty good episode reviews, with some deleted scenes usually showing up along with some unknown facts.
But it also has some information that I found boring, which included a tour of Sunnydale.
But on the whole, not to bad of a book.
Pretty interesting though a bit lightweightReview Date: 2003-12-06

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Likely the most delightful novel I've ever readReview Date: 2008-04-22
"All Creatures Great and Small" is autobiographical in that Mr. Herriot is the central character of the book, though James Herriot is the pen name of the real author, Jim Wight. However, since the work is defined as a novel, then one may assume that Mr. Herriot took certain liberties in relating many of the tales he unfolds. Mr. Herriot is a veterinary surgeon, and much of his novel specifically involves dealing with particular cases of sick livestock and ailing house pets. One should not quickly conclude, however, that this story is merely about the ramblings of a country animal doctor who at times finds himself in interesting situations, as some reviewers would suggest.
Instead, my feeling is that Mr. Herriot utilized his visits to multiple and varied farms and residences in the British countryside to highlight the individual conditions, attitudes, and distinctive persons he discovered at each location. The book becomes absolutely delightful and poignant, for instance, when Mr. Herriot kindly sits at an aging woman's bedside and tenderly comforts her with his voiced belief that her devoted, loving dogs and cats are indeed possessed of souls and that she need not fear that they will again be her companions in the afterlife.
And I do not believe I have laughed out loud so frequently while reading one book. Some of my personal favorites are when his brakes go out on his car and he must navigate a steep and winding descent to the bottom of a low valley, where his next veterinary visit is scheduled, and when he finds himself on his first date with the woman he is destined to marry and the only respectable dress suit he owns is several years out of fashion and far too tight-fitting, which is partly why he becomes far too nervous and a bout of awkward conversation and actions follow. Additionally, much might be said here about the quirky relationship Mr. Herriot has with his unpredictable and explosive yet perfectly harmless and generous employer, a Mr. Siegfried Farnon, and Siegfried's younger brother, Tristan. Farnon's demanding attitude regarding his veterinary business affairs, especially in the face of Tristan's irresponsibility in mishandling assignments and responsibilities, is often the basis for much of the hilarity in the book.
In speaking of his relationships with those to whom he is closest on a personal level and the frequently visited owners of his animal patients, Mr. Herriot has an especially profound gift when it comes to praising the best characteristics that are found in the human race. He speaks with eloquent fondness when describing the beautiful traits he sees in his lovely Helen, his soon-to-be wife. And when he stumbles upon a man or woman who he feels is in ownership of certain admirable exceptionality, such as industry or thrift or honesty or discipline or gentleness, his written accolades of such persons is heartwarming and deeply inspiring.
Thus I would say that this book has everything. It touches upon the topics of death, faith, humor, love, devotion, stewardship, human strengths and frailties, prosperity and poverty, work and idleness, occupation, and the list goes on. Given that these interesting topics are handled so capably by Mr. Herriot's writing talent, I doubt that any sensitive reader would find this book to be anything but delightful and praiseworthy.
wonderful bookReview Date: 2008-04-04
I remember seeing my high school biology teacher reading this book at her desk while she had some time to herself, while we did our thing with dissections, etc. It seemed that she couldn't get her hands off this book. And I'd wonder what the book was about. Something about creatures. Maybe it was about GOD and church and religion.
Now that I've had a chance to read this book, twenty years later, I can say that it is a wonderful book! You don't want this book to end. And now I understand why my biology teacher was so hooked on it.
This is a nonfictional book about an English veterinarian writing about his funny and sometimes dramatic profession. From how he started, to his everyday events in a small town (away from the big city such as London) to how he meets his future wife, and his gradual establishment of his veterinary life. This book is filled with funny moments that makes you pause with a smile on your face. And has its poignant moments that makes you realize its wonderful writing.
This book gives you a glimpse of what the veterinary world is like on his side, on the countryside of life, with real people and real stories, and of course, with real animals. Animals and people and veterinary work that you will come to love.
