Collectibles Books

I absolutely love The Comprehensive Guide to Chocolate Molds: Objects of Art & Artists' Tools. It has beautiful photographs of molds with their values. This was of great interest to me since I have a mold collection. Also I use my molds for chalkware and have for more than 15 years. It was exciting to see photos of other chalkware artists' work. In all I love the book and hope Wendy comes out with Volume Two as there are many more molds to cover. Thanks, Carol

I have enjoyed the book on chocolate moulds and it is very informative for the antique moulds. I would recommend this book and am happy that I ordered it. It has many pages of information and pictures.

this book was well worth the money, it was well done. very informitive, unique and happy to own it

Wendy Mullen found her first chocolate mold over fifteen years ago and loves writing about chocolate. She has published articles about chocolate molds and this book displays a wide array of antique chocolate molds that include everything from Easter eggs to cats and angels. There are molds for butterflies, bunnies, frogs, turtles, goats, roosters, pigs, lambs, dogs, elephants, teddy bears, deer and just about any other animal you can think of including storks, seals and stylized dolphins. Fairy Tales are also featured and you can may enjoy seeing a Hansel and Gretel house, Red Riding Hood and Snow White Scenes.

All the prices are included so you can have an idea of how much you want to spend if you go looking for these molds. All the main holidays are represented, as are unique items like the the Krampus mold familiar in Austria. Neptune also appears and then there are may pages of Santa. If you love collecting Santa items, there is page after page. Christmas takes up at least one fifth of the book and is perfect for getting ideas if you make chocolates for Christmas. There are snowmen, angels, Christmas ornaments and even manger scenes.

Even if you don't want to go looking for a three hundred dollar scallop shell, at least you can get ideas for what you want to go find online. Many of these molds seem to be useful for candy making and for making soaps.

Additional creative finds at the end include hearts in a postcard style which are very beautiful once painted or if you use three types of chocolate. There are castles, temples, crowns, shoes, cars, boats and even hot air balloons.

A special "Collector's Tips and Closing" section shows how to purchase antique chocolate molds, explains how they must be cleaned and handled to prevent rusting.

From the information in this book, you could actually buy a new chocolate mold that looks antique. Additional information on suppliers is briefly discussed. To find most of the molds, you only need to do an Internet search because all the items have collection information and the names of the specific items.

As a coffee table book this is highly entertaining, but the usefulness factor is especially enjoyable because of the way the book is organized. A lovely gift or a research tool for your own journey of chocolate art.

~The Rebecca Review

Wendy Mullen's The Comprehensive Guide To Chocolate Molds: Objects Of Art & Artist's Tools more than just a collector's price guide, Wendy Mullen, chocolate maker for 15 years, delves into the history of antique chocolate molds and their design and production, packing over 1300 photos of such antiques with discussions of all kinds of molds. Topped by an interview with the great-granddaughter of one of the best German mold specialists in history, Anton Reiche, The Comprehensive Guide To Chocolate Molds is unparalleled in depth and detail: there's simply nothing like it on the market, past or present.

Cork Silver And Gold: Four Centuries Of Craftsmanship was published to coincide with the exhibition in the Crawford Gallery Cork, but stands alone as well as the first to detail the work of Cork silversmiths and goldsmiths, and will appeal to specialty art collections. Both public and private holdings were culled for this feature: what results is a display which will serve as both a history and a reference to any dedicated jewelry student studying Cork craftsmanship.

Cork Silver And Gold: Four Centuries Of Craftsmanship was published to coincide with the exhibition in the Crawford Gallery Cork, but stands alone as well as the first to detail the work of Cork silversmiths and goldsmiths, and will appeal to specialty art collections. Both public and private holdings were culled for this feature: what results is a display which will serve as both a history and a reference to any dedicated jewelry student studying Cork craftsmanship.

Cork Silver And Gold: Four Centuries Of Craftsmanship was published to coincide with the exhibition in the Crawford Gallery Cork, but stands alone as well as the first to detail the work of Cork silversmiths and goldsmiths, and will appeal to specialty art collections. Both public and private holdings were culled for this feature: what results is a display which will serve as both a history and a reference to any dedicated jewelry student studying Cork craftsmanship.

