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Paul Rusesabagina is an ordinary man. He feels sadness and joy, fear and hope just like the rest of us. He is not a superhero in the ordinary sense of the word--he cannot fly, he does not have an agility belt, and he cannot scale walls. He is an ordinary man by all accounts, but in 1994 when the dark cloud of tense hatred between the Tutsis and the Hutus that had been brewing for decades in the small country of Rwanda erupted into a genocide that left eight hundred thousand dead, Paul Rusesabagina's actions as described in his biography An Ordinary Man were anything but ordinary.
Rusesabagina was born in a small village in the countryside in 1954. His mother was a Tutsi, and his father was a Hutu. According to Rwandan tradition of heritage passing through the father's bloodlines, Rusesabagina was considered a Hutu as well. Rusesabagina's father was his inspirational role model growing up, and his philosophy that "kindness and justice did not know ethnicity" was embedded in Rusesabagina's actions later in life (12).
Rusesabagina learned early on in life to fight with his words, not with his fists. He found that by speaking to people face to face, he could connect on some level, and convince them not to do him harm. This technique worked with schoolyard bullies, and later on with murderous, fanatical generals. Rusesabagina found work at the hotel Mille Collines, and eventually became manager of its sister hotel Diplomates.
After the plane carrying President Habyarimana was shot down, the extremist radio station RTLM began to use powerful diatribes to convince Hutus that it was their duty to murder the Tutsi "cockroaches." Rusesabagina, a moderate Hutu with a Tutsi wife, was able to negotiate, bribe, and flatter those carrying out the murders into sparing the lives of the 1,268 refugees that had fled to the hotel Mille Collines. The world turned a blind eye to the genocide and for a long seventy-six days, Rusesabagina had only himself and his words to save his family and the refugees from certain death. It is estimated that about five people were brutally murdered every minute. Rusesabagina managed to save approximately four hours worth of people. Eventually, he and the refugees were evacuated. Rusesabagina and his family moved to Belgium, where they reside to this day. In 1999, the movie Hotel Rwanda depicted his actions during this "dark bead" in Rwandan history.
This is one of the most remarkable books that I have ever had the pleasure of reading. It's so morbidly fascinating that even though at several times I felt physically ill, I was unable to put it down. Rusesabagina has a special skill as an author, and is able to paint an accurate and horrifying picture of the events that occurred, but at the same time is able to insert his whole-hearted and stubborn belief in the "triumph of common decency" over evil (203). Rusesabagina is able to argue this in the face of heartache and bloodshed. He is even able to provide concrete examples of people in the book that hacked their neighbors with machetes but still had a drop of human kindness desperate for an excuse to show itself.
Rusesabagina unapologetically criticizes all the nations that ignored the genocide for far too long. Rusesabagina not only provides criticism but also possible solutions that could have staunched the bloodshed quickly and effectively in the genocide's early stages. He also provides an excellent rhetoric on how extremists were able to convince rational, calm people to take up machetes and kill their neighbors and friends. Rusesabagina is able to counter the extremist rhetoric with words of his own, and uses this same skillful mastery of words that saved so many from slaughter to narrate this fantastic and moving book.
There are very few weaknesses in An Ordinary Man. Yes, the gore that is described twisted my stomach and left me feeling tainted and disgusted with mankind. After reading too much, I was almost unable to continue, but then again the mass genocide of men, women and children is not supposed to be neat and digestible. The descriptions are meant to shock and sicken. At the end of the novel, I felt ultimately dissatisfied and furious with the abject lack of justice. But this is a specific tactic used to irk the reader, because justice has not occurred in Rwanda and murderers still walk the streets. There is little justice to be found in that, and there is no reason why Rusesabagina should candy coat the issue to make the reader feel better.
Rusesabagina leaves the reader feeling hungry for more knowledge of the Rwandan genocide. His book inspired me to do outside research on the Rwandan genocide, and all of the other humanitarian crises that have occurred since then. Rusesabagina believes he is an ordinary man because to him saving all of these people seemed the most normal thing to do, something every man ought to have done. His message is a simple message of hope, a message that every man has the capability to give a "Rwandan no" to evil (203). His book serves not only a testimony to what happened in the dark days of the Rwandan massacre, but also serves as a means of getting people to care. He cautions that if the world cannot overcome apathy, then the phrase "never again" will be "one of the most abused phrases" and the "greatest lies" of the time. The book leaves the reader with a sense of hope that ordinary men like Rusesabagina will continue to say "no" to evil and do these extraordinary things as if they nothing more than ordinary.

This book was chosen by Middle Tennessee State University for their summer reading book, and being a student there I decided to jump in with all the freshmen and read it as well. I'm excited that he will be speaking at our convocation ( our program to start off the year.)