Beautiful editionReview Date: 2007-07-16
Absolutely delightful, sorry when I had finished all three...Review Date: 2008-03-31
Just as relavent now...Review Date: 2007-12-08

A Gift for Your Mom...Review Date: 2008-07-08
A Few ShellsReview Date: 2008-06-23
The chapters in Gift from the Sea center on Lindbergh's musings during a two-week vacation at the shore. Leaving husband, children, and house behind, she lives in a bare beach cabin without heat, telephone, plumbing, hot water, rugs, or curtains. She finds simplicity beautiful and longs to take it home to Connecticut when her vacation ends.
Lindbergh takes a shell at a time and describes it in relation to other things in a woman's life. For instance, the moon shell reminds her that quiet time, solitude, contemplation, and "something of one's own" is needed. The double-sunrise represents the pure relationship found in early stages of friendship and marriage, and she reminds the reader that there is no permanent return to an old form of relationship since all are in the process of change. The oyster bed symbolizes the middle years of marriage and family, especially as the home itself grows and expands to accommodate the growing family.
I first read this book when I was a young mother and could readily understand Lindbergh's comment that saints were so rarely married woman because of the distractions inherent in raising children and running a house. "Human relationships with their myriad pulls--woman's normal occupations in general run counter to creative life, or contemplative life, or saintly life." Now in midlife, I can better understand her affinity for all the shells as reminders that each cycle of the wave, the tide, and the relationship is valid.
Hardly touchingReview Date: 2008-06-19
This book is truly a giftReview Date: 2008-05-14
very touching bookReview Date: 2008-05-08

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best book on royal coupleReview Date: 2008-04-28
Among my Top 20 BooksReview Date: 2008-02-15
Wonderful biography of the last of the Romanov dynastyReview Date: 2008-01-22
Suicide of a DynastyReview Date: 2008-01-08
Nearly all works of the period agree that Tsar Nicholas II was not the blood-drenched despot the Bolshevik revolutionaries claimed him to be, and although he may not have been as benevolent as his contemporary Franz Josef of Austria-Hungary, he at least lacked the bellicose nature of his German counterpart (and early advisor), Wilhelm II. Massie's account demonstrates how Nicholas II was ill-prepared to ascend the throne in after Alexander III, but unlike the contention of other historians, Massie makes a reasonable case in defending the intelligence of the fallen autocrat.
Massie's account of Nicholas and Alexandra does not absolve the couple from their failure to prevent the collapse of the reign and ultimately their country, but it does partially excuse their inflexibility and fatalism on the serious of misfortunes that continued to plague Nicholas from the very day of his coronation; when hundred of Russian peasants were stampeded to death in a overzealous crowd on Khodynka Meadow. Yet, no Romanov apologist can ignore the detrimental influences on Nicholas's reign, including his wife Alexandra, a German Kaiser, and especially a corrupt starets. That such an array of persons from various strata of society could at times impose their will on a man raised to be an autocrat was a tarnish on Nicholas' character.
Despite his habit of being easily swayed at times, Nicholas is not one-dimensional in Massie's account. It is noted how Nicholas ignored the advice of able ministers and most of all; remained unyielding to grant the masses of his subjects the representation and constitution they desired--until it was too late. Even Massie can be counted among the historians who muse whether the Romanov dynasty might have survived had the Tsar been more accommadating to the popular demands of his people--or if war had not erupted in the manner it did in 1914.
Although Massie's work is very thorough, it only briefly touches the clandestine operations of the Tsarist police state in rooting out revolutionaries and assassins from its masses prior to 1917. Indeed, other works (e.g. Edmond Taylor's "The Fall of the Dynasties") are careful to point out that Tsarist police included a host of known double agents whose loyalties were perpetually in doubt. While Massie makes note of that insecurity in his account of Prime Minister Peter Stolypin's assassination in 1911 by a Tsarist agent, he fails to explain how widespread the problem actually was. Indeed, Taylor describes as monarchy's slide to collapse as a "suicide", not because they were unable to stop that slide, but rather because they were unwilling.
