Directors Books

Even if you have already been through all the stages of filmmaking yourself, this book is an inspiring battle cry for the TRUE indie filmmaker. It also made me laugh out loud several times. I happened to be on the NYC subway when this happened and it made some of my fellow passengers scared of me. What other book about filmmaking can do that?

I rarely laugh when reading books, even when its really funny.
Reading this book though, I was constently cracking up.
The advice is ACTUALLY usefull, it tells the good and bad of film making.
Im keeping this short and simple, so to sum up. This is a truely awesome book.

I don't think I read through 300+ pages so fast in my life. It's incredibly informative on making your own flick from conception to distribution and it is one of the easiest reads I've had. Its also funny as hell, filled with that Kaufman wit.

If you liked Rebel Without a Crew, you'll love this one.

If you're a Troma fan pick it up. If you want to make movies pick it up. If you want a look into the life of a man with an extremely interesting story pick it up.

This is a book I will be returning to both for reference and enjoyment.

I bought this book hoping to have a fun read about making movies and this persons experience. Sadly, what I got was a book load of expletives and degrading ideas of what to throw into a scene them film it. I take away three stars for the no effort put in to not writing a fun book that many can read. I understand the shock value of the title, fine, but curses in every paragraph? I'm not saying to write like a bored, stiff, old tenured expert... But the name calling and mud slinging is not necessary (atleast not all of it). I give it two stars for the street level info. all independents need to know before making a film. Please do protect yourselves.

This is an interesting book for Troma fans and independent film fans. It is really just a book that is meant to entertain and tell stories rather than provide real helpful insight about how to make films. While I appreciate the show of support for independent art, the book doesn't really seem to support independent creation other than Troma's own brand (despite the title of the book). While I will admit that the book is very funny to read, I think sometimes it crosses into somewhat arrogant and self-important banter.

To me this book is more about Troma patting itself on the back and reflecting on their wacky stories then about really empowering anyone but themselves. Read if you are a fan of Troma, not if you are looking for encouragement.

In this book, Lloyd Kaufman, president of the impossibly quirky Troma Studios, shares insights and practical advice about making low-budget (or no-budget) feature films. Lloyd's writing style is just as unusual as the movies he directs, as he meanders aimlessly from self-deprecating autobiography to detailed, spur-of-the-moment instructions on how to fake an onscreen head crushing or make actors appear to vomit green foam. There's also plenty of out-of-place crude and scatological humor peppered heavily throughout. I wouldn't have expected anything else from Kaufman, whose unfathomably eccentric (but amiable) personality and genuine love for the art of do-it-yourself filmmaking shine through on every page. Fans of Troma, young and old, owe it to themselves to read this book. It really is an inspiring read for all of us who have the filmmaking bug but often become too easily defeated by lack of funds or crew members. Long live Troma!

if your a fan of troma or just a fan of movies this is the book for you.it tells the story of how Lloyd started the greatest ( and longest running )independent movie studio in the world ( or any other world for that matter)not bad considering they started off in a broom closet.there movies rock Lloyd is the man just buy the book

[...]I got this book as a birthday present in Christmas of '05, back when I was entertaining ideas of becoming a filmmaker in addition to just being a critic. While the need for actually putting something up on the big (or little) screen has passed for the time being, I am forever grateful for the spell due to the fact that it put this book (and Lloyd's equally engaging MAKE YOUR OWN DAMN MOVIE) in my possession. When I was done reading it, I knew two things: Lloyd is an amazing human being, and the only limits for success are those we put upon ourselves.

No matter what your passion is, Lloyd Kaufman gives you the inspiration to go out and damn well do it. Don't have the money to do it? Find a way to make it happen regardless. You'll never have all the money you want/need to do things the way you want to, unless you sell your soul to the godless corporations, so just kick that imagination of yours into high gear and get the job done. I recently edited a horror film reference book - a lifelong dream - and much of that inspiration came from meeting Mr. K on and off the page.

