Genres Books

Robert Reilly's "Surprised by Beauty - A Listener's Guide to the Recovery of Modern Music" has been with me since it's publication. It is one of the most heavily book-marked, annotated books I have - and much cherished.

This book is perhaps not perfect and it is probably not first-order-brilliant either, but it is beautiful! I treasure it as much as I treasure much of the music that I have since enjoyed because of this book.

Surprised by Beauty is highly spiritual. Stephen Hough, the wonderful pianist who records for hyperion (interviewed in the book), says on the jacket cover:

"Robert Reilly has the unusual and delightful ability to infect the reader with insatiable curiosity about the composers he champions. Names that often were unknown, and sometimes unpronounceable, suddenly seem totally fascinating and worthy of discovery at the earliest opportunity. Yet beyond this level of exploration is his personal vision of music as something profoundly spiritual, expressive of what is best and most enriching in human life and having the possibility of leading us to encounter God Himself."

That is a good introduction to Surprised by Beauty. The opening quote of the book is from Max Picard: "[In] sound intself, there is a readiness to be ordered by the spirit, and this is seen at its most sublime in music."

The love for music never ceases to impress - and as knowledgeable a man as Mr. Reilly is always a pleasure to have along for instruction.

Before I delve at some length into examples I (dis)agree with in this book, let me summarize:
If you want loving introductions to the music of

John Adams, ("The Search for a Larger Harmony")
George Antheil ("Bad Boy Made Good"),
Malcolm Arnold, ("English Enigma")
Gerald Finzi, ("Inmitations of Immortality")
Stephen Gerber, ("Keeping America Real")
Morton Gould ("Maestro of Americana"),
Roy Harris, ("Singing to America")
Vagn Holmboe, ("The Music of Metaphysics")
László Lajtha, ("Music from a Secret Room")
Gian Francesco Malipiero, ("Beyond Italian Opera")
Frank Martin, ("Guide to the Liturgical Year")
William Mathias, ("Musical Incantations")
Carl Nielsen ("Music is Life"),
Einojuhani Rautavaara, ("New Northern Light")
Albert Roussel, ("The Freedom of Personal Vision")
Edmund Rubbra, ("On the Road to Emmaus")
Harald Saeverud, ("A Norwegian Original")
Aulis Sallinen ("Scandinavian Consolation"),
Peter Schickele, ("Schickele Unmixed")
Franz Schmidt, ("Setting the Apocalypse")
Alexander Tcherepnin ("From Russia With Love"),
Eduard Tubin, ("In From the Cold")
Geirr Tveitt, ("The Music in the Waterfall")
Mieczyslaw Vainberg, ("Light in the Dark")
Peteris Vasks ("Another New Northern Light")

as well as Duruflé, Elgar, Janáèek, Martinù, Poulenc, Shostakovich, Sibelius, Vaughn-Williams and Villa-Lobos - you have picked up the right book.

These are the composers dealt with in little chapters, ordered alphabetically and cobbled together from reviews and pieces written in different magazines. Nonetheless, there is a coherent line through the work - cumulating in a few interviews with composers such as Robert Craft, David Diamond, Gian Carlo Menotti, Einojuhani Rautavaara, George Rochberg and Carl Rütti.

Just for John Cage, Mr. Reilly has no kind words ("Apostle of Noise"). And the specter haunting some chapters, not to be rescued until Robert Craft takes up his cause, is Arnold Schoenberg. In fact, Schoenberg so rubs Mr. Reilly the wrong way that he elicits the books strongest (and perhaps most contentious) statement from Robert Reilly: Ugliness is the aesthetic analogue to evil.

To say it right away: A lover of modern music - and with a much higher tolerance for the unnecessarily absurd (Concerto for two cheese-graders, jet engine, electric toothbrush and chromatic garbage disposal? Bring it on!) - I have grid (grinded) my teeth many a time. A more conservative reader than me would find himself nodding along throughout the book. Either way, it is a veritable treasure-trove.

After every chapter, there is a little section discussing the merit of important works of that composer in different editions. This is immensely helpful in choosing where to start the musical discovery-tour.

Telling of the nonchalance with which he treats the breadth of his appreciation of modern music is the following quote: "Anyone who enjoys Britten's music of this kind should likewise appreciate Mathias's". I imagine the greater part of his initial readership to wince even at the very idea of Britten, assuming that they know him or his work.

His passion for Janáèek's String Quartets is so palpable that not having them (I had them when I read it) must seem half a crime. His championing of Saeverrud (my initial reaction, too, was: Who???) is passionate and sophisticated.

A book, in short, that will get much and repeated bedside reading and the occasional study - a charming companion through 20th century classical music with amiably strong - if not always agreeable - opinions. Highly recommended.

Being a neophyte in modern classical music I'm very much in need of a guiding hand and Reilly's book has been the most helpful yet to boost up my appreciation of music and Beauty for that matter. His writings not only assure the validity of my fears or `sense of barbarian for not understanding the meaning of the sounds' I have been listening to, but endow a refreshing and profound understanding of how modern music can be free from its praise of entanglement. It has been a delightful and moving experience to read Reilly's so unique and exquisite way of illustrating modern composer's journeys into their pledge for Beauty. He brings you close enough and candidly to their emotions and struggles in a timely historic ambiance as to appreciate even more their daring willingness to come up with beautiful music! No doubt his has been `a labor of love for music'- one can actually hear the resonance of the Spirit of Music without having started on his recommendations!"Surprised by Beauty" was definitely a wonderful Christmas present and I highly recommend his reading!