Just as it is difficult to excuse the corrupt system of Tsarist counter-revolutionary activity, historians are also unable to justify the Russia's policy in WWI of placing the needs of France above that of her own. The disaster at Tannenburg early in the war is described in detail by Massie, and is correctly portrayed as a premature offensive launched by Russia (with the support of Nicholas) to rescue its beleagured ally from the German onslaught through northern France. Indeed, even after his abdication and arrest, Massie notes how Nicholas pleaded with Kerensky to continue to support the Russia's allies in the war effort--a mission with which the Provisional Government leader would complete in the summer of 1917 with disastrous consequences. Although Massie's "Nicholas and Alexandra" does not outright label the monarchy as a principle agent of its own destruction, his book nevertheless provides a strong case to the conclusion that the last rulers (and their ministers) of the Romanov dynasty practiced an inexplicable policy of self-immolation.
It is perhaps this mystery--or lunacy--of the Romanovs that continues to fascinate so many readers 90 years after their unglorious deaths in their Siberian imprisonment. Undoubtedly, the story of the last Romanovs will continue to perplex students of history for decades to come, and Robert Massie's work will will remain the foremost account of the twilight of Imperial Russia.
Nicholas and AlexandraReview Date: 2007-12-25
Graceful, informative ,never boring.
One of the best introductions into the insanity
of the Red Revolution and the rise of communism.
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Excellent look into front line VietnamReview Date: 2008-06-06
Well written and engrossingReview Date: 2008-06-03
Real life accountReview Date: 2008-05-29
A must read to understand the war and its effects on our soldiers.
Remebering Vietnam - A Review of "A Rumor of War"Review Date: 2008-05-25
Caputo's recollections of his time as a Marine in Vietnam are filled with anger and sorrow at the misbegotten policies promulgated in Washington and carried out with disastrous results by General Westmorland and his subordinates. The author makes it clear in his introductory remarks how he felt and feels about that war and the impact that it had upon him and his comrades in arms:
"Beyond adding a few more corpses to the weekly body count, none of these encounters achieved anything; none will ever appear in military histories or be studied by cadets at West Point. Still, they changed us and taught us, the men who fought in them; in those obscure skirmishes we learned the old lessons about fear, cowardice, courage, suffering, cruelty and comradeship. Most of all, we learned about death at an age when it is common to think of oneself as immortal. Everyone loses that illusion eventually, but in civilian life it is lost in installments over the years. We lost it all at once, and in the span of months, passed from boyhood through manhood to a premature middle age. The knowledge of death, of the implacable limits placed on a man's existence, severed us from our youth as irrevocably as a surgeon's scissors had once severed us from the womb. And yet, few of us were past twenty-five. We left Vietnam peculiar creatures, with young shoulders that bore rather old heads. . .
This book is partly an attempt to capture something of its [the war's] ambivalent realities. Anyone who fought in Vietnam, if he is honest about himself, will have to admit he enjoyed the compelling attractiveness of combat. It was a peculiar enjoyment because it was mixed with a commensurate pain. Under fire, a man's powers of life heightened in proportion to the proximity of death, so that he felt an elation as extreme as his dread. His senses quickened, and he attained an acuity of consciousness at once pleasurable and excruciating. It was something like the elevated state of awareness induced by drugs. And it could be just as addictive, for it made whatever else life offered in the way of delights or torments see pedestrian." (Pages xv-xvii)
Caputo's last comments in the section just quoted seem to be eerily in keeping with the themes of the stunning films, "The Deer Hunter" and "Apocalypse Now."
