Cartoons Books

Gasoline Alley is a classic strip that is finally getting the reprints it deserves.

Like many other classic strips, you have to read long sections of it to really get a feel for it. I think the publishers did a good job of starting with the 1921 strips (they say they will eventually do a collection of the pre-1921 strips later on. Good idea, as I think starting it at the begining would have been a mistake).

Moderns readers should be warned that GA does take a while to grow on you. I think most readers today would be put off by how long it takes something to happen. And the strip, at least during 1921, seems to gyrate between Walt and baby Skeezix, and the other denizens of Gasoline Alley. The car-focus of the strip, which is very topical for the time, may put off people more used to the modern auto, if they aren't into cars themselves.

I certainly plan on getting future volumes. I do hope Drawn & Quartered will start doing some of the planned sunday volumes, too. Am put off by the high cost of Sunday Press Book's collection of GA sundays.

My only previous experience with Gasoline Alley was a Mad Magazine parody called Gasoline Valley that focused on the interesting fact that the characters actually grew older as the series progressed. The Mad Magazine parody showed Skeezix aging from a baby into an old man just as the comic does however this volume features only a couple of years so at the end Skeezix is just a toddler. Gasoline Alley isn't a hilarious comic; instead it's a sweet, light hearted view of small town life in the early 1920's. The comic revolves around Walt, a big hearted confirmed bachelor who finds a baby deposited on his doorstep. This being the "good ol' days" Walt just keeps the baby becoming Uncle Walt (later in the book he does actually go to the effort to make it a legal adoption).

A lot of the jokes are repeated, for instance Walt, the only bachelor among his circle of friends, constantly uses the line `I know when I have it good' after seeing his hen pecked buddies. We also get to experience Walt's continual struggle with his weight. There are a few extended storylines including a shady land developer who takes the Gasoline Alley gang for a bit of money. The longest story is about the arrival of an attractive young lady named Blossom and her developing relationship with Walt.

Three things stood out for me in this collection. First was the always meticulous job done by editor Chris Ware who goes above and beyond the call of duty. There is a ton of fascinating background information on cartoonist Frank King. My tip is that any publisher who wants to release a comic collection like this one should call on Chris Ware. He is a man with serious passion for comics. The second thing that caught my attention is how clean and pleasant Frank King's drawings are. But what I enjoyed most about Walt and Skeezik's was the glimpse at life in the United States prior to the Great Depression.

What you need to do when reading through these comic strips is to try and put yourself into the era. These comics were created over 85 years ago and it's like peering into a time capsule. There is not a single mention of television or pop culture. Most of the residents of Gasoline Alley are chiefly concerned with the mileage they get on their tires or the cost of a new hat. Volume one pretty much satisfied my curiosity and I probably won't buy further volumes but that takes nothing away from this excellent collection. You definitely get your money's worth and it literally took me months to get through the entire book.

Commentary and editorial aside, the heart of this book is the wonderful Gasoline Alley strips. For those who honestly can't imagine what daily life was like before automatic shift, television, modern medicine, sexual liberation--this book is like being pulled through a time warp into the 1920s and 30s.

It has a lot of the same flavor as For Better or Worse. It's infested with genuine American characters. (Fair warning: the portrayals of African Americans are deeply stereotyped--but also remarkably sympathetic in terms of human feeling.)

DO NOT read it all in one sitting. Try to limit yourself to ten strips a night. Like movie serials, comic strips that appeared in daily newspapers took months or years to fully develop a story arc. You can't rush through that--and why the heck would you want to?

This collection was a little before my time, but it is great to read about the earlier days of Gasoline Alley.

I thoroughly enjoyed this book. The photographs really provide insite into the authours life and basis for the comic strips. I really enjoyed the dated chronology of the strips. It also provided me with a humorous way of conveying the social, political and economic happenings of that period in American History. Absolutely Fantastic, I can not wait to read the second book in the series.

