Genres Books

Au unforgettable journey through the century written by one of the most open-minded and talented jazz journalist of our time! A MUST and HIGHLY RECOMMENDED READING!!!

The main reason I read this book is because I have become a Billie Holiday fan in the last 2 years and up till now not a true lover of jazz. This book caught my attention when I did a search for books on Billie. There was about 6 to 7 pages on her but I never imagined how long this book would be! Not a bad thing though. I know it took me a long time to read as it is SO detailed and thorough. It was truly an education for me and I have a much greater apprecation for jazz! Gary Giddens is an exceptional author and is obviously a veteran writer and really knows his stuff! A truly well written book. Highly recommended for lovers of jazz and those of us who are just beginning to have a love for it!

The source of Coltrane's 'Impressions' was (Morton) Gould's "Pavanne" and not Ravel's "Pavane Pour Une Infante Defunte" Giddins, however, confuses them on page 484. (After all, what's a pavane among friends?)

As someone who has spent a career reviewing documents and spreadsheets, I have a simple philosophy: if there is one error, I assume that there are others. This cost Gary a star.

Gary Giddins was only a name to me until Ken Burns's JAZZ series aired on PBS in early 2001. While I appreciated all the commentators in that remarkable series, it was the observations of Giddins that I began to eagerly anticipate night after night. He made me SEE music that I knew and loved but whose structure and complexity I had often been unable to grasp. Despite some jazz appreciation classes in college and haphazard collecting of old jazz records over the years, I had not gotten much past the "I know what I like" phase. His passion for music I was less familiar with led me on some rewarding treasure hunts.

I bought "Visions of Jazz" shortly after the conclusion of the Burns miniseries. I devoured it. I have turned to it time and again in the intervening years. Many critics overanalyze their subjects to the point where they suck the life out of the very thing they're attempting to illuminate. Giddins does not have that problem. His prose sings and swings with the elan of his beloved Sarah Vaughan.

Giddins's re-examination of the music of Ellington and Armstrong may seem at first blush to be superfluous; you may think you know all there is to know on that subject. But he proves that even the most accessible jazz figures and their music evolve from and operate within a such a complex idiom that periodic re-evaluation is necessary, and, if approached with respect for both the subject and the reader -- which Giddins has above all else -- it is most welcome indeed.

There are chapters in "Visions of Jazz" about musicians with whom I was completely unfamiliar. But I took a chance and read them, and wound up buying some Matthew Shipp recordings. It's that kind of book. You can take out as much as you put in.

As much as I appreciate Giddins's bone-deep love of jazz, his scholarship and wry humor, I also respect him for his fearlessness in making a case for, say, the inscrutable Cecil Taylor. But I am probably a big fan of someone who leaves Gary Giddins cold, and that's OK. The jazz tent is big enough for us all.

Why not 5 stars? The only "perfect" thing in jazz is Ellington's "Just a-Sittin' and a-Rockin."

To the previous reviewer: Mr Giddens was RIGHT. Coltrane's Impressions was based on BOTH pieces of music.

Very comprehensive. Lots of photos, very good history. It did come out a while ago so doesn't have anything about Entwistle's death. But it's a great history of the Who!

The definitive book to have on The Who. Loaded & re-loaded with amazing photographs & anecdotes from a friend of the band who isn't afraid to point out the bad in addition to the good.

I bought this book on its original release back in the 1980's; the updated section to review the years 1983-96 is most welcome. Hopefully, Richard Barnes will release yet another edition that takes into account the years 1997 to the present.

If you're a Who junkie, this book is a must. If you're a new fan, this volume is a fantastic primer into the history of the greatest band there ever was.

This book is an excellent resource for all fans of the classic rock band, The Who. Telling the band's story from their earliest days, the reader will find plenty of detail, interviews, and wonderful photographs to enhance this "amazing journey". The author takes a relatively unbiased stance, leaving out personal opinion in favor of simply stating "the facts".

If you are a fan of The Who, this is certainly a book that deserves a place in your library.

This book is really a great overview of the WHO's career. Starting out when the band started to meet as teenagers and spannig all the way to a few years after Keith's death, this book covers every single recording the WHO did.

Aside from just following the WHO through their career, this book is also jam-packed with those crazy Keith Moon anecdotes and interesting picures.

I really enjoyed this book, and enjoyed seein what one of my favorite bands was really like. I would definately recommend it to anyone who loves the WHO.

As a HUGE Who fan, I first picked up "Maximum R&B" in the late 80's, and recently dug into the updated version.

Richard Barnes was an old art school friend of Pete Townshend's, and remained close to him and the band over the decades. His history of the Who is detailed, mixed with intimiate remembrances, especially of the early days of the band.

