Cartoons Books

BUY IT BUY IT BUY IT! It was recommended to us by a reading specialist.
It makes it very easy to recall definitions. I actaully bought it for my
6th and 3rd grader. They will read it for fun. LOVE IT!

I am very happy with this book. It's fun and easily to read, my grandson love it. He read it almost every day.

I bought it becuase the reviews are so positive and it's great! it's really easy and fun to recite words with these cartoons and I acutally color them when looking at them make more fun as well as keep me concentrated. I'd definetly recommend it if you consider yourself as a visulizer...just types of people who read best to learn!

This is a fun and easy way to learn vocabulary words. Who doesn't want to learn effortlessly? Now you can "read" cute cartoons and expand your vocabulary at the same time! I've been using this book with my students for years -- always good for a memborable laugh!

I have used these Vocabulary Cartoons since the first editions were available. I think the students enjoy this type of study. I have loaned many of my copies to students and colleagues. I am glad to see the extra vocab in the 2nd edition. I even have some of my own that I have added. This also makes a good project for the "talented artists" who may not enjoy studying vocab, but who learn as they provide cartoons. These students have fun as they learn. They work with students who provide the meanings and links. We highlight a synomym.The name Burchers comes to mind when I think of Vocab Study. You should invite students and teachers to submit their ideas. (I am retired, but I know this would be such a good project.)

What more could a Peanuts lover ask for?! If you're not yet a Peanuts lover, you will be if you get this book:) Definite multi-gen bridge-gapper!

One of my favorite books that I own is Peanuts: the art of Charles Schultz. Its rich, close-up photography of the yellowing newsprint pages are so warm and inviting. It also includes a biography, rare memorabilia, sketches by Shultz as well as images of the original inked artwork from the strip. Even though I've had the book for a few years now, I never get tired of immersing myself in the evolution of Shultz's talent and the Peanuts characters.

There was a time in my life when I very much wanted to be a syndicated comic strip artist. Occasionally my fancies take me down that path even now and usually it's encounters with this book that trigger such wanderings.

Muy lindo, sobre todo el formato!
Además de las historietas contiene fotos de los primeros muñecos que se hicieron en su momento.

This is my first Peanuts hardback, and it's already taken a special spot in my heart. I've been a Peanuts fan from my childhood, and this book gives a glimpse not just into the history of the strip, but also into the history of the creator of the strip. As I understand it, in this book are never-before-seen examples of Mr. Schulz's sketchpads. Some that were never published before in their raw, unfinished form.

Throughout this beautifully bound book are pages that chronicle "Sparky's" life and career -- childhood photos of his family, his page in his high school yearbook, his sketchpad from his time in the Army, various pictures of his first strip "Li'l Folks"... the list goes on. There are also pages here and there showing some of the Peanuts collectibles such as slateboards, games, comic books, ViewMaster reels, and figurines etc. And of course, this 336 page book is full of Peanuts strips --in black & white and in color-- taking you through the years in your memories.

Also included is a touching introduction written by his wife, Jean Schulz, and his 'signature' on the inside cover. If you are a Peanuts fan, you won't be disappointed with this book.

The Peanuts are pretty much everywhere you go. It is kind of sad in a way that their creator, Charles Schulz, is not. Makes you kind of appreciate the fact that our creations go on long after we have departed. Like the Chinese Philospher Lao Tzu said, "We will never know the results of our actions..." Contemplate this for awhile and it will really begin to blow your mind. We don't really know who we will affect in life with our thoughts, with our words, and with our deeds. We all have an inward duty to be the best that we can be, because the world is just a bunch of individuals and if each one of us decides to think better and do better with the gifts we've been given, then the world will be an even better place to live.

Charles Schulz and his comic strip, The Peanuts, bettered my world and it continues to do so. He has been gone almost six years now and I still miss him. Isn't that strange? I never met the man. I never heard him speak. The only thing I really know about him and his life is through his comic strip.

I was introduced to the Peanuts when I was four or five years old. My dad used to read me his comic strips and do the voices of Charlie Brown, Linus, Schroder, and Lucy...his impression of Lucy still makes me crack up when I dip into my fondue pot of memories.