It's Gorey at his best continued. I am not exactly sure if the book i supposed to be a continuation of Amphigorey, but it has more of Edward Gorey. Content is different from the original Amphigorey, with the exception of the Chinese Obelisk. This book has included draft version of the work, as well as the final one (final one appears in the first book as well).

This is definitely a quality addition to one's Gorey library. However, if you're going to own only one Amphigorey, make it Amphigorey Also, in which he has truly mastered his own peculiar style.

This excellent follow-up anthology contains such classic Gorey works as The Beastly Baby, The Pious Infant, The Gilded Bat, The Chinese Obelisks, The Deranged Cousins, and The Disrespectful Summons.

I don't care if you've never in your life read Edward Gorey, I don't care if "it's not your thing," I don't care about any silly excuse. If you haven't read this book than you are not complete, and there's only one way to fix the problem.

Edward Gorey is satiric genius, and when he isn't being sarcastic and whimsical then he is beautiful and poetic (although come to think of it, he's always poetic, isn't he?). Being an Amphigorey, this book has loads or nonsense stuff crammed together with some of his best work. I can't imagine that anyone with any kind of imagination could read through it without finding at least one thing that they adored.

The contents of Gorey's collections with personal rates for each work:

AMPHIGOREY:
The Unstrung Harp (1953) ========================= ****1/2
The Listing Attic (1954) ========================= *****
The Doubtful Guest (1957) ======================== ****1/2
The Object-Lesson (1958) ========================= ****
The Bug Book (1959) ============================== ***1/2
The Fatal Lozenge (1960) ========================= *****
The Hapless Child (1961) ========================= *****
The Curious Sofa (1961) ========================== ****1/2
The Willowdale Handcar (1962) ==================== ****1/2
The Gashlycrumb Tinies (1963) ==================== *****
The Insect God (1963) ============================ *****
The West Wing (1963) ============================= ***1/2
The Wuggly Ump (1963) ============================ ****1/2
The Sinking Spell (1964) ========================= ****1/2
The Remembered Visit (1965) ====================== ****

AMPHIGOREY TOO:
The Beastly Baby (1962) =================== *****
The Nursery Frieza (1964) ================= -
The Pious Infant (1966) =================== ****1/2
The Evil Garden (1966) ==================== ****1/2
The Inanimate Tragedy (1966) ============== ****
The Gilded Bat (1966) ===================== ****
The Iron Tonic (1969) ===================== ****
The Osbick Bird (1970) ==================== ****1/2
The Chinese Obelisks (Sketch) (1970) ====== ***
The Chinese Obelisks (1970) =============== ****
The Deranged Cousins (1970) =============== ****1/2
The Eleventh Episode (1971) =============== ****
The Untitled Book (1971) ================== ***1/2
The Lavander Leotard ===================== ***
Direspecful Sermons ======================= ****1/2
The Abandoned Sock (1972) ================= ****
The Lost Lions (1973) ===================== ****
Story for Sara ============================ ****
The Salt Herring ========================== ***
Leaves for a Mislaid Album (1972) ========= ***
A Limerick (1973) ========================= ****1/2

AMPHIGOREY ALSO:
The Utter Zoo (1967) ======================== *****
The Blue Aspic (1968) ======================= ****1/2
The Epileptic Bicycle (1969) ================ ****
The Sopping Thrusday (1970) ================= ****1/2
The Grand Passion (1976) =================== **1/2
Les Passementeries Horribles ================ ***
The Ecletic Abecedarium ===================== ***
L'eure Bleau ================================ ***
The Broken Spoke (1976) ===================== ****
The Awdrey-Gore Legacy (1972) =============== ****
The Glorious Nosebleed (1975) =============== ****
The Loathsome Couple (1977) ================= ****1/2
The Green Beads (1978) ====================== ****
Les Urnes Utiles ============================ ***
The Stupid Joke (1980-1982) ================ ****1/2
The Prune People (1983) ===================== ****
The Tuning Fork ============================= ****1/2