Being a neophyte in modern classical music I'm very much in need of a guiding hand and Reilly's book has been the most helpful yet in boosting my appreciation of music and Beauty, for that matter. His writings not only assure the validity of my fears or 'sense of barbarian for not understanding the meaning of the sounds' I have been listening to, but endow a refreshing and profound understanding of how modern music can be free from its praise of entanglement. It has been a delightful and moving experience to read Reilly's unique and exquisite way of illustrating modern composer's journeys into their pledge for Beauty. He brings you close to their emotions and struggles in a timely historic ambiance so as to appreciate even more their daring willingness to come up with beautiful music! No doubt his has been 'a labor of love for music'- one can actually hear the resonance of the Spirit of Music without having started on his recommendations!"Surprised by Beauty" was definitely a wonderful Christmas present and I highly recommend his reading!

Those of us who have the fortune of living in our current musical climate have the benefit of hindsight concerning a great many things. If we look at the last 75-80 years we see the advent and reign of the reactionary (rather than evolutionary) dodecaphonic school in all its pedantic and intolerant glory- traits often ostentatiously shunned by self-styled progressives. Then we see the collapse of its dominance, followed by reactions to the reaction: the adoption of simplistic methods such as aleatoric processes and minimalism. Robert Reilly treats this course in history not as a glorious long line of musical evolution, but as an interruption to true musical progress. I don't know that I would completely adopt his line of thinking here, but there is truth in what he says. We seem to be right back where we started at the beginning of the 20th century. Composers write Romantic music now even as they did then...and the 12 tone system never seemed to have caught on with more than a devout minority of enthusiasts, some of whom will even readily admit the system's appeal as largely cerebral.
More valuable in Reilly's book than the larger argument is his advocation of a group of composers who have at some point or another fallen on hard times in terms of legitimacy and recognition in the eyes of the musical scene at large. Reilly's succinct and informative snapshots of these composers, as well as his down-to-earth style, is crucial for the rehabilitation of these men, many of whose music I personally respect, love, and find vastly underrated. (For example, I recently discovered the music of Geirr Tveitt...WONDERFUL stuff, but who knows it?) It is true that Reilly's list is limited- there could be scores more names added....but his treatment of the names he does include should promote some interest in these men and help to generate the respect they deserve.

Now if about 20 more Reilly's would write books like these perhaps we may recover a good deal of great music that has fallen victim to circumstance and neglect due in large part to the tonality wars that have distracted musical activity for almost a century.

I should say right off that I am deliberately taking my time to read this book & haven't read every chapter yet. I know of nothing quite like it, though. A feature I want, at this point, particularly to commend is the way the author has (1) of conveying his delight in, and the meaningfulness of, the music as he has experienced it, while (2) somehow saying enough that this reader, at least, can distinguish between the sure bets and the iffy ones from the reader's own point of view. Thus I credit Reilly (and the wonderful Samuel Palmer cover art) for putting me on to the Chandos recordings of the symphonies of Edmund Rubbra -- once I bought and listened to a CD of his symphonies 4, 10, & 11, I knew I would want more. One of Reilly's fine columns in Crisis Magazine put me on to Joly Braga Santos -- sure enough, I enjoyed the work (Symphony #4) praised there, as well. The Naxos CD of Douglas Lilburn's symphonies is another example. On the other hand, while Reilly likes Martinu and Nielsen, what he says about these composers conveys important things about their work such that someone like me who is not enchanted would have sufficient warning that this is someone to hear first before buying. I hope that in a few years there can be a sequel to this book. In the meantime, I'm glad to have a copy of Surprised by Beauty and to be able to read Mr. Reilly's columns in Crisis.

A Testimony of the Lions is a book you will not want to put down once you start reading it. The only fault I found is that I wish the author would have made it twice as long as he did. It is good read for those with doubts about evolution or Christianity. It is a totally interesting book involving science fiction, history, and religion as well as a fast paced thriller. You need not suspend your sense of reality to read this book. It is right up there with modern technology and is quite credible in how it reads out. Otis doesn't pull any punches. I just hope someone makes a movie from this novel.
I'd go see it in a heart-beat.

This book is my favorite genre, historical fiction, but with a twist! Entertaining, enlightening, and emotional, Mr. Otis keeps the reader up at night waiting to see what the next page holds. Fantastic read!

This was an intriguing read challenging me continually to verify historic events. Finishing the book weeks ago I can't get it out of my mind. Events in life keep pushing me to read parts again and again..

Robert Otis writes a thriller that you won't be able to put down. In fact, the last 60 pages will keep you on the edge of your seat. The book much reminded me of John Irving's old classic, A Prayer for Owen Meany. Otis writes in that same story telling fashion, and his main character is one you will quickly find much in common in your own quest to attempt to do what is right in life. In fact Otis even explores the possibility of meeting and talking with Jesus Christ, to ask that age old philosophical question: what is the purpose of life and humanity. As far fetched as this might seem, Otis makes it possible with a kind hearted scientist who is tired of the bureaucracy of his top secret job of developing a time machine for the government, and uses this technology for peaceful purposes, to escape to 33A.D. The novel has heroes and villains, a spirited romance, people you will know from history, topped with a very thought provoking and charming script. This historical fiction is a must read if you're looking for a book to get you into the Christmas spirit, or through difficult days in your own existence. I read many books (mostly King, Koontz and Grisham), and this book has that same kindly flavor and intrigue. Do something nice for yourself, and check it out!!