The thing that interested me most about this book is that he knew not to expect much from his country. He had pride, and he had hope for a better future, but he knew better than to expect anything more than the current situation.
This book is definitely something to be read by those who are very involved in world politics, sociology, and psychology. Rusesabagina delves into each one with vigor, and I very well believe he could be a professor in any one of these concentrations.
I am proud to say that I share the world with people such as Rusesabagina.

I purchased this book two months before I had the courage to read it. I feared it would be too upsetting and entirely depressing to engage myself in.

The book begins with a wonderful history of Paul's life. His vivid descriptions of The Land of A Thousand Hills, the banana beer, the family, his path to hotel management. It is an interesting story about a young man growing up in Africa.

The middle of the book approaches and details the horrific genocide of 800,000 people in as little as three months. The terror, the worry, the perseverence is all conveyed beautifully (if that word can be appropriate). I found inspiration in his ability to use words and intuition to communicate with people who could have taken his life. I felt connected to Paul's belief that nobody is 100% evil, and nobody is 100% good. I like his description of human nature, and felt he truly "gets" what being human is.

The ending of the book focused on his life in Belgium, among other Rwandan expatriates. And the decision to start a business in Africa. What a truly interesting person. I was fascinated by this story. It also shares much of the pre-1994 and post-1994 politics.

Whenever I gently give someone "the kindhearted blow-off" in my mind, I now think, "that was a Rwandan 'no'" I appreciate Paul's sharing of his culture and political environment.

I would enjoy seeing him speak. I appreciated his also sharing a little bit about how the movie came to be.

I really felt the storyteller is a person I could sit and have a beer with, and truly enjoy an afternoon chatting.

The last few pages of the book include a wonderful reference bibliography with information and suggestions on additional books to be read on Rwanda. I appreciated that, and plan to read several.

How many tragedies would be averted if we studied world history and learned from the mistakes made by others? Rusesabagina offers a poignant, yet easy-to-read, cautionary tale of the danger of prejudice, hatred, and group think. I am purchasing this book and will encourage my sons to read it when they are older (they are only in elementary school now) so that they can be on guard against the evils that are possible in our human race.

This book has challenged me to live outside my little world of t-ball games and PTO meetings. I learned the power of ignorance can cost lives and affect generations to come. I will no longer live with my head buried in the sandbox, but will raise my children to have concern and compassion for all human beings, not just those who look like them.

This Arnold Lobel classic should be a fixture on every child's bookshelf. Owl is a gentle soul with whom children can identify, even as they laugh at Owl's silly responses to mundane events in the world around him. Humor ensues when Owl goes too far in anthropomorphizing (tytomorphizing?) winter and the moon, and when he mistakes his own feet for scary bumps under the bed. These stories are a natural for bedtime on a cold winter night, cuddled up under the blankets just before drifting off to sleep.

I originally purchased this book when my children were young, and it was nearly worn out from the numerous readings. My children loved the "bumps" and I always used the "tear water tea" to remind my kids when everything seemed to be going wrong in their world. It is a great little book for children...and some of us adults as well.

My 2 1/2 yr old daughter loves Lobel books and when I moved "up" from the ones in the Easy Fiction area of the library to the Easy - Reader ones I was very pleased as was she. Very short, simple stories with a very clever and imaginative storyline. Like Mousesoup and Mousetails, the stories are just simply good reading stories that my daughter loves hearing over and over and I dont tire of reading.

This book is marvelous. All the stories in this book are so charming, innocent and beautiful. I dont believe my own eyes. Now, all the illustrations are also absolutely wonderful. They are incomparables. As I said, I dont believe my own eyes, because in today's book market (dominated by emptiness, futility and commercial [...]), it is like a glass of pure water in the desert. More, it is a miracle! I read it every night to my children, and cannot put it down myself. I am sad on only one point: I cannot give it 6 stars. Please, buy this beautiful little book to your children. It is a wonderful gift they wont forget. One of these few wonderful souvenirs we all love so much to remember from our childhood.

My son's teacher recommended that he read a lot over the summer to keep up his reading skills. We found this and similar books which are really a delight for him to read...the format as a "chapter book" for young readers allows him some challenge yet we can complete a story in one short sitting. The book's humor keeps him interested and anxious to read the next short story to see what Owl is up to next. I recommend this and any Arnold Lobel books for your young readers. Other favorites are the "Frog and Toad" series, also by A. Lobel.