Barnes for the most part tells the story with a straight-forward, unbiased eye. He details the tulmultuous relationship between the band members, especially Townshend and Roger Daltrey, and draws on numerous interviews and press articles (the press materials are classic--some very early pix of a very young Detours lineup are among the entertaining bits).

Barnes also examines the Mod movement of the 60's, which was so critical to exposing the Who (for a while the High Numbers) to a hardcore audience.

For Who fans like myself, you may find some minor errors, and Barnes doesn't go too deep into some of the band member's personal lives, except where he seems to have an in. Among these would be Townshend's fascination with Meher Baba, his later drug and alcohol problems, and his later struggles with trying to deal with the Who while establishing himself as a solo artist.

In any case, a fantastic document of the history of one of rock's greatest and most talented bands.

Indeed, All We Are Saying: The Last Interview with John Lennon and Yoko Ono pulls out the punches. The book shows how far former Beatle, John Lennon, had come and where he was headed. David Sheff's "Playboy" interview with John Lennon and Yoko Ono is the most fascinating piece of oral history about Lennon's life as well as the story behind every Beatle song. Sheff intimately takes reader through the studio, John and Yoko's Dakota apartment, and down the neighborhood coffeeshop sharing a cappuccino. All We Are Saying presents an extremely candid and frank interview that was held two months prior to Lennon's passing. Sheff reveals Lennon's growth and new beginning that would unfortunately be cut short.

All We Are Saying does not lack in humor and seriousness. This was the man, not the Sixties icon who sang against a "Revolution," who still had dreams and aspirations to accomplish at the time the interview was conducted. For fans of Lennon as well as the Beatles, this was Lennon stripped down and open for questions, and he merely tells it like it is or was. He expresses the breakup of the Beatles, and emphasizes that they were great, but they were in the past. He talks about the ups and downs of his individual experience from being a heroin addict to a househusband. He was living in the here and now, and the music that he was making at the time reflected that mantra. Though the references he made about the music scene now appear dated, Lennon was ahead of his game and kept up with bands, such as the Clash, Pretenders, and the B-52's. He even raves how the B-52's rip-off Yoko's style of music.

Sheff writes the interview in clear and picturesque narrative. For every new chapter, he introduces the reader to where the interview is going. However, the concluding portions of the book appear too rushed. Sheff appears to have wanted to discuss or at least learn about every tidbit about each Beatles song, which almost portrayed a to-do list, and at times it appears as if he did not want to run out of tape. From the transcript of the interview, Lennon appears too tired to talk about each and every Beatle song as he answers with yes and no answers. For the most part, Lennon wanted to speak about his new album at the time, "Double Fantasy", and new projects he was planning.

All We Are Saying is an important document of the life of John Lennon. For Beatle and Lennon fans, the book is quite ironic and sad due to the circumstance, but that should not stop any one from learning more about one of the most legendary artists of the twentieth century.

This for me is better than any other book because it is reading the acutual words that John said. He gives his own first hand comments on each song (no guessing what each song was about -- he tells you). When he can't remember (it was the 60's after all) John will say so. The most important thing he says is "get interested in your own life" meant in the very kindest way John wants to remind us that we can identify with him, we can love him, but to please NOT make him to focus of your life -- YOU should be the focus of YOUR life. His insights to life can help you acchieve insights of your own. John rules! But I am thankful that he reminds us it is not important to memorize his height and weight or other "facts" but rather to LIVE the life we have -- as I wish he had the option to do. American must stop naming cruel people and making them famous if we do not want more useful people to be killed by those who have little human value -- of course that is only my take -- I can't rule YOUR thoughts (and for that you should be glad ha, ha).

Get the book if you are a Beatles or John Lennon fan... ;-)

INCLUDES AN AMAZING SERIES OF QUESTION AND ANSWER SESSIONS, THAT YOU WILL NOT BE ABLE TO PUT IT DOWN! I WAS SURPRISED AT SOME OF JOHN'S ANSWERS; BUT IT DID MAKE SENSE COMING FROM HIM. I WON'T SPOIL IT FOR EVERYONE....SO EVEN IF YOU'RE NOT A DIE HARD LENNON FAN, YOU WON'T BE DISAPPOINTED BY THIS FUNNY AND TOUCHING PIECE OF WORK...JUST BEAUTIFUL!

John Lennon and wife Yoko Ono give an excellent interview by pulling out all stops. Sheff's interview in "Playboy" with the pair is a vital oral history about the former Beatle's life and his insight on each Beatle song. Sheff takes readers on a Magical Mystery Tour through the recording studio; the Dakota and in and around the neighborhood. The interview is candid and direct; readers are given a clear look of and at John and Yoko.

John is shown, warts and all in real, living color. He is not glamorized nor vilified; he is presented as the man that he was. John Lennon was many things to many people; Sixties icon; musician extraordinaire; artist; spouse; father; author; actor; joker; interviewee; "militant pacifist," an oxymoronic term. John was a very complex man and this Rubik's cube of a book puts the pieces together in such a way that readers can readily assemble their image of John Lennon.