I have met Lloyd several times since at various conventions and am always impressed by his passion and his accessibility to his fans. He is constantly surrounded by adoring admirers, but he takes the time to acknowledge each one of them and everyone who comes in contact with him feels that they have had a "real" moment with Lloyd. That is a true gift. But if you want to spend some quality time with the great man himself, pick this book up. You'll have a new best friend and a new hero to look up to.

If you've ever watched a Troma film then you know what to expect from this book. Blood/gore, sex, nudity, head-crushings and more. Only in book form. What starts out as a how-to quickly breaks out into a great history of Troma films.
Lloyd Kaufman tells it like it is (in his mind that is.) But also comes across as genuinely passionate about what he does.
The only thing I can say is that if you've ever watched a Troma film and enjoyed it (even a tiny bit) then get this book.
Don't forget Lloyd's other book "Make Your Own Damn Movie!" and the Toxic Avenger Paperback.
Money spent on Troma is money spent on the things that make movies fun!

I BOUGHT THIS FROM LLOYD HIMSELF AT CRYPTICON AND I WENT HOME AND SAT ON THE CAN AND THATS WHERE I STAYED FOR THE NEXT SEVERAL HOURS AS I READ ONE OF THE GREATEST BOOKS I HAVE EVER READ IT WAS AWESOME TO FIND OUT THE DETAILS OF SUCH A AWESOME INDEPENDENT STUDIO I COULDN'T PUT IT DOWN EVEN IF I WANTED TO LLOYD ATTACHED SOME SORT OF ADHESIVE SO I REALLY WAS FORCED TO READ IT SO CHECK IT OUT ITS A AWESOME BOOK

This book is one of Nader's finest published works. It chronicles his life, and how he was raised. He takes the lessons learned as a kid growing up and puts them into seventeen specific traditions that are very easy to read.

The rare and valuable part of this book is that it's one of the only times you can find Ralph Nader willing to talk about his life rather than about politics. There isn't much, if any, political discussion in this book other than a few instances of how his family used politics to bring home values.

I highly recommend this book to all of my friends and family. He touches you with stories of how his parents immigrated from Lebanon and the lessons passed on to him and his siblings. The book will give you an appreciation for spending time with family, and does so in a way that is easy to read and enjoy.

I've long admired Ralph Nader and have enjoyed some of his
other books . . . so when a friend recommended that I read his
latest, THE SEVENTEEN TRADITIONS, I made it a point to get a copy.

My only problem came afterwards; I couldn't put it down . . . so
some other projects had to be aside as I read about Nader's
boyhood in a small town in Connecticut, and how that existence
and the role of his parents affected the rest of his life.

As he notes:
* I am often asked what forces shaped me. Rather than trying
to give a full answer to that question-which would take
longer than a limited interview would allow-I often reply
simply, "I had a lucky choice of parents." My brother, two
sisters, and I had a remarkable father and mother, who
cared for us in both direct and subtle ways. The examples
of their lives set us on the solid paths we have explored
ever since.

As I was reading it, I kept thinking of how my parents were
similar in so many ways . . . in particular, this passage
could almost have been written about them as well:

* Mother and Father each lived to be just short of a century
old; we benefited from their seasoned perspectives and
wisdom for many, many years. They were forever young,
exemplifying my mother's strong belief in the importance
of remaining "interested and interesting." And they succeeded
in doing this throughout their lives, attracting ever-younger
friends to visit, whether we children were home or not. They
created the strong family base from which my siblings and
I sallied forth into the wider world, full of new experiences
and high expectations.

In sharing the lessons he learned from his parents, Nader
also gave this advice that should be heeded by anybody raising
children today:

* Perhaps it was my father who best captured their attitude. Once,
when I told him that I'd done my best at something, he leaned
over quietly and looked at me. "Son, never say you did your
best, because then you'll never try to do better."

As the holiday season approaches, methinks that THE SEVENTEEN
TRADITIONS would make a perfect gift for anybody wanting to
read about life back when his or her parents were younger . . . and
how much of what took place then could still be put into effect now.