AMPHIGOREY AGAIN:
The Galoshes of Remorse (illustration) ==========
Signs of Spring ================================= ***1/2
Seasonal Confusion ============================== ***1/2
Random Walk ===================================== ***1/2
Category (illustration) =========================
The Other Statue (1968) ========================= ****
10 Impossible Objects =========================== -
The Universal Solvent (1989) ==================== -
Scénes de Ballet ================================ ***1/2
Verse Advice ==================================== ***
The Deadly Blotter (1997) ======================= ***
Creativity ====================================== ***
The Retrieved Locket (1994) ===================== ***
The Water Flowers (1982) ======================== ***1/2
The Haunted The-Cosy (1988) ===================== ***1/2
Christmas Wrap-up (illustration) ================
The Headless Bust (1999) ======================== ****
The Just Dessert (1997) ========================= **1/2
The Admonitory Hippopotamus ===================== ***1/2
Negected Murderesses (1980) ===================== ***1/2
Tragédies Topiaries ============================= ****
The Raging Tide (1987) ========================== ****
The Unknown Vegetable (1995) ==================== ****
Another Random Walk ============================= ***1/2
Serious Life: A Cruise ========================== ***1/2
Figbash Acrobate (Illustrations) ================
La Malle Saignante ============================== ****
The Izzard Book ================================= ***

Cute title but the book was a little too old for my two year old grandaughter. Not sure she got the concept of animals wearing or not wearing clothes.

I work in a Nursery and I bought this book to read to the children. They loved it! They thought it was hilarious.

We use this book in our kindergarten class. The students just laugh and laugh over the pictures of animals wearing clothes.

This book is very short and the pictures just make me and ny son laugh. Well done

I enjoyed this book as a child, although even then I remember thinking that the 1970s clothing looked goofy on any one, not just animals.

This book is a classic, right down to the vintage illustrations.

I think this was my favorite volume in the series so far. The first two were fun and entertaining, but in this one the plot becomes thicker, more complicated, and we start to see glimpses of a rich backstory behind the characters Grandma Ben and Thorn. People who liked the first two books will be sure to like this one, too.

This is my 1st Graphic Novel that I have read. Jeff Smith is a great author and illustrator. The words along with the pictures tell a great story. Jeff uses many story elements in his book Eyes of the storm. His plot has several conflicts in it. He uses mainly person-against-person, with it being the Bone cousins and village people against the rat creatures. Jeff Smith uses flashbacks and foreshadowing in dreams to let Thorn know what her past was like. He uses cliff hangers to make the story more suspenseful. Amongst all of this, Jeff Smith knows how to lighten the atmosphere by putting humor in the right places. This book kept me wanting more. I can't wait to get a hold of the next volume. This will not be my last graphic novel that I read.

The Bone books are the gratest comics I have Ever read

check em' out ;)

This book I just read is about a boy named Bone. Bone's friend started a cow race, and convinced everyone to bet on a cow that didn't even exist. So now they have to wash dishes at a bar to pay back what they destroyed. They have weird dreams about their past. So they spend days trying to figure out what their dreams were about. There are furry creatures in the woods trying to kill them.
Bone was the main character in the story he is the coolest and funniest in the book. There grandma reminds me of my grandma from when I was 3. She told me that there as no such thing as ghosts. I figured out that there was such thing as ghosts when I was 5. My favorite part in the story is when Bone realized that their dreams where real. If you like comic books then you will like the Bone series. This book was made to be read by kids 11 and older.

These books are fantastic! I have two 7yr old boys that cry if I don't read this book to them at night.

Parents:
Imagine using, I won't read to you tonight if you don't stop right now, and it works...that's how good this series is. At first I thought the book might be a little too scary for them but they were hooked and it wasn't until book 4 that I had to consider sensoring some of the language (things like "idiot"). Any book that brings kids back to the well again and again is worth purchasing.

For a die-hard Peanuts fan, this series is a must-have!

This series is going to be a regular drain on my bank balance for the coming decade, as that is how long it is going to take Fantagraphics to finish publishing this collection, if they stick to their published schedule.