A TESTIMONY OF LIONS

The work of a very intelligent scientific historian that presents a challenge to the average Joe. The beginning suggests a reflection on the author's own childhood and the formation of a crisp imagination. He capitalizes on the reader's knowledge of recorded history and willingness to reach into the vast arena of "How it might have been". The surprise ending leaves unanswered the feelings of fulfillment and fodder for the imagination of the reader.

This is a wonderful book, and it is amazing that it is Michael Quadland's first published piece. The characters are masterfully developed, and the language is both brilliant and engaging. I hope for another work soon.

Michael Quadlund has written a good novel on the subject of broken relationships and the way the past reaches out and spoils the present. As William Faulkner wrote, "The past isn't dead; it's not even past." I guess you know what you're getting into when you take a book off the shelf that's called THAT WAS THEN--a complicated time scheme that juggles three different chronologies, each of them interdependent on the one before. Basically Corey was a well-liked boy of a small town in New England something like Peyton Place with a steady girlfriend, Gina, who is rather like Allison Mackenzie in Peyton Place, while Corey falls victim to the oldest trick in the book, sexual enslavement to his music teacher, a male predator who befriends his targets first, then manages to make them love him to a certain extent. His early teens form one set of references for the reader, and the next thing you know, without really finding out what happened between Corey and Mr. Dean, it's years later, Corey's all grown up and he meets and marries Gina when they are seasoned adults.

Little does he know that his life is about to take an enormous turn when he becomes involved in a same sex relationship with an actor, Jack, a man whom he regards as his "twin," a man who seduces him by tending to a wound Corey receives in his leg that entails Jack having to remove Corey's pants--we've all been there!--and next thing you know Corey and Gina are bidding each other goodbye and Corey starts a new life with Jack. Everything is rosy for a few years until doubts set in: is Jack seeing somebody else on the sly? All of these storylines are being told at the same time--the 1960s, the 1980s, now--not to confuse you but to mimic Corey's increasing self-knowledge. I won't spoil the ending but believe me, you will either be throwing the book off the bridge, or cradling it to your chest in awe. Individual sentences are sometimes very moving, but due to the requirements of the plot some of the characters, Jack especially, are opaque like frosted miniblinds.

I didn't want this book to end. I identified with every character. Each one had a little piece of me, and I loved them all. It was so refreshing to read a book about a gay character that was accurately portrayed. This author knows how humans think. The book was modern, sensual, and thought provoking.
PLEASE don't make me wait to long for another book!!!!

That Was Then.......GREAT READ !!!!! I loved this book. To me the sign of a good book is not wanting the book to end. I found myself reading much slower towards the end because I didn't want to loose Gina, Corey and Jack. Mr Quadland did a wonderful job developing these characters.

I plan to give this book as a Christmas gift to 3 of my friends. Hopefully, they will read it fast and we can have an in depth discussion.

This is a book you want to reread.

A remarkable accomplishment, That Was Then was unbelievably Michael Quadland's first novel. The character development is rich; the writing style, engaging. There is a depth of perception about life that is exhilarating, amusing and poignant at the same time. Getting to the last page was bittersweet. Although the book was satisfying, I was already missing Corey, Jack and Gina.

"This book is about life as it is interpreted by books."

So begins the introduction of Edward Mendelson's The Things That Matter: What Seven Classic Novels Have to Say About the Stages of Life. As a professor of English and comparative literature at Columbia University, Mendelson has read and discussed many novels. What interests me more than his being well-read, though, is his approach to reading novels.

Novels, of course, present a world full of life and characters of their own and should be read to understand that world and those characters. Mendelson takes a view like my own, however: that novels are not meant to be read in vacuo. "A reader who identifies with the characters in a novel is not reacting in a naïve way that ought to be outgrown or transcended, but is performing one of the central acts of literary understanding."

When I began to read novels in earnest I was a bit late to the game; most of my unassigned reading while I was growing up was taken from the topics of the sciences and computers. Before I had entered my twenties I had achieved unusual proficiency in those areas, even for a specialist, but I was embarrassed by my ignorance of literature. Of course I had read the usual works covered in the public school system but no one had managed to impress upon me the value of novels. Consequently, it would be more correct to say that I skimmed the usual novels and I could regurgitate various facts about The Scarlet Letter, Lord of the Flies, and The Adventures of Huckleberry Finn but they didn't mean much to me at the time. So instead I read The C Programming Language, TCP/IP Illustrated, and UNIX Programmers Reference. Even much of the history that I managed to read was for a rather specific topic, as was the case with The Codebreakers.

Rather than attempt to go through life hiding my ignorance of literature and constantly fearing its exposure, I decided to solve the real problem by actually reading novels and attempting to understand them. I started with some that I remembered enjoying in high school, such as Alas, Babylon. I then returned to The Scarlet Letter and branched out to things that I should have read but had managed to avoid and in the process discovered the likes of Jane Austen. Though my love of books was always present, it was in returning to the novel that my love of reading grew.