This book offers greatly needed insight for a nation filled with antidotes, from fast-paced labeling of psychological disorders to quick fix prescription drugs and self-help book remedies. Ralph Nader takes the reader back to a slower paced society--a world enveloped by the wisdom of his parents. Chapter by chapter, Nader shares pithy, memorable maxims such as, "Jokes are to words as salt is to food" (81), along with other valuable scenarios which serve as life-enriching lessons. For a sampling of the earnest adult figure many of us may have missed while growing up, Nader's book is analogous in resource value (on a smaller scale) to The Discourses of Epictetus.

A short book that reflects on society, democracy, and the peace
of a good life.

For the money, it was not much of a book. For the talent accepted for the author, it was not much of a book. Simple platitudes which are mostly captured in the first chapter, and the rest of the book just re-hashes that theme: My parents were great, I am great, why don't you do likewise! Of course it is too late to change parents, but it does give some good foundation thinking for people just starting out to raise a family, and who are looking for some parenting skills.

This book had to have been an exercise in humility to write. I have nothing but the utmost respect for Phil Vischer after reading his story. My wife and I learned about the Veggie Tales in the late 90's after receiving a recommendation from some of our friends. We've been fans ever since and have 3 kids who have all grown up with Bob, Larry, and the Veggie crew. It's hard to believe so much was going on (good and bac) behind the scenes at Big Idea as we all laughed and sang along with the Veggies at home.

A great story about one man's Christian journey through the world of business and his growing relationship with God! As an entrepreneur in the early stages of several companies, the lessons taught are invaluable. As a Christian who is always dreaming, setting goals, and striving for worldly "success" this book has made me step back and re-evaluate my life and relationship with Him.

On business, Phil talks about the early stages in computer animation world in which he was a revolutionary. He teaches about money and cash flow in relation to running a company. He discusses leadership and his struggle to run a profitable "Christian" company in a secular world with non-believers all around. What's amazing to me that through it all, this is not a book that points blame anywhere but the on it's author. In fact, the names of anyone in which others might have placed blame are not ever mentioned!

On Christianity, it's inspirational to read a true story showing the Christian walk and struggle illustrated by Henry Blackaby in his devotional study Experiencing God. Blackaby writes, "If you start something and it does not seem to go well, consider carefully that God, on purpose, may not be authenticating what you told the people because it did not come from Him, but from your own head. You may have wanted to do something outstanding for God and forgot that God does not want that. He wants you to be available to Him, and more important, to be obedient to Him."

What a powerful book! A must read for Veggie Tales fans, Christians, and business people alike. Lessons to be learned by all.

I just got finished reading this and was totally blown away. I really appreciated his honesty and openness about what happened to Big Idea and this reaffirmed my feelings about the other so-called business books out there: it's easy to look like a genius when you study successful companies and draw contrasts, but the same methods don't work for every company.

Phil is a great storyteller, and I'm pleased to have been let into his world for a few hours.

This is a great book for everyone who wants to run out and do great things for God without stopping to ask what God actually wants. The only drawback in my opinion was the way "apologized" to the people he had hurt. If he would have just offered an unqualified apology it would have been great, but for some reason he felt the need to mention that he had been prompted to apologize and then follow it up with, "there, I've said it." But, part of the point is that we're all growing and learning, and I did see real humility in the way he's running his current business. No longer playing the same games as before. Very entertaining and insightful book.

I laughed and cried, but I learned as much from this as a management textbook. Very captivating, entertaining, but emotionally charged with what do we do when God allows our dreams come crashing down around us.

Raised as I was on Sesame Street, it took me several episodes before I realized, "Hey, there are no females here. Isn't this show about good role models?" (VeggieTales came out the same year CTW launched Zoe, Sesame Street's first popular female muppet, to great fanfare.)