Every book has to end, I know that, but I felt cheated when I closed "Red Square". How dare Cruz Smith actually finish this thriller? How could he not have added a few more pages of his delicious and irresistible writing? Arkady Renko, the incorruptible and love-lorn Soviet detective, is on the trail of the people who killed one of his informants. He is also pining for the love of his life, who is now broadcasting pro-western propaganda to the fast-collapsing Communist empire from Munich (the action takes place in August 1991). As luck would have it, Renko ends up in Munich as he tracks the killers. The plotting in this novel isn't great -- there are too many coincidences and Renko does remarkably well in Germany, given it's his first time in the West and he speaks little German. The writing is addictive as ever and reaches new heights when Ranko is reunited with the object of his desires, who has a new man in her life. If you want to while away an absorbing few hours, I highly recommend this book.

I read this book twice. Still was confused, but as in his other novels, the author grabs you and puts you inside the protagonist's (Arkady Renko) head.
I think I will read this a third time. Even if I still don't understand it, I will greatly enjoy the ride.

Red Square blew my mind. What a great book. I find there is a lot of junk out there for the two genres I prefer: fantasy and crime drama. I was floored by Red Square - and had actually read it first. Kind of shows how great it is that I loved every moment and I had not even read Gorky Park or Polar Star yet (both darn good, too). Havana Bay followed and was good, but not as full and gripping as Red Square. wow. Truly a gift.

First published in 1992, _Red Square_ illustrates the complexities which have emerged as the Russians allow some private enterprise but have not yet become a democracy. Hardliners want to perpetuate their own way of life, while young people and the hungry proletariat want reform and their own piece of the pie. Arkady Renko, who has appeared in two previous Cruz Smith novels (Gorky Park and Polar Star), has returned to Moscow from exile and has resumed his job as a detective, this time investigating corruption and criminal fraud in the city as private enterprise takes illegal turns.

Rudy Rosen, who engages in money-changing, gambling, and other felonies, some of them involving citizens of foreign countries, is cooperating with Renko by allowing him to record conversations. Immediately after Renko leaves Rudy in his car, however, Rudy's car explodes, incinerating Rudy and a suitcase full of cash. As Renko investigates who might have killed Rudy, the complexity of this mystery parallels the complexities of a Russian society in which it's every man for himself in terms of financial transactions.

All the characters are at loose ends, wondering who they are and how they are perceived. Renko is just back from exile, the love of his life having defected to Germany years ago, and she believes that he has abandoned her. Rudy Rosen wants to have it both ways--to cooperate with Renko and to continue his shady dealings. The Chechens who appear in the story are blamed for everything that is violent or illegal, but they remember the horrors of mass relocation and the killings through which the Russians annihilated their villages and left them homeless. As the investigation of Rudy's death leads Renko from Moscow to Munich and Berlin (and to a meeting with Irina, his long lost love), Renko meets with other Russians who live abroad but still regard themselves as Russian.

Renko is a sad case--morose, love-starved, and without any reason for living--and as he tries to do what is right, his essential goodness comes through. As the case becomes an investigation of stolen paintings, many of them owned by Jews at the outbreak of World War II (and earlier), Renko's own superiors and the Russian Mafia abroad threaten his life. The body count rises and who-did-what-to-whom becomes confusing, but many readers will be focused on the character of Renko. As he tries to navigate the minefield of his own life, he resembles a modern version of some of the great Russian tragic heroes. This is not the most unified of the Renko mysteries, but it is fascinating, nevertheless. n Mary Whipple

Martin Cruz Smith is a former journalist and magazine editor. "Red Square" is his third novel - after " Gorky Park " and "Polar Star" - to feature Arkady Renko and was first published in 1992.

Renko, the hero, works as an Investigator with Moscow's militia - more or less the standard police force - and has something of a chequered career. Never a truly 'practising' member of the Party, Renko hasn't always been thought highly of by those in authority. He has always wanted to catch the people responsible for the crimes he's investigating, regardless of the 'political' consequences - as a result of this, he was once dismissed from the Party for a lack of 'political reliability' and sentenced to a life in Siberia. He also appears to be something of a disappointment to his father, a very famous ex-General. (Arkady's opinion of his father - who is very ill as the book opens - isn't too high, either). However, after the events outlined in "Polar Star", he was reinstated to his former position - but is now working in a new Moscow that he barely recognises. "Red Square" is largely set in Moscow, Munich and Berlin in 1991 and is set in turbulent times : Germany has been re-unified and the breakup of the USSR is closing in.

