Titles Books

My 3-year-old loves this book and so do I. I've been reading it to her for over a year and it's always been a favorite. It has great illustrations and a clever, original story.

Jan Brett's story, "The Hat", is a real wonderous book! This book is a wonderful well-written story! With breath-taking pictures, and a beautiful story line, this book will have you smiling all the way through it!
In the story, a little hedgehog named Hedgie finds a stocking on the ground. Thinking it is a stylish winter cap, he wears it on his head, but it gets stuck on his sharp pointy quills! He goes around to show off his newfound hat, but gets laughed at by the animals each time. Poor miserable Hedgie goes off to be by himself. When the "hat's" owner retrieves it back from Hedgie, a wonderous and helarious thing happens! You'll have to read the book to find out!
The realistic pictures and side drawngs complete this wonderful picture book. For ages 6 and up, this book is another one of Brett's adored picture books that will have you reading it over and over again!

Love Jan Brett... This one actually has two stories going, one in the main pages and one in the insets along the side, then they come together in the end. Fabulous!

I love Jan Brett's work: A modern day Shirley Hughes, I think. 'The Hat' is as beautiful and charming stories as any of her stories - and with wintertime feel-good-factor.

Get The Mitten instead, if you don't own it yet. This one is a little on the tedious side. You can see exactly where it's going from the very beginning and it doesn't have the peek-a-boo/sneeze joke in it that my daughter loves so much in The Mitten. To be honest, this is one of those books we have in our bookcase for variety and one of those ones where I skip parts just to get to the end of it.

Here's another book that I purchased because I loved the cover art. (I wish we had a poster with that illustration on it!) There is something very cheerful about the smiling Sun and a ring of happy animals celebrating it. This is a beautiful, "feel good" book inside and out, in both text and illustration, in message. I was surprised to discover that the back cover had a recipe for Sun Bread, which I am tempted to try--even with my limited cooking abilities! LOL I thought the recipe note was brilliant and ever so funny: "This bread, alas, won't make you fly. But it is heavenly--light and high!" Could happiness be as simple as a warm loaf of good bread? :D

I like the book's message on how one really should take responsibility for one's own happiness as the little baker does in this tale. This book is worth sharing and reading aloud.

I have become a huge fan of Elisa Kleven's work, and I recommend this book as a remedy for rain and / or wintry days, for family time, and for in-school story time. Another great story is "The Lion and the Little Red Bird."

This is just a charming book. the art is amazing, there is so much to see, so much to discover on each page. And the recipe on the back makes a WONDERFUL loaf of bread (or circle of bread really! LOL)

This is another book we origanlly borrowed from the library and HAD TO HAVE for our private collection!!
Elisa Kleven is wonderful!!

i got this book from our library for my 3 yr old daughter who absolutely loves to mix flour water salt yeast and sugar for her "bread". She loves the illustrations as there are always little things to find within the pages; but not so many things that the story becomes cluttered....just nicely detailed. She also loves the story; it has a good feeling about it and leaves her feeling happy when we are done reading it. the recipe on the back cover for sun bread is a great way for child/parent/teacher, etc... to make; just to round out the lesson being taught. Excellent book and a must for your child's library and/or classroom library.

This is absolutely the best piece of children's writing I've ever read. The rhyme and meter are strong and playful. Kleven teases us with internal rhymes and alliterations. My three year old and I read this all the time.

The basic story line is that, on a cloudy day, a canine baker whips up a magic sun bread recipe that brings out the sun and everyone's joy. The book does to the reader what the bread did to the characters.

My three-year-old daughter and I made the recipe on the back cover, and I have to say it's a disappointment: dry and heavy. I'd halve the butter and maybe beat the egg whites for a lighter texture, but the idea is still great. The mold for the bread is cool too, and it looks happy in the oven.

A definite must-read-to-your-kids.

I love fairy tales, and this story is a most excellent example of the genre. It follows two children on their journeys through Fairyland and their interactions with various fantastic people and creatures. I loved the pure innocence of the story and found it very captivating. The narration was also very excellent and energetic, making this story a very good listen.

While The Golden Key may not be my all-time favorite book, it certainly has a strong connection to the book that I treasure most of all (well, second to the Bible). You see, George MacDonald, author of The Golden Key, was in fact the mentor of Lewis Carroll, who wrote my favorite non-Biblical book, Alice's Adventures in Wonderland. That's a very powerful and indeed shocking connection if you ask me. But you can kind of see it if you look closely. I mean, the kids in the Golden Key grow both old and young. Alice in Wonderland grows big and small. Kinda similar there.