Be warned: The Sunday strips are not in colour unlike the Calvin & Hobbes and the Farside collection in which even the black and white strips are printed on colour pages. This quite pisses me off...

Finally, a Peanuts collection in chronological order and nothing left out. It's going to be a long wait indeed...

I've always thought of creating a bookshelf of hard cover with all my favourite comic strips, when I could afford them... Calvin & Hobbes, Farside, Tintin, Asterix & of course Peanuts.

I have the first two, and I'm on my way with Peanuts... It's going to be a long and interesting 11 years...

There was a time when the newspaper comic strip was HUGE. In the early 1900s, the success of a newspaper was in part due to the comics it featured. That era has long since disappeared, and it often seems that the comic strip is a neglected relic. There are still some good comics out there, but they are getting rarer and the newspapers treat them with less and less respect, cramming many onto a single page that used to hold just a few.

Where does Peanuts fit into all this? Well, it is the most popular comic strip of all time. Does any other strip have anything close to its legacy of movies, TV shows, plays, books and merchandise? And happily, it is deserving of its success; it is arguably the best comic strip ever, and certainly one of the top ten or so. As a result, it is not hard to see why the newspapers continue to publish old strips years after its creator, Charles Schulz had died. They don't stop printing it or allow another artist to take it over. The comic strips overall are a pale shadow of what they once were, so repeats of Peanuts can prosper because nothing new can replace them.

Volume 4 of the Complete Peanuts is where the characters are really beginning to show their full development. We have Lucy, the champion fussbudget and Linus, her philosophical brother with a dependence on his security blanket. Schroeder is the budding musical genius. Patty, Violet and Shermy are mostly supporting characters at this point; they will be eventually replaced by other characters (but not in this volume).

The two key roles, however, are those of Charlie Brown and Snoopy. Snoopy is up to his usual antics, pretending to be a vulture, grabbing at Linus's blanket and relaxing in his water bowl. He also starts his practice of lying on top of his dog house, although his first attempts are not all that successful. Charlie Brown is, well, Charlie Brown, the ultimate loser who the Fates themselves conspire against. Kites won't fly for him, pens constantly smear and if, by some remote chance, his baseball team is doing okay, they heavens themselves will open up and rain out the game. His "friends" are often cruel to him (with the exception of the benevolent Linus and the aloof Schroeder). In a way, the main theme of Peanuts is defined in the very first strip (in volume 1) when Shermy says, "Good old Charlie Brown...How I hate him." This seems to be the way the whole world thinks of this hapless character.

Peanuts may seem to some to be just an overrated strip, but I don't think that's so. It may be overly merchandised, but the comic itself is a cornerstone of the genre and one of the most influential strips out there. This volume again shows why Peanuts is one of the all-time greats.

Here the Peanuts gang becomes familiar, as they start hitting the usual topics that would develop and blossom over the years. Every one of the main characters has secured their place, and Snoopy starts his development into the multi-faceted character we know and love.

Probably the best thing about the book is that we watch Charles M. Schultz modify and mollify his characters. In 1957, quite a few of the Sunday cartoons show Lucy becoming too much the bully, abusing her younger brother viciously without cause and causing no end of pain to Charlie Brown. During 1958, Lucy develops a vulnerability and Linus becomes more an actor, sometimes getting back at his sister and sometimes causing his sister's temper tantrum (it's easier watching her blow up when she has a cause). Schultz could have blown things with Lucy, but with a few modifications between her and Linus, a balance is made that makes things more interesting.

Now, here's to next April, and 1959-1960.

Everyone's favorite beagle comes into his own in this fourth volume of the best-selling COMPLETE PEANUTS series. Snoopy covets Linus's security blanket, indulges in imitations and impressions,joins the baseball team and, toward the end of the book, he even--an epochal development!--starts sleeping on the roof of his doghouse.

Of course, fans of Schroeder, Lucy, Linus, Patty, Pig-Pen, Shermy, Violet, and Charlie Brown will also find plenty of hilarious strips to enjoy as well including several hundred that have never seen print in book form before today.

