Genres Books
Related Subjects: Superhero Comedy
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Nice comendium but...Review Date: 2008-08-26
Compact size - great contentReview Date: 2003-01-15
Cover notesReview Date: 2008-07-27
Most of the work is by Reid Miles and over fifteen years he created about five hundred LP covers, frequently using the gutsy black and white photos of musicians taken by Francis Wolf. There are two stunning books of his work: The Blue Note Years: The Jazz Photography of Francis Wolff and Blue Note: Jazz Photography of Francis Wolff (they are actually different books). Many of these great photos have a black background because they were taken in the windowless studio of Blue Note's main recording engineer Rudy Van Gelder.
Considering that plenty of these cover designs are well over forty years old they still look fresh and dynamic. I think it is because they are really quite simple, a great photo, straightforward typography and perhaps Reid Miles secret: the clever use of space. Flick through the pages and cover after cover have empty areas, these helped to create the Blue Note look. Most LP covers were usually designed to avoid empty space, "fill that hole with the track titles" was no doubt a common cry in record company marketing departments.
This compact paperback is a lovely reminder of some wonderful work by a designer who created so much from so little.
***FOR AN INSIDE LOOK click 'customer images' under the cover.
excellent book; makes a great guide to blue note recordsReview Date: 2003-11-06
ClassicReview Date: 2004-06-20

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An excellent choice.Review Date: 2008-06-25
Great way to start playingReview Date: 2007-07-20
My only complaint is that this doesn't come with a CD. But this is a slam more towards myself than towards the author. I am ashamed to say that, with the exception of a few songs, I am woefully unfamiliar with most of these beloved folk and bluegrass standards; and the majority of my learning procedure in the past has been by ear. But I am looking at this as a challenge and a way to exercise my ability to read and play along with sheet music. Still, hearing the actual song would help me play more fluid-ish. A check of the copyright page tells me that it first went to press in the late 70s, so CDs were far into the future.
Bluegrass MandolinReview Date: 2000-04-05
A Bluegrass Mandolin book!Review Date: 2001-12-06
A Bluegrass Mandolin book is a cool one by the author named Jack Tottle!
This is published by Oak publications.
I got this book from my grade 6 teacher Mr. Dan LeBlanc last year and he gave it to me becuase I liked mandolins.
This is a good book and the songs I like to play on my mandolin is:
Oh Suzanna,
John Hardy,
Cripple
Creek &
Banks of the Ohio.
The song I love to play on my mandolin is Banks of the Ohio.
There is a record inside the book and you have to put it on tape.
I like this book because of the F Style Mandolin on the cover.
Bill Monroe is in this book.
This is a great book, A Bluegrass Mandolin book and I love it!
Have fun,
And I hope everybody likes it.
Start Playing TodayReview Date: 2002-10-14
After you have half a dozen dance numbers under your belt, Tottle breaks out a small chord dictionary and introduces the idea of the structured bluegrass song, with instrumental breaks in between verses. Starting with "The Banks of the Ohio", he then demonstrates how to construct a mandolin break around a song's melody. As he adds numbers, Tottle increases in complexity, and it pretty quickly adds up to an impressive repertoire.
Tottle's writing is clear and straightforward. All music is presented in standard notation and in tablature. Occasional charming photographs of mandolin greats add a nice touch.
The book I have does not have the CD, but the CD can only add to what is a great instructional book.

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Proud SpiritReview Date: 2008-02-15
perfectly. This book is put together not just for the Bob Marley fan but
any style music fan and also for fans of photography.
GOOD PICSReview Date: 2001-02-21
ITS SO WONDERFULL READING THE BOOKReview Date: 1999-06-08
BEST POINTS TO MY BROTHAReview Date: 1998-05-14
One Of My Favorite BiographiesReview Date: 2000-06-19