Yet, I did not know about the relationship between the two books until AFTER I had finished The Golden Key and decided to do some research on its origin. I simply read The Golden Key like I would any other book, and developed some commentary on the work as a whole that I would now like to communicate:

First, the book is very short. I finished it in two days. And because its so short, events move incredibly fast to make room for heavy amounts of whimsical feeling and fantastical description.

But again I have to go back to the Alice thing. I noticed how SO many sentences in the story turned the reader upside down and made him say, "huh?" It was as if the Fairy World did everything it could to stay all out of whack. Whether it was to make speech that could be heard without ears, or to make the oldest people in the world look like little kids, the topsy-turvy nature of everything couldn't help but instill an amazing sense of awe. Truly, The Golden Key opens eyes to such incredible abstract possibilities of the imagination, and perhaps even life itself.

The out of whack sense of awe, while wonderful in this book, developed into full maturity in the Alice books. While The Golden Key merely mentions things that make no sense, the Alice books actually attempt to explain the senselessness of senseless things.

I hope I will always have a special place in my heart for MacDonald's prototype of Alice in Wonderland. Oh, if we only knew how much the imagination behind The Golden Key has really changed the world. I think we would all be very surprised.

I purchased this book as a Christmas gift for my 20-year-old daughter. It was one of her favorite books as a child and she frequently checked it out of our local library until it disappeared from the shelf there, never to be seen again. She was very excited when she saw that she had her own copy and she took the book back to college with her after Christmas break. Although I haven't actually read the book myself, I can tell you that my daughter thinks it is great!

This book is like a drink of the freshest, clearest water on the brightest, bluest spring day you can imagine. It was lovely every step of the way, somehow beautifully sad and wonderful at the same time. With the aid of the creatures of fairyland, mistreated Tangle and adventuresome Mossy go on an enchanting journey which takes them straight through to a wisdom and sense of wonderment that is somehow greater than that found in adulthood (or childhood). George MacDonald truly had an eye for the worlds of fairy, and an unsurpassed talent for expressing beauty in all things. The stories are not always meant to be understood, but deep in that inner place in one's heart, they make sense.

An earlier reviewer mentioned the difficulty of understanding the imagery of the story and another suggested (perhaps rightly) that the golden key represents Christ. C.S. Lewis believed it represented "the talent for loving", and having read the book numerous times, especially to nephews and nieces, I agree. Without giving away too much, notice the differences between Mossy's and Tangle's journey after their separation (physical death), especially how they saw the Old Man of the Sea. One might need to have read more of MacDonald's works (especially Unspoken Sermons) to get at his view of how love affects our ability to "see". His "At the Back of the North Wind" contains another wonderful example when North Wind explains to Diamond why she had to appear as a dreadful wolf to an old woman.

This fable tells about the lazy animals who did not want to help the hen. They let her do all the work, but did not do a thing themselves. Then at the end when the hen reaps of the fruit of her labor, all of a sudden they want to share in that fruit. However, the hen gets it all to herself and they get nothing.

This version is a classic one. The story and illustrations are very inviting for any child. I love the classic moral of the story too.

I purchased this book for my children and did it bring back memories! I had it read to me when I was little. So the story line is cute and teaches a valuable lesson with the moral the lazy cat, dog, and mouse do not get the snack. All of my children from 2-6 love this story, it never grows old.

Her ability to cook empowers this little red hen to motivate her housemates. Help me with some of the housework if you want cake. A final illustration shows all the animals working, sweeping and dusting!

After reading the story as it is written, follow along with Heather Forest's Little Red Hen from the album, Sing me a Story. End on that final illustration with her words, "Sharing the work makes working fun."

Different versions may use different characters. This one uses the traditional Dog, Cat, Mouse.

I love this book! The children loved it and the story emphasizes cooperation. I work with preschoolers and have used the audio tape as well as a flannel board.

This book has been a life changer for me. Another great book is- No Soul Left Behind. Hope you enjoy these book as much as I did.

This is one of those books that, once you pick it up, you can't put it down. It is filled with entertaining and intriguing stories. You read of one person after another whose present life circumstances are connected with the cause of those experiences in various past lives.