John makes no bones abut the Beatles being part of his past; he appears to want to move further down the Long & Winding Road without further Hard Day's Nights in re his Beatle history. It was also interesting to learn what groups and artists John liked and how he felt they influenced him.

Hats off to Sheff for introducing readers to each person in the interview. If there is one literary pitfall to avoid, it is never, repeat, never spring characters or real people onto readers without introducing them. That weakens a work and Sheff is quite adept at dodging this trap.

John appeared to be moving at a quicker pace in this interview; whereas Sheff wanted to discuss the Beatles more in depth, John gave one word answers to Beatle related questions and seemed eager to discuss his 1980 album, "Double Fantasy" as well as works he was planning after that.

This is a bittersweet book for Beatle and Lennon fans because of John's untimely death in late 1980. Even so, the book remains an excellent source of information about the man who founded the World's Number One Band, the Beatles and the man who made the world listen.

Listen to John Lennon.

My favorite Lennon quote comes not from this book, but from the Beatle's set during the Royal Variety Performance for the British Royal Family in 1963: "Will the people in the cheaper seats clap your hands? And the rest of you, if you'll just rattle your jewelry." I love that, though I've been told you need to be raised in the British class-consciousness to fully appreciate the insolence of that.


I grabbed this book just out of curiosity, as a Beatles fan and a Lennon fan in particular. I read in a review that Lennon goes through the whole catalog of Beatles songs and comments on them. I thought that would be interesting to read. Yoko Ono was the least of my concerns, but they were and are a package deal. I bought into the popular cultural conception of Yoko as the villainess who broke up the Beatles. So the first thing that struck me, reading these interviews, is what an intelligent, sympathetic, and likeable figure she is, when heard in her own words, in the comforts of her home base. And the two of them together actually seem like a nice, well-matched couple, decent people who- against the odds- had found contentment amid the surreal circumstances of their lives. No doubt that they are eccentric in some ways, and some of their philosophizing has that post-Hippie, flaky, dated feel, as you might expect. They are artists after all. But at the same time, they surprised me at times at how level-headed they came off. Despite the near deification of the Beatles, it is John who continuously reminds us that they were just a rock and roll band that was in the right place at the right time and wrote some good songs. And they are able to honestly talk about the strain on their relationship caused by their celebrity. With all the typical defiant talk about letting people think whatever they are going to think, Yoko admits to the heartache of bad press: "It's a very strange thing that society can do that much to a relationship, but it does because we're social animals. We're social beings. A relationship is not isolated from society." "Society can break an individual. That is what happened." John, too, often displays the vulnerability buried within the armor of the iconoclast: "We're both sensitive people and we were both hurt by a lot of it." Enough time has passed for them to analyze the hostility garnered by Yoko, as a woman, when she began managing John's business affairs. John talks about the attitude towards Yoko at these meetings where she was the only woman, "They're all male, you know, just big and fat, vodka lunch, shouting males, like trained dogs, trained to attack all the time." Yoko is wonderful, chiming in with "I was emasculated." Then launching into her formulation of male aggressiveness, "you must have the womb-envy thing," she speculates. Men are aggressive to mask their intimidation and jealousy. After all, she notes, "we give life."

The most valuable part of this book, in which John systematically goes through almost every Beatles and solo Lennon song, is a concession John granted after blowing Playboy's scoop by giving an interview to Newsweek magazine. We get John's feelings about each of the songs as well as the memories triggered by them, what was going on in that period of his life and how they were written. Though John continues with the superficial model of `John songs' and `Paul songs,' we see that the truth is more complicated, they wrote the best of the Beatles "one-on-one, eyeball to eyeball... both playing into each other's noses." We see why they were great together (and why George and Ringo are two very lucky men to have been along for the ride) and why neither of them, as solo musicians, could produce songs that measure up well to the Beatles. There are several examples of the two of them contributing little touches to each others songs, the little shadings that profoundly deepen the work. Without Paul, John was mostly a writer of catchy tunes, superficial fluff with great hooks. Some of Paul's solo works come close to the best of the Beatles, but for the most part, he was missing the nuances- the melodies and tenderness- of Paul's sound. A song like "Michele" is a perfect example. Paul wrote a pretty little love ballad. John heard it shortly after hearing Nina Simone sing the blues, and he suggested the bluesy "I love you, I love you, I love you," bridge. Paul writes "It's getting better all the time," and John adds "it couldn't get much worse." Paul writes "We can work it out" and John adds "Life is very short..." Or conversely, John writes about "A Day in the Life," about a man violently killing himself, and Paul adds the sweetest little lick to ever float into a song from nowhere: "I'd love to turn you on." And so on. I particularly recommend this section as a morning commute read, riding the train with Ipod in hand, keeping the songs in your ears as you read John's analysis of them.