The book opens in August 1991, with Renko and his partner - an Estonian called Jaak Kuusnets - on their way to a meeting with Rudy Rosen. Although Rosen operates as a banker for the various factions of the Russian Mafia, he has agreed to Renko planting a transmitter in his car for the duration of a Mafia-sponsored illegal market. (This is largely due to the fact that the militia have enough to put Rosen away for a very long time). Despite turning informer, Rosen appears to feel relatively safe. The Chechen faction, headed up by Makhmud, constitutes his only real enemy, but - since all the factions require his services - he doesn't think he's under any real threat. His sense of security is reinforced by Mikhail Kim, his fearsome-looking Korean bodyguard, and his business partnership with Borya Gubenko - the head of the Long Pond Mafia. Unfortunately, shortly after a quiet conversation with Arkady at the market, Rudy is killed when his car goes up in flames - changing Renko's case from surveillance to a murder inquiry. One of the witnesses points the finger at Kim - and it seems clear the Korean was responsible for at least one of the two explosions.

Although Arkady works most closely with Jaak, there are a couple of other members on the team he has assembled. Polina deals with the forensic work and is nearly as dedicated to her job as Arkady Renko is to his. Minin, on the other hand, is practically the anti-Renko : he remains devoted to the Party and is, in fact, the only Party member on the team. Renko's boss is a man called Rodionov - the City Prosecutor and an elected member of the People's Congress. When Renko meets with Rodionov to inform him of the investigation's progress, he's also introduced to General Penyagin - the recently appointed head of CID. Unlike his predecessor, Penyagin is a bureaucrat - not a detective risen from the ranks. Renko is stunned to discover that the third person attending the meeting, Max Albov, is a journalist. As the investigation unfolds, developments take Renko far and wide - even to the recently reunited Germany. However, Albov proves to be someone Renko just can't avoid.

This is a hugely enjoyable book - in fact, the Renko series is just getting better and better as it goes along. The book is set in the USSR's dying days, a difficult time for all those used to playing the political game. As such, it's probably even more dangerous that it had been - especially for someone like Renko who only cared about catching the villain, rather than doing what was politically 'correct'. Highly recommended.

I really wanted to like this book. Ms. Alexander did an excellent job, especially at the beginning, of showing that the characters loved one another but couldn't really achieve intimacy.
But I think she just expected too much of the reader after that. Would someone in the 18th century really hire a woman who was visibly pregnant to be a housekeeper if there were rumors circulating about her? Especially since she had no references, other than, presumably, having a housekeeper when she was growing up? Most servants back then weren't married at all, much less "widowed" and pregnant. Who would have taken care of the child while she worked? And wasn't it unwise of her to be employed by someone who made it clear he wanted her sexually?
Then there is the issue of Larson not coming out and saying "Hey, it's me." If this was because he was angry, he would not have pursued her. It just didn't make sense, and it went on too long. I felt that she was asking a bit much of my imagination.

Kathryn Jennings made her vows for better or worse. In a childless marriage with an emotionally unavailable husband, she thought she was living the worse until her whole world turns upside down.

Widowed and pregnant, she discovers a hidden treasure in a deeply scarred man who loves her like she's always longed to be loved. I read this book in two days. I simply couldn't put it down. What a wonderful story of faith and restoration. I can hardly wait to read book 2.

My MIL read it and said, "I don't know how anyone could ever say a bad thing about this book. It's the best book I've read in years."

This is one GREAT story teller! I couldn't put the book down until about 4 am the first night! The author has done a fantastic job fleshing out characters, and reminding her readers of the Love God has designed and given us!

I was a little hesitant to read her books but I could not put it down once I got started on this book. True love wins in the end and it's so amazing how much these characters went through and had so much faith in God. I felt for them and was cheering the characters on. After all, who likes a sad ending?

I loved this book. I was so surprised that she still desired her husband after he was so badly scarred but that is, after all, what true love is all about. What is on the inside as opposed to what is on the outside. I was touched that he followed her and took such wonderful care of her all the while thinking she had betrayed him with another man. What a great book!

My son loves this book so much, we wore out the first copy to the point that it was beyond me being able to tape the binding back together anymore. We bought him a second copy that has been "loved" as much as the first, and so we had to buy a third copy for my toddler so she had her own book that didn't have pages falling out while we were reading it. At one point, I had all the words in the book memorized, which came in handy while we awaited the arrival of our replacement book. At first glance, it may seem that this is a Halloween book. Let me assure you, you will enjoy reading this book all year long (I believe that my son asked to have this read to him every night for about 6 months) and the verse never gets tiresome. The story teaches children about compassion and the need to help others, despite the fact that you may not really be in the best position to help at the time it is needed most. Random acts of kindness by the witch thoughout the book are rewarded at the end of it when her friends save her from a fire-breathing dragon, and in return, she builds an even better broom to house her friends as a way of saying thank you. It teaches kids how important it is to be nice to everybody, and to be ready to lend a helping hand, because you never know when you might need a little help yourself.