Fungus is part of a bogeyman family. Their job is basically to be gross and go around scaring kids and all that sort of thing, slime, nastiness, saying boo, and that whole caper. What if this is your destiny and you don't want it to be? That is the issue under investigation in this amusing and clever tale by Briggs.

Wow! I got this book 20+ years ago from my older brother and loved it! I lost track of my copy and for years now I've been trying to remember what it was called...I just happened upon the dvd on netflix and there was that familiar face. I remember looking through this book over and over again and seeing something new each time. I'm pretty sure pages were falling apart and coming out of the binding I read it so much. I highly recommend this book for youngsters, and I plan on ordering copies for my neices...and probably one for myself!

Very happy with this copy....great read and goes with the other Raymond Briggs books I purchased....made a fabulous xmas present!

I've loved this book for years, and actively sought it out in my adulthood to own. The book is filled with everything from gross visual jokes and puns, to the deep philosophical questions every Bogey must have. It's ingenius and unique. Worth buying for a creative or visually stimulated child.

'Repulsive but none the less compulsive'. This classic Raymond Briggs book hasn't got a real storyline. It's more like an comic strip encyclopedia on the life of bogeymen (Fungus) and bogeywomen (wife Mildew) and their bogeychildren. The book just charts a day in the life of a bogeyman, who it seems, exists merely to torment us 'Drycleaners'. Briggs richly illustrated study of bogeydom delights in all things revolting, slimy, putrid, and lavatorial, and even raises deep questions on the meaning of Bogeydom life. The book is filled with visual and literary gags, e.g. hidden on Mildrew's bathroom shelf there's 'FemStench' perfume which is real Eau de Toilete (toilet water), plus you finally find out what Great Aunt Ada Doom of Cold Comfort Farm really saw in the woodshed as a child (and it was something nasty). This book would be of interest to any kid over 8, boys might go for it at an earlier age than girls - although be warned it's not suitable for sensitive parents. It's ideal for teenagers and young adults, who will appreciated the sophisticated humour more. So if you ever wondered what makes the bogeyman hiding under your bed tick, get this superbly illustrated and funny book.

All this book is, is a collection of the daily comic from the last book with very little new material. I don't think they've created any new material for this strip sense Liz and John ended up together.

This is a great book. I hope Jim Davis makes a 50th.

Other than now being in full color instead of black and white, Garfield hasn't changed much over the years. He still picks on Jon and Odie, sleeps all the time, loves food, and can't help being nasty, incorrigible, and hopelessly loveable. This book is a thick, beautiful, and easily readable tome to everybody's favorite cat.

Highly recommended.

I have been reading Garfield books for a long time now, and I have wathched him evolve in his animation and personality. He is truly still just as funny as he was when he first started. He has made us laugh through all these years, and is still making books. The book was truly classic Garfield. I hope Jim Davis makes a 50th.

Okay, there's not many days left until Xmas but let me assure you that this Garfield book makes an excellent last-minute gift. Everyone I know loves Garfield and would be thrilled at getting a book like this.

It's rather thick and taller than usual. Plus it's in full color. As long as I can remember I've loved reading Garfield, even when I was a little kid reading the black and white pocket books. So kids will appreciate this too. Trust me.

It opens with 'Garfield's code of Nevers', such as 'Never Eat the Mystery Meat. And ends with 'Garfield's Top Ten Suggestions for New Athletic Events, such as 'The Fridge Lift' and 'Eat till you Explode'. Crammed inbetween are hundreds of hilarious comic strips. Plus there is information on the last page on how to join the Garfield fan club. And why not?

I love Get Fuzzy cartoons and I absolutely can't live without the 365 days a year calendar. Each day depicts another glimpse into the lives of Satchel and Bucky which in some small way always reminds me of my 3 Girls (Suzie, Trixie and Gracie). We can't help but relate to the lives of Bucky and Satchel since they always seem to hit upon something that happens in our own lives.

Keep up the good work.