Of course, one can't read these interviews without being constantly reminded that John was assassinated just months afterwards. It gave me chills to read some of John's philosophizing in that light, "Mahatma Gandhi and Martin Luther King are great examples of fantastic nonviolents who died violently. I can never work that out. We're pacifists, but I'm not sure what it means when you're such a pacifist that you get shot."

And the heartbreak is palpable when reading of the pride John took in stepping out of the action and becoming a full time father to Sean. "Here we are: I'm going to be forty, Sean's going to be five. Isn't it great! We survived!"

I feel that the book is an excellent manual documenting the brilliant production of CABARET by one of the great theatrical directors of our times. Sam Mendes. It is readible; it's well laid out;includes personal comments and historical facts and notes/interviews; and is an interesting insight into how the show was staged including costume sketches, the conversion of the former NY Studio 54 into a "classy" cabaret, etc. The photographer brings all contents to life and the whole work borders on being a topnotched manual of all theatrical arts.

I just got this book. It is so neat. I couldn't stop reading it. I love Broadway shows, and this book tells so much that I want to know. The pictures in this book are also great! I have yet to see the show but this book almost makes you feel right in the theater. I fyou want a goog Braodway book, this is a VERY good choice!

This book is absolutely delicious. It is filled with gorgeous, glossy photos of the entire beautiful cast, with lots of attention paid to my favorite, Alan Cumming. This book is a must have for any Cabaret fanatic. Even my roommate, who isn't really a fan, couldn't help but read it cover to cover! This book is breathtaking.

I've seen the movie, the revival, and I remember the original production with Joel Grey from my childhood....but nothing ever beats the book! A complete script, with stage directions and brilliantly captured moments of the play; a thick and hearty slice of life backstage at one of Broadway's most fun and intriguing shows-- get it now!

This is the next best thing to seeing Cabaret in studio 54! Pictures of the Roundabout theater production light up this book and tells the story of the revived new musical. This book does not tell the story of the Liza Minelli version, or any of the other Cabaret versions, but of that of the revival. I have seen the new production in person, and can only say that this is the next best thing...and the book even has the whole libretto in it!

This is dificult as it was bought as a Christmas gift for my 86 year old mother in law, who is the world's greatest Elvis fan! This was one thing she didn't have. However, after scanning through it, and loving him myself, I would have bought it for myself as well! It's very well done with so many wonderful pictures that seem to make him jump off the pages. A great find of a great man.elvis

I really enjoyed this book. It was fun to read about Christmas at Graceland and how generous Elvis was. What was the most important to me is the photo of Elvis at Christmas, 1976.

Yes this book is truly the best gift anyone can give the Elvis world.
I have to admit that this is the "BEST" Elvis publication to date.
The photos are beautiful, touching, warm, and holiday-oriented and the information is fantastic.

A great package all the way around from cover, to size, to quality. This was money well spent!

Jim Curtin (who I have found to be the top author on Elvis books along with his writer Renata Ginter), is truly top of the line in his publications.

I did notice that Curtin's books lack the fabrications that ALL other Elvis books have. No BS in his books and what a relief!

It is quite nice to sit down and read something nice on Elvis for a change, rather than have to put up with made-up stories and information about his sex life, his drug addictions, his death, his fetishes. God let the man rest in peace.

My request is to have all the publishers publish books ONLY by Jim Curtin and Renata Ginter from now on.

Just imagine, no more bad Elvis book would be ever pushed on the public again! That would be Elvis heaven!

Hey people who know Elvis Presley fans or are you an Elvis Presley fan and don't have this book, buy a copy of the book. In chapter 22, the author Jim Curtin tells the people reading the book that he met Elvis Presley in 1976. This is the first and only Elvis Presley spend Christmas.

And there are aslo pitcures in this book. And one looks pretty funny. It's a Elvis Presley t-shirt from the 90's, and there is a pitcure of an animated Santa Claus tells a person on a phone, "No, No, I said Elves, Send Me Fifty Elves." He has Elvis Presley look alikes but wants elves. (Page 152). I laught at A Very Funny Christmas. Which is on chapter 15. Some of you people might or might not know that Elvis Presley was once poor. And you can read about how he spend his poor Christmases.

I guess you are never to old or young to learn. In 1965, Elvis Presley decide to dress up as Santa Claus and had children on his lap telling him what they want for chirstmas. And when he had bigger children, he tried to get a hold of his laughter, but couldn't and got out of a mall, without people seeing him laugh.