In The Things That Matter, Mendelson takes us on a tour of the stages of life, discussing each in turn as it is considered in one of the seven novels featured.

Birth
Frankenstein, Mary Shelley (1818)
Childhood
Wuthering Heights, Emily Brontë (1847)
Growth
Jane Eyre, Charlotte Brontë (1847)
Marriage
Middlemarch, George Eliot (1871-72)
Love
Mrs. Dalloway, Virginia Woolf (1925)
Parenthood
To the Lighthouse, Virginia Woolf (1927)
The Future
Between the Acts, Virginia Woolf (1941)

In Mendelson's capable hands, each of these novels is able to take on particular meaning. Not only are the events of the author and the historical context considered, as might be true in any literary criticism, but each is tied back to the stage of life that is the focus and what it means. In discussing meaning, Mendelson does not arrogantly push a pet theory on the reader. "Theories belong to science," he writes, "which relies on repeatable results that can be tested by experiment or refuted by fact..." Reading a novel is a personal experience and writing about novels is from an individual perspective.

Readers are invited explicitly to join in the dialogue, judging what is written for themselves, and considering meaning for themselves. Disagreement with the writer is the reader's prerogative. I love how Mendelson treats the situation. "I hope our disagreements, when they occur, can provide the comforts of both heat and light."

I enjoyed The Things That Matter thoroughly, as I'm sure will any reader who thinks of novels as worthy of reflection and consideration beyond what they mean to the author.

I echo Tom Casey's review below. I read some of these novels thirty years ago, and started re-reading them two years ago. What perfect timing, then, for Edward Mendelson's very interesting approach on these novels. On the surface this book does not appear to be the typical academic work it is, but each chapter on its own could have been a doctoral thesis. To tie these seven novels into passages of life is quite remarkable. In addition, footnotes, though infrequent, shed light on very important issues of the times that are easily overlooked. To enjoy this book one should have a fairly good knowledge of the novels. But you can read the essays in any order that you want; each essay stands alone. Highly, highly recommended.

I just read "The Things That Matter," having seen it on my library's shelf and picked it up out of curiosity. I loved this book not only for its content but for the timing with which it showed up for me to read. My brilliant-at-math-and-science-stuff child was having a challenge with English Lit class; this book has given me a way to relate to them the value of novels to real life stuff, especially thinking about how "universal ideas" in life play out in personal actual life.

I found Mendelson's critical reviews of "What Seven Classic Novels Have to Say About the Stages of Life" timely and well written. I highlight below several points that struck me.

. I have never, never, NEver realized the intricate complexities of "Frankenstein" til I read Mendelson's analysis. I had heard that the authoress (Mary Shelley) was brilliant and accomplished and connected in her time, but to be honest all I could image in my mind prior to this book was the film treatments of a) Boris Karloff, and b) Mel Brooks. Suffice it to say I have a whole new appreciation of the rich ideas and paradoxes Shelley wove into her story!

. Mendelson does a fine job of weaving seven stories into seven Stages of Life (Birth, Childhood, Growth, Marraige, Love, Parenthood, The Future). Never mind the excellence of each chapter's analyses; the crafting of the whole book, and its demonstration by example of its meta-theme that "things that matter are written about in great literature," excite my professional admiration for a job of craftsmenship and talent well done.

. Further exciting my admiration are several points mentioned in the preface and in the essays as Mendelson distinguishes "universal ideas" that these authoresses (Mary Shelley, Emile Bronte, Charlotte Bronte, George Eliot, Virginia Woolf) present in their narratives:

1) He chose all woman authors because "it has nothing to do with any fantasy that women have greater moral and emotional intelligence" but rather "a woman writer [in the 19th and 20th centuries] had a greater motivation to defend the values of personal life against the generalizing effect of stereotypes." This is still an issue today for ALL of us, I think, whatever our personal circumstances or lifestyle choices.

2) That opposite life principles may be equally true, that what is publically espoused may be privately doubted. Or said colloquially, "The opposite of a Great Truth may be in itself a Great Truth." Examples include, in "Frankenstein," the espoused principle that a good upbringing of a child will result in a good character of an adult. But: "The opposite may also be true."

To read Mendelson's "take" about these works and their authors has made me feel more acquainted with seven "tastes of greatness!"

"This book is about life as it is interpreted by books. Each of the chapters has a double subject: on the one hand, an English novel written in the nineteenth or twentieth century, and on the other, one of the great experiences or stages that occur, or can occur, in more or less everyone's life." These opening lines of Edward Mendelson's work of literary criticism - The Things That Matter - encapsulate his intent. A study of seven classical novels by Mary Shelley, Emily and Charlotte Brontë, George Eliot and Virginia Woolf, Mendelson's essays present his thesis that novels provide insight into specific stages of life and, these novels, when viewed collectively present a "history of the emotional and moral life of the past two centuries."

Mendelson has aimed his work at readers of any age, the only prerequisite being knowledge of the seven novels. He writes in a conversational manner, as if lecturing directly to the reader. Theories and supporting arguments are presented within the text, footnotes included only when critical. Woven throughout is information about the prevailing theories and literary themes of the period.

