Cartoons Books

If only this great manga was made into an anime then we would have a greater appreciation for it's beautiful artwork and explosive action. In Domu you come across a few mysteries and until the end you'll only know about as much as the police do and that's absolutely nothing. Although it is a great read Domu has a few tiny flaws. I would have liked to see a brief explanation on how the twisted old man and Etsuko got their supernatural powers, it's little information like this that make the book seem hurried. I admire Katsuhiro Otomo most for holding nothing back; the art is very graphic at times with some gore.

The art was perfect in showing how exciting, bloody, and dangerous the final battle was.This manga shows it's intelligence by wrapping your brain around the obvious and has you asking questions that were explained but you never caught on. One question heard a lot is why does Mr. Uchida (The twisted old man) murder and torment the people in the apartment complex with no remorse but you're given clues throughout the book. His apartment is filled with toys, he likes to play with them, and he does childish things like stick his tongue out at people so either he is the most demented serial killer ever or he is something gentler.

Because this is a book from the mind of Katsuhiro Otomo who created the amazing classic Akira Domu gets the pleasure of always being compared to it. I'm not going to choose a better story because I haven't read Akira I saw the anime and that wouldn't be fair to Domu but the two have some similarities. One is the supernatural power and another is the nicely done graphic art but to give anymore might ruin the book. Domu is a great tale and an anime would be nice but I don't think today's animation would compliment the edge the manga gave but who knows what else can be done with this classic.

Domu is an incredible manga. The story and artwork are both excellent. But I would expect nothing less from the brilliant mastermind behind Akira. But seriously if you are a comic book fan this is a must read. Even if you hate manga, you should read this. As I said before the artwork is stunning, Katsuhiro Otomo is an excellent artist, by far the best of all the manga artists. His stuff makes everyone elses manga look like crap. Also, while Domu isn't as intensely violent as Akira, it's still not for young kids, it does have quite a bit of violence and lot's of people get killed, including a few little kids. So if you don't like violence be forwarned. What else is there to say Domu is a classic if you liked Akira then you will most certainly love this.

Domu is a graphic novel that combines great action, pathos, and some subtle commentary on urban Japanese life. The characters don't have a lot of space to develop, but seem to have a natural depth. It wasn't hard to sympathize with them, especially the dregs of society that inhabit the apartment complex the book is set in. These are the Japanese that we don't get to see very often, and that Otomo doesn't hide. This is a well-paced thriller with no missteps in the execution, which leads to an ending that gives you a lot to think about. The final scene is downright brilliant, and caps the Katsuhiro Otomo's recurring theme of powerful children. A great buy.

An entire crowded apartment building is horrifically disturbed when violent unexplained murders upset the humdrum activities of its day-to-day residents. Seemingly mocking the monotony of inner city life and the obsessions with diversions in society, Katsuhiro Otomo (Akira) injects a twisted old man into the fray maddened by intense telepathic abilities and an obsession with his own unique 'diversions'. Mainly the systematic slaughtering of his neighbors.

An unlikely challenger soon confronts the warped man-god. A young girl, a child of only about eight or nine has come to free the building of the terror. Armed with powerful telekinesis, their rivalry soon escalates into a massive battle nearly destroying the entire building.

My favorite is subtly depicted in the last scene. A silent test of wills between the two enemies amidst a peaceful playground setting.

It's obvious that Otomo loves exploring the lives of inner city characters that have very little to do with each other. Domu is one of his ealier works and should not be missed by any fan of Akira. This graphic novel is a 'single volume' and presents a quick yet very chilling read.

I read Domu the first time in the middle of the night, and after a third of the book I had to put it down because it scared me so much. The characters felt so real and that made the horrible events all the more horrible; the teenager sitting by himself in the middle of the night, struggling with his homework.. The kids playing or bullying each other.. everything felt so real. I immeadiately liked Hiroshi and Etsuko, and every time the old man appeared I was scared that anything might happen to them. In my opinion this is Otomos best work. I read this right after I had finished AKIRA part 5 and I must say that Domu was better in every way. The characters in AKIRA are mostly cardbord, in Domu they act much more like real people. Don't get me wrong, I love AKIRA, but Domu is just better. I can't explain how much I liked this manga, It's the best I've ever read. Go read it, now!