I got this book because I wanted to really know more about Charles Schulz. What kind of man was he really? What drove him? What inspired him? Turns out that he, himself, was baffled by the Creation Process just like all "true" artists are. True artists are very humble beings. They know deep inside that they are not responsible for their creations, they are merely the channels through which the power of creation takes place. Being an artist and a writer myself, I know that sometimes I'm in this zone where the process of creation is moving through me so powerfully that all I need do is surrender to It and everything is all taken care of. Not to be preachy, but that's Spirit, that's Love, that's the Light we were all created in and out of. And because all of us are made in the Image and Likeness of Light, of Spirit, of Love, we are all creative and we are all creators. The question then becomes, "What am I willing to create?"

This book makes me cry. Not in a sad way, but in a way that just makes me miss my friend. And although I see evidence of his being here all around me, I know that this world is never going to be the same without him.

Peace & Blessings, Mr. Schulz.

This is a fantastic book and a must for any Far Side afficianado. Not only does it have the usual great material, but includes stuff never published and commentary by Gary Larson as he takes you through his creative process during various stages of his career.

I first saw this in my school library, and after reading a bit I decided to buy my own copy as it was so good. It is kind of like a short biography of Larson combined with special features like his earliest cartoons that weren't published and others he decided not to publish for various reasons. He includes annotated versions of some of his best cartoons, which make you think "Oh, so THAT'S what he meant..."

It's like a Larson bible. You need it.

Gary Larson has one of the sickest, most demented senses of humor and we are all better for it. In this book, he describes some of the major points in his development as a cartoonist. There is not a great deal of insight into his mentality, although he does include some of his cartoons that were rejected as being in too bad of taste. Those are of course the most interesting ones in the collection.
If you love the slightly macabre touch that Gary Larson expresses in his "The Far Side" comic strip, then this is a book you should read. It all started in a music store and the rest is twisted history.

I would totally recommend this book for anyone who would like some insight into the mind of the man who brought us the Far Side as well as anyone with an interest in the cartooning industry.

My favorite part being a section of mistakes made when the cartoons were published, for example, when his caption was switched with one from Dennis the Menace (my childhood nemesis, by the way). The result is hilarious.

The first Farside reads, "Lucky thing I learned to make peanut butter sandwiches or we woulda starved to death by now" as a family of snakes sits around a table for dinner. The first Dennis the Menace reads, "Oh, brother!... Not hamsters again!" as he and his friend walk through the house holding peanut butter and jelly sandwiches.

The second Far Side reads, "If I get as big as Dad, won't my skin be too tight?" (not very funny but...) The second Dennis the Menace reads, "I see your little, petrified skull... labeled and resting on a shelf somewhere." Said as Dennis looks Thoughfully at his mother. REally Funny!

Great book. Get it!

So you've got the massive two-volume "Complete Far Side" and figure you're all set, Gary Larson-wise. If so, you're a few cows short of a herd, because you need this book to round out your collection. It's not just a collection of his comics. The book has a discussion of how his career as a cartoonist got started and has examples of his previous effort, a one-newspaper comic in the same style as "The Far Side." It goes on to show particular cartoons, with his comments on them, both positive and negative, on how they worked, where ideas came from or even the mechanics of drawing them, amongst other criteria. He also shares some sketchbook drawings, some of which led to final, published comics and some which did not. (One of the latter, about a frontiersman named Jeremiah and rhubarb, would have been a good one.) And he discusses how editing had sometimes unexpectedly changed his cartoons, and he relates the letters from people about specific cartoons, some very negative as you might imagine; for certain ones, he engages in a detailed discussion of what he tried to do, contrasting this with how others saw it upon publication. Larson also shares some UNpublished panels, some of which are hilarious. There's also a giant picture of a louse. He ends with a generous helping of his favorite panels, some in color. All in all, it's a lot of fun, and it gives a lot of insight into how Larson went about creating his famous comic that so many of us miss seeing in our newspapers daily.

This is another great collection of Sandman stories which anyone who is a fan of the series should read. My only complaint with this collection is that the stories start out very strong but the ending is a bit of a flop. I am glad that I read it since this does contain events which will probably be of greater importance further along in the series.

Dream is sulking, until his sister Delirium motivates him to help her look for Destruction, their brother who has abdicated his Endless responsibilities.