You can aslo read Christmas Quotes by Elvis Presley. Like when he tells that he believed in Santa Claus until he was age 8. He had learn that it was his parents doing the role of Santa Claus. Why do parents use Santa Claus as a excplaimn to children at christmas who brought the presents fr them, and at Easter, when tell it was from the easter bunny, when it really was from them? Isn't that a lie? This is a great book to read whether it's Christmas or not.

I came across this book in a local used book shop.
For some reason this book was not sold outright in the main bookstores.

My first initial reaction to this book, once I flipped through it, was:
too bad: some of the printing is not high quality.
But hey, once I looked through the book and read some of the stories, my second reaction took over:
wow the contents are really nice!
as an Elvis fan, I loved the collectibles and as a result I bought another copy off the net.
one is for my library and the holidays and the other I use as a collectible guide.

This is a GOOD book (a real good one) and its done by someone I really didn't know anything about, nor had I heard of him.
But I did do a check on him, once I liked his book, and he did 6 other books on Elvis.
I will see if this man, who proclaims to be the world's foremost Elvis expert, is the real thing, or another self proclaimer like the "fantastic four" (Lichter, Dowling, Tunzi, Guralnick/Jorgensen)

A hint though: from what I see in this book, this man may actually be the REAL DEAL!
he has quality and intregrity.

Very accesible book & good introduction not only to Duke Ellington but the world of Jazz. I suppose an author is limited by the number of pages how in depth one can get but still I expected a more critical examination of the contradiction of Ellington's public persona w/ his spirituality and how he reconciled these contradictions. That said, I still found Steed's argument convincing, especially his leading up to his sacred music. This is especially a good book for the new initiate to Duke Ellington.

The author's knowledge of Duke Ellington, and descriptions of his compositions is impressive. After studying Ellington's life and compositions through this book more closely, in his music, even when it is not overtly religious, one can quickly see that Ellington did indeed work out his spirituality through his music, as this author so convincingly argues. Of especial interest is the author's conception of spirituality and her deep artistry of both genuinely recognizing Ellington's and making that connection with his music, and how both shaped and influenced his life. This is not a scholarly tome, but rather a wonderfully quick, short read. As one of many old Ellington fans, my guess is that Duke Ellington would have smiled brightly and given his big stamp of approval to this book.

I just got finished listening to the new CDs of Duke Ellington's Sacred Music, picked up at Borders. Wow! While I was listening to this great stuff I was reading this book. And Wow! again. If you want the nitty, gritty, the lowdown, or dope so to speak, on the Duke you'll have to go somewhere else. Miss Steed does give you the whole story but her emphasis is on his work, his artistry, and his legend--what the Good Man left us with--and his Sacred Music, which he said, was not his best work, but his most important work. And it was real, man, this is what I was looking for, someone who really had something new to say about The Man, and knew what they were talking about! Buy this book and get to know the Duke and the man behind the legend.

I just recently joined a book discussion group and last night, during my first meeting we were discussing Janna Tull Steed's new book "Duke Ellington: A Spiritual Biography." In just 192 pages Steed traces Ellington's development from a piano player to bandleader to composer and his truly thrilling and sublime sacred concerts in the last decade of his life. Steed also discusses in depth Ellington's ability to write for the individual voice, or band member, which seems to be, at least partly, what made and marks him as such an extraordinary and perhaps greatest American composer--that and his overwelming dedication to his music and a relentless ability to constantly break new ground.

Steed's grasp of Ellington and his music, particularly Ellington as a composer is tops. She draws on the enormous archives at the Smithsonian Institution but also on extensive firsthand interviews with scores of people who were intimately familiar with Duke Ellington and his music, and especially his development of his sacred music and concerts. It is in the area of the sacred concerts that Steed breaks new ground but also her focus of Ellinton as composer, as well as his oft forgotten important work in Hollywood. Her outstanding achievment is that she accomplished this in 192 pages. Steed covers the entire scope of Ellington's remarkable life and career and her insights are very welcome and as engaging as they are informative.

I picked this book up after reading Joan of Arc in this Lives and Legacies Series. This new book delivers everything it promises. I'm a real biography nut with an interest in a very broad range of subjects (and that's just what this series delivers) but have little time to immerse myself in a 500 or 700 page reading. So it's great to be able to pick up these short biographies, get a great read, and then decide if I want to explore a subject in further depth. But I can tell you with both these books, short as they are (192 pages), they are still very in-depth, scholarly and but still accessible to the popular audience. Duke Ellington was a particular pleasure as I knew nothing about his Sacred music and Concerts, nor have I run across anything that examines so fully the films that him and his orchestra were featured in, and which by the way Ellington had a significant role in developing. Author Janna Steed offers up a terrific little gem with this new book on Duke Ellington.

Sad, but not hopeless, biographical account of a young musician stricken with a horrifying illness. Heartfelt & honest without being overly sentimental. Written in a captivating & sometimes humorous tone, not witholding any details. I have been reading this as a physician, and will recommend the book to any young patients I have with grave illnesses.