This book is simply delightful - my 8-year-old is constantly giggling - he is unable to read it to me for the laughter...He has a high reading level - but kids love it (almost as much as their parents!!) My son really is Calvin (I am a bit concerned he may be getting ideas from the little rascal!!)
LOVE IT!!!

. I like this book because it has funny parts.
. I also like the part when calvin pretends to be GodZilla and destoys Tokyo, which is the buildings that Calvin made in his sandbox.
. I dislike someparts of the book.
. I also dislike the part when Calvin pretends to be a zombie.

What can be said about Calvin & Hobbes that hasn't already been shouted to the heavens by legions of prematurely grown-up fans ?

Calvin is the eternal Child/Id within us all, and Hobbes is his stuffed tiger / best friend / faithful companion in arms come-to-life ... and together they swashbuckle their way through a childhood world populated with drooling monsters of the imagination, screaming ray-guns, carboard boxes turned magical transmogrifiers, and giant tut-tutting adults who are forever dragging us back from our revels by the ear, in order to make us wipe our feet, bathe, eat, do our homework, and go to bed on time.

By laughing at Calvin & Hobbes, we get to vicariously relive some of our own carefree childhoods exploits ... exploits which echo in our adult lives, because (looks both ways) we never actually grew up. Only our bodies did.

Highly recommended.

Calvin is in alliance with Hobbes to combat the monsters that lurk in his imagination. The victims of this battle? Usually, Calvin's hapless parents. This collection is among the funniest as it centers on the darker side of Calvin's runaway train of imagination: monsters, space creatures, icky girls, and nefarious snowmen. Pick it up, or the monsters in the closet will come out as well.

Well, I must admit I have had this book since I was in 8th grade when my best friend at the time gave it to me. I still crack up when I'm going through the pages upon pages of strange situations that Calvin and his stuffed friend find themselves in. Definately a must for any C&H fan and really funny. Buy it.

My 11-year-old homeschooled daughter loved these books! She learned, and more amazingly, retained so many of these words over the past year and a half since going through the books. This system makes it so fun and easy to increase vocabulary. I highly recommend these books.

BUY IT BUY IT BUY IT! If you have a child coming up on SAT's or even in middle or elementary school, this is the best book out there! It was recommended to us by a reading specialist. I love to read the book just to see if I can recall words. Love IT so BUY IT!

This is a fantastic book. I am in 6th grade and got this and loved it. I would reccommend this for grades 6th -- 11th. The way it works: first it shows the word, say "copious". Next, it shows the definition -- in this case, "abundant;plentiful". Underneath, it shows a link word. For "copious", the link word was "cup". An amusing cartoon strip follows, such as the one for "copious" which showed a grinning man proudly holding a massive cup of coffee. The caption read, "A COPIOUS CUP of coffee". Then, there are three good examples. At the end of every ten words, there's a review to make sure you understand. This book is wonderful, and I reccommend it to everyone! I loved it. In total, there are 290 words.

This book is a delight! Both this and it's sister version (Vocabulary Cartoons 2) are wonderful vocabulary builder starters before you drift off into harder works like "The Wizard of Oz Vocabulary Builder." That book sounds easy enough, but it's actually geared towards 12th graders and beyond.

These books are wonderful for visual learners, although, others might get something out of them. Building your vocabulary is a process, but the time spent will be well rewarded. A strong vocabulary helps everything, including foreign language and math skills. As you delve into harder works, you'll be learning Latin and Greek roots which build excellent decoding skills for standardized tests.

These books are perfect for summer education. You want your kids to enjoy themselves, however, it doesn't hurt to move ahead academically either. These materials -- and ones like them -- are fun summer pleasure readers. And they'll learn something along the way. Adults will likely enjoy them too!