Reincarnation is a topic close to my heart. A dream about a past life first brought me to Edgar Cayce. Where else could I find an explanation for the challenges in my present life presented in the dream except in Cayce's understand of how previous incarnations influence our present life?

Gina Cerminara thoroughly researched Cayce's trance readings given for many individuals for many types of life challenges. Cayce gave two types of readings. The first type were mainly to diagnose and suggest cures for diseases. The second type offered solutions and suggestions for dealing with life problems based on astrological impulses and the karmic results of past lives. These were the life readings.

Cerminara not only researched the Cayce life readings, she also grouped the lessons learned from these readings into categories. They are organized under chapter headings such as "Some Types of Physical Karma," "Infidelity and Divorce," and "Personality Dynamics."

I referred to a selection in her chapter on the "Mockery of Karma" in my book, When We Were Gods: Insights on Atlantis, Past Lives, Angelic Beings of Light and Spiritual Awakening, in which hypnotherapy sessions for weight control revealed a previous lifetime in which I had ridiculed my obese husband of an arranged marriage. In Many Mansions, Cerminara refers to a Cayce reading for a young woman afflicted with obesity attributed to a previous lifetime. The young woman had been a beauty and an athlete but she had derided people who were overweight. She was now "meeting herself" by having to suffer with the very characteristic she had scorned in others.

I like that Cerminara categorizes different types of karma as being either retributive, such as the karma of mockery, and continuitive, in which a person becomes accustomed to a certain attitude to life over a series of lifetimes. I too had an experience of continuitive karma because I had had a number of lifetimes in which, because of starvation or a bony body type, I had actually wished to be fatter. This attitude led to my present lifetime in which I gained weight easily but lived in a society in which a fleshy body is not preferred.

Many Mansions is a great book. It is many people's first introduction to Cayce. There's a lot to learn about the subject of reincarnation. For me, probably the best result is compassion for humanity's weaknesses and foibles.

It's a great book. Very highly recommended for anyone interested in Edgar Cayce, reincarnation, or the mystery of life.

By Carol Chapman, award-winning photographer of the ONLY Edgar Cayce calendar Divine in Nature: With Quotes from Edgar Cayce and author of When We Were Gods: Insights on Atlantis, Past Lives, Angelic Beings of Light and Spiritual Awakening.

I admire this man and wish his work would have been known to more people.

A fabulous book, extremely well written. This is one of the few books that has impacted my way of thinking. After reading this I find it easier to accept a lot of depressing things I see in this world.

I liked the book well enough, but I think Cerminara added too much of her own thoughts on the subject of reincarnation, almost reshaping the message Cayce brought to us through his "channeling". I would have liked to have read more of Cayce's words and less of Cerminara's "interpretations" of Cayce's readings.

My daughter (9) loves this book! She says that it is very creative!

What a find! This is a beautifully illustrated book. The story is so magical that the entire family was eager to hear every word.

There is not much not to like about this work. The author has given us a great folk tale, well written, wonderful illustrations, a work full of lessons and just a pure simple fun story to read. Like all good fables this one not only entertains, but teaches some very valuable lessons in life and living (something most of we adults could use a dose of now and again). This is a great book for a child to read on her or his own, a wonderful book to read with a child and a great book to read to an entire class. It is absolutely amazing the amount of discussion this book can create in a class room. I certainly am not going to go into the story line here, other reviewers here have done a grand job of that, but I do say the book is well worth owning and well worth using with children and/or young adults. I do wish more of our folk tales and lore could be so well presented. This particular edition is well constructed, sturdy and can last through many little hands. Highly recommend this one.

This is a charming little folktale about two sisters Ð one mean and greedy, the other generous and kind Ð and their encounter with a strange, magical old woman. In the end, the good sister is rewarded and the bad one punished. A nice story with a good message.

But this isnÕt just a nice book, it is an extraordinary one. One thing that makes it special is the way the author uses language. Robert San Souci draws on an African American storytelling tradition and a southern rural dialect that just makes the language sing! The book is full of wonderful, poetic lines and great rhythmic language. ItÕs a joy to read aloud. The words feel good in your mouth. And any parent or teacher who reads aloud a lot knows what a rare quality that is. Even when IÕm tired, I feel like I canÕt read this book badly. The words just flow.

And the illustrations are gorgeous. Jerry Pinkney is one of the best illustrators around and this is one of my favorites of all his work. The composition, the subtle colors, the intricate detail Ð you rarely come across art this fine in childrenÕs books.