I purchase this book many years ago simply because I was a big ebtg fan. I casually knew what he had been thorugh and felt terrible for him, but was going through the process of losing and then grieving for a loved one.
When I read the book, it offered me a perspective on what life may have been like for my loved one as he suffered illness. What a wonderful gift Ben Watt has given. He writes without self-pity, in his lyrical style without being flowery or glossing over the ugliness of illness. I am so glad that he survived for selfish reasons-the music he (&Tracey) has(have) produced (before and after the illness) has been a diverse gift to the world.
And I am so greatful that he wrote this book. Experiencing the death of a loved one through being a spectator to horrible illness, was, in a strange way one of life's best gifts to me. No I didn't learn to be greatful for my health and all that crap-I learned that true joy comes from giving to another and expecting nothing in return. Ben Watt's Patient, gave me an extra perspective on that experience, and sometimes helps me to remember the life-lesson from it all.
In summation, read Patient for more of Watt's lyrical writing, read it to find a surprisingly good story with plot twists and turns, read it to learn what severe illness truly is. Fascinating. A gift-thank you.

I'd been a fan of EBTG for quite awhile before this book came out. Their soothing music has always been a favorite so I was really interested to see what this book was all about.

It turned out to be a very disturbing account of Ben Watt's freak-show illness, blow by blow. His commentary is riveting and one gets the feeling that he does not feel sorry for himself in the least, but instead follows his own story as if he is an observer who also happens to be its main character.

I was heartened to read toward the end of the book Watt's own musings on what may have brought all his health problems about. Though he left it vague, his illness seems to be among those new "diseases of civilization" caused by many factors in our surroundings that lead to hard-to-define ailments where environmental toxicity and the overuse of pharmaceutical medicines are certainly not to be discounted.

In any case it seems that his passion for music transcended all, and was at least in part a contributor to his recovery. Most of all he deserves a thanks for telling his story, unadulterated. For sure it has made this reader not feel so isolated.

The fact that Watt's story lacks a significant plot (outside of the onset, diagnosis, and treatment of his rare condition) is largely forgivable. For those of us who know Watt primarily as a musician/songwriter, the somewhat static storyline here is acceptable. All that's missing from "Patient" is Everything But The Girl's enlightening bed of music to be heard under Ben's delicately articulated prose. Typical of many great songs, Watt occasionally blurs the line between the first- and third-person narration, and "Patient" is better off for it. Perhaps even better than the great writing, though, is the genuine and intimate portal into the lives of Ben and Tracey rarely afforded to EBTG fans. It's a relatively short read, but each page gives plenty to be absorbed as the result of Ben's crafty alliteration and his uncensored, yet careful, approach to the fog of medical lexicon. Not for the weak of heart--or stomach--Watt's book exacts distinct feelings of sobriety and contemplation...with an ending portrait that expertly convey's his trademark understated hope.

I'll admit I picked this up mostly out of curiosity as a longtime fan of Everything But the Girl. What kept me reading, however, was Ben Watt's skill as a writer. His story is gripping and harrowing, but told with a dry wit and wonderful observations. This book is not just about one man coming to terms with serious illness, but how that experience affected his relationships with his loved ones and his view of himself. This would be a great book for anyone in the health care field to read; it gives you a sense of the patient as a full human being, not just a "problem" to be fixed. Ben Watt's writing skills are as strong as his ample skills as a musician/songwriter. This book has my highest recommendation.

This is a profoundly moving book by a Palestinian woman about the plight of her people. A work of fiction, it breathes life into the Palestinian experience of the past sixty years in a way that dry works of history cannot. It describes the frustration and misery of a people who have been denied their land, human rights, and even an accurate understanding of the injustices they have endured. Susan Abulhawa has a very descriptive vocabulary that evokes the richness of the Arabic language itself. Anyone seeking to know why the woefully intractable Arab-Israeli conflict continues to endure will learn much from this book. It is an outstanding read by a gifted, impassioned author.

I'm the daughter of Palestinian-American immigrants who came here with a hope for the future. They still tried to tell us about what they left behind, and what we're fighting for. I thought I knew pretty well what I was advocating all this time, until I bought a copy of this book. I couldn't put it down, and I've reread it 3 more times since. I truly felt that I knew what it meant to be Palestinian, and felt that I truly could understand my parents and my family for the first time. I've recommended this book to all my friends who are still confused about my mission, my culture, and my pride. Anyone who needs a real point of view of an oppressed people needs to read this book. You won't regret it.

This book is dangerously anti-Semitic and denies history. Even "Publisher's Weekly" (see above), usually very supportive, dislikes the outrageous misrepresentations of the book. I regret that more people have not pointed out the blatant prejudice and falsehood of the text in their reviews.