No one cares about your education more than you do. Fortunately, we live in the day and age where materials just keep getting better and better. So supplement, supplement, supplement. Have no fear: it can actually be fun. A+

this book was a simple, fun way to review vocab for SAT

Wonder Woman: The Complete History is a delightful book for fans of the character, even if you only know her from the old TV show. The background of her creation by a clinical psychologist was very enlightening.

The illustrations throughout are excellent and all in all, it's terrific book, exceptionally well written by Les Daniels.

Not only do you get hte nostalgic book with the history of this heroine, you get the figurine that you can display and become the envy of all your friends! The statue is of classic Wonder Woman, the one from the 50's. She's still wearing the skirt.

This is truly rare. It's fantastic for all collectors and a MUST-HAVE for all die-hard fans!

I have always enjoyed Les Daniels and his carefully researched books of comics history, but everyone has a blind spot. Wonder Woman is obviously his. This book, beautifully designed as it is, fails to capture what has made Wonder Woman such an enduring character and icon. It's clear on almost every page, Daniels is unimpressed by her. It's fine if he doesn't like her -- no one character can be everyone's favorite -- but it does make for a frustrating read at times when one wishes to celebrate Wonder Woman's unique place in comics history. His fascination with her creator is evident to the point that it seems clear Daniels would much rather write about Marston than Diana. His heavy emphasis on the bondage subtext of the Golden Age incarnation undercuts the more postive surface elements of those stories. Indeed, he sneers at Gloria Steinem's endorsement of those early years, casting great disbelief that there could be anything of substance taken from them.

Also, as another reviewer points out, Daniels gives short shrift to George Perez's post-Crisis revamp. Widely acknowledged by fans as the high point of her modern career, it's strange to see Daniels blandly note the support Perez got from female collegues in overhauling Wonder Woman's character and deride it by calling the later issues akin to ADVENTURES OF MENOPAUSAL MOM (I'm paraphrasing but only slightly). Daniels here suffers from the same fanboy syndrome that infuses the industry these days -- the idea that if HE doesn't appreciate it, it must be terrible. Meanwhile, Mike Deodato's art is viewed favorably, despite that being universely considered a lower point in the post-Crisis stories.

At the end of the book, it really seems as if Daniels only reluctantly churned it out because of a contractual obligation. His Superman and Batman books are excellent and filled with total respect for the characters and their appeal. If only he could've retained enough objectivity for the Wonder Woman assignment. Despite it all, it is a beautiful book and the history is thorough and still fascinating if somewhat subjective. Good for historical nuts, not so good for WW fans.

Les Daniels' Wonder Woman: The Complete History is the third book in a 3-volume series (the first two addressed Superman and Batman). While not without its flaws, it's overall a well-researched and enjoyable treatment of the character.

Wonder Woman first appeared in 1941, the brainchild of Dr. William Moulton Marston (writing under the pen name Charles Moulton), by any standard a bit of a weirdo who's remembered today for two things: (1) he invented the polygraph, (2) Wonder Woman, of course.

I could pick a few nits with Daniels' text. In places he does reveal an ignorance on certain topics. For instance, when speaking of Marston's World War I U.S. Army service, he states Marston "rose to the rank of second lieutenant." False. No officer (and I can't imagine someone of Marston's high educational level ever being an enlisted man) "rises" to Second Lieutenant because that's the absolute lowest officer rank.

Daniels is extremely opinionated. How much space is allocated to any of Wonder Woman's creative teams over the decades is very much controlled by how much Daniels likes their work. Obviously the Marston stories, with artwork by Harry G. Peters, are his favorites thus receive the most attention, though he devotes surprising time and positive comment to the generally despised stories written by Robert Kanigher. This is fine. Half the fun of a book like this is getting the writer's likes and dislikes on the character and her creators. Where I part company with Daniels is his low opinion of the George Perez stories of the mid-1980s thru early '90s. Daniels devotes an entire chapter to Kanigher's creation of such fascinating (hah!) characters as Glop (a "shapeless mass of grinning goo from outer space [which] absorbed everything in its path including 100 rock 'n' roll records"), Wonder Tot ("Mommy be proud to see me now!"), and Egg Fu (a Chinese Communist agent inexplicably shaped like an egg the size of a house, who used his mustaches as weapons and had a Charlie Chan speech pattern). After that, it was more than a little disappointing to have the Perez stories, considered by many Wonder Woman fans including myself the character's finest hour (especially the stories on which Perez did the artwork in addition to scripting) dealt with in a mere seven text pages, much of that explaining how they weren't really all that hot.