But the Veggies were fun so I continued to watch, as Bob, Larry, Pa Grape, Junior Asparagus, Mr. Nezzer, Mr. Lunt, Jim and Jerry all got personalities and subtexts. Poor Little Laura remained a whiner. Junior's mom hardly gets to speak. And Esther? A one-note.

So I was interested: Did some executives force Vischer onto this lopsided stage, or did it just happen? And the answer is: he really is that way.

He says that when he and his now wife (wife of 16 years, no doubt happy) found they were expecting, she "had" to drop out of college in her freshman year. We are just supposed to accept that. As it takes longer than one school year to go through a pregnancy, he didn't mention any complications, and this was the '80s, not the fifties, I found that puzzling. He just as cavalierly dismisses her singing aspirations--again, this is the '80s.

Again and again, his theme is that "kids" and "families" need good examples. This is good. He condemns Madonna. Understandable. And it doesn't occur to him that some kids might be females who need good examples, and that families might include women. Interestingly, Vischer even quotes the Bible to explain creating Bob: (paraphrasing) The Cucumber came first, but he was alone, and that was not good. So I created a sidekick.

Wait a minute, didn't the original tale mean creating a ...?

There are many intentionally laugh out loud moments in this book, and some that I think occurred by accident. After working himself into a heart condition, he states that while his wife and in-laws played with the children, he went into his wife's childhood bedroom and started to sketch the Veggie Tales Theme Park. Shades of Harry Chapin, here.

I absolutely expected more about __valuing__ his wife and children. It would have been possible to do that without compromising privacy. But they barely get a mention.

But, to be fair, all that is puzzlement at the man. To review the book, I have to say it was well-written, humorous, and told a great deal about the writer and his philosophies. He is absolutely driven to create, and does so, despite odds. He gives as clear, and as beautifully written, an account of how CG changed the entertainment scene as I could ever hope to see.(Vischer covers so much material it would have been helpful to have had an index.)

He is true to his vision as long as he is able, and doesn't let failure tear his faith apart.

Much has already been said about the quality of the book. I personally find that the book is a due tribute. I also must say that I have not found something on Kubrick of comparable depth.

On the content side, I would have liked to see more info on the projects that were not realized, especially on "Napoleon". And I didn't find a lot of value on the CD, since it's a spoken track instead of some audiovisual material. Nevertheless, as I said before, I haven't been able to find anything comparable to this book on Kubrick. The written material is of excellent quality, as are the pictures and graphics.

I see that Taschen is issuing a new version for it's 25th anniversary. As I understand it, it will be out on Oct/2008.

In conclusion, I am the proud and happy owner of an excellent piece of work.

I have been a Kubrick fan since I was 7 and saw "Paths of Glory" - it was the only film I ever saw that I NEEDED to know who directed it, and, what other movies of his were out there. That was 30 years ago, and I still keep all his films seperate from anything else in my collection! This book is simply INCREDIBLE! Buy it if you can.....no true Kubrick fan should be without this......it is MIND BLOWING! A true work of art covering the work of a true artist. We will not see Stanley's talent and caliber in any other film maker, at least not in my lifetime. Bravo, Stanley!

If it wasn't for its hefty weight, the book is one of the items I'd take with me if my house was on fire - without hesitation. I can't even imagine how long it took for the Taschen team to assemble this incredible book; it tries to do justice to recollect Kubrick's body of work in the form of a portable archive. Seeing this book in person is an experience in itself. The conceptual design is simply impressive: details like the texture of the binding mimicking that of a real archive is a start.

A CD of a rare uncut interview with Stanley Kubrick included in the book is a real gem. The interview takes place during Kubrick's career in its earlier years, and it provides an insight of the director that no other text interview has been able to accomplish - precisely for the reason that you hear Kubrick's voice and his unfiltered opinions. Then, of course, you have a piece of 2001's film strip as an added bonus. It's just too much for a book! And I say that gratefully.

The first part of the book is filled with glossy stills of all the films made by Kubrick. It's nice, and glossy, but the real reason I purchased this book is for part two.