Susan Abulhawa's first novel created pangs in my stomach as I read her historical fiction. The Scar of David will leave a scar in the heart of anyone who reads it - as the pain and disbelief of the author's detailed account of a Palestinian family, raped by Israeli aggression and imperialism will surely mark a permanent memory to anyone who abhors injustice. Susan's characters are alive in their misery but persistent in their hope for justice while yearning for the right of return to their homeland. She is to be commended for her expert use of language and metaphor to help unravel the knots of discord that still exist in her homeland today. Dr. Pamela Allegretto-Diiulio

At no time in my life has a book had such a firm grip on my heart and soul. The most intriguing aspect of Susan Abulhawa's writing style is her innate ability to make you feel you are in every scene as a witness, resulting in a vast range of emotions including love, joy, sadness, horror, anger, forgiveness, wonderment, but never indifference. Though fictional, the characters soon become real, as if you've known, spoken, and walked with each of them. Susan Abulhawa has an exceptional talent and has given the world a beautiful gift, The Scar of David.

This installment in the Rogue Angel series shows that "Alex Archer" has really gelled with the Annja character and the story process. So far, this one has flowed better than the others, and those were well-done as well. Another little archaeological adventure has Annja getting to use her sword, of course, and reflect more on the repercussions of her actions and seemed a little more introspective than previous story arcs. The action flowed and this story progressed faster, probably because by now "Archer" doesn't have to rehash as much character history and can just get on with storytelling. I just finished this book and couldn't wait for the next installment.

This book follows in the vein of Destiny. A pleasant blend of action, high adventure and history. Alex does a wonderful job with the characters. The good guys are people who you like and root for and the bad guys are, well, bad as they can be.
The premise behind the story is great. The mix of religion, mysticism and mystery blend well with the action and history.
Annja yet again is called upon to defend the weak against the agression of evil. I recommend this book.

"The team failed," a slim warrior with an eye-patch told Tafari.
"How?"
"They went after the woman. They thought she would be the easiest to capture. Instead she killed three of them."
In Alex Aracher's, "Rogue Angel: The Spider Stone," that's pretty much how it goes for the bad guys who go after Annja, the story's hero, an archeologist with a secret weapon - the reassembled mystical sword that once belonged to Joan of Arc. The sword awakens a warrior's fighting ability within Annja (to nothing less than superhero proportions) and it's a good thing since her latest excursion into an archeological mystery eventually causes her to cross paths with an African warlord.
That poor warlord didn't even know what he was getting himself into.
I was unfamiliar with the Rogue Angel series and only read it at the suggestion of a friend. I'm glad I did because not only was it designed to be a quick read that throws you into the fast-paced action sequences, but it also brought the brutality of slavery and the horrendous economic conditions that plague Africa alive for me in a way that history books and news articles don't. That's what good storytelling is, I think, it entertains, but also opens your eyes to something you might not have seen before (without getting preachy in the process).
The book itself is a relatively quick read, by design, and is broken up into brief chapters for people on the go - read a little here and there, stop, then pick it back up later - the type of book that satisfies the reader on the go. (The writer seems to have understood who today's readers might be.)
I recommend this book for the action lovers out there who read sporadically, love history and world events, but don't have the time to become completely immersed in them - sort of a Flintstone's Vitamin of literature. Good stuff.

"Rogue Angel: The Spider Stone" is an old fashioned highball. It's a big shot of action in an ice cold world, lightning fast pacing to fill and garnished with a sacred stone from the heart of Africa. It's intoxicating and fun.

The action in this story is positively breathtaking. An experienced hand wrote this book and it shows. That hand has been in the dojo, doubled into a fist and smashed through some bricks. That hand recognizes the feel of steel, has cradled a blade and known a sword as weapon and a friend. That brings an edgy reality to the action sequences that pop right off the page.

Annja Creed is a heroine with a mission from the highest power. She's definitely not one of Alcott's little women "taught by weal and woe to love and labor ..." She's on the other end of the pendulum's arc with Laura Croft and Electra. She is a hero in the ultramodern sense, and that is the story's only flaw. She is unshackled by uncertainty, romantic interest, or existential introspection. I missed the depth that would have brought to her character. But this isn't a tea and crumpets romance, it is an unapologetic action thriller, and it earns its chops.

"Rogue Angel: The Spider Stone" stays true to its theme rooted deep in a constant opposition of light and shadow. Alex Archer's commitment to plain prose makes this story read fast and sure.

Annja Creed has the avenging sword and social compass of Saint Joan of Arc. And that's just for starters. This story takes Annja Creed across the world on a quest to protect a sacred stone. Yes, the trail is bumpy, dangerous and littered with plenty of bad guys. I'm glad I went Annja on this adventure. You will be glad too. Highly recommended.