In one of the most gripping passages in the book, Caputo recaptures the spectrum of emotions he felt during a helicopter assault - running the gamut from fear to courage:
"A helicopter assault on a hot landing zone creates emotional pressures far more intense than a conventional ground assault. It is the enclosed space, the noise, the speed, and, above all, the sense of total helplessness. There is a certain excitement to it the first time, but after that it is one of the more unpleasant experiences offered by modern war. On the ground, an infantryman has some control over his destiny, or at least the illusion of it. In a helicopter under fire, he hasn't even the illusion. Confronted by the indifferent forces of gravity, ballistics and machinery, he is himself pulled in several directions at once by a range of extreme, conflicting emotions. Claustrophobia plagues him in the small space: the sense of being trapped and powerless in a machine in unbearable, and yet he has to bear it. Bearing it, he begins to feel a blind fury toward the forces that made him powerless, but has to control his fury until he is out of the helicopter and on the ground again. He yearns to be on the ground, but the desire is countered by the danger he knows is there. Yet, he is also attracted by the danger, for he knows he can only overcome his fear by facing it. His blind rage then begins to focus on the men who are the source of the danger - and of his fear. It concentrates inside him, and through some chemistry is transformed into a fierce resolve to fight until the danger ceases to exist. But this resolve, which is sometimes called courage, cannot be separated from the fear that has aroused it. Its very measure is the measure of that fear. It is, in fact, a powerful urge not to be afraid anymore, to rid himself of fear by eliminating the source of it. This inner, emotional war produces tension almost sexual in its intensity. It is too painful to endure for long. All a soldier can think about is the moment when he can escape his impotent confinement and release this tension. All other considerations, the rights and wrongs of what he is doing, the chances for victory or defeat in the battle, the battle's purpose or lack of it, become so absurd as to be less than irrelevant. Nothing matters except the final, critical instant when he leaps out into the violent catharsis he both seeks and dreads." (Pages 277-8)
Caputo's thoughtful and passionate recounting of the growing up that he did in the cauldron of Vietnam added to my understanding of what many of my generation experienced as they fought in Southeast Asia and returned to a country that had grown sick of the fighting. As our nation once again wrestles with combat fatigue and the questions of when to withdraw and how to withdraw from Iraq, I am grateful that this time around - unlike the situation that existed in the late `60's and 70's - even those who oppose the war have not showered those returning from the Gulf with opprobrium. They desire our admiration and our gratitude.
Thanks Kyle, for recommending this book, and for your continuing service to our nation.
Al
Caputo wasn't much of a marineReview Date: 2008-05-31
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Amazing BookReview Date: 2007-10-25
Well,the book was about this girl that's an animorph and her name is Cassie. She got tired of doing missions,so she quit her job on being a animorph. But that was not the biggest problem,the biggest problem was that a human-Controller named Karen followed Cassie everywhere. She knows that Cassie is an Andalite or human. If she tells her friends they will kill her because that's what Yeerks do to Andalites. They been in war for a long time. In story it also says that Karen followed Cassie and when she tried to spy on her she got attacked by a bear and Cassie saved her from being killed
Then they got stuck in the forest for a long time and then Cassie realizes that inside of Karen was a little girl with feelings. So she decides not to tell hey friends about Karen so they don't kill her.
BY:SELENA MARTINEZ RM:230
Amazing BookReview Date: 2007-10-25
Well,the book was about this girl that's an animorph and her name is Cassie. She got tired of doing missions,so she quit her job on being a animorph. But that was not the biggest problem,the biggest problem was that a human-Controller named Karen followed Cassie everywhere. She knows that Cassie is an Andalite or human. If she tells her friends they will kill her because that's what Yeerks do to Andalites. They been in war for a long time. In story it also says that Karen followed Cassie and when she tried to spy on her she got attacked by a bear and Cassie saved her from being killed
Then they got stuck in the forest for a long time and then Cassie realizes that inside of Karen was a little girl with feelings. So she decides not to tell hey friends about Karen so they don't kill her.
The DepartureReview Date: 2002-12-23
Definately the Best Cassie and In the Top Animorph category!Review Date: 2004-08-25
Reader Over 25Review Date: 2002-10-13
This is one of the more thought provoking books of the series, and isn't focused on the battles as others have been in the series. We get a look at the Yeerk race as never before, that not all of them are the evil, cowardly creatures like Visser Three. Although not precisely nice beings, it presents concepts such as a parasites view on its right to live, expand, and experience the world of sight and colors as opposed to blindness. This is the first book of the series which introduces the idea of the Yeerk resistance members.
As for my personal opinions of the book, I'd have to say that in thinking about the entire series, this is probably my favorite book. I don't have a favorite character, because each one is great in his or her own way. There's enjoyment for me reading about each one for many different reasons. Cassie, however, has always been more or less the keeper of the morals of the group. She's always had a feeling for people's feelings, and been relied upon to help judge the right from the wrong. For her to suddenly lose her ability to care is like the character losing her own soul. From the other reviews I've seen by fans, I don't get the impression Cassie is as popular as Rachel and Tobias, but I see her as very much a critical part of the team. Without Cassie to help counterbalance Rachel, even "Xena, Warrior Princess" could easily go running headlong into decisions she'd regret later. Rachel is the group's courage, directness, and shares a bit of ruthlessness with Marco (all critical elements.) Cassie, however, helps keep the scales balanced, and never has such an in depth look been given to her character as this story. We see her make a tremendous sacrifice, and all of it, in her mind, to do nothing but make a small amount of peace between one Yeerk, one human/Animorph, and free a solitary little girl from being a Controller. In finding that one, small, fragment of peace, she's also able to make peace with herself and find where she belongs in the war. There are no easy, pat answers for her. She does, however, find a place for someone who regaurs all life as sacred -- yet is in the middle of a war to save the human race.