On the way, through the various people they meet, and reflected in his servants and helpers, we see Dream's thought processes begin to change and mellow, even more so after he finally gets around to dealing with his son, Orpheus, after such long neglect.

Read this series! I read these when they were published as individual comics and revisiting the series has been a joy. Read them in order if at all possilble. I wish Gaiman had the time to write another graphic novel series.

I thought Season of Mists was my favorite The Sandman volume until I read Brief Lives.

Brief Lives absolutely has it all--drama, action, comedy, romance, and philosophical ponderings. It focuses upon Morpheus rather directly--unlike other volumes where sometimes he exists within the stories only peripherally--as he helps his sister Delirium track down their brother known as Destruction.

Destruction is part of The Endless. The other members of The Endless are his brothers and sisters Destiny, Death, Dream (Morpheus), Desire, Despair, and Delirium. He long ago abandoned his post and family, choosing instead to exist on his own terms. Addle-brained Delirium unusually makes up her mind and decides she wants to reunite with her favorite brother. She is very surprised when she manages to enlist the aid of her brooding brother, Dream, especially after all her other brothers and sisters refuse to help her.

Dream accompanies Delirium on quite a journey as created by Neil Gaiman who makes brilliant use of legend and mythology, both preexisting and self-manufactured. They finally find Destruction, but things don't go exactly as expected and incredible possibilities are revealed.

I love this volume so much because something happens to Dream that hasn't really occurred in the previous volumes--he changes. While always dynamic in dialogue and appearance, Dream was not a character who seemed to evolve. I enjoyed Lord Morpheus just as he was, but now that Gaiman introduces a changing Dream, a Morpheus who suddenly empathizes with mortals and family members, he becomes all the more fascinating.

Furthermore, the afterward by Peter Straub was absolutely riveting. Brief Lives was enthralling on its own, but Straub's afterward analyzing the volume makes it, and the intricacies of Gaiman's artistry, all the more impressive.

~Scott William Foley, author of Souls Triumphant

This is one of my two favorites in the 11-volume "Sandman" series, which has proven Gaiman to be a genius storyteller. Three centuries ago, Destruction -- one of the seven Endless, who existed even before the gods -- abandoned his responsibilities, left his realm, and went off to do his own thing. Essentially, he ran away from home. Not that the world has lacked for destruction since then, but he's not behind it, anyway. Delirium, who has roughly the persona of a three-year-old combined with a drugged-out-flower child -- but is a very sweet person for all that (well, . . . not "person" . . .), misses her big brother and tries to find one of her siblings to help her look for him and convince him to return. Dream (the Sandman) finally agrees to accompany her, but for his own reasons, and the quest brings in a number of innocent bystanders (who suffer, as bystanders do), as well as an assortment of ancient but now out-of-work deities. A number of neat ideas are tossed out casually, too, like the notion that a few thousand people still exist on Earth from the very earliest days of civilization, or even from the dawn of the species.

Bernie the lawyer, killed by the collapsing wall of a derelict building, tells Death, "I did okay, didn't I? I lived fifteen thousand years. That's a pretty long time." To which Death, a pragmatic sort who resembles a Goth girl, replies, "You got what everybody gets, Bernie. You got a lifetime. No more, no less." Great stuff.

I had an original post WWII copy of this book and gave it away when I moved from W.Va..... Boy, was that ever a mistake!!!! I needed a copy for an event here honoring the Veterans, and so I was very pleased to see this one in print..... Bill looks at war from the dogface's perspective, and I'm quite sure there's a Bill Mauldin in Iraq somewhere.... but he's tied to the Internet and I'm not sure if we'll get good pen and ink sketches outta him now..... Bill had the way of seeing the ironic, the humerous, and the just plain sorry, in the average G.I.'s battle to survive....... I'd recommend it to school teachers for a look at WWII (AND I'd hustle up some of the last survivors... that first hand look isn't going to be with us much longer).............the Students would actuall LEARN something useful!!!

I am very satisfied with my purchase.The book itself is a pleasure to look at.The drawings are just as funny as I found them as a kid.The writing itself is new to me,but superb.It will allways be among my favourit books.Again marvellous

Indispensable depiction of the face of the Second World War. War and the pity of war. The humour is in the pity.