Part two, or "The Creative Process", is filled with a lot of archival materials for each of Kubrick's films - especially pre-production materials: production notes, correspondences, and etc. You learn a lot about how Kubrick prepares for his films by seeing just a tiny fraction (undoubtedly) of what he does before he actually goes into production - it is one of the reasons that explain the long intervals between the director's releases. In addition, the book has an extensive collection of interviews with the director from various sources. But it is little treasures like the former that make this book special.

If you are a serious fan of the master director that is Stanley Kubrick, this is the next thing to have in your possession after the DVDs. Taschen made a serious effort in paying homage to Kubrick's work as a book publisher, and they have succeeded. They could've made a lazy effort in disguise to simply profit off of Kubrick's name, but they didn't, and for that they have my respect.

Amazon now has this book available for pre-order for an October 1, 2008 release date, for $44.10 from a $70 retail cost. Look under 'The Stanley Kubrick Archives [ILLUSTRATED] (Hardcover)'. I would like information on book dimensions as the first print run was on average 40 by 30cm.

Lucky me! I scored a copy of this and I have to say it is the best book on a film artist I've ever seen. The previous reviewers weren't kidding--this thing is huge! Too large and heavy to be read anywhere but on a large flat surface, but that's not a complaint, unless you're lugging it across an airport like I did.

A spectacular book that you'll refer to repeatedly. I pored over it for hours. The first half is devoted to an incredible array of pristine stills from each film. The second half is focused on every film with a plethora of on-set photos and interviews with cast & crew. The book is helpfully tabbed by film.

A stunning look into one of the greatest of all filmmakers. So well designed that my friends were awed by its beauty. And that 70MM film strip--holy cow! IMHO, it's worth the price for just for that.

The Theatrical Juggernaut is by far the most common sense, cut-to-the-chase, practical book in the entertainment industry. Period. No if's, and's, or but's about it. If you are ready to take control of your career and hold yourself accountable to your choices in this industry, then buy this book. Monroe delivers information in this book that you can objectively apply to your career....what a concept!! I have not read another book claiming to be about "acting" that has done that yet. So as the book suggests, stop blaming others, create your own breaks, put the odds of success in your favor and order this book. There will be zero percent cognitive dissonance(a feeling of having made the wrong decision)after buying this book. Don't invest another dollar into your career until you have bought and read this book, and then read it again.

The Theatrical Juggernaut is not only one of the most inspirational books any actor can read these days, but the pieces of advice dispensed by Monroe Mann, are really proved to work in the hard and unpredictable business of professional acting. I'm a living proof of it.
I am an actor who has succeeded and risen to the top of the voice-over business in Brazil and I've used almost every advice from the book, but BEFORE it got written! The actions mentioned in the book are mostly the ones I took to succeed in the beginning of my career and some others are procedures I still practice, up to today. Not to mention many other "techniques" I learned from Mr. Mann and intend to start using soon. I wish this book were available 12 years ago, when I started in the business. This way I wouldn't have had to figure everything out by myself and would probably have had more energy to get where I got faster. It was so much fun to read that I spent 8 straight hours in the tub (where I do most of my reading) and only got out when my wife barged into the bathroom saying: "Honey, get out of there or you're gonna turn into a raisin".
I recommend it to any fellow actor trying to make it out there and even to those seasoned professionals like me who have already gotten their share of success and intend to keep the good times rolling.

I was surprised at how much I liked this book. It was a quick read, very conversational in style. But, it shook me. I was embarrassed that I was not doing all I could for my career. It was the kind of tough-love scolding you can only get from someone who cares. It inspired me to get off my lazy butt to go and take some action.

I live in Brazil, where everything related to filmmaking is so hard. The bussiness is very small compared to Hollywood, but people still can work and be sucessful in this filed in this country. All they have to do is work five times harder and they will make it!

Also very well writen, and easy to read!