We also see what life is like for some of the Yeerks, some of which are equally tired of the war. Like any war, there's more than one side, and much like a common German soldier in comparison to Hitler in WWII, there's no utter black or white when you look at the big picture. This gives the series even more depth and realism overall.
The imagry of the forest is very well done in this story, as well. In the earlier Megamorphs: Time of the Dinosaurs, we were shown a world which was nearly impossible to survive in. However, that was largely due to the fact the humans went from the height of the food chain to the very bottom. In this novel, its a very mundane and normal forest which provides most of the opposition against the little girl with the twisted ankle who Cassie is trying to get back to civilization for the sake of the host ... or perhaps the Yeerk and the host... or even more possibly for herself. Cassie knows the best thing to do would be to kill the Yeerk with Kadrona starvation, or even kill host and Yeerk together. In her heart, however, she knows the "best" thing is not the right thing. This prompts long nights trapped in the wilderness which Applegate brings to life in a very vivid way for such a short work.
I found the book itself was also the typical fast paced read, although it didn't focus on fights, battles, or humor. The author moved her plot along well with a sprinkling of action here and there, keeping me interested with facts about the Yeerks or other tension which didn't have to do with physical confrontation. Highly recommended.
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BINGOReview Date: 2007-10-26
I was overjoyed to read this book and discover that it would be a love story again, but this time with a compelling conflict in the background to sustain it. It was, in my opinion, even more believable and touching than the first romance in Magic's Pawn. Besides the romantic points, the book had mystery and intrigue, brilliantly shaped characters, and heroic and heart-wrenching moments of joy, sorrow, pain, and love. To top it all off, the character arcs of virtually all of the major players in the series are concluded nicely, even though not all end happily.
My gripes with this book are mostly picky details. For instance: a villain who is only a threat when the plot demands it, but who backs off when the characters need time. Along those lines: Benevolent creatures who just happen to show up out of nowhere in a time of need (think eagles in Lord of the Rings and The Hobbit). But it's still, hands down, the best of the series, and well worth the journey.
The price of MagicReview Date: 2007-10-09
In the final book,Vanyel is older,wiser,and still dealing with his grief from losing Tylendel. He has had many lovers,even fathering children with women despite his own attraction to men. Tylendel is his lifebonded. Mercedes Lackey solves the problem of Vanyel's loneliness with Stefen,a Bard with the power to sing away pain. Stefen is young enough to be Vanyel's son,yet he is Tylendel reincarnate (though Tylendel was slightly older when they first met) Stefen's courtship of Vanyel is at once romantic and humorous. The rarely humored Vanyel finally laughs,finding love in the process.
However,tragedy darkens their blissful world. Vanyel's beloved Aunt Savil is murdered,as are other Herald-Mages. Vanyel is brutally gang-raped. While the villain is vaguely defined (a common problem in Lackey's writing),Vanyel gives the final battle his all. In the epilogue,however,Lackey shows that death does not have the last word.
When Mercedes Lackey created the character of Vanyel,she said she intended for him to be gay,connecting it to him being the Last Herald-Mage. Though he has fathered children,he dies without heirs of his own and a family. He finds love with Stefen,who mirrors himself at a younger age;paradoxically,Vanyel sees him like his father,and emulates his mother. In some ways,Vanyel drowns in his own image like Narcissus,yet in the end he is redeemed through his ultimate sacrifice. In the beginning,Vanyel was a vain peacock;in the end,he is the fiery phoenix.
An Utterly Engrossing Series!Review Date: 2007-03-31
This trilogy gave me a great deal of inspiration to push on with my own fantasy aspirations. I owe Misty a big hug if we ever meet face to face. I highly recommend these three books. Whether you're gay or straight, you'll find them an excellent read and, like me, you'll be sorry to reach that last page.