It's a gift, the ability to draw, to have perspective, to create, to be able to portray human misery as humor, for a reader to see the image and words and turn to laughter. Bill Mauldin had this gift that gained prominence in a time of war where talents rise to their greatest heights or sink to their lowest depths.

Truth is portrayed in humor or the humor isn't funny. Sergeant Bill Mauldin, an infantryman, barely twenty, and serving in Italy picks up a pencil and anything he can draw on, and begins to sketch two characters named Willy and Joe, two, brave, disheveled, irreverent, likeable and crusty infantry soldiers that give meaning to the names infantrymen were referred to as: ground-pounders, dogfaces, legs, and grunts. Mauldin portrays their grim and grimy existence with fatalistic pictures and captions--or grunts. One called "Breakfast in Bed" finds one of them waking up under a cow's utters, or the one where both are in a rain-filled foxhole and Willie touches Joe's shoulder saying, "Joe, yesterday ya saved my life an' I swore I'd pay ya back. Here's my last pair o' dry socks," or with rain pelting down on a scrawny dog facing the opening of their make-shift shelter, one of them says: "Let'im in. I wanna see a critter I kin feel sorry fer." My all-time favorite is a drunk German staggering toward a hidden Willie and Joe, holding a bottle of schnapps, unaware that he is wandering into American lines: "Don't startle `im, Joe. It's almost full."

These cartoons show the comradeship that soldiers developed for each other that would last a lifetime. Each man knew each other better than his own family or spouse ever would, and they could see the good and the bad in everything. They would carry a wounded lieutenant back to safety because he wasn't a "salutin' demon," or curse the Germans as vile, evil Nazis for scuttling a large keg of cognac before their retreat. These soldiers were miserable without being despondent. They were scared without being cowardly. They complained about their predicaments, but carried out their mission as American soldiers always do--attacking silently. The viewer cannot help but feeling empathy and admiration for soldiers who sometimes spent thirty months "in the line."

Mauldin goes further than just making us laugh at the miserable existence of two men trying to stay alive. His real success is that his humor defines the very best and most humane in the human character when it is engaged in its most destructive behavior. It is also timeless. Seventy years later, civilians and servicemen can still see the gallows humor in Willie and Joe's death-defying predicaments.

"Up Front" is Mauldin's account, of what he was doing when he created a particular drawing, why he made sure to include medics, engineers, chaplains, and even Tommies. The writing is matter of fact, well-written, and interesting, but without fascination. That was saved for the cartoons. The author is explaining each one in his text. It's the drawings and the captions that make this book a winner and a conversation piece.

Bill Mauldin died January 22, 2003. Willie and Joe occupying a foxhole filled with water and several cubic feet of complaints, live on.

Think about this the next time you put on a pair of dry socks, and marvel at the simple pleasure of just how good they feel.



May 26, 2008 Memorial Day (observed)

In Memory of the Fallen and all our Gold Star Mothers--especially today.

Of course, this is not a novel. It's a collection of cartoons as they appeared in the Armed Services newspaper Stars and Stripes. The cartoon began to appear in 1944 as the invasion of Europe was underway and millions of Allied troops were fighting their way through Italy and France and into the heart of the third reich.
After a few false starts, Mauldin settled on two characters, Willie and Joe-infantry men. Willie and Joe (who were barely distinguishable from each other) were concerned with all the things that veterans said concerned them during the war. Lousy food was as much of a concern as enemy artillery, fear of cold, wet feet as annoying as the fear of death.
The cartoons, and Mauldin's self-effacing recollections together form a kind of narrative that is at once immensely personal and deeply historical. Mauldin was a pioneer. It was ten years before Cornelius Ryan The Longest Day: The Classic Epic of D-Dayturned personal narratives into history and almost forty before Ken Burns came along.The War - A Film By Ken Burns and Lynn Novick
Mauldin was, in effect, the only war reporter who was relatively uncensored. Since his cartoons carried no strategic information, his only worry was the military's possible perception that he might be lowering troop morale with his swipes at the brass and the rear-echelon. Fortunately, some American sensibility that 'it's good to laugh at the boss even if the boss is us' prevailed.