The Best book ever!! Monroe Mann's book really just gives you the kick you need as an Actor.I have read this book several times and it has helped my career and my outlook on not just being an artist but a professional performer.I recommend this book for everyone to read!!

Out of print book came quickly and condition was very good, service was quick. I will be back.

I loved this book! The entire time I listed to this book on cassette I felt I was hearing privileged information...yet Jess Oppenheimer shared his intellectual jewels freely as if they were common everyday thoughts. Well, for him, they were. What a genius. And what a witty, creative, generous, and responsible man! If he were alive I'd write him a fan letter.

This is an excellent informative book about the "I Love Lucy" show and a must have for any Lucy fan! The cd that is included is worth the price of the whole set alone. In the cd it includes hours of hilarious episodes from I Love Lucy and My Favorite Husband starring Lucille Ball, you will also receive lost scenes from the shows on the cd. I am not much of a reader but this book you just can't put down because it is so good and of course I love Lucy! The book doesn't look thick on the picture shown on Amazon but it is a nice thick paperback book and includes lots of wonderful pictures of the cast of I Love Lucy and fun information that you may have not of known about I love Lucy and how it became to be produced.

I THOUGHT THE BOOK WAS VERY INTERESTING AND INFORMTIVE! IT WAS HILARIOUS AND I JUST COULDNT PUT IT DOWN. IT ONLY TOOK ME THREE DAYS TO READ IT. I THOUGHT IT WAS INTERESTING HOW IT TOLD ABOUT THE LIFE OF JESS OPPENHEIMER AS WELL AS THE LIFE OF LUCILLE BALL AND OTHER CAST MEMBERS FROM THE SHOW I LOVE LUCY. I REALLY LOVE THIS BOOK AND I THINK EVERY I LOVE LUCY FAN SHOULD READ IT!!!

I'd like to start with a clarification: this book is not a biography of Lucy, it is the creator's (Jess Oppenheimer) memoir. As such, there are many parts of the book that have nothing to do with Lucy, including episodes from Oppenheimer's childhood and young adult life.

However, this is still a GREAT book! It is well-written and full of entertaining annecdotes. "Laughs, Luck, and Lucy" follows Oppenheimer's slow rise to the top in the Hollywood radio industry. He describes Lucille Ball's program, "My Favorite Husband," which became the basis for "I Love Lucy." The book also includes some behind the scenes information about the making of "I Love Lucy."

The included audio cd is fun because it has clips from both "I Love Lucy" and "My Favorite Husband."

If you are only interested in information specifically about Lucille Ball, this might not be the book for you (try her autobiography, "Love, Lucy"). However, if you (like me) are fascinated with everything surrounding "I Love Lucy" and the Hollywood entertainment industry of the 1940s and 1950s, this is a great read!

The story takes place in the early 1800s, in a remote fishing post on the Bonavista peninsula in Newfoundland. The Andrews family, having been evicted from their home in England, bribed the captain of a French merchant ship to drop them off in the northwest Atlantic territories. They are dropped off at a place about 100 miles from St. John's, Newfoundland, a place called Cape Random. The only inhabitants of the cape are the Vincent family and a man named Thomas Hutchings, who keeps the books of account for the St. John's businessman who owns the fishing rights for the cape. A severe winter is approaching and the Andrews are entirely at the mercy of the Vincents and Thomas Hutchings. The story follows the lives of the Andrews, the Vincents and Mr. Hutchings for about twenty years.

We follow the story mainly through the eyes and the journal of young Lavinia Andrews. About two-thirds of the way through the book, Thomas Hutchings becomes the narrator. It is a tale of ice, snow, death and deprivation with little or no hope of escape from this harsh place, isolated from the rest of the world. In the meanwhile, they work hard at salting and curing fish and hunting seals, most of it for the benefit of Caleb Grosse, the St. John's businessman who sends a boat twice each year to pick up the salted fish and to drop off provisions such as flour, salt, molasses and, sometimes, one or two goats. In the spring, some of the men go to St. John's to join the large-scale seal hunting expeditions.