The only truly major flaw in this book involves its layout. These days, book publishers are terrified of the Internet. And well they should be. However, instead of focusing their efforts on what books do better that the 'net - provide one, continuous, uninterrupted stream of information - publishers' response has been to make their book pages look as much as possible like web pages. Lots of bright colors, lots of sidebars. I hate sidebars. I don't appreciate having to flip back and forth between pages, sometimes reading blocks of text in four or five different locations, to get all the info. More to the point in this particular book, choice of color on some of the sidebars is extremely poor, so much so it's difficult to read the text. Black lettering against a dark blue or dark red background just doesn't make it.

With those few negatives out of the way, this book is a delight. It's all here: a biography of Marston, on to the creation of Wonder Woman, all the creative teams of note and their storylines up til this book's publication date (2000), the Cathy Lee Crosby made-for-television movie, the Lynda Carter TV show, Wonder Woman merchandise, her appearance on the cover of Ms. magazine's first issue, etc. This book is a must-have for fans of one of the 20th/21st Century's most fascinating fictional creations.

First off, loved the book. It was nice to read the comments from Lynda Carter and see the multitude of changes that WW has gone through. But I did notice two things, the actress that played Wonder Woman's mother in that tiny demo in the 60's was named Maudie Pricket and the photo of Ms. Carter's costume says it is from the first season and it's not, it's from the CBS years as are the bracelets and tiara on the following page. I know Ms. Carter preferred the CBS years updated costume but the original on worn while fighting Nazis in the more humorous years will always be my absolute favorite! Thanx...

I love Calvin and Hobbes. Period. The philosophy, the juvenile humor, the deep quiet truths, seeing the world through the eyes of a 6 year old. Any Calvin and Hobbes book gets 5 stars from me.

This book, just like all the other Calvin & Hobbes books, was an enjoyment to read. I recommend it to all ages of readers.

Calvin is the hero of all children with wildly vivid imaginations. He has great fun with his stuffed tiger Hobbes, going on numerous great adventures, including an attempted trip to the Yukon. Calvin is fairly typical in the sense that such children tend to drive their parents and teachers crazy, yet when they learn to temper and channel their imagination, they often end up doing spectacularly creative things as adults.
Since I was one of those imaginative children who spent all of my time either reading or playing pretend scenarios in the kitchen, I can certainly relate to this inventive misfit. He is hilarious.

You can always rely on Calvin and Hobbes to deliver the funnies. And if you're a keen reader, Calvin's unique (if rather skewed) perception of the world with keep the kid inside you alive (I don't mean this literally but as a metaphor). Unless you've been horribley deprived you'll pretty much all remember the magic of a snow storm or a sunset while sitting under a tree or an adventure in the woods or playing Monopoly with a tiger.

The title refers to a series of strips in which Calvin and Hobbes plan to escape the Yukon to be free of the repressions of family rules. Needless to say, their journey is cut short when Hobbes eats the only two sandwiches Calvin bothered to pack.

Any Calvin and Hobbes fan will already own this. Everyone else must buy!

First, and foremost, it must be known: All Calvin and Hobbes are great. Yukon Ho!, however, is one that tends to rise above the rest. It's true this is one of the earlier books and includes the 9 verse tune The Yukon Song and has all the great cartoons, but why it seems to be more popular, I cannot say. All I know and can guarantee is that it's funny and is everything Calvin and Hobbes. From the beginning of the book where Calvin is convinced that he and Hobbes have traveled into the future (nope not with a cardboard box) it is too easy to appreaciate Calvin's motives. He's not after the secrets of genetic cloning or the what politician is waging wars with other countries. He's looking forward to floating cities and telling people in the present what he saw. And this is the real beauty of Calvin and Hobbes shows through. It's the quest of a six-year-old to have a good time with a furry friend. Rarely in a comic strip has such devotion and integrity of a kid been so accurately portrayed.