Cork Silver And Gold: Four Centuries Of Craftsmanship was published to coincide with the exhibition in the Crawford Gallery Cork, but stands alone as well as the first to detail the work of Cork silversmiths and goldsmiths, and will appeal to specialty art collections. Both public and private holdings were culled for this feature: what results is a display which will serve as both a history and a reference to any dedicated jewelry student studying Cork craftsmanship.

Cork Silver And Gold: Four Centuries Of Craftsmanship was published to coincide with the exhibition in the Crawford Gallery Cork, but stands alone as well as the first to detail the work of Cork silversmiths and goldsmiths, and will appeal to specialty art collections. Both public and private holdings were culled for this feature: what results is a display which will serve as both a history and a reference to any dedicated jewelry student studying Cork craftsmanship.

Just got this book for my 21-month-old daughter and from the moment I took it out of the box, she loved it! Now she runs around the house saying "Counting In The Garden" to get me to read it to her (I hid it on a high shelf so that she wouldn't destroy it - it is so pretty!). The illustrations are beautiful and after I read it, I went online and purchased another copy for a friend's daughter and a box of matching notecards, too! Kim Parker is an amazing illustrator - I highly recommend the book.

My 2 year old got this as a gift from my aunt for Christmas - by far a favorite gift this year. It has such beautiful illustrations. She loves the cadence of counting so she'll go through the book on her own and "count". I love that. She relates each page to a certain number of taps on the page. I think the illustrations really help with that because they are so colorful and really keep her interest. The animals throughout are somewhat hidden in the garden and it's fun to find them all. This book is not in hardback so the pages are worn already but that's ok. It shows that it's a loved book!

This is truly a treasure....a sweet story and the most beautiful illustrations. The colors alone will make you smile.

Although this book is appropriate for ages 2-4ish, my 6 year-old daughter LOVES finding the garden friends hidden amongst the pages. She also loves talking about what mediums the illustrator may have used- she came up with crayola water colors!!! This book is definitly a keeper for the years to come.

I purchased two of these books for my granddaughters who are beyond learning to count, but certainly not beyond appreciating the beautiful illustrations by Kim Parker. This book is as pleasant for the eyes as it is to read. Highly recommend it.

This book is truly terrific, thoroughly engaging. One can tell the author went to great lengths to find out every little detail because there are no real gaps in a story that spans over 7 decades. Just a delight to read.

I procured an advance copy on ebay, and I loved it. I learned quite a bit about coin collecting, 20th century numismatics, King Farouk, and collectibles and the law. It was a very enjoyable read, and I highly recommend it, for both coin collectors and non-collectors.

Wow, who would have imagined that the world of coin collecting would be inhabited by the quirky collection of characters in this intriguing book? I loved the mystery of the story and the surprising and true journey of the double eagle. The book is very well written in a style that is both hard to put down and fun to read. I enjoyed the history of early twentieth century coins. The legal maneuverings in the story are great!
Read this book!

I know nothing about coin collecting, but I bought this book on a whim -- the cover is striking -- and read the whole thing the first night. King Farouk, Teddy Roosevelt, obsessed Secret Service agents, shady coin dealers, clever lawyers... this book has it all, and I just couldn't stop reading until I finished the whole thing. Double Eagle is so much more than the saga of a gold coin. It's a compelling narrative, a fascinating work of history, an incisive study of collecting mania and, most of all, a thriller that ends with a twist that will shock you. I'd give it six stars if I could.

As a successful collector of St. Gaudens $20 I say this is by far the better of the few books about the chicanery, sneeky dealings and inevitabe "sting" surrounding the 1933 $20 Saint Gaudens. The author wastes no time jumping into the thick of things and every page is full of insight and great reading. There's no fluff in this book, it's cover to cover great "stuff"....the players, the government, the mint officials and the setup man, Izzy Switt are all followed in a way worthy of a murder mystery. What's also great is that inasmuch as this will appeal to the general public, it's really appealing to coin collectors because of the author's research into the inner dealings of the coin world. One coin...one incredible non-fiction novel!

I have a number of collector books, including Elegant Glassware of the Depression Era : Identification and Value Guide (8th Ed)by Gene Florence. Gene Florence books are my favorite by far. This book is very well formatted. It is loaded with clear pictures that are helpful in pattern identification, informative text, and has easy-to-use pricing guides. The book indexes the glassware by pattern name and by manufacturer.