Up Front was one of the few books that my parents kept by their bedside. This is the book that helped the post-war generation remember the war as it was fought by the men who did the hard work. A quiet masterpiece.

Lynn Hoffman, author of bang BANG: A Novel

Ichigo "Strawberry" Kurosaki is just your average teenage boy... except that he can see spirits wherever he goes. Ghosts, evil spirits, accident victims, all kinds.

So it's not exactly surprising that he gets involved in wild, dangerous adventures, at the start of the humorous, action-packed "Bleach." Since this is just the first volume, Tite Kubo's art and plotting experience some basic growing pangs, but the stories are fast-paced, amusing and sometimes incredibly poignant. And the spiky-haired Ichigo has the makings of a great manga hero.

One night a strange girl appears in Ichigo's bedroom, and is shocked when he can see her. She explains that she's a Soul Reaper, who helps the dead pass on to the Soul Society (a sort of afterlife... thing), and purifies evil spirits called Hollows.

But when Rukia is injured in a fight with a Hollow, all her powers are transferred to Ichigo -- and with them, the responsibility of killing Hollows all over his town. Ichigo is not enthusiastic about his new role, but he can't pass up the opportunity to help innocent spirits. And he finds out that it isn't easy juggling his new responsibilities with his everyday life -- especially since the powerless Rukia is now attending his school in a fake body, and living in his closet.

Even worse, his extra duties with Hollows are affecting his friends. First pretty, flaky Orihime is stalked by a Hollow she is very familiar with -- someone who was closer to her than anyone else. And Ichigo's enormous, mostly-silent pal Chad is given a "cursed parakeet," and immediately dangerous things start happening to him -- what is the parakeet's "curse," why is a Hollow pursing Chad, and why does his new pet seem to be intelligent?

The first volume of a manga series is usually the bumpiest ride, since the author/artist is busy introducing the characters and the main storyline. So it's not surprising that "Bleach's" first volume has a few bumps in the road, especially in the first couple chapters -- getting Ichigo into the whole Soul Reaper situation, introducing about half of the main cast, and to the whole worldview of this particular series. Things get much more complex later on, but at this point Kubo is just laying out the groundwork.

The artwork is also rather sketchy in the first few chapters -- Ichigo looks almost prepubescent and a bit thuggish in the first chapter, and the action panels look abrupt. Fortunately by the time Orihime's storyline rolls around, Kubo's art has settled into a smoother, more even style -- if still a bit rough around the edges.

Primarily this is an action manga, with lots of monster-slaying with swords (in Ichigo's case, a freakishly huge one) and a complex battle between Ichigo and a grief-maddened Hollow. But Kubo fills these scenes with a sense of pathos, such as Chad's fondness for the little parakeet, or Orihime's fond memories of her older brother, who saved her as a baby from their horrible parents.

Don't worry, there are a lot of comedic moments too -- Rukia's awful drawing skills, Ichigo playing baseball with pepper bombs, and Ichigo's kooky classmates and family. Not to mention Chad's quiet explanations ("Yesterday... I collided with a motorcycle").

This is our first introduction to the various characters, but Ichigo "Strawberry" is a pretty good hero, albeit in the mold of most action-anime heroes -- rough, fight-prone, determinedly lonerish, but very good-hearted. He doesn't want to go out and just be heroic, but he can't pass up a person who needs his help. The smart, prickly Rukia and sweetly flaky Orihime round out the cast, although gentle giant Chad hasn't been explored much yet.

The first volume of Tite Kubo's "Bleach" is a warmup for the bestselling series, but Kubo really hits his stride -- with art and story -- in the second half. Definitely worth getting, if nothing else to acquaint you with the world of the Soul Reapers.

Ghosts are everywhere. Ichigo Kurosaki knows this because he can see ghosts. But his life takes a huge change when he runs into Rukia Kuchiki, a Soul Reaper, and he learns about the spirit world. In fact he joins it to protect his family. For the first volume it packs a lot of details, setting up the world within the book and the characters who live within it.

I really enjoyed to whole concept of this series. This book does a good job in setting it up.

the first bleach book, it takes you into a fantasy world that is impossible to put down.

bleach is one of my favourite manga comics.I think every fan of manga should read at least one part of bleach.If you like manga I also recommend death note and naruto.