From time to time, the book shifts its focus from one member of the subject families to another, thereby giving the reader an idea of what each of the characters is thinking. It is an engrossing narrative of what life must have been like in these remote places 200 years ago. Over the twenty years of the story, interest is kept alive by many twists and turns involving births, deaths, illness, domestic and economic crises and the ever-present cold.

It is a book that holds your interest. Just when you think you know what to expect, the narrative takes a sharp turn in the other direction. It is easy to read and very entertaining. It helps me understand why my grandmother used to say, that she "t'anked God" the day she left that place.

As I traveled through Newfoundland in June 1999, this book was in the racks of every shop on my route. At first, I thought it must have been Newfoundland's version of "Anne of Green Gables", but I picked it up and discovered that the story of its characters actually had more in common with Jamestown or even the Donner Party than those of Lucy M. Montgomery's children's tale.

Addressing hardships of maritime living, displaced class struggles and faith-based separations, Ms. Morgan progresses her story of the lives of outcast English family members and their fellow re-settlers at the Cape (Random). Once ashore on Newfound Land, their survival, conflicts, and cultural shifts make the reader shiver and shudder with the cold, fear, hunger and pain as felt by the characters. Morgan's story is depicted through a tactile understanding of the topography, climate, flora, fauna and cultural history. This not only leads readers through this fictional account of a past settlement in Newfoundland, but sets up how these characters' challenges and beliefs are still reflected in the culture of present day Newfoundland, as shown in the pride, warmth, persistence and humility of the people of "the Rock". A worthy read.

I enjoyed Random Passage. I couldn't put it down. Only when I read it, it was called Cape Random. What goes? I actually started to read Random Passage but soon realized that I had already perused these pages as Cape Random

I truly enjoyed this book. The author has woven the history of Newfound Land in a story rich with authentic and passionate characters. Bernice Morgan has a way of bringing the characters alive, so that I could not put the book down once I started it. This story is a testament to the endurance of human nature, but also to our capacity to love and to marvel at the world around us. I am ordering the sequel, and once I've read it, I am going to look for the videos. I also want to read more books by this author.
Sincerely, Francine Noiseux

On a visit to Newfoundland's Avalon Peninsula, this book's title always surfaced when I quizzed locals on cultural and historical points. It was about a 12-hour read, and I found it very easy to justify putting distractions aside to read this involving book. I felt that having two separate accounts of events, each through the eyes of two of the book's characters, really added to the depth of the story. No wonder why Newfoundlanders are so proud of the heritage that grew from the struggles on "the rock."

this is the book for those people who have seen and like the Cremaster Cycle. a super companion that gives very interesting background, and criticism of the cycle.

Whether you like Barney or not, this book made for the Guggenheim solo exhibition in 2002 have lot of meat. 500 pages covering his Cremaster series (1,2,3), with numerous photograph stills of his films, reference photos, and his works. Approximately, 340 works are shown. The book quality is very good (did not quite match the creativity of Damien Hirst's I want to spend the rest...book), but nevertherless, this book will serve as Barney's important documentation.

I finally bought a copy of this book after putting it off since the show in 2003. I'm glad I got it before it goes out of print, and recommend the hardcover over the softcover as it is a beatiful object/catalog.

Sadly, as I have looked more closely into the book since I got it home, I noticed that the book doesn't come close to covering the majority of the actual works that resulted from the Cremaster films. Perhaps this wasn't the reason for the catalog, but I was under the impression that such a huge book would be pretty comprehensive in its documentation of the works it's about. Not so with this volume. Barney is a master of the capitalist side of the fine art world...and no doubt knew that if he reproduced the works he has sold in tandem with the release of each film, his auction prices would suffer. Therefore his immediate sale prices (from the studio/gallery) would stagnate as well(prices rarely drop from that artist directly).