Whether you are a novice collector or "expert", I am sure you will find this book to be very helpful. Gene Florence's down-to-earth presentation of glassware is refreshing and practical!

This book is a little large to be carrying around, however I still do carry it to places that I already know will have the pattern I am looking for.

The forward describes "Elegant" glassware as handmade and acid etched glassware that was sold by department and jewelry stores during the Depression era through the 1950's, differentiating it from the dime store and giveaway glass that has become known as Depression glass. The word "Elegant" has become "official" nomenclature among today's dealers for designating handmade glass.

It is well organized with the glass patterns in alphabetical order and the prices in columns by color of glass. Most of the pictures are color and have good enough definition to identify what you are looking at. There is a contents by pattern and a contents by company.

gene florence , any of his books are concise and show the items in a clear picture . he presents the items along with the current prices . all of genes books as is this one , are lovely to look at and very informative, giving a lot of joy.

Orginally purchased for my mother, I purchased it also after looking through it. The original reason for the book was to attempt to id some etched glass, the glass was not in the book, but it was worth it anyway. Beautiful photos, good writing, I saw pieces I had not known exsited. Who knew that such elegant depression glass was out there! I would not recommend it for the "flea market" or "yard sale" groupie, one of his Collectors Encyclopedias may work better, but it is still a very nice book and well worth it if you collect or deal in higher end depression glass.

This is another fave of mine from Gene Florence!He sure knows what he is writing about!!!This book is loaded with color photos of many different types of depression glass.I never realized how many patterns,and companies,there were out there!!!He also is very thorough about listing what pieces were in what colors and the values for each color.
Overall a fantastic book!

It is easy to tell that a lot went into this beautifully illustrated book. I didn't realize until I went through this book how many dolls of this type there were. I was disappointed that I was only able to identify one of my storybook dolls. Still recommend this book for the avid Nancy Ann Storybook doll collector.

Excellent book to inform you and to identify what you are looking at.

Anybody interested in collecting Nancy Ann dolls must have this book which chronicles the history of these beautiful dolls and is chock full of photos and helpful information.

Ever since the early fifties I have had Nancy Ann Storybook dolls and this book is a must own for anyone interested in these dolls, if for no other reason than it boggles the mind to see how many of these dolls were made, and for all ethnic groups which is interesting when one considers black and Asian dolls were almost unheard of in the pre-60's days. Today I must have about twenty five of the dolls including a Nun doll but haven't been able to find the black doll that had the blue and white plaid dress which I had as a child. My dolls are heirlooms that will be passed down to family members who appreciate the workmanship. The book has so much information on the start of the company and how even during WW2 they were big sellers. And the photos are awesome.

This is a wonderful book, especially for the beginning collector. It is mainly a catalog of color photographs of dolls by style number, sometimes showing as many as ten variations of one doll in different costumes. There also is historical information on the evolution of the dolls and ways to identify the various body molds.

This is a true ''encyclopedia'' of every Nancy Ann doll know to exist. I found it an excellent source for identifying dolls from the 1940s which I had found in the attic.

I purchased another Nancy Ann book which is far inferior and which I never use. If you want to buy just one Nancy Ann book, this is it. If you have others, this would be a fine addition to your library and probably the only one you'll ever need for reference.

Other reviewers have done a good job of describing this and I agree with them. I'll just add that this wonderfully illustrated book really brought the memories flooding back.

Eric Sloane is known to many of us who love traditional country things as the superb and prolific American artist and author who gave us books with good words and even better drawings. Sloane was an accidental historian of that era of American life when agriculture was king. I cherish my copies of his A Museum of Early American Tools and A Reverence For Wood.

The Age of Barns was first published in 1967. I saw this 2001 version lying on a table in a friend's house and begged to borrow it. The sub-title is An Illustrated Review of Classic Barn Styles and Construction. It is more than that as it also shows silos, root cellars, springhouses, sugarhouses, corn cribs and smoke houses. Also shown are tools of barn builders, construction methods, types of ventilation systems and even hinge design.