In the section on Wuthering Height_s Mendelson explores Brontë's idea of romantic childhood, tracing its roots to the romanticism of Wordsworth and Freud. His _Wuthering Heights is a very different one than the one commonly studied in high school. Heathcliff and Catherine are desperate to recapture the total unity experienced as children, to merge two selves into one. Whereas the commonly held perception is of a novel of thwarted passion and cruelty, Mendelson believes Brontë deliberately led readers to this conclusion and away from her true meaning. "She disguised Wuthering Heights as a story of doomed sexual passion perhaps because she regarded her potential readers with something close to contempt...they could not understand what this book tells them."

Each of the authors is examined with the same focus, each essay meriting its own review. Mendelson states that he "could easily imagine a similar book to this one made up of entirely different examples."

I'll keep my fingers crossed that inspiration strikes and Mendelson shares more of his thoughts on life and literature.

Armchair Interviews agrees.

In case you ever thought less of women writers than their male counterparts look no farther than Mendelson's review of seven classics all written by women who wrote what matters in life with vivid, vibrant language.

Starting with Mary Shelley's Frankenstein that is the result of an inspirational motto by Mary Wollstonecraft: "A great proportion of the misery that wanders, in hideous forms, around the world, is allowed to rise from the negligence of parents," to early attachments in Wuthering Heights by Emily Bronte, to early disattachment by Charlotte Bronte, to the humdrum beats of ordinary life in Middlemarch by George Eliot, to the realization of life's illusions in Mrs. Dalloway by Virginia Woolf, to a rebellion in To the Lighthouse, also by Virginia Woolf, and finally to the disillusionment met in Between the Acts, yet again by Woolf.

Great books as can only be understood best by this book.

Coker has written a readable, entertaining, and comprehensive biography of the man who became, rather improbably, the greatest rapper of all time. Focusing on his life, his titanic talent, his character, and the intrinsic grace of his storytelling, this book does not dwell on the petty rivalries that engrossed the media and dominated most discussions about Biggie Smalls. This book is overwhelmingly positive; in fact, the author seems somewhat infatuated with the subject, and this is the only reason I do not give the book 5 stars. For instance, Coker does not dwell on how Biggie exaggerated the poverty and depravation of his childhood to a great degree. But overall it is a great book that gives a solid feel of the life and times of the King of N-Y, although it is a bit of a puff piece.

Book Review: The Life, Death, And Afterlife of Notorious Of Big

By: Cheo Hodon Coker






The Notorious B.I.G. aka "Biggie" has left the rap game in body, but his music lives

on. Unbelievable; The life, death, and afterlife of The Notorious Big which was written

By: Cheo Hodon Coker. I gave it a five star rating; because it gave a better

understanding of Biggie problems and emotion that he faced on the streets of Brooklyn,

New York to the Hills of Hollywood, California. Coker makes it clear that Biggie

conquered the music industry with his street rhythms to win number of awards. Never

the less he come short to explain why when Biggie saw his wife Faith they did not talk to

each other for the last time.


The book was a good Biography of Notorious Big. It rest; fill with a lot of street

talking just as know Biggie to talk on a day to day bases. The book makes it seem as if

McPherson 2




Biggie was the person telling the story that how good the book is. It also explores a lot

of interesting issues that not many people are willing to talk about. Biggie had attended

Catholic School and getting a lot of things from his mother, who was a teacher, young

Biggie did not have much to do.


By the age of 16 he had dropped out of High School and had become a crack dealer.

Coker often said in the book that biggie just wanted more. Sean Combs, a Music

Producer, who pay Biggie money to stop selling crack. Biggie would not stop

because he had just had a baby and the music was not giving him the money he wanted

Combs one time had to went down south to get Biggie, because Biggie was down there

selling crack. Biggie often says that he did not think that he could make it in the rap

game.

Then come the war "East Coast" VS "West Coast", which the Media put a lot of

paper to the Fire and made it bigger. It ended up with the death of Tupac death, and then

soon it would be Biggie turn.

Over the entire book was a success I would recommend that people take out of there

busy life and read this book, most of all the rappers in the music busy now. It would also

help to stop the "Beefing" of rappers.

This book is Big as biggie smallz, i always respected Biggie smallz and i always wanted to know who really was Christopher wallace and when you read it you just fell pain for his mother, cause christopher was the son every mother want to have, this nigga could have done everything to see the people around him happy, when you read this you see how Biggie would never done nothing whrong to 2pac ,every hip hop fan have to buy this cause we all know many things about 2pac life but finally we don't know nothing about Biggie smalls , before reading this i was taking Big as the best flow hip hop will never had, after reading this book i thing that this fella was the realest hip hop will never have , i want to tell all the 2pac fan who take Biggie as the so called greatest to never forgot that 2pac has 6 lps before his death and Biggie got 2 only, this nigga was at the begining of his career and he was on his way to be the mike anyone jordan , jackson of hip hop!at the reading of this book you see that the 2 dearly legend of hip hop was two friend with nothing in common but with everything complementary, so enjoy cause this may not be the best biography i've read it's arleady one of the best ... it's 25 years full of love, pain, drugs,sex, guns , talent,women and many more!

A must read for anyone interested in the history of hip hop. Before I read it, I had only heard of the Notorious B.I.G. Now I feel as though I know him - personally.