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Evocative, Engrossing, EncompassingReview Date: 2003-01-16
That in itself is a rich and satisfying experience. But don't stop there. Read the text!
It tells of Roma (aka Gypsy) musicians who have cornered the market on live music in polyglot Greek Macedonia. While they are at the bottom of the social order, anyone who wishes a proper wedding, festival, or party of any kind hires these musicians. The musicians generally perform in trios, one playing a bass drum while the other two play the zurna - a double-reed woodwind found throughout Eurasia and Africa. Their repertoire is drawn from the peoples who live in the area, or passed through at one time, and is sometimes more Oriental, sometimes more European - whatever the customer wants.
Keil and Keil give detailed accounts of several performances - a baptism, a wedding, and a saint's day festival - tell the life stories of a dozen or so musicians & family, and recount the broad history of the Roma in the Mediterranean as well as presenting a more focused account of their sojourn in Greek Macedonia. Blau's photographs range from intimate portraits, to dancers in full party whirl, through street scenes jumbled or measured, to serene landscapes. Some of his shots are so strikingly composed - the cover image, for example - that the effect is both subjective (Blau's aesthetic) and objective (we're looking at things, out there, in the world). Steven Feld's soundscapes give us the living flow of sound. Not only do we hear the twin zurnas flying through drum rhythms, but dancing feet, shouts of joy and exertion, motors churning, sheep braying, and Stevie Wonder piped in through a tinny sound system.
Bright Balkan Morning is a milestone. See it, hear it, read it. Take pleasure in it.
ExtraordinaryReview Date: 2004-11-28
Mahala, for those unaware, is the village ghetto to which Rom people are generally confined, although the anthropologists who compiled this book do not seem to know that it is Arabic for ghetto, and the same word used in North Africa and other Middle Eastern Muslim nations to describe the Jewish and Christian ghettos in which those dhimmi groups are similarly confined. Dhimmis are the non-Muslim minorities in Muslim lands, and their treatment (and in Muslim nation remains) generally described and defined by the Islamic laws of jihad.
Unlike most other recent books about the Rom, this one contains a massive amount of research on the lives and music of these people, as they live it; but what I like the most are the oral histories that provide readers with a real sense of the hardships suffered by the Rom in Greek Macedonia. While the book mentions the great and disastrous Turkish invasion of Greece in 1922, it does not note the great massacre of an estimated 150,000 Christian Greeks and Armenians in Smyrna on the Aegean coast that year. This undoubtedly included some Rom, as the town was then (as now) central on the Turkish coast.
But without knowing it, the authors have demonstrated some of the ill effects of Muslim rule, for they do discuss, via oral histories, the great liberation experienced by Greek Roma in 1924, when Turks were repatriated to Turkey and 1 million Greeks from Turkey to Greece. The latter may have lost some territory, but she gained liberation from Muslim oppression.
As Greeks from Turkey poured into Greece, the town fathers in Jumaya, for example, and presumably everywhere else the Roma then lived in Greece, began to allow the Roma to go to school with Greeks. Beforehand, the Turks had imposed separation on non-Muslim peoples. But with Turks gone, Greeks exiled the old cast system too, thereby relinquishing the system that had helped imprison Greek Roma in lives without equal education. Now, suddenly, the Rom could attend the same school as everyone else.
There are many wonderful features of this book, including the photographs and the music CD at its end. But make no mistake, the oral histories are the best feature, making this one of the best books on the Rom I have read to date.
--Alyssa A. Lappen
THEY'LL STEAL YOUR HEART, TOOReview Date: 2003-01-10
I urge you to buy this book. I say so as someone who almost never reads anything published by an academic press. I am definitely not an anthropologist or a social scientist of any kind. What I know about the raw and the cooked doesn't get very far beyond my kitchen, but I couldn't put BRIGHT BALKAN MORNING down. This book ought to be that rare thing: an academic book with popular appeal.
The easiest way into the riches of BRIGHT BALKAN MORNING are Blau's black-and-white photographs of the Romani playing their instruments for weddings, wrestling matches, and the little parades that apparently form wherever they go. When the dances started up, I have a feeling that Blau joined in, for these pictures just pulled me along. I could smell the perfume in the grandmother's handkerchief as she held it out to Blau and, through him, to me, as we all danced together. I could see the textures of the road when I took my place in the wedding parade; I could almost hear the sound of the zurna (a kind of outdoor oboe) being played in my ear.
Of course Steven Feld's CD brings the actual sounds to life. The CD begins oh so slyly by introducing Romani music emerging from the ambient sounds of twentieth-century Macedonia. The Romani are, if nothing else, great survivors of history's cultural wars, and you can hear so many diverse musical strains-from the Muslim to the techno pop. Eerily enough, the rhythm of the dauli (a two-headed bass drum) being played sounds exactly like the bass-drum pounding at a high-school football pep rally.
I wasn't as happy with the book's writing style, but then the authors seem to be wrestling with shaping this heartfelt information of theirs into all the requirements of academic publishing, and that struggle oddly mirrors the lives of the Romani. This sometimes awkward prose becomes just one more instance of the dance the Romani inspire everywhere they go as they blend in and out of the moment's culture.
--R. M. Ryan
Duncans Mills, CA
Bright Balkan Morning = Late Chicago Night!Review Date: 2003-07-02
Big Fat Roma Music BookReview Date: 2003-02-17
What is especially interesting to me is the authors' view of how multi-ethnic society works in Greek Macedonia as compared to Bulgaria or Former Yugoslavia, and how the strategy of Roma musicians is different in these different countries. In Greek Macedonia the musicians play the music of all ethnic groups in order to maximize their flexibility and income. During multi-ethnic celebrations the musicians follow a strict policy of playing everyone's requests in the order requested, so that no one feels that they have priority. There is a fascinating description of an ethnically mixed wedding where the families have to adjust their various wedding traditions to accommodate each other, making it up as they go along to some extent.
The authors compare and contrast this with the approach taken by Roma musicians in other areas of the Balkans. In Kosovo in the 1980s the Roma musicians are said to have purposely selected music from traditions from other than Serbian and Albanian in order to avoid conflicts. In Bulgaria the wedding band tradition is described as leading to a new pan-Balkan "fusion" style which borrows from many cultures but still feels Bulgarian. Ultimately the motivation behind each strategy is the need of musicians to make a living.
The book is interesting reading from a North American perspective as well. Keil contrasts the multi-ethnic consciousness of Greeks, where the same person may have several types of ethnic and national identities simultaneously, with the concept of "multiculturalism" which he describes as slices of a pizza in which there are lots of ethnicities but everyone is either one thing or another. This raise the question of what is really going on in such immigrant nations as Canada and the United States.
The accompanying CD is a potpourri of sounds, including music of various types, and there is a section of the book describing the contents of the CD. Some of the track titles are Market Day in Jumaya, Afternoon at a Mahala Café, At Home in the Mahala, New Year's Party in Serres, Taverna Party at Nikisiani. The combination of the text, the many high quality black and white photos and the soundscape are successful in putting you into the experience, as much as this is possible. There was also a nice balance between Angeliki Keil's straight-forward and very readable reporting of the lives of the musicians and Charles Keil's more theoretical musings about ethnicity, the music and the role of the musicians. My only complaint about the book is its weight - it's printed on very heavy, glossy stock, no doubt adding to the quality of photographic reproductions, but it is so big and heavy that you pretty well have to read it sitting up. An alternate title could be, "Your Big Fat Roma Music Book."