You'll chuckle at Calvin's dad 's explanation of the workings of a carburetor and the hilarious camping trip to a desolate rock that Calvin's entire family embarks on. Rosalyn appears again, and yes, again terrorizes Calvin. Calvin digs up dirt on his dad,which compromises his father's high-ranking position of dad. Calvin tries and fails to be the next Houdini and Susie and Calvin are assigned an a project together. All the way to the new and improved transmogrifier, it's pure magic, purely Calvin and Hobbes.

This book is really funny. Lucy is the most funniest in this book. There are 380 lost comics shown in here. A really great book.

In this 2nd volume of The Complete Peanuts, Charles Schulz refines the 1st 8 characters he introduced in the 1st 2 and 1/2 years of Peanuts. Lucy is a little fussier (she'll be known as crabby later on) and Linus, though still a baby, thinks deep thoughts and is known for sucking his thumb. Charlie Brown is establishing himself as the wishy-washy "loser" (he has his 1st Valentine's Day letdown in this volume). Also, the security blanket is introduced but it's Charlie Brown and Schroeder who endorse it at 1st, not Linus. Lucy admits she has a crush on Schroeder (the 1st in a series of unrequited love affairs). Violet and Patty are more or less reduced to 2nd bananas (they'll later be known mainly to repeat all of Lucy's putdowns to Charlie Brown). They plan a party and decide not to invite either Charlie Brown or Lucy, realizing that "inviting some people isn't as much fun as not inviting people." Schroeder is still a big fan of Beethoven and classical music (he's the catcher for Charlie Brown's team) and pretty much replaces Shermy as Charlie Brown's buddy (Shermy is rarely seen in these cartoons, he's given a crewcut). 2 new characters are introduced but only one of them seems to have "staying power"- Pig Pen and Charlotte Braun. Pig Pen is a lovable slob with soot all over his face and clothes. Charlotte Braun is a loud and obnoxious character, who would later be written out. Charlie Brown's team always loses and Snoopy's imagination runs wild (though he still walks on all fours and we can't read his thoughts that often). The term "blockhead" is introduced here. In fact, Schroeder is one of the 1st to call him that (but not to his face!). Lucy's mother disgraces her by writing The Life and Times of a Fussbudget. The term "Great Scott!" is used often by Charlie Brown (it would later be replaced with "Good Grief!"). In 1 cartoon, Violet and Patty announce they will not play Lucy's games, which makes Lucy quite upset. After a tantrum of kicking and screaming, she agrees "All right, then. Let's play your way." In another cartoon, she kicks around Patty's doll, Violet's stamp collection, Linus' cookies, Charlie Brown's picture puzzle and Schroeder's piano. Later, as she's running away from the angry gang, she complains nobody understands her! She won't let Linus play with her toys but she will let him play with a rubber band. She later takes it away, though: "I didn't mean for you to have THAT much fun with it!" Charlie Brown's pitcher mound is introduced. Linus stands up for the 1st time, but quickly loses his balance when Lucy rewards him with a cookie. In a few cartoons, adults appear in the background (particularly in the golfing cartoons). A lot (but not all) of what wound up in More Peanuts and Good Grief, More Peanuts is featured here. There is also an interesting introduction by news commentator Walter Cronkite.

Must have for that peanuts fan in your life. Be aware this is part of a set...

This is the second book in the series and my 12 year old daughter loves both. Once she was reading the first book she wanted the next one too. Seeing how the characters began is fun as well as the old drawings. And seeing them evolve in personality and age is great. Snoopy's antics get more and more animated, Linus is a baby, and there is the introduction of Pig Pen! He actually cleans himself up, but then decides he likes himself the way he was. I got the book for my daughter at Christmas. We've read several pages each night and are now almost done. I guess we'll be getting the next one in the series. If you are a Peanuts fan, these classic comics are definately worth collecting!