During the 90's, when gansta rap and the East coast vs. West coast fight broke out, I was too busy working on my Bachelor's and Master's degrees to pay much attention to anything else.
I had also heard of Suge Knight and Sean Combs, but only from newspaper reports. Reading this book really filled in a lot of the details for me. Suge Knight is portrayed in a postive light as really caring for his artists and seeing to it that they were treated right. He became violent only when he thought that those artists were being taken advantage of, and that they (as well as he) were losing part of the money they were entitled to. I had always wondered what had prompted this violent streak of his. I remember the newspapers would only report the latest incidents, never try to explain them. The book also explains what it is, in fact, that Sean Combs does. I had always wondered: Is he a rapper? A producer? An executive? And, how did he amass so much money? Combs had always been a mystery to me. To some extent, he still is, but the book goes a long way toward solving this riddle too.

This book explores many interesting puzzles like these and shows how intricate relationships within the hip hop community had become, even by the 90's. Biggie Smalls is portrayed as a flawed yet sympathetic character. At first, he's a child attending Catholic school in uniform, who feels different from all the others hanging out on the corner. His mother is a teacher, he's fatherless, and while not rich, he's by no means poor. His mother gets all the latest gear for him so he doesn't go out and get in trouble. As he grows older, however, the lure of quick profits grows stronger, so that by the time he's 16, he's dropped out of school and become a full-time crack dealer. The book wants us to believe this is so he can buy even more of the latest gear, and that he's never statisfied with what he's got. I'm not sure that that's the whole story, but surely his life was never as bleak as what he depicted later in some of his songs. One gets the feeling that somewhere along the line, something just isn't right - either with the world, or with Biggie. Then, once Biggie becomes a rap star, he says in the book that he never expected to, that rapping was just a hobby and that the profession he had actually chosen was that of the crack dealer. So, we're expected to believe that this rap star thing just happened as a fluke, and came just as much as a surprise to him as to the rest of the world. Maybe all this is so, but if it isn't, the book makes no alternative explanations, nor even attempts to. All we're left with, instead, is an incomplete portrayal of the man who would later become known as the Notorious BIG. All in all, despite the inadequacies in the portrayal, one is still able to admire and respect the genius and charisma of this man. This is both a tribute to the man and to the author. It makes us aware that even legends have character pitfalls, yet we're still able to remember and love them for who they were.

I am so glad that I read this book. This book glorified Biggie as a everyday fella not a superstar. How good of a person he was and what he did for others including the ones that hated on him, which were many.

This book gave a first account on how he went for "ashy to classy" and how hard he tried to keep it once he found out that he really had talent for music rather than talent for selling crack.

What I didn't know, but really didn't surprise me was how much of a playa Biggie was. He had his wife Faith, Lil' Kim and Charlie Baltimore and I am going to say that it was more than that. It bugged me out him and Faith never even spoke to each other when the saw each other on the night he died. I guess it is true that you never know that last time you may see someone for good.

I love the loyalty of his true friends from St. James, mainly Lil' Cease. This book also showed you how grimey Lil' Kim really is. What devastated me that most was how his relationship between him and Tupac just crumbled over bullsh--, straight bullsh--. If you ask me my opinion and this is just my opinion, I think Tupac what just in the wrong place at the wrong place, just like the rest of his situations. Now, don't get me wrong that's my boy too, he just makes bad judgements, just like Biggie staying out in Cali, like everything was cool.

Overall, this book was the best biography I ever read. It was straight up real, it made you feel as if Biggie was telling you the story of his life himself.

Later!!!

This book is well worth the money! The techniques and vocalises Ms. Alba supplies on her CD and actual lesson excerpts on the DVD are invaluable for singers and teachers alike. Truly a must have for the singer's library.

I am so excited about this book that I have been recommending it to my students to read. Finally, an intelligent, coherent book has been written that describes what the great teachers have been handing down verbally to their students for generations. It doesn't get any better than this!

I believe all singers should read it. This book contains everything a singer should know about good, healthy singing and polished artistry. It is the most intelligent book I have ever read about the art of singing. It not only offers guidance in vocal study from Signora Alba, but also includes words of wisdom and vocal exercises used by some of the greatest singers in the world. I found this book the best guide in my vocal studies and I strongly recommend it to every singer.

I think that "Vocal Rescue" is a "must have" for every singer's library. It is a minefield of practical knowledge of the the voice and of the business, and I refer to it often, even after reading already.

Lois Alba's book has been a godsend to me and my singing career and is responsible for taking my voice to "the next level." I will be forever grateful to Ms. Alba for distilling into this easy to read and entertaining volume the knowledge and technique she gained through her illustrious international opera career and decades of study with the world's most eminent vocal teachers and coaches. It is truly a goldmine of practical wisdom for singers of any level.

My first English Ring was Andrew Porter's "singable" translation. It was my introduction to a world of sound-rhymes that is difficult to render even in German (a running joke in Bayreuth was that singers were asked to first translate the text to German, before starting work!!!). When my focus turned to meaning of words and sentences, I've discovered the Spencer translation, the most up-to-date version available in English. Besides an annotated text (with alternate endings included - previous versions of course...), comparing word roots with Wagner's own sources, we are also presented with introductory essays by Wagner scholars, filled with insight and devoid of one-sidedness so common in music scholarship. For everyone looking for THE version of Der Ring in English.

This is a very useful set of libretti and translations. The introductory material and the synopses are also of great use.