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The Nevilles: the road to reognition and resolutionReview Date: 2000-10-05
Exellent biosReview Date: 2000-09-12
All this marks this non-fiction, as several cuts above the typical wave of rock and roll biographies that seem like perfect flavors of the month. Instead this tome provides a "Tell It Like It Is" feel that fans of the New Orleans sound will enjoy. Anyone who reads THE BROTHERS NEVILLE will seek other works by master music biographer David Ritz (see his works on Ray Charles, Marvin Gaye, and Aretha Franklin, etc.) as this reviewer plans to do.
Harriet Klausner
A Musical Journey to Self DiscoveryReview Date: 2005-10-23
Extraordinary!Review Date: 2001-10-09
The Neville Brothers' story must have been complicated to organize because there are 4 Neville Brothers, Art, Charles, Aaron and Cyrille. They tell their stories simultaneously, a paragraph or two by one brother and then a paragraph or two by another and so on. The story they tell is fascinating and often horrific! Violence, drug abuse, crazy characters, prison terms and danger fill virtually every page. These are fascinating lives to read about, but I wouldn't want to live them! Aaron and Charles seem to be the most forthcoming and the most sympathetic of the brothers. If you love Neville Brothers' music, you'll want to own this book!
very completeReview Date: 2000-11-26

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Essential resource for sacred musicians, Bach scholarsReview Date: 2007-12-12
The first section of the book traces the development of the sacred cantata as a genre through 1750. Durr here defines important terms and places Bach's works in historical context.
The bulk of the text is a presentation of the cantatas in the order of the liturgical calendar. For each cantata Durr provides the text, its English translation, and the circumstances surrounding the piece's composition. He also offers analyses/descriptions which vary from half a page for some of the briefer, simpler works, to ten pages for works of particular depth (BWV 106 comes to mind).
This book is an invaluable resource to Bach scholars, singers, and conductors. Also consider Marvin Unger's book on Bach's Cantata Texts for an intertextual look at Bach as theologian.
BMN
A must for all cantata lovers...Review Date: 2008-05-17
contains original German alongside English translationsReview Date: 2007-08-23
Outstanding ResourceReview Date: 2007-02-06
Costly but usefulReview Date: 2006-05-09