Courtesy of CK2S Kwips and Kritiques

While in Georgia exploring a tunnel involved in the Underground Railroad, Annja Creed, archeologist extraordinaire and successor to Joan of Arc, finds a strange artifact that dates back long before the Railroad. This odd stone is believed to be the ancient Spider Stone, a gift to a small African tribe by the god Anansi meant to see the tribe never dies as long as the stone is in Africa.

Intrigued by the legend attached to the stone, Annja ventures to Africa. She is accompanied by an agent from the Department of Homeland Security (DHS) who believes the stone to be tied to drug lords plaguing the US. Along the way, enemies abound as always in a Rogue Angel story and Annja finds herself facing off against African Warlord Tafari while helping a young single mother who works for an oil company mining in Senegal. Then there are the concerns of a curse on all not of the protected tribe who touch the stone...

The legend of Joan of Arc's sword lives on with Annja Creed and she is creating her own legends now. Annja, who strikes me as a cross between Indiana Jones and Sydney Bristow, has grown and changed much since discovering her Destiny, and here in The Spider Stone that personal journey continues. She has gained much from her possession of the sword physically and mentally. She's attracting lots of attention too since wherever Annja goes trouble is sure to follow on her heels. Annja is also attracting some romantic attention as well and the hint of something blooming between Annja and Agent Andrew McIntosh of DHS adds appeal to the story.

As is typical of the Rogue Angel, there are many enemies after the archeological treasure Annja has found. From African drug lords to insanely wealthy oil business corporations, there is no lacking for action and excitement with the danger. Our journey with Annja takes us across the United States and deep into the heart of the Senegalese jungles as she follows the legend of the stone and the rumored curses attached to it all while trying to outthink and outlast her enemies. Still though I really wish there'd be a little more focus on the Joan of Arc connection rather than just as the reason Annja has her sword. Two of my favorite secondary characters, Braden and Roux make appearances again in The Spider Stone and they steal the show every time they're around.

I love the tidbits about the responsibility and career of an archeologist that we glean from every book. This adds a special touch that readers can enjoy. The Spider Stone is yet another fine installment in the Rogue Angel series and I look forward to the next book.

© Kelley A. Hartsell, May 2008. All rights reserved.

No ifs ands or buts about it. This is the best VH book to date. Given their recent tour there were actually two books about the band released this past year. This was one. The other was EVERYBODY WANTS SOME. Friends and fellow fans there is simply no comparison. Van Halen: A Visual History 78-85 by Zlozower is the ultimate in pictures and commentary. Zloz was shooting, hanging and partying with Dave, Eddie and the rest of the gang back when the author of that other book was still wetting their huggies. If you could only buy one VH book this would be it. Why waste your money on cut-and-paste tripe pieced together by an outsider with no ties whatsoever to the band and their crew when instead you can own what will surely be considered the best VH book ever presented to us by a world class photographer who was practically the fifth member of the band during their run with DLR. This is the best book out there, at least until the band decides to tell the story in their own words. There aren't enough stars to rate this so just do yourselves a favor and grab one!

The reviews of this book do not do justice to this book. The pictures alone are spectacular. Neil Zlozower took nearly every famous and infamous picture of Van Halen during the DLR years. They are all here along with a plethora of never seen before photos of the band and quotes and anecdotes from a broad spectrum of the music industry ranging from Jimmy Page to Slash. The book itself is well done also, the cover beneath the dust jacket has a nice glossy finish on it and the pages themselves are nicely bound, sewn in instead of just glued in so that the book can be laid flat when open without damaging the binding. This book is a must for any true Van Halen fan or collector.

WOW, WHAT A WONDERFUL WAY TO GO BACK IN TIME W/ THE VAN HALEN BOYS...ESPECIALLY DAVE, CUZ W/O HIM THERE IS NO VAN HALEN!!!!! IF YOU LOVE VAN HALEN, YOU NUST MUST MUST BUY THIS BOOK!!!!

I remember hearing the first track of VH 1 when it was released,
bringing with it chills up the spine and jaw dropped.
This book brings you in a time warp to witness rock history, and
realize - in case you didn't - that Van Halen dropped a bomb on
the music scene. Not only a revolutionary guitar god, but songs
and live performances that rose light years beyond what was coming out
of the U.S.A. at the time. The kind we won't see again, either.

The photos, by a master of R&R photography, look like they were taken
yesterday. Crisp, clear and a great mix of group shots and live. The
backstage pics of Eddie preparing his axe arsenal, for example, are priceless; Alex behind one of his monster drum kits.

And yes, it appropriately culminates with 1984 - got a problem with that?

Felt like I was back in high school, as I flipped through this book about the Rock God's -- Van Halen. Finally a Van Halen book worth looking at. Beautiful book about the Greatest Rock Band and Guitarist of all time.