Sloane shows the evolution of this most important structure with examples large and small and from many places. Medieval, English, German, American barns. Small and large log barns. The Appalachian overhung-loft barn built on two cribs, decorated Pennsylvania barns, a Georgia barn, a Maine barn, a Tennessee saltbox barn. Pent roofs, gambrel roofs, extended bays, threshing bays. Connecting barns, built so the farmer could do a winter day's chores without going outside.

I have known two barns intimately. The barn on our Wisconsin farm was a classic two-story bank barn built of stone on the lower level with hand-hewn posts and beams above, a cupola topping it off. The farmer whose death allowed my parents to buy the farm had been an alfalfa producer so the barn had huge mows that were filled both from the outside using a hay hook and from the inside where teams and wagons were taken straight in and through. The dairy herd was housed in the lower section next to the sixteen-foot silo. I pulled a lot of, um, teats in that barn.

The humble hillbilly barn at Heartwood in Missouri has two sections separated by a drive-through. In barns this design is called double-crib; in houses it is called a dog-trot. The construction is of hewn oak logs with half-dovetail corners. The logs are held off the ground only with loose stones, so early deterioration was inevitable. When the barn was still in pretty good shape we took a family photo one Fourth of July. My cousin and I hung the huge American flag that was hand-sewn by a grandmother for Lincoln's inauguration and we all posed in front of it on the ground.

Born in 1905, Eric Sloane died in 1985, walking to a luncheon in his honor celebrating his memoir, Eighty: An American Souvenir. His fine books will live on long after him, a legacy of focus and craftsmanship.

Sloane's books capture the romanticism of the past better than any picture books, and that is certainly true for his An Age of Barns. The beautiful line drawings range from evocative perspectives to working sections, giving you a good idea of how these barns worked. There are Shaker round barns, traditional gambrel barns, Amish barn raisings and a wide variety of outbuildings associated with the early American farmstead. He lovingly focuses on hinge details, stairs and ventilation openings. Sloane's eye never missed a detail, and for anyone who loves old barns this is the book to get.

This has some interesting history of early barns, especially those of New England. Drawings are well done, as usual. If you are interested in barns west of the Mississippi look elsewhere.

and I understand that barn so much better now that I have read this book. Sloane gives a brief overview of the history of barns, regional types of barns, and even the tools to raise a barn. A lovely book.

EXPRESSIONS OF INNOCENCE AND ELOQUENCE: SELECTIONs From the Jane Katcher Collection of Americana was given as a gift. Recepient was delighted. Especially interesting was how Jane Katcher began her collection and her descriptions of the treasures.

I read the book cover to cover immediately and was totally engaged. To miss the beauty and joy in these examples of folk art is impossible.

The book is a delight to look at but more importantly it is an essential reference catalogue of the Katcher collection.

A beautiful book for the Folk Art enthusiast! Photography is fantastic and includes so many items that have not been published before. Wonderful!

Well produced book with excellent photography. The essays by noted folk art experts was a great concept however they were primarily geared towards historical context and overall presentation of photographed works in the book.

A better format would have been these same individuals critiquing the relative merits of the pieces -- their strengths and their weaknesses, thus defining clearer for the reader how to assess the overall merits and quality of differing pieces within a sub-group -- in effect, their eyes educating the reader in the details and nuances of good folk art.

Lots of color pictures, catalog illustrations, and other reproduction of old Fostoria documents and ads make this the most detailed and comprehensive book I've found on Fostoria glassware from this period. It really increased my understanding of the importance of glass making in American history, and my appreciation for the talent and hardwork that went into making each piece of glassware an object of lasting beauty. The large number of pictures really helped identify pieces in my collection, and I use this book regularly when buying and selling Fostoria glass.

This book is not only an excellent reference for Fostoria's Golden Years, but it is also a beautiful book. Highly recommended for all Fostoria lovers.

This is an exceptionally detailed book, but the dates can be misleading. Some patterns produced during the 1924-1943 time period are not included in this volume. My pattern (Colony)is in the 1944-1986 volume (as well as Raleigh, Coronet and part of others) due to limited space in the first volume. If you are looking for one specific pattern, do some research to be sure you are buying the correct book.

This is absolutely the most beautiful and thorough book on Fostoria I have ever seen. It shines light on some of the mysteries and nuances in Fostoria production. It is a well organized, yet detailed reference which includes a large array of photographs, Fostoria advertising pieces and catalog pages along with an extensive listing of pieces and patterns, production dates and 1999 pricing. This is a great book for the new or seasoned collector and dealers. If you buy or sell Fostoria, you should buy this book!