I've always loved Peanuts. As a kid, I especially enjoyed the TV shows, but of course everyone loves Snoopy, and the other characters, Charlie Brown, Linus, Lucy, Peppermint Patty, and Pigpen, are all very fun. As a result, when my wife got this for me for my birthday, I was fascinated to see how far what we know as Peanuts had evolved from what it started out as. Charlie Brown still has that shirt with the stupid stripe on it, Lucy has her hair with the two little bobs at the sides below her ears, and Pigpen (who makes his debut here) is followed by a cloud of dust (most of the time). But Snoopy is very very different from what we're used to, spending all of his time on all fours except when he's begging, and being much more dog-like than he was in later strips. He's even drawn differently, with a sharper nose and a more dog-like body. There's another girl (named Violet) who I don't remember from the more recent cartoons, and Patty (no Peppermint) is a pretty straightforward girl, not the tomboy who called Charlie Brown "Chuck" all the time. Linus can't even talk yet! This was one of the biggest surprises: to me, the Peanuts kids were always frozen in time, but apparently Schulz aged them in the first years.

I enjoyed this collection immensely, and I'm now determined to buy more of this collection.

The box set is awsome.
Hard cover, high quality paper and tons of Peanuts.
Must have item!

If you enjoy Peanuts and love to get a sense of when the comics were actually printed - this whole series is for you. A true peanuts fan will love all these sets.

Peanuts in a great presentation and at a good price. What more can you ask for?

I have purchased other volumes of the complete peanuts, and am very impressed as to the quality of the cartoon images, pages, and binding. These are handsome books designed for a long term place on your shelf. At the prices on Amazon these are a great deal. A gift good for any child, or nostalgic adult.

Classic... that's the word that describes it 100%... classic Peanuts!! Nothing better! And it is put together in such a beautiful way all the way down to the binding and box that holds it!! Brilliant content and brilliantly put together!!!

A wonderfully bound book, with a solid cover and sturdy pages. This might seem irrelevant but these two books are for carrying around and reading and re-reading and they will withstand the heavy usage. I love the index in the back, it makes searching for a particular strip easier. And then of course, there is the impeccable quality of the writing and drawing that has never and will never age. an excellent addition to my collection

I love Peanuts it really got good by these years when they put in Peppermint Patty. I love when they talk to the readers like the comic on 2/4/65 when Snoopy was gonna marry his skating girlfriend he said to the readers wish me luck so cute. Great comics great books and a lot of long lost comics and lots of it came from TV. I guess I should have put this review on the Complete Peanuts 1965-1966 but all the years are great. I really do like the Complete Peanuts 1963-1964 a lot because they talk to readers a lot.

This is my second of these boxed sets of Peanuts. Beautiful packaging & publishing details. No color Sunday strips, of course (they appear in B&W like all the strips); but color would make the editions impractical to print anyway.

Many hours of pure enjoyment ahead: I plan to get all the sets as they come out and am learning a great deal about some favorite characters. A must-have for any true lover of Peanuts.

For those of us who grew up in the 1960's Peanuts was the paragon of subtle wit and insight into our cultural minds. We could live vicariously in the dancing of Snoopy, his triumphs over the Red Baron, and his material excesses(a house with a Van Gogh, no less). We could sigh along with Charlie Brown, philospophize with Linus, and argue with Lucy. This collection continues the daily progression of the characters as they navigate the turbulent 1960's and gave us all something we could share in common every day in the paper.

The Complete Peanuts is definitely complete! It's a real collectors' item!

Each book contains 2 complete years of Peanuts - the funniest comic strip of all time (IMHO). So this two-book set contains four complete years of Peanuts - all the strips that were published between 1963-1966.