My 3 1/2 yr old grandson LOVES this book. Great pictures Just enough drama! Discovery possibilities on the pages for a second look. Wonderful pictures and some anticipation on the right hand pages of what will come when the page is turned.

Both my 4 year old daughter and I love this book. It is so much fun to read and so much fun to hear. She laughs everytime I read it. The story is adorable and pictures are great. It is a nice story about friendship and rewarding acts of kindness. I bought this book for Halloween and we are still reading it several times a week.

"Room on the Broom" by Julia Donaldson is such an awesome book. My son got it when he was four. We have read it so many times that I couldn't even count. Then a couple of months ago, our original copy was involved in a spill-related accident. There was no question that we would replace it. He would have missed it so much!!
The rhymes are inventive and funny, and the illustrations are absolutely wonderful. I do believe that any child would enjoy this book.

My kindergarten students loved this book and had great fun with predicting and participating! The rhyme and repetition are great for young students and it's one of my favorite new books.

This is an excellent novel about the Sepoy Mutiny in India in 1857. The focus of the story is the siege of the British Civil Service enclave at Krishanpur (historically this was the siege of Lucknow). A group of Sepoy soldiers was given new rifle cartridges that were wrapped in greased paper, and the paper was removed by biting it off with one's teeth. The word spread was that this grease was animal grease, which was an insult to religion. The sepoys mutinied, killed their superior British officers, and started marauding across India.

Hearing about the mutiny the (tax) Collector in Krishnapur had ramparts built around the British buildings in Krishnapur. Shortly afterwards the Sepoys attacked in waver after wave for a period of several months. Surprisingly author Farrell describes the sufferings of those besieged with a good deal of humor, humor that pricks holes in the pompous beliefs and attitudes of 19th century British colonizers. We bring them progress, a superior civilization, yet they turn on us marvels the Collector. The condescension doesn't stop with the Indians. At one point the Collector speaks to the British women in the enclave, and silently thinks that in reality women are really useless creatures. It is the men of the world that shoulder the responsibility of getting things done. The padre runs around telling everyone that God is punishing them for their sinful behavior. A new school and an old school doctor constantly disagree over medical treatment. In perhaps the funniest scene of the book the old doctor contracts cholera, and instructs his aides to cover him with mustard plasters. The young doctor, who is aware that cholera victims die from dehydration, initiates a saline IV every time the old doc sinks into a coma. The IV brings him around, and he immediately pulls out the IV and insists on getting his mustard plasters, following which he soon sinks back into a coma. Back goes the IV and the doc becomes conscious again. This cycle goes on and on and becomes hysterically funny.

The British thought they were doing wonderful things for the Indians, but the harsh reality of it is they were creating harsh lives for their colonial subjects. The sepoys, for example, were paid near starvation wages. This is an important novel about the misguided philosophy behind imperialism. Perhaps there is a lesson here for us Americans. Should we really be focused on bringing our way of life to other countries?

Chapatis. It is always difficult to start a novel convincingly, but it's a long time since I saw it done better than it is here. The harbinger of the brutal and bloody Indian uprising of 1857 was, in this narrative at least, the secret distribution of chapatis to the intended victims. I have long forgotten what little I may ever have known about these events, and I would actually be delighted to discover that this detail was not an invention of the novelist's but what actually happened.

If paraphrased, the amount of gore and squalor that is detailed here on page after page would seem grotesque and even intolerable. As told by Farrell, it manages to be neither. This was the Victorian era, and the story is a scenario of British Victorians subjected to pressure and strain of near-incredible ferocity. The author does not spare us the specifics, and it will be a long time before I forget the spongy piles of corpses, the sense of near-unbearable heat in which I for one would have had difficulty in even wearing the stuffy formal clothes let alone dancing let alone battling for my very life, the pervasive stench, the outbreak of cholera and the indelible vignette of the lapdog chewing the face off a fallen defender. Even more extraordinary, to me, than the way they keep going is what they don't do and in particular what they think and don't think. There is no real instance of irrational panic whatsoever, and although the Padre for one has clearly gone slightly round the bend, the way this manifests itself is in an obsessional fixation with denouncing Sin and Heresy, and largely with his frantic concern to prove that great Victorian preoccupation The Existence of God from something like Aquinas's Argument from Design.

At the height of the horror, the Collector is still thinking in Victorian vocabulary and expressing himself in subordinate clauses. Staring death in the eye, the young intellectual Fleury is still concerned with his theories, whether in respect of the operation of guns or of the progress of rationalism. The ladies themselves, who might have been expected to be in a state of blind terror, are still weighing up the niceties of how the matrons and widows on the one hand, and the Fallen Woman on the other, are expected to comport themselves. Most amazingly of all, when the cholera first breaks out the two doctors conduct a lengthy and articulate debate on its causes and remedies, keeping the attention not just of each other but of an attentive audience.