Thank you, Mr. Spencer. You have given us something very special. You have given us a complete English translation of Der Ring Des Nibelungen, and it's possibly the most Wagnerian translation ever put on paper. You have given us more knowledge about the Ring Cycle by giving us commentaries about Wagner and his mission to change the way we look at operas. You have also given us B & W pictures of recent renderings of the Ring Cycle, from the Bayreuth Festival to the New York Metropolitan Opera. And for that, we are very grateful. A+

I studied "The Nibelungenlied" in college and was so mesmerized by the story that I had a linden leaf tattooed on my back. Since then, I have read Nordic sagas of the Siegfried legend. This was my first read of Wagner's comprehensive version. It was breathtaking.

Wagner draws from all versions of the legend. In addition to "The Nibelungenlied," he uses "The Saga of the Volsungs" and other Nordic versions such as the prose and poetic "Edda."

Wagner's ambitious work was composed under the nationalistic fervour of 19th Century Germany. He believed "The Nibelungenlied" to be for Germany what "The Iliad" was for Greece or "The Aeneid" was for Rome. Thus he populates his German forests and rivers with mythological gods and faeries, and his human heroes are imbued with heroic courage and strength reminiscent of Achilles and Aeneas.

In his poetry, Wagner proves himself a genius. Like other masters of language, he deftly balances storytelling, emotion, and philosophy. Stewart Spencer's translation is excellent, especially in capturing Wagner's emphasis on alliteration.

See also Wagner's libretto for "Tristan and Isolde," another brilliantly written opera based on a medieval german text (by Gottfried von Straussberg).

I highly recommend this book. There are seldom times a book will give me chills, and it happened several times when reading this book. And if you are interested in the Siegfried saga, check out The Nibelungenlied.

This book would be an excellent addition to anyone interesting in Wagner's Ring cycle for a number of reasons.

First, the translation, which takes up three quarters of the book, is well done, with German and English directly compared on a line by line basis, complete with alternate or discarded or rejected versions of the libretto included in an appendix. The translation itself seems outstanding; some of Wagner's phrasing is difficult or impossible to directly translate into English, but even in the most convoluted or confusing cases the result is clear and compelling.

Second, there is a thematic guide to many of the most important leitmotifs Wagner developed (67 in this case), and in the translation of the libretto the authors have noted where these occur on a line by line, or sequential basis. This is of tremendous help as a reference for further study when listening and relistening to the music.

Third, while there is only little commentary on the operas and on Wagner's compositional journey through the Ring, there are a few photos from past performances, comparing vastly different sets for the same scenes, which are interesting. There could have been quite a bit more of this.

Finally, the glossary of character names could be useful to the student.

Overall, this is an excellent resource and reference to use while listening to the Ring, and for analyzing Wagner's libretto itself.

I loved this book! I didn't think I would at first. Why would I be interested in a coming-of-age tale of a 10 year old girl? But Janice Eidus is such a talented writer. Before long, the reader discovers that this is more than the little girl's story. Eidus has an amazing ability to explore the actions and inner feelings of all of the book's main characters. I feel as if I've come to know these characters as well as I have ever known any fictional family.
Also, while Eidus does a wonderful job of depicting the lives and times of Bronx in the 1960's, her story is universal. The issues faced by the Rosen family, crises of religious faith, love and fidelity between husbands and wives, sibling rivalries, adolescent love, tensions between parents and children, and questions of illness and mortality will resound with readers of any time and from any background.
The book made me laugh and cry and I recommend it highly.

A book about a 10-year old Jewish girl in the Bronx seemed to me an unlikely page-turner, but I found this a compelling read. The social milieu is well-defined, and the characters are alive. Eidus does not shy away from portraying the little black corners of the two sisters' hearts (nasty characters are always more interesting), but the ultimate result of this 'war' is not devastation, but creation. Her quirky sense of humor(great names, for example)keep things moving along. I look forward to a sequel.

A cousin of mine lives in Italy and her women's book group is considering inviting the author, Janice Eidus, of War of the Rosens to participate in their fall event. So she asked me to read it. The author is new to me and she is a deceptively powerful writer. I don't know how she did it but eventhough this age group, location, the projects in the Bronx in 1965, were totally foreign to me, I was there! It taught me that you don't have to identify with characters or their circumstances inorder to appreciate fine writing and poignancy.Do yourself a favor..read it, buy it!

I found myself so engrossed in the Rosen family, that I read this book in 3 days. The characters were unusual, complex, yet sympathetic despite their flaws. They continue to linger with me, and I'm looking forward to the next book. (I also recommend "The Celibacy Club"--a short story collection by the same author. The first story "Elvis, Axl, and Me" is hysterical!)

This is a novel about the relationships among and between a mother and father and two daughters. The narrator reveals her family; her father whose politics put him at odds with the rest of the neighbors, her mother who works hard to care for husband and daughters, and her sister with whom she has tremendous sibling rivalry.

In one incident, the ten-year-old narrator sneaks into a Catholic church and has a conversation with the Virgin Mary. She dips her hand into the holy water font and fears that she has baptized herself.

I have met the writer and plan to read her other books.

This book unleashed the scents of the landscape each time I dove in. Made me think of how accurate one must be to survive in such primitive times. Any mistake may take your life. Wolfgangs love came from some very hidden place. His wolf and companion Darkmoon impressed me as gifts from his God to honor his worthiness. I do recommend this book to all who want a Historic Journey.