This book has become an essential tool in my glassware business. It is very comprehensive in its listings of the various Fortoria patterns and the pictures are extremely clear and helpful. The catalog inserts are especially interesting and useful. The research and love that went into the production of this book is evident in its helpful format. Browsing through this book is a joy!

Andy establishes his position as the preeminent authority of an endangered writing instrument. The chronological and authoritative description of every major manufacturer is interlaced with some of the most beautiful and actual size photography of pens you'll ever see.

This volume is a work of art and effort of a true aficionado, the most comprehensive history of pens you'll ever see is inside this book, the book will become just as coveted as your most treasured pen.

Beautiful heavy stock paper ensures this volume will endure in your collection for decades.

Andy Lambrou's reputation is well deserved, and this is the work of art from the master.

I have always admired Lambrou's book, 'Fountain Pens of the World', but could not justify the price -- after all the cost of this book could go towards another fountain pen -- I WAS WRONG!!

I wished I bought my copy years ago, it would have saved me so much money in buying pens that were not exactly the model that the seller described (going to a few markets/pen shows and especially on-line auctions).

The history of pens from around the world is well documented. The pen manufacturers are grouped in chapters by country.

Every pen is life size. More than 2,300 pens are shown and the color representation is great. Even a Parker Snake, Aztec, Swastika, Forget-me-not and many, many more I just dream about! Only gripe -- no price list, but Lambrou states that people can abuse the information as the price list is only valid at the time of print.

To date, I 've yet to see any other book as well put together's as this one.

Don't use false economy like I did. Buy this book as soon as you can -- it gives many, many happy hours of pen collecting and reading!

My love affair with fountain pens - particularly vintage fountain pens - entered a new stage the day that my copy of Lambrou's Fountain Pens of the World arrived. Covered with a gorgeous dust jacket, weighing in at several pounds and measuring 9" by 12.5", the book made an impression before the first page had even been turned.

This first impression, positive as it was, in no way prepared me for what I was to find inside: over four hundred pages with glorious color plates. Literally thousands of pens - mostly vintage - spectacularly photographed, and presented exactly life size. (Ever wonder whether your newly purchased vacumatic is a sub-deb, debutante, junior, slender, standard, major, oversized, or Maxima? Just lay it over the photographs in Lambrou's book!) Fascinating reproductions of vintage advertisements. Detailed histories - model by model - of all major manufacturers and many lesser-known ones, including Edward Todd, Triad, Diamond Point, Chilton, Stephens, Mentmore, Summit, Wyvern, Burnham, Soennecken, Osmia, Tropen, and so on and so forth, covering the U.S., the U.K., Germany France, Italy, the Netherlands, Belgium, and Japan. The book is, plain and simple, a work of art and of incredible beauty. I could spend weeks just browsing its pages.

In retrospect, my biggest mistake in fountain pen collecting was to wait for several years before purchasing a copy of Lambrou's Fountain Pens of the World...

I have always admired Lambrou's book, 'Fountain Pens of the World', but could not justify the price -- after all the cost of this book could go towards another fountain pen -- I WAS WRONG!!

I wished I bought my copy years ago, it would have saved me so much money in buying pens that were not exactly the model that the seller described (going to a few markets/pen shows and especially on-line auctions).

The history of pens from around the world is well documented. The pen manufacturers are grouped in chapters by country.

Every pen is life size. More than 2,300 pens are shown and the color representation is great. Even a Parker Snake, Aztec, Swastika, Forget-me-not and many, many more I just dream about! Only gripe -- no price list, but Lambrou states that people can abuse the information and the price list is only valid at the time of print.

To date, I 've yet to see any other book as well put together's as this one.

Don't use false economy like I did. Buy this book as soon as you can -- it gives many, many happy hours of pen collecting and reading!

This is it. If you buy only one book on fountain pens, or if you are serious about fountain pen collecting, this is THE book to get. Unfortunately, it is Really expensive. Look around for a used copy using the usual suspects on the Web. The photos are great and the captions clearly identify each pen shown. Numerous non-US pen companies are written about and many pens are pictured here and nowhere else (in other standard pen ID books). Highly recommended.