Note that both books included in the boxed set are exactly the same ones that are sold separately. The books also contain full book jackets (i.e. if desired can be shelved separately). As of this review date it is cheaper to buy the two-book set than to buy them separately at Amazon and we get an added attractive slipcase with the two-book set.

Unfortunately the Sunday strips are in black and white - a minor gripe. However other such comic strip collections (including Calvin and Hobbs) have the Sunday ones in color.

Recommended.

(Note: I have essentially copied my review of the other peanuts sets for this one)

I reccomend this book to any one. It is a touching story that opened my eyes to the horrors of the holcaust.

Incredibly, this story could not have been told in any other medium - it had to be in comic form.

Vladek's story is amazing and horrible, and though he did not die in Auschwitz, perhaps he did not survive.

Speigleman captures his father's horror, and lack of horror in chilling detail, often with little editorial input.

I reread both books almost monthly, and never tired of putting voices to the drawings.

No simple review can wrap-up the power of these little drawings, or of Vladek's calm recall one of the most regretable events of the last century.

Compelling, frightening, powerful and addictive.

I'm ordering my second (replacement) set today-- I've lent these books out so many times, and I didn't get them back last time. I know why... these are books you can't forget, you don't want to lose, books you want to look at again and again and share with your friends. I've read much about the Holocaust and been moved by many stories, but none seemed more real or more human than these incredible comic strip figures. Spiegelman captures his father's attitude and dialect so well that I can hear him speak in my mind. Everyone should read these books, Jew or non-Jew, young or old. We must never forget.

This set of books is so terrifically done that I cannot recommend it enough. I have owned the set for a few years now, and every time I reread the books I notice another facet to the drawings or text that adds something new to the story. The first time you read the books, you won't have time to really look at the pictures, but as you read them again, read slowly and observe at the backgrounds and the other people in the panels.

I can only imagine how gut wrenching this series must have been to write for Mr. Spiegelman, but I thank him for doing so. This story brings the Holocaust down to such a personal level, the people in the story are real human beings whose lives don't just begin and end with the Holocaust. You get to see how they lived before, coped during, and survive with the memories of the war years.

Finally, to this day I am moved to tears by the last few pages of the second book. Although Vladek Spiegelman comes off as a racist miser at times (i.e., a real human with flaws), the reunion with Anja is drawn with such genuine emotion between the characters that it is almost painful to read. Imagine yourself in that situation with your significant other and the scene becomes so intensely emotional that you have to look away.

It helps to have a background in the Holocaust but is in no way necessary when reading this book. It should be part of everyone's library!

A few years ago, when I first read MAUS, I was filled with trepidation at the thought of a comic book about the holocaust. As a holocaust educator, I worried that any trivialization of the topic might do more harm than good. After I finished reading MAUS, I walked away believing it did a better job of communicating the loss, suffering and lifelong consequences better than almost any novel or scholarly work I had ever read.
Spiegleman could have bombed on this one: too much 'comic book' or too much history would have ruined the work and caused a nightmare. Instead, he found the most remarkable juxtaposition of human understanding and tragedy communicated sensitively and sorrowfully, in a way in which those of all ages can identify.
My concerns about the Jews portrayed as 'mice' were quickly allayed: these mice had more humanity than most people. The metaphor was so powerful and 'receivable' that I do not think it would have worked any other way. I would recommend it for High School and above, because of its intensity, but at the same time it's hyper-reality is so magnificent that no one studying the holocaust or Shoah, whether at the beginning level or far into a scholarly career, should escape reading it. It is a masterful classic and has left a lasting impression on me for the entire time of my own studies.
Elizabeth Kirkley-Best, PhD, Director: Shoah Education Project (Web)

What makes this first volume great is that it doesn't start with Popeye's first appearance but weeks before. Really neat to see Thimble Theatre without Popeye in it. Makes me wanna see volumes of all pre-Popeye Thimble Theatre strips.
Segar showed himself a grade-A cartoonist even before the famous Sailor Man entered the picture :)

As much as I respect the old Fleicher Studios for producing some wonderful Popeye cartoons that became an integral part of establishing him as a worldwide phenomenon I think they did him no favor in moving him into an urban environment. Popeye is at his very best, as a sailor, adventuring on the open seas. Nobody wrote or drew Popeye like Elzie Segar. Unfortunately, Mr. Segar passed away at the very young age of 43 having created Popeye a mere 9 years earlier. So what we have here is over a year and a half of Popeye's absolute best run ever.