The box set is awsome.
Hard cover, high quality paper and tons of Peanuts.
Must have item!

I am now on the second volume of this set, and I will be sticking with them through the entire series, buying every box set released! These volumes are great! Even the simple, clean, uninterrupted way the comics are shown is great. Before I know it, an hour has passed, and I'm excited to see that I still have 100 pages' worth of reading -- and then more excited to know that a lot more volumes are coming. This is a fascinating way to see how the comics evolved, and to see how Schulz had created something special, from the very beginning. I recommend these!!!

My wife has always been a fan of Peanuts, and I found these to be perfect. She's so happy each time she opens a new one.

I received this set as a gift for someone else & ended up keeping it myself because I didn't want to part with it! Really nice little set of books, it's so much easier to have everything neatly compiled like this. I'm looking forward to getting the rest of the set.

When I first heard that "The Complete Peanuts" was going to be published, I could not wait for the first one. The wait was very rewarding; not only could I read the comics and see the characters as they grew in the strip, but I could also see the flow of the strip with the Sunday comics in the proper order. Schulz would often continue a story line in the Sunday comics, which many strip writers do not. As a child I had over 150 of the small paperbacks, watched all the specials, and loved the lessons in the story lines. As an adult, I watch "A Charlie Brown Christmas" with my family every year and still read the comics to start my day off right. If you have a love for Peanuts and want to rediscover the characters, buy a few sets or the whole series and connect with them again.

This was a gift for my 9 yr old granddaughter. She told me she loved it.She had rented from the library and was overjoyed to have her own copy.

Be sure to keep reading to reach chapter three where entrepreneurship takes off in the most subtle way, selling mini toys at school. (We had a little trouble getting entranced in chapters one and two.) But soon after, Greg is creating and selling homemade comic books. The comic book assembly is explained (including drawings) which is a nice touch for readers who would like to try and create their own. It's never too early to let your child write and create their own book.

I especially enjoyed the competitive relationship with the girl next door and how feelings (anger, admiration, jealousy, etc.) were expressed throughout. My son would often ask to continue reading as I finished a chapter.

Money, sales and partnership ideas are nicely addressed. You read about advertisement examples kids are exposed to at school (there is a surprisingly long list), ideas on why money is important, compromises needed when working with a partner, and the good feelings that arise from making donations.

I think my favorite part is when Greg realizes (through discussion with the school board) that he was as guilty as all the other advertisers. He was also targeting the children at school. "He was the hunter, and they were the prey." Actually, this is not a bad thing as entrepreneurs need to understand their target audience but it is the first book I have read that addresses this issue. A++

My nine year old son has read my book so I wasn't surprised when he asked, "How come none of the books we read mention taxes?" (We've read a few entrepreneur books recently.) I had to laugh and remind him, "Not everyone enjoys doing taxes... or even reading about it, so maybe the author decided to leave that technical part out."

Of all the Andrew Clements school books I've read, Lunch Money was by far the least engaging. The reason for this is that a large part of the book focuses on numbers instead of people, and where Clements has succeeded in the past is in his ability to make us really like his leading characters. Greg, the lead character in this book, is not very nice. He's largely driven by money and selfishness, and although Clements does try to make Greg more personable by depicting his change of attitude, the change does not come off convincingly.

The concept itself behind the book is terrific: schools are hypocritical because while they profess to be trying to promote certain values and healthy lifestyles, the actions districts take are at times directly opposed to the high moral standards the districts are imposing on the students.

I did enjoy the book, and recommend it to those looking to read more of Andrew Clements' books. I would pick up Frindle, The School Story, or The Report Card first however.

Lunch Money is a good book for money lovers. Its about a boy who has all these good ideas to make money and then he comes up with his best idea yethe decides to make comic books!The princapal disagres but then Mrs Davenport decidesto let Greg sell comic books. I highly recomend this book!

I'm a nine year old boy from NY. This book is funny and serious, too. This boy Greg wants to make lots of money while copycats try to steal his ideas. He makes money by selling little chunky comics. I recommend this book to everyone.

WB

I am so sad that Sailor moon products are out of print. This is an amazing story. I love the Manga and the Anime. 200 episodes wasnt enough!