The book abounds in unforgettable incidents - the smothering cloud of cockchafer beetles, the snowstorm, the slaughter of one rebel contingent with silver forks from the dining-room and marble busts of Socrates and Keats - but what is distinctive and extraordinary about this book is its tone. Its tone is quiet, detached and wry without being aggressively ironic. No heavy lessons are preached (although it's not hard to see which side the author is on when it comes to religion). No particular political standpoint is adopted either, the nearest we get to that being the shoulder-shrugging last paragraph. The whole saga ought to have been a filthy nightmare, but instead the reader feels rather like the onlookers who have come along with picnic lunches to watch the events as if they were watching a game of cricket. It has all been Virgil's `plurima mortis imago' - the omnipresent face of death, and yet it has been a bit of a spectator-sport too. I'm actually rather glad I'm no historian in this instance. I don't know what set off the uprising, and once the relief forces turn up so far as I know things went back to much as they were before. The author offers us no theories or explanations: he just leaves us having witnessed wholesale and insensate slaughter and wondering what it can all have been in aid of.

Its rare to find a book that combines a fascinating story with great character studies and development and meticulously researched history to make a point about our civilizing impulses. It took me a bit of effort to get into it, and then couldn't put it down. The introduction by Pankaj Mistry provides a great synopsis of the themes, and I really enjoyed rereading it after I finished the story.

"The Siege of Krishnapur', the second of J.G. Farrell's now classic works on the British Empire, (see also Troubles (New York Review Books Classics) and The Singapore Grip (New York Review Books Classics)) is a fictionalized account of the Siege of Lucknow during the Great Mutiny of 1857-1858 (aka the Sepoy Rebellion). The mutiny or rebellion, depending on one's point of view, was ultimately defeated by the British and led to the replacement of East India Company rule by direct British governance under the Raj.

Farrell masterfully recreates the insular British upper-class life in India - and the siege only intensifies this insularity. As the siege drags on and on, the inhabitants strive to maintain expected standards of behavior and decorum. Farrell populates his book with interesting characters who debate and dispute morality, religion, progress, and civilization.

Excellent introductions are a hallmark of the New York Review of Books Classics and the introduction to this volume by Pankaj Mishra places the book in historical and cultural context and adds significant value.

Highest Recommendation.

At the climax of this magnificent novel, the book's protagonist, Hopkins, the British civil administrator or Collector of Krishnapur, finds himself trapped in a Union Jack whose flagstaff has been shot down, knocking him to the ground. He recognizes it as the scenario of a persistent nightmare that had been troubling since his small enclave had been put under siege several months before. But it is also a symbol for the entire book.

The initial set-up here is similar to that of the author's TROUBLES: a group of British colonialists crammed together in a decaying building while the threat of native rebellion comes closer. But this is larger in scope, with a bigger cast of characters, grander themes, and a rebellion which is much more than some background disturbance. Unlike the violence in TROUBLES, which is seen at first hand only in the hallucinatory final chapters of the book, this one (the Sepoy Mutiny of 1857) takes center stage about a third of the way into the movel, leading to harrowing scenes of death, starvation, and disease. On the level of a simple war story, these events (based on the siege of Lucknow) make for a stirring story of heroism and courage -- especially where these qualities are unexpected, is in the formerly stuffy Collector who discovers hidden talents for generalship and strategy, and the young poet George Fleury, fresh out from England, who proves to have a strong practical streak and a remarkably cool head.

Also as in TROUBLES, there is a pervasive eroticism to this book, centering around three of the younger woman besieged in the Residency: the debutante Louise, chaste belle of Calcutta balls; Miriam, George's young widowed sister, tired of being assigned to stereotypical female roles, and Lucy, whom everybody knows as a "dishonored woman" although nobody is entirely clear as to the extent or agency of his dishonor. As the siege persists, the courtship conventions of colonial society are turned on their head by proximity and deprivation. There is one almost surreal scene in which Lucy, attacked by a huge cloud of otherwise harmless flying beetles, rips off her clothes and promptly faints, leaving two young men to scrape the insects off her, in the process discovering the differences between a real female body and a marble statue.