Best and worst of the trilogyReview Date: 2006-02-27
I tolerated the first two because of the tasteful use of "fade to black" before any love scenes. This one goes into more detail -- though still tame by "romance novel" standards.
The worst was the depiction of a gang-rape. Uncomfortable to read.
The hero was still too moody and sulky for me and too dense to see the good in his life. Also, too careless in some very important decisions.
A reasonably satisfying ending.
I'm glad I read it. I will not be recommending it to my children, however.
Excellent!Review Date: 2006-01-20

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I love Miss Suzy!Review Date: 2008-07-14
childhood favoriteReview Date: 2008-07-08
My favorite part was the big spider Miss Suzy scares away and the soldiers helping her get her house back.
An Absolute FavoriteReview Date: 2008-05-03
Miss Suzy she loves her house she loves her home! Review Date: 2008-03-01
I'm 44 yrs old and this book is still around--I read this as a 4yr oldReview Date: 2008-02-11
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childhood favoriteReview Date: 2008-02-28
A heartwarming book for all ages.Review Date: 2007-12-28
A Fairytale you'll want your kids to readReview Date: 2007-08-25
Every child should read this bookReview Date: 2007-08-31
M.M. Kaye's The Ordinary Princess: Ordinary and Fantastic in Delightful HarmonyReview Date: 2007-11-14
One may know the story of the servant girl who gets to go to the ball, the story of the beautiful girl that falls in love with the beast, the princess that is finally awakened by a kiss from a dashing prince. But, it is quite possible that one may go half of her life before ever hearing the story of another girl, a princess in fact, who was born once upon a time in a land called Phantasmorania. She was christened Her Serene and Royal Highness Princess Amethyst Alexandra Augusta Araminta Adelaide Aurelia Anne--a name fit for the most beautiful and exraordinary princess in all the land. Special gifts were bestowed upon the baby at this christening celebration by the magical fairies of the land. All seems to be heading straight for happily ever after until the last fairy bestows her idea of a gift on the princess: "You shall be ordinary!" The kingdom is turned upside down. An ordinary princess?
The king and queen may consider this gift a curse indeed, but it is what makes the story so endearing to readers. Traditional views of what makes someone noble and special are tried, especially what makes a woman beautiful and of worth. In a classically fairy-tale setting, a mythical land ruled by Oberon, king of the fairies, new-age ideas are considered and ultimately proven plausible. M.M. Kaye's story, The Ordinary Princess, is a refreshing new take on classical fairy-tale stories that enamors readers with its relatable characters all the while enchanting them with a somewhat fantastic plot and imagery. Because Princess Amy is so believable, readers are better able to walk along side-by-side with a princess and vicariously experience all her adventures instead of gazing longingly from afar.
Kaye's story brings ordinary and fantasy into beautiful harmony: it is what makes this story the most enchanting fairy-tale you might've never heard of. It's never too late for this kind of magic.
A princess is supposed to be fair, with hair golden, skin like wild rose petals and cream, and eyes as blue as larkspurs (3). A princess is supposed to be graceful, well-tempered, always behaving with the utmost dignity and poise. Kaye characterizes all six of Amethyst's sisters by nothing more than this description of what a royal princess should be. But, because of the gift bestowed on the little princess to be ordinary, Amy, as she was thereafter called (for "what could be more ordinary than that?"), is hardly those things at all (21). Amy was much more like us: she was imperfect. She had a stubbed-nose, freckles. She was gawky and had the "distressing habit of standing with her feet apart and her hands behind her back" (22). Already, an ordinary audience has come to relate to this ordinary princess. The audience can relate to physical imperfections, but the audience is inspired by the way Amy reacted to her imperfections and lived her life. It wasn't that Amy never was discouraged. Indeed, no. This facet of character makes her all the more relatable, realistic. But, she was optimistic about looking at things though and she enjoyed life, trying to look at the bad in a positive light. Amy was such an ordinary sort of girl that she would sneak out of her window to play in the Forest of Faraway. It is easy for the audience to like Amy for themselves and it is natural for them to empathize with her, but the people in the kingdom don't seem to like Amy and her manners very much at all. The reader finds acceptance and an embracing of his imperfections through the character of Peregrine, the "man-of-all-work" she meets a neighboring kingdom. He grows to love her for her ordinary self and her ordinary habits. She is not timid and delicate like a princess is expected to be and he loves her and all of her "imperfections," without even knowing that she is a princess. It is human, it is ordinary, to want to be loved for what we really are and Amy and Peregrine's story gives the reader hope that it can happen.