The whole series is very mysterious and keeps you on the edge of your seat. When you're reading this series all that goes through your mind is "What's the Golden Crystal?" 'Who's Helios?" And most of all "Is Darien gonna be OK?" Finally the last book of this series! IT's wonderfully written and drawn as I said before. It teaches you little lessons that you don't realize until you need to know these lessons. (Does that make sense?) If you read the previous books of the SuperS series you should really get this one to find out what happens in the end. It's so sweet and happy!

This is my absolute favorite out of all the Sailor Moon mangas. I love the Supers series to death, and this is the perfect ending. I've got to say that the main reason this one is my favorite is because of the artwork. It's stunning, to say the least. Ms. Takeuchi pulled out all the stops on this one. No matter how many times I read Supers #4, the picutres never fail to make me stop and say, "Wow". It's certainly not lackin in plot, either. This is where everything comes together, and every twist and turn is compelling and credible. Every element of the ending to Stars is satisfying. This little book, in my opinion, represents manga at its finest.

This is a wonderful volume. Bunny/Darien, Usagi/Mamoru, Serena/Darien are my favorite couple. I loved both the Japanese and English versions. The Japanese version is my favorite and the English version is great. I use both the Japanese names, Usagi and Mamoru and the English names Bunny and Darien. In this volume, many events occur. Bunny and Darien awaken and have lots of romantic moments together. Soon, they must face more challenges. Bunny and Darien are girlfriend and boyfriend and eternal lovers. They must face a huge challenge when a secret about Bunny's past is revealed. Bunny is worried, but Darien comforts her. Darien protects his true love, Bunny. Darien tells Bunny to lend her his power. Darien tells her they can conquer this. Darien and Bunny kiss. As they kiss and hold hands, the energy of their love and power saves them. Darien and Bunny's kisses are so loving. Sailor Moon and Tuxedo Mask kiss and have lots of loving, romantic kisses in the series. Soon, a secret is told about Bunny and secrets are revealed as Bunny and Darien discover new things. Find out what will happen in this volume. Bunny and Darien are the best couple. Usagi and Mamoru are the best couple. Serena and Darien are the best couple. Usagi/Mamoru and Serena/Darien and Bunny/Darien are all the best couple in ever version.

This is THE most cool comic book I have ever read! It totally blows Dennis the Menace out of the water!! The conclusion of the SuperS series is included in #4; including yet another oh-so cute 'n' funny "Rini's Diary" (What happened to the 'picture' part??). We see all of the sailor scouts "Sailor Guardian's" and the senshi in their princess forms!! Also Luna, Artemis and Diana turn into their human forms, (Flashback to the Sailor Moon S movie!), and Bunny flashbacks to the Silver Millennium. (There are some VERY cute scenes of Queen Serenity and Princess Serenity as a baby, as well as the six/seven year old Inner Senshi! Oh, and witness the birth of the one who possesses the second greatest power to the Queen (no, its not Tony Blair!), ETERNAL Sailor Moon! And a new crystal of the Pink Moon! (Guess who owns it?)

It's all been said before by other 5-star reviewers...and I crave other comics from Tatsuya Ishida - he is very good, too good for syndication, even!

Ever since Calvin and Hobbes left the comics scene, I've been hard-pressed to find another comic that really hit home with situations I can relate to. Nothing is sacred to Ishida, since he makes fun of everything from God and the devil, to the ongoing battle of the sexes.
I recommend this highly. =)

Always with things popping up, this web comic has always entertained me. Some are just a giggles while others make you wanna laugh out loud. I love keenspot comics, I've been reading them for about 5 years now. Sinfest is one of my favorites of all time. Just how the characters interact is so priceless and well thought out. How the random stuff can turn into a delightful story line. You won't find this at your local book store. Fun for the whole family(if you like corrupting your children that is).

Quality comic, which I highly recommend. However, you can purchase the books for only $15 on the author's cafepress.com page. He has a link to it on sinfest.net.

Sinfest is the best web-only comic I've read. I've been reading Sinfest since 2002 and I'm surprised that it's still not syndicated.

This book contains comics from 2000 and 2001. Tatsuya Ishida's art has improved since then, but even his older material is good. The Sinfest comics are all online, so you can check it out and decide for yourself if you like it before you buy.