For, despite the bloodshed, Farrell's characteristic tone of comedy is present here too, but now his targets are as much institutional as personal: the hypocracies of colonialism, trivia of class and culture, and Victorian attitudes towards faith and science. As we meet the cast of characters, we find many different points of view: the Padre who believes that the rebellion is God's punishment for sin, the cynical Magistrate who is a confirmed atheist, the Opium Agent who believes only in profit, rival doctors from older and newer schools of thinking, bluff soldiers who do not think much at all but who can yet be excellent at their jobs, the aesthete Fleury whose first reaction to being under fire is to assemble phrases for an epic poem, and the Collector, who believes in progress, but attempts to strike a balance between all points of view. And to a remarkable extent, the author also manages to retain that balance. The siege is a crucible in which every kind of received attitude may be tested, and for the most part found wanting. But Farrell is never preachy or polemical; he does not make everything subservient to a single point of view, even the anti-colonial one. His great gift is to keep you thinking, even as you turn the pages with bated breath. A brilliant achievement!

At first I wasn't sure what to expect from a "historical Christian fiction" book, but once I started reading this book, I couldn't put it down! I can't wait to pick up the next one. This book really does have it all.

A beautiful story, wonderfully written and a pleasure to read. You won't be able to put it down!

Elisa Lindheim is young, beautiful, and gifted. The oldest child of retired Luftwaffe officer Theo Lindheim has grown up in Berlin, enjoying the privileges of her father's heroic World War I reputation and of his financial success as owner of Lindheim's Department Store. The shadows cast by Hitler's rise to power are darkening her life, though, in 1936. Estranged from her lifelong love and former fiance who's chosen to give her up on orders from his military superiors, Elisa lives in her Gentile mother's native Vienna and calls herself Elisa Linder. She plays in the opera house's first violin section, and - like so many other Jewish or part-Jewish Germans and Austrians - refuses to believe that things will continue to get worse. Any day now, the German military will have had enough of the mad paper hanger; and after that, life will be normal again.

Of course that's not what happens during the year that follows. As Theo Lindheim moves to get his family to safety, but fails to get himself out of Germany successfully, history in the making catches up with Elisa and forces her to make choices she never imagined anyone might have to face.

This is that rare book, a "faith based" novel that's worth any reader's attention. Well researched and well written, VIENNA PRELUDE moves along at a steady clip and then races to a suitably tense climax. The authors understand what far too many writers (especially of faith based fiction) don't "get" at all: that characters' actions must flow from who they are, not from what the book's chosen theme requires them to do. While the coincidences that keep parting and reuniting Elisa and American journalist John Murphy become strained from overuse, somewhere in the tale's second half, and a few of the characters' lines of dialog sound more like a sermon than an individual's words in conversation, the overall effect is just what it should be. The reader quickly becomes invested in knowing what will happen to Elisa and the others, and the triumph of their faith is all the more real because of the struggles that living it costs them. I expect to read more in this series, and that's the best compliment one can pay to any author.

Bodie is an excellent writer. She makes the past come alive; she makes history have heart and soul, she gives facts and events faces, names and personalities. She has the ability to transport me in time and I love traveling with her.

I just purchased this series because after 10 years, 3 more books have been added to the series. So I just read Vienna Prelude again for probably the 4th time. It is as great as it was the 1st time. The story is beautiful, you fall in love with the characters. You really have to read the Zion Chronicles and the Zion Legacy which continues the saga!

This book was wonderful. I have never read anything by this Author but I am so pleased with her writing I will now fill my book collection with all her wonderful stories. Enjoyed it so much!

I first read this series many years ago and fell in love with Ms. Blackwell's stories. I say I "first read" it because I've actually read this whole series at least three times (obviously it's my favorite one, so far), and I still laugh out loud and enjoy it as much as the first time! I've lent the book to my daughter and to all of my friends who like historical Christian fiction, and they adore them as well. Ms. Blackwell, I would LOVE to see the Gresham Chronicles done up into movies! They remind me of Anne of Green Gables with their country charm and wonderful character development! THANK YOU!!!!!!!!!!!!!!

This was the second of Lawana Blackwell's books that I read, giving me a glimpse of how consistently good she is. Since then, I have read everything she has written (I just bought Table by the Window) and can't get enough of them. The Widow of Larkspur Inn was especially endearing because of the people Blackwell incorporated into the story. Gresham is a place where I think all of us would like to live, surrounded by loving (and sometimes quirky) people who enrich lives with their humor and spirit. I believe that some of the Blackwell's strongest characters reside in Gresham; people who are unique and carry the story all the way to the last page. Just realize that you may want to order the next two books in the series before you finish this one...that way you can move right on into the next part of the Gresham Chronicles.