This is not the Popeye most people are used to. This is the Popeye that existed prior to being significantly toned down at the behest of William Randolph Hearst in response to the characters growing popularity. This Popeye is a violent, foul mouthed sailor with a serious gambling addiction. Few able bodied males outside of the diminutive Castor Oyl manage to get through the book without receiving one of Popeye's famous haymakers and I have to give credit to Elzie Segar for his skill in drawing the most thunderous, teeth rattling punches in the history of comics. In the opening introduction there is a group drawing by Segar of a menagerie of characters from Thimble Theater including a most mild-mannered looking fellow named Johnny Doodle. I thought surely Mr. Doodle would be safe from Popeye's fists but sure as the sun rises in the east, before the book was through Johnny Doodle was left horizontal.

In one particularly funny sequence Popeye punches out a man for no apparent reason. When asked why, Popeye answers, "I don't need a reason... I socks `em where I sees `em, I leaves `em where I socks `em". Queried further Popeye responds, "I jus wanted to see which way he'd fall" and finally adds, "I likes to smack tall swabs on account of they fold up so nice" Later it turned out the man he socked was a crook but when it gets right down to it the humor of Popeye revolves around his burning desire to punch everyone he meets and Castor Oyl's vain attempt to control it. Popeye is a man who kills a horse with a single crushing blow. In volume one Popeye is arrested multiple times on assault charges and proudly proclaims, "I hits cops too - I hit's `em jus' like they was somebody else" In a sense the original Popeye seems almost like a parody of his future self.

I absolutely loved this book. A few reviewers complained about size of the images saying they caused eyestrain but I didn't have any problems at all. My biggest complaint is with the gigantic dimensions of the book. I would have preferred something similar to what was produced for the Dick Tracy or Peanuts collections. I also have to confess that the covers are absolutely bewildering. I'm not sure what the publisher was going for but I don't think it worked. I guess I also have to take issue with the introduction which really didn't do anything for me. In the end it's the brilliance of Elzie Segar's drawings and writing that makes this volume. I've already purchased volume 2 and intend to continue buying them as they are released.

Popeye shows up as a natural man. A flawed, older man who has lived a hard life. He is profligate and has low impulse control. He shoots craps whenever he has excess cash. He lies when convenient; but, deep down he is a decent guy who will give the shirt off his back to anyone that neds it. No wonder he was popular. Read these comics and reaqlize that people haven't changed all that much.

Simply one of the finest books I've purchased in recent memory. I own many of the earlier Fantagraphics-published Popeye books ("The Complete E.C. Segar Popeye" series) and this book is a far better product and value. I particularly applaud the removal of the sydicate-added titles and by-lines above the daily strips that were included in the above-mentioned books. Their omission makes for a smooth read. Much praise, also, for the far superior production and design on the book. And the fact that I can get all the material in six volumes including all the color Sundays as opposed to what was previously published in well over a dozen volumes almost twenty years ago? Sweet news, indeed.

I won't go into the brilliance and relevance of the book's content, others better qualified have and will do so here and elsewhere. This book and its forthcoming volumes are essential. I'm so pleased they finally did the material real justice.

Be sure to eat not only spinach but lots of carrots before tackling this one.

Even so, you'll likely need a magnifying glass to read these strips. Who's bright idea was it to cram six strips onto a 10.5 x 14-inch page? It made for some serious squinting when I checked this out at my local comic book store.

And at 10.5 x 14-plus inches, this book hardly makes for cozy reading material.

Bad book design and layout have made what could have been more accessible material a real chore. I like the dimensions of Tony Millionaires' Maakies books: one strip per page, and look ma! no squinting!