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Beats heck out of the part score for chorusReview Date: 2008-03-11
Expensive, but worth it. Particularly if you're going to do Carmina maybe 5-10 times in your career.
Music scoreReview Date: 2008-02-29
Carmina BuranaReview Date: 2008-02-09
At last CB scores at a fair priceReview Date: 2007-06-27
Carmina Burana for a Working SingerReview Date: 2007-05-13

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A Truly Life-changing NovelReview Date: 2005-01-31
I just went to get my hair cut, and my hair stylist said the following things:
"I just want you to know that I think Kay Moser is the best writer I've ever read. I just finished reading 'Celebration!' and I've never read a book that meant so much to me. I could not quit reading it. I read late into the night; I read in the car; my whole family kept saying, 'what's wrong with you? You never read a book!' As I got toward the end, I kept noticing how few pages were left, and I just couldn't stand it. 'I don't want this book to be over!' I kept saying. 'I don't want to leave these characters. I can't stand for this book to end.'"
When I asked my hair stylist to comment on what the book had communicated to her, she responded,
"I never thought about everybody having a story that explains why they have become what they've become. I never realized how much choice I have and how much my choices decide my life."
As I handed my stylist a check, her eyes suddenly flooded with tears, and she whispered, "I am that woman in 'Celebration!' I really am Rachel! I need to make some changes in my life. This book hit me so hard; I've got to re-read it. You know, the author was so kind to me in that book. Over and over she took me to the edge, to the point that I thought I would drown, but then she gently pulled me back from the edge. I needed to almost drown in order to finally hear the truth. Thank you for giving me that novel!"
When I got home, I wanted to know more about Kay Moser. I did an online search and found www.kaymoser.com. I'm glad I did! I e-mailed her, and she answered!
Celebration! by Kay MoserReview Date: 2002-07-14
Celebrate This Book!Review Date: 2005-01-25
An Awesome ReadReview Date: 2003-08-09
This book is truly enlightening!!Review Date: 2001-07-03

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The best book on Chet so far.Review Date: 2008-04-05
Chet AtkinsReview Date: 2008-01-07
BEAUTIFUL GUITAR PICTURES & STORIESReview Date: 2003-07-02
If you like vintage guitars or Chet Atkins' playing I can't recommend this book strongly enough. It is full of beautiful color pictures and behind-the-scenes descriptions of the development of some very interesting and historic instruments. Chet's stories of the people he played with, the guitars he played and the music he made are wonderful and totally engrossing. Buy this book today!!
A Chet Atkins Treasure!Review Date: 2006-03-16
Beautifully Illustrated With Engaging NarrativeReview Date: 2004-01-08
I have no hesitation in recommending this book to any country-music enthusiast or country guitarist, though the book also has a much wider appeal.

What an outrageous life!Review Date: 1999-11-03
SImply superbReview Date: 1999-07-21
A must for any real hard-rock fan !Review Date: 1998-06-25
A must for fans of Deep Purple, and all of Gillan's work.Review Date: 1997-07-11
Regarded by many as one of the greatest rock singers of all time -- this book details the life and times of Ian Gillan, best known as the lead singer for Deep Purple. Many will also remember him as the voice of Jesus on the original recording of the rock opera "Jesus Christ Superstar".
The book is a biography, written by David Cohen, with facts obtained from Ian himself. It gives insight into the clashes within the Deep Purple clan, and how Gillan went on to a successful solo career (only to return to the Purple camp he loved so well).
It's the world of rock and roll as seen through the eyes of one of its most witty and talented players.
An excellent bio of Deep Purple's outrageous lead singerReview Date: 1997-12-16
The incredible story of Ian Gillan, one of hard rock's greatest and most influential vocalists. Ian offers up many an outrageous tale of the life of a rock star, beginning with his childhood to the start of his third stint with Deep Purple in 1993.
The writing is witty and quick-paced and seemingly quite honest, as Ian relates freely both his triumphs and failures as a solo artist and as a member of such classic hard rock outfits as Deep Purple and Black Sabbath.
I highly recommend this for any fan of Ian, Deep Purple, or of hard rock/heavy metal in general.
Related Subjects: Superhero Comedy
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