This book was really wonderful. The main character, Julia Hollis had so much strength, faith, hope and love. Julia was married to Phillip, who had hidden his love of gambling. She was forced out of her home when Phillip died because of his gambling debts. She moves her family (3 children and her maid/friend) to Gresham to the Larkspur Inn. The Larkspur Inn was the only property of her husbands that the Bank didn't want. She returns the Larkspur Inn back into the beautiful Inn it was in its glory days. Lawanna Blackwell makes you feel as if you are there in Gresham and all the tenants and the owner and her family are your friends! She meets the vicar, Andrew Phelps, whom she forms a friendship with. I can't tell you what happens with the rest of their lives, because it would spoil the book. Do yourself a favor and pick up this book and enjoy! I loved this book so much, I just ordered the other two in this series!!

I just love this series. I've read it many times and decided to purchase it off Amazon for my own. Lawana Blackwell has a unique style of writing that makes you feel like you are actually in the time period. Her other books are great as well. Check them out.

It is an honor to be a part of the company Art Williams started. There has never been a dull day or wasted moment listening to Art, reading his books, and working his message. It is all I can do.

I loved this book, and I constantly refer to it when I go about my day.

What I love about it is that it's written by somebody who's done it, and it doesn't sugar coat what it takes to be a success. Because Art's ~560th richest person, he doesn't have ulterior motives for writing this book, as some other motivational gurus do (ie buy their audio CD's & DVDs and go to their seminars for $3000 a pop).

Art doesn't lie.

It takes a ton of will and determination & positive attitude to do what he's done. It takes a lot of hard work to succeed. It's sad to see people today constantly chasing after the next quick fix, the next scheme that promises them a million bucks in 30 days. Because it won't happen. As Art says, nothing worthwhile comes easy. If you want success in your life, you've got to work hard at it, you've got to be positive no matter what hits the fan, you've got to believe in yourself & what you're doing.

Art doesn't just pay lip service to this information - he's lived by it & is a billionaire because of it. Go figure.

So get this book and you'll get no-nonsense advice on getting successful. This isn't fluff he's got from pulling advice from self help books - this is advice he's giving from his 20 odd years of being in the trenches, fighting an industry that spent millions trying to put him out of business.

As they say, you'll never truly know what it's like being in war until you've been out in the battlefield. This guy's been there, done that, and now he's going to share with you his advice.

This book flew below the radar for some reason, and is abit of a sleeper when it comes to universal popularity.
It is a personal favorite of mine.
This guy walks the walk as well as talking. He is not an ATNA. (All Talk and No Action). He's got the stats to back up his crusade. Guys like him, and say, Guiness Bk #1 Salesman Joe Girard, are the real deal.

A. L. Williams was a football coach... a man who loved his guys and pushed them to excel in life. And he lived what he preached! You want to be inspired to just DO IT? Get this book.

Williams emphasizes that you have to work hard and be PERSISTENT. Just NEVER, EVER quit. And that's the key. Know what you want, DESIRE it and go for it. Don't let anybody steal your dream. Just do it and hang in there.

He talks about how he got MAD at the rip-off insurance companies, and that anger fueled his drive to excel. He and his friends became tough and tenacious and made things work. Again, that's the key. What a book! Get a copy and mark it up. Read it repeatedly and it'll fire up your soul!

Read this book years ago when it came out and read it regularly for motivation and inspiration. AL Williams went out and did what so many of us want to do and talk about doing. This book takes you through the steps of making a difference from his high school coaching days to his motivation to help others and driving incredible change in the insurance world. Great great book and a must read if you want to know how one man achieved success beyond his wildest dreams and than anyone else thought he could do.

Wow, just adorable. Great gift idea. Great size book. I pull it out for Christmas and the kids LOVE it. It's such a sweet story of friendship. I love these sweet, wholesome stories. The illustrations are BEAUTIFUL as always with Karma's books. Even after we read it, the kids love to just look through it at the pictures and can read it to themselves that way. Really, I think each little home needs ALL the Bear books.

We have several Christmas books, and this is the favorite in our house. All of Bear's little woodland friends wake him up to join in all the Christmas Eve festivities. The story and illustrations are very simple, yet enchanting. I would love to climb in the pages and stay up for Christmas with Bear!

I purchased this book for my son after receiving the Bear Snores On as a gift. They are his absolute favorites. The pictures are beautiful and the words are lyrical and rhyming. I also like the way it subtly includes both the religious and secular sides of Christmas beneath the overall message of friendship and giving. He has MANY books, but wants me to read this one every night. It's so nice I din't mind.

This book has wonderful illustrations, and is written in a flowing manner that makes it great fun reading to my first grandson. I plan on getting the entire series for him! I want to make sure he knows there is more to life than sports!

My son LOVED this book during the holidays! We are huge fans of this series. It is perfect for kids over 3 years :)