I bought this book for my daughter a couple of years ago, and weÕre still reading it over and over again. ItÕs so good, I hope in a generation sheÕll still be reading it to my grandchildren.

This book received a Caldecott Honor as one of the best illustrated children's books in 1990. The rich, subtle watercolors expand the reader's appreciation of the story, and help keep some of its stronger elements in balance for younger children. The story itself is a cross between several favorite fairy tales, most significantly Cinderella, and represents a retelling of a Creole story from the American South.

A widow has two daughters, and lives with them on a poor farm that "looked like the tail end of bad luck." Rose, who was like her mother, was "cross and mean and didn't know beans from birds' eggs." Her sister, Blanche, was "sweet and kind and sharp as forty crickets."

Unfortunately, their mother liked Rose best because they were so similar, being "bad-tempered, sharp-tongued, and always putting on airs." While the two of them chatted, Blanche did the work.

One day, Blanche was getting water and ran into an older woman who asked for a drink. Blanche helped her. As a result, Blanche was late returning and received much ill-treatment from her mother and sister. Running off, Blanche saw the old woman again, who asked Blanche to join her. She warned Blanche not to laugh and to do as she was told. Soon, they are in a magical place where all kinds of strange things happen. But there is plenty to eat and drink. At the end, Blanche is told to bring back certain talking eggs and throw them over her shoulder. When she does, a nice set of surprises occurs.

Immediately jealous, her mother sends Rose to the old woman to get similar help. But Rose cannot follow directions, and the magic either doesn't work for her or causes her problems.

In each case, justice is done.

The story is told in an imaginative way that makes the reader want to know what will happen next. Unlike many fairy tales where you can pretty much outline the rest of the plot near the beginning, this one has some interesting, unexpected twists.

The writing is witty, and makes good use of the story's inherent charm in praising goodness of character.

If you have a sensitive child, this may not be the right book for you to acquire. The treatment of Blanche can upset some children. The magic involves creatures having two heads, and the old woman being able to take her head on and off again. In one scene, Rose takes the woman's head as a ploy to get some talking eggs, too. You can see how this might be a bit much for a sensitive four year old. Children who are able to suspend their sense of reality will probably have no problems with the story.

I enjoyed the watercolors very much. They provided a richness in their exquisite detail that made me feel good just holding the book. Also, it made the book seem more sophisticated than the typical treatment of fairy and folk tales.

The book deals with many realistic problems that occur in families, like having only one parent, not having enough money, having one child be favored over another, having one child be treated poorly, and children looking for sympathy from nonfamily members. This will provide many opportunities to discuss these issues, and find out what your child thinks.

I also suggest that you talk about whether or not Blanche should have gone off with the old woman. The book seems to suggest that looking for help from strangers is a good idea. That's not an idea that I wanted my children to have, so you will probably want to clarify your feelings on this subject as you read the book.

May all be loved, and treated fairly!

I purchased a hardcover copy from the Charleston historical society's downtown office. I was vacationing and looking for local fiction, opted for Colonial period rather than Civil War or present-day. The streets and historical character of downtown are still present and make this book more interesting. The historial accuracy is very good, although overly worshipful of Marion and his role. I understand the cultural differences between present-day readers and Colonial slaveownwers, and we shouldn't demonize Colonists for that, but CG does tend to perpetuate the oxymoron "well-treated slave" (and Charleston's place as the busiest slave trade port in the New World is ignored by the book). As for Celia, "Sassyface" certainly has gumption, and this can get annoying for mature readers. But it's overall pretty good, and for teens (especially girls), this book is a treasure.

CELIA GARTH takes place during the American Revolutionary War in the city of Charleston, South Carolina. Celia, the main character is a "sassy" twenty-year-old woman who worked as a seamstress in a very fashionable clothing shop. The inhabitants of Charleston were divided in their loyalties. Some were Tories and supported the king and England; many others were supporters of the revolution. After two months of conflict and bombardment, British forces occupied the city of Charleston.

The local hero in South Carolina was Francis Marion, called the "Swamp Fox," by the British. His goal was to keep the British army occupied in South Carolina, and away from General George Washington who was fighting another British army in the north. Celia and her friends supported the revolution and acted as spies for Francis Marion during the two years of the British occupation of Charleston.

The book is full of the flavor and feeling of the late 1700's. Luke Ansell, an American soldier sings the following little ditty, as he walks home after his first meeting with Celia Garth.