The War Trail is a compelling and graphic read. Mr. McDonald has a keen sense of detail and historic accuracy that blends history, fiction, and certainly real experience in his work. If you read this book you want to know more about the author himself,as it leaves one with the sense that he has worn the shoes of the protagonist. When is the next book coming out?

Though not the genre I typically read, I thoroughly enjoyed The War Trail. The author's attention to detail brought every scene to life, and made me feel that I was walking the woods of a part of the country that I love. It would have been marvelous to see it in those early years, when it was still wild and empty! I loved the vivid descriptions of Indian life and traditions, and felt that I learning as well as being entertained. Can't wait for the sequel!

As hunter among wilderness animals and as survivor in a humans' world - Indians and Europeans - in which mistakes are often fatal, McDonald's Wolfgang conveys the sensation of being stalked and of stalking. The reader senses this author speaks from experience. Hunters, gun collectors and nature lovers will envy the virile Wolfgang. Historians will travel comfortably in his head. After reading the book, it struck me that while I was immersed in the intense adventures, between the lines Wolfgang and the equally indomitable Indian woman, Dark Moon, were consummating a powerful love story. I heartily recommend "The War Trail."

As an individual with a penchant for detail, I was not disappointed with Charles McDonald's tale of Wolfgang Steiner's journey. His descriptions of the changes in nature that come with each season were written with exceptional accuracy. Additionally, the plot was suspenseful and left me wanting to finish the book without putting it down. The historical accuracy of people, places and events written of in the novel was a nice treat. McDonald's affection for the outdoors does not go unnoticed in this novel. I'd definitely recommend The War Trail to anyone who craves adventure and loves the Great Outdoors.

Matt Bourdoul joined a wagon train because the beautiful Jacquine Coyle and her family would be traveling on it. He knows there is something wrong because they are going to the gold country. Matt feels the danger and he must find out the plans of this wagon train before it is too late. Louis L'Amour is very descriptive of the setting and his characters. He paints a vivid story of danger, intrigue, and adventure. This is one of his best books. By Ruth Thompson author of "Natchez Above The River" and "The Bluegrass Dream

Writing as a Small BusinessQualifying Laps: A Brewster County NovelSins of the Fathers: A Brewster County NovelTravelersNatchez Above The River: A Family's Survival In The Civil WarThe Bluegrass Dream: A Wilderness Adventure of Early Settlers

L'Amour does it again. Not only a captivating, well-written story but he shares a bit of history from the physical location of the story. Much overlooked, L'Amour is a tremendous writer who can create character, plot and drama in an efficient and exciting way.

When a group of Outlaws devise a scheme to rob a wagon train of white settlers for over $300,000, it seems that nobody will be able to stop them. With the cunning Sim Boyne as their secret leader, their plan seems foolproof. But they never counted on a young, honest gunman named Matt Bardoul joining their wagon train. Bardoul is skeptical from the beginning, but his interest in a girl takes him into the action. All this takes place in the time of the Sioux troubles of America and some of this history is given along the way. It is a good book, but you'll have to read it to see if the Indians take the blame or not this time.

I rated the book,Westward the Tide by Louie L'amour to get four stars.In the beginning, they used a great way of describing characters and built foreshadowing at first opportunity. I also enjoyed how they explained some important events durinmg that period, and the relationships between white men and Indians.When there were fights, they described what happened very clearly, and drew an almost perfect picture in my head. Halfway through the story, an Indian comes to a man, and explains the Indian's entire point of view of white men, and told what they are doing to the land. I thought this was very clever of L'amour, and it was helpful for anyone reading it to further undertstand that time period. The battles made the book exciting, but some parts of it lacked interest and were too boring.

Just one look at the beautiful and spirited Jacquine Coyle and Matt Bardoul knew that she was the woman for him. So when he finds out that she and her father and brother are planning to go on a wagon train, he decides to go along too. When he first learns about the wagon train heading for the rich pasture of the Big Horns and the gold which would be plentiful there, he finds nothing wrong. But soon he starts getting an uneasy feeling that something is definitely wrong. The wagon train would be made up of strong and innocent men and their families but they would be lead by a pack of the worst murderers, thieves, and gunslingers. Though Bardoul gets and urgently whispered message telling him not to go, he is still determined to go on the train because of Jacquine and the land at Big Horns. Bardoul doesn't realize that he is getting involved in a very deadly plot where the bad guys would stop at nothing to make sure everything goes according to their plans. Will Bardoul be able to figure out their plans before it's too late?

I just love Louis L'Amour's westerns and "Westward the Tide" has got to be one of his bests ever! With plenty of intrigue, suspense, action, and romance, for any L'Amour fan this is a must read. One of the best things I like about this book are the characters which are portrayed. Characters like Matt Bardoul, Jacquine Coyle, Brian Coyle, Clive Massey, Buffalo Murphy, Logan Deane, Ban Hardy, Portugee Philips, and more, L'Amour wonderfully displays the different types of people who made up the American frontier.

Other L'Amour books I highly recommend are: All of the Sackett books, including my most favorites, "Jubal Sackett" and "Galloway, "North to the Rails", "Broken Gun", "Crossfire Trail", and "Comstock Lode".