Thank you, Pattie K

Get Fuzzy is something that can always be counted on to make me laugh. Sometimes out loud. Other times it just makes me grin. No matter what it always lifts my mood. Getting a new strip everyday is even better so the day to day calender is great. It is also nice that the strips are run in order so the small stories in the strip do not get messed up and are all the more funny when they are linked together the right way.

I am a tremendous lover of Bucky Katt. It is wonderful to have a Get Fuzzy comic to wake up to every day. I highly recommend buying this page-a-day calendar so that you can get that humorous lift to start your day.

A constant - as time itself ... every day Rob, Sachel and Bucky cat deliver something that helps the days beginnings.... its addictive as coffee and a donut ... but more healthy...

Darby Conley must be an animal lover, or has grown up with cats & dogs all his life. His 'animal' wit is astounding. Satchel is simply lovable Bucky Cat is, well, as sarcastic as a cat can be. If you want to have a LOL day, every day, this is a must for any desk top.

.....its because you never heard of Lynda Barry......if you grew up in the 60's and/or were on the wrong side of the tracks and/or were not of the popular crowd OR knew anybody of the above-described groups, you will enjoy this book (and her others). They really bring forth memories and emotion....catharis, baby!

Linda Barry nails tweener angst. And her drawings are so different from anyone else's, they're mesmerizing.

I read the "Marlys" comicstrip back when it appeared in DC's City Paper. Marlys, her friends, her mother are drawn in gorgeous and grotesque panel-cartoon style. Barry's characters are bizarre yet familiar. The angst is universal. Think Gidget on acid: a super gift book to delight a funky friend.

If your a long time fan or have never heard of Lynda Berry this is a book you must own. For the first timer the drawings might seem alittle rough,(but you get past that real quick and realize its perfect)just like the stories about Marlys. I love Lynda Berry and her work. Iv followed the stories of Marlys since the early 80's. I can so relate to Marlys and her environment and I think many others will too. Im not a writer just a huge fan so I hope you all will give it a peek and find out for yourselves. Matt Groening (creator of Simpsons) says "Lynda Berry rocks".

Wow! Number one!! This book captures the feeling of childhood in an amazingly touching fashion.

Utterly and completely charming.
I'd read all her books but had never seen these.
I've returned to them often.

I have read every Moomin book available in English and I loved them all. I decided to get the comic for some children I know. I actually have not read the comic and my review is concerned only with the physical properties of the publication.

I have to say that the book look beautiful and makes a perfect gift. I will order second copy now so I can read it myself. :)

Moominfamily gets bumped around in a world that is much too big and chaotic for anyone to understand. Moomin may be driven into trouble, but his goal in life is beautifully pure: to "live in peace, plant potatoes and dream." While Moomin world may had its start in the books, in this English comic strip, its full richness floats to the surface like cream, and the love put into the art is visible. Tove Jansson's intricate illustrations and lettering are made clear and bold in this volume thanks to the carefully laid out folio.

If you've never heard of Tove Jansson's comic strip "Moomin," you're in for a treat. The title character is a troll, but looks like a hippopotamus. He is a loveable character with a childlike innocence. He tries to be friends with everyone, and like many nice people, doesn't know how to set limits. In the first sequence, he has dozens of friends and family visit him, and are extremely demanding, but he doesn't seem to be able to say no. He then gets a rather smelly friend to drive everyone away, but he eats Moomin's house! We then follow Moomin and his friend Sniff as they search for riches and fame. That's the first of four parts in this collection, and the storylines flow into each other nicely. There's great character development with real pathos, and the art is unique and a pleasure to look at. If you're looking for a comic strip that's different from the ones you typically see in the paper, look no further.

In 1953 the London Evening News began running Moomin comics on a daily basis - and soon the little fantasy animals were published in over 40 papers around the world. Tove Jansson, creator of the strip, drew it for five years and these black and white strips offers her complete Moomin features to delight new and old audiences alike. It's too whimsical and funny to limit to younger audiences, and is reviewed here as a top pick for any general-interest library strong in comics history and illustrator representations.

Diane C. Donovan
California Bookwatch