Their relationship manifests the harmony of the ordinary and the fantastic that Kaye uses to enthrall readers. Amy meets him in a very casual setting and they decide that they would like to be friends. They talk as friends. They are informal and playful in their dialogue. One day, when they are lounging in the forest as they often liked to do, he talks of having seen the princess that had come to visit the king of this far away kingdom where Amy had runaway and where she met Peregrine. She asked him, "What's she like?"
He answered her, "Like a princess." She didn't like this answer saying that it was silly, so she threw a blackberry at his nose. That's not the sort of thing Cinderella would do but it seems an ordinary thing for a modern girl today to do. Their conversations are full of silly, friendly dialogue and they almost always end their rendezvous walking hand in hand and laughing together. But, the fantastic part about it is that they truly love each other. This ordinary relationship turns into something real and something that can last. Even when the plot takes an unexpected turn, they still live happily ever after together. The coming together of the ordinary and the extraordinary in their relationship uplifts the ordinary reader, giving him or her evidence that fantastic is in the realm of possibility.
In addition to character development and plot in bringing a refreshing harmony to the work, M.M. Kaye cleverly and naturally manipulates simple, every-day words and assembles them in an enchanting way that creates the sweet, lovely undertone of the entire work. Instead of using extraordinary, sophisticated words to describe the beauty of a baby, she says simply, "she was as pink and white and gold as apple blossoms and the spring sunshine." In these simple words, the reader receives almost an entire idea of what this baby is like because the reader is able to imagine the softness of the babies skin like the petals of the blossom, the babies sweet smell like the scent of the blossom, and the warmth of the babies skin like clean spring sunshine. Kaye takes advantage of the readers' minds ability to make relationships to words and bring up images without the image being explicitly laid-out by the author through unnecessary wordiness. The images that Kaye creates using such simple words are so brilliant that it would seem that she were a fairy herself. Because she uses this simple diction to color her piece, all, young or old, are able to read her story as if it were meant for them, gleening from it what their mind imagines all on its own.
Even the illustrations that enliven the pages of Kaye's fairy-tale are enchanting. The simple and sometimes amusing black and white line drawings add a childlike intrigue to the book. The images look simple enough but they are beautiful and oftimes delightful caricatures of the people or the situations Kaye is describing, adding to the humorous, casual, friendly aspect of The Ordinary Princess.
This story is attractive to modern audiences because of the idea that what is traditionally valued by society is not always the most valuable thing to have. What Amy lacked in beauty and elegance, she certainly made up for in warm, gentle kindness and friendliness. Amy, like other fair-tale princesses, was so gentle that she had animal friends that kept her company, a crow and a squirrel. She was able to look past herself and think of others because she was not caught up in her appearance. She was straight-forward and sometimes rambunctious about the way she did things, something contrary to the traditional idea that a woman should be demure, and in this way attracts the modern reader whose idea of woman may be different. This story has the fantastic, enchanting aspect of a fairy tale but because Kaye chose to combine that with the ordinary aspect of humanity, it can attract and resonate with a wider audience.
The title of the book itself, The Ordinary Princess, brings too dissimilar things, ordinary which connotes mundane or down-to-earth, homely and the idea of a princess which is basically everything extraordinary, beautiful and noble and sophisticated. The title intrigues readers because of the juxtaposition of these two seemingly paradoxical ideas; the reader may question or dare to hope that these two characteristics aren't so contradictory after all. As the reader turns the pages of Kaye's tale, absorbing the character of Amy, the fun and childlike humor of the dialogue and the characters, and the mesmerizing illustrations one comes across every so often, they are increasingly enchanted with the idea that fantastic is in the realm of possibility. Amy is loved for her ordinary self. Being true to one self is more important than living by society's norms and that is when happily ever after can really happen.

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