"Now girls why act so shy
When provoking men come by?
You know you're only wondering
how you strike us--

Oh forget the won'ts and can'ts!
For since half the world wears pants,
You might as well own up to it--
you like us!"

I learned a great deal about Charleston and how the people of that town lived through the very difficult years of the American Revolution. The book gives a lot of little tidbits of interesting information. For instance, it was popular for the colonial women to name their male babies, George. They would then tell if their baby was named after King George of England or General George Washington.

This is a well-written and very enlightening story.

At the prompting of my mother, grandmother, and aunt, I first read Celia Garth before I was old enough to even understand half of what Gwen Bristow writes about. Since then, I have read it many, many times, and it remains one of my favorites to this day. Celia is such a vivid character, and getting to see Charleston and the Revolutionary War through her eyes is like being there yourself! I cried my eyes out at the plantation death scene, marveled at Celia's courage through it all, and could barely contain my glee when she finally realizes her true happiness. I would recommend this book to anyone, young or old; if you haven't read Celia Garth, you're missing out. And if you haven't ever visited Charleston, SC--well, need I say more? You can see the harbor as Celia did, walk the same streets, see the spire of St. Michael's, and much, much more. It's not the same Charleston as it was a hundred years ago, but it's close enough and thoroughly enjoyable.

The first time I read Celia Garth was about eight years ago. I found it sitting on a bookshelf in my house, and I couldn't put it down. It immediately became my favorite book, and to this day still is. I just recently started reading Gwen Bristow's others, and I can't put them down either! Her Historical Fiction is amazing, and her ability to combine her fictional characters with non-fictional people and places is the best I have ever seen.

I first read this book in high school many years ago. I have not been able to find another copy until Amazon. It is probably one of the best historical fictions next to Diana Gabaldon's Outlander series. Gwen Bristow is a great writer as you can also experience in her Santa Fe Trail. Anyone interested in the Revolutionary War from a woman's prospective will love this book.

I teach preschool (3- and 4-year-olds) for Head Start. They LOVED this book. In fact, they asked me to reread it to them over and over until i told them we HAD to read something else! The pictures are magical, the words are heartfelt and mesmerizing, and the lessons to be learned are timeless and easily understood by my young readers. And I enjoyed it too! If you have a child who likes fairy tales (and what child doesn't?), this is a fabulous addition to their repertoire!

This is an absolutely delightful book, one I will cherish for many years. Thanks Jack!

This is such a delightful tale! It entertains, teaches us all something, and has wonderful illustration! Mr. Gorfien is truly a terrific new talent. I would recommend this book to anyone who likes to step into a fantasy once in awhile. I am going to read it to my grandchildren someday, as it is a timeless story that makes one feel good.

This is a wonderfully enchanting book with very colorful illustrations. I've read it several times now to my children, ages 4, 6, 9, and 11. I plan on purchasing additional copies for my neices and nephews for Christmas. I love how inspirational the book is, it is truely one of the best stories I have read in quite a while. The thoughts of Lirona dancing inches above the ground and Adamina's dragonfly necklace are awesome, the kids really enjoyed those parts. I am also a huge lover of dragonflies and love the beginning of the book where it tells a bit about them. Thankyou, Jack, for a beautiful story that has fast become a favorite in our home!!

I not only find the book intriguing but I find the Author himself just as intriguing. I recommend this book very highly and hope the child in all of us could reach in and Dance with a Dragonfly.
Pauline Hale

I think that this is a major breakthrough for learning and should be used in all school curiculums.

I would recommend this book to all parents. Any kid who is struggling in school can learn and apply the techniques of finding "barriers" in his/her study and overcome such barriers. My kids are applying what they have learnt in this book. Now when they read their school material they understand what they study. Thanks LRH.

I bought this book for my 13 year old who has always stuggled academically and socially. However, now that she's in middle school it bothers her more and more.

One of the issues I've noticed is that she doesn't have a good understanding of what she reads or hears. Miscommunication, social mis-steps and frustration typify the way she interacts with the world.

One of the techniques described in the book teaches kids how to use a dictionary AND find mass for each word. You can see her "lights come on" when she does this. Kinda like, "Oh, that's what it is!" It's funny...she hates reading. But she'll read this book. And when I bought her a picture dictionary she wouldn't put it down! It was as if a whole new world opened up. She walked around reading definitions out loud.

Her grades in English have gone from a D to an A in one school term. So we'll likely use more of LRH's study material.

This book is a must-have for anyone who wants to learn. With the recent lowering of scholastic aptitude tests, over 45% drop-out rate in high school, the wrongful labeling of kids with invented "learning disorders", this is the only book that contains the solution to these problems in our society. This book goes back to the 1950's standards when people were literate and read for entertainment. I've used this book as a former homeschool teacher and currently as a life improvement coach. For over two decades I've followed the children and adults whom I've helped with this book, living the lives they choose to live because they have the tools to learn anything! Learning does not have to be complicated. On the contrary, this book breaks learning down to the simplicities of how to learn by giving one: (1) the ability to recognize what the barriers to study are, and (2) the amazingly simple tools to remove the barriers. This is a "must-have" book for everyone!

My kid loves this book and is a better student becuase of it! I recommend it to anyone that wants to study more effectivly or wants their kids to do better in their education.

I needed this book right away for a Summer school class, and I received the book less than a week after ordering it!

This is the wonderful first edition of The Mathematical Experience written by Philip J. Davis and Reuben Hersh. However it is NOT the study edition which was designed for use in the classroom. The ISBN number for the Study edition is: 0-8176-3739-7.
The authors are Davis, Hersh, and Marchisotto

In my view, this book (which looks like a collection of articles gathered up under several rubrics) shares typical achievements and flaws of all popular-math literature; namely, it's enjoyable and enlightening as far as historical and philosophical aspects of the material presented, yet when they authors actually get to mathematics, it becomes fragmeted, jerky, and confused. Symptomatic of this is the chapter on nonstandard calculus: the historical narrative is very interesting, yet the math proper is confused and incomprehensible. Perhaps that is because it's impossible to express it fully and right in a popularizing context; perhaps it is so because I'm too obtuse to have understood it (but then the most of the target audience is probably no better); or maybe it's because the authors didn't do a terribly good job of it. The next chapter (Fourier analysis) suffers from the same.

Overall, I say, it's a good, although overrated, book. Read it, get what you can out of it and don't fret about the rest: the book is really a collection of articles, apparently written for different purposes, at different times, and for different publications; the quality of writing varies from section to section, although the overall structure and topicality are unquestionably very good. The book has an extensive and diverse bibliography along with a rather mediocre (close to names-only) index. Well, no book is perfect, including this one: overall it's solid four stars -- recommended.

The authors deal with various important aspects of mathematics and about practising mathematics. They also deal with the philosophy of mathematics. By and large, they do it engagingly. Specifically, they tackle why mathematics seems to 'work'; how a mathematician actually goes about doing mathematics; they offer some light treatment of a few mathematical topics, and they illustrate mathematical thinking as well.

This book is best read by students thinking about choosing mathematics as a career, or even just as a field of study. Although, any layperson will come off with a greater appreciation of what mathematics is, and what mathematicians do.

The Mathematical Experience by Philip J. Davis and Reuben Hersh
1981 Houghton Mifflin Company, Boston

Is all of pure mathematics a meaningless game? What are the contradictions that upset the very foundations of mathematics? If a can of tuna cost $1.05 how much does two cans of tuna cost (Pg. 71)? If you think you know the answer, don't be so sure. How old are the oldest mathematical tables? What is mathematics anyway, and why does it work? Can anyone prove that 1 + 1 = 2?
This is a book about the history and philosophy of mathematics. I'm certainly not a mathematician, and there are parts of the book I will never understand, yet the balance of it made the experience well worth while. The authors presented the material so that it is interesting and (mostly) easily understood. They have a creative way of making a difficult subject exciting. They do this by giving us insights into how mathematicians work and create. They live up to the title making mathematics a human experience by adding fascinating history. Frankly I was shocked when they pointing out how even mathematicians have made questionable assumptions and taken some basic "truths" on faith. They show the beauty of math in the "Aesthetic Component" chapter. Ultimately the question that comes up again and again is the question of whether or not we can really know anything about time and space independent of our own experience to make an adequate foundation for a complete system in mathematics. If you have ever wondered about the world of mathematics and the personalities involved you might consider this book. If you are a mathematics teacher you should read this book. If you are a mathematician you could find it quite unsettling.
It contains eight chapters, each one broken up into many subtitles so if you do get bogged down in the mathematics it isn't for long. There are 440 pages. I'd like to see a much more complete glossary for people like me who need it.