So, what you get here is a fat volume with tons of sketches, production photos, and documentation of the sculpture. In addition you get a verbose essay by Nancy Spector as well as remembrances from participants in this massive undertaking. It is in the lists of works from the cycle that the volume's gaps become apparent. Barney sold several "artist framed" suites of photos from each film...which act as stand alone pieces of work to be consumed by collectors and institutions. It is these works that are not fully documented in this volume. Even if they had done a page of thumbnails for each of the five films, it would be better than to reproduce one photo from a suite of three or four as they have done here...and each film had 5-10 of these suites made in editions ranging from 2 to 50 copies. Look for another book somewhere down the line documenting these works (or the original volumes released for each of the films which cost an arm and a leg now) to get these in your library. Otherwise, the only place I've seen these works reproduced is in auction catalogs, exactly where Barney and his supporters are happy to see them show up.

I have a certain level of respect for what Barney has accomplished here. Both as an artist and as a viewer. Unfortunately, this amazing artifact if NOT the be all and end all of the Cremaster Cycle, and one must look elsewhere to get the whole picture(s).

Here's to hoping that a DVD release of the whole cycle fills in the gaps left over by this book, which is eye candy rather than a substantive look at this artist's work.

Why would anyone pay hundreds for the H/C version, if a shiny, new paperback is only $40? Please enlighten this fool? Thanks!

Nancy Spector, Matthew Barney: The Cremaster Cycle (Guggenheim, 2002)

Nancy Spector's tome may just have been meant as an accoutrement to the Guggenheim's massive Barney exhibition in 2002, but as an accoutrement, it stands out. Not only in its physical dimensions (Amazon's website says the shipping weight of this book is 8.6 pounds, but after lugging it around for six weeks, I'm willing to put money on the idea that it's closer to twenty-five; it's over a foot tall, and easily as thick as one of the larger volumes of the unabridged OED), but in the concept itself. Spector's essay on Barney takes up the first ninety-two pages, after which comes a glossary of Cremaster terms that reads better than any other glossary you've ever read (think of The Dictionary of the Khazars to get an idea, but using all terms that relate to the Cremaster cycle). Then, of course, the photographs. Mostly video and production stills from the films, but also photos of pieces of Barney's original sketches and storyboard, the sculptures made after the films, and other wonderful little oddities. Good stuff, and a must-have for any Barney fan. Those who have just heard the name, but not seen the films, will get an excellent overview of what you've managed to miss. Those who have no idea who Matthew Barney is, check it out to see what all the fuss is about.

In other words, you want this. ****

This book's meticulous scholarship started a welcome trend for "shot-by-shot" analysis of moviemaking.

Psycho is known for many things, but among them is Hitchcock's determination to use techniques he learned from television production. For a creator and adherent of "pure cinema," this special discipline makes the movie all the more notable.

What a series of paradoxes. The famous shower sequence is cited over and over again as one of the best uses of cutting and montage, and yet classic 50s "two-camera" TV shows would never dream of this approach. Too expensive and time consuming.

The usage of black and white - again classic 50s TV - actually enhances rather than diminishes the horror. As with old-time radio, the viewer has to fill in the lurid colors of blood and gore with her own imagination.

The cover says that this film started a trend toward "psycho thrillers." I suppose that this is true, but it accomplished much, much more than is acknowledged by the mediocre films that followed.

What an intelligent, readable, informative book this is. Full of insights about the personalities of Hitchcock, Anthony Perkins, Janet Leigh, and all the other collaborators in this important and usual film project for everyone concerned. What struck me most about the book is the author's ability to blend his thorough research with a sense of the psychology and drama of what goes into making a movie. I'd have to agree with the reviewer who said that Rebello made reading this book nearly as entertaining as the movie itself. That's quite a feat. What I want to know is when will Mr. Rebello give the royal treatment to other Hitchcock projects as well as films by other directors.

I found this book to be just wonderful from start to finish. The research is painstaking, the writing smart and lively, the degree of film industry know-how is evident on every page. In fact, the book strikes me as one of the few I've read on Hollywood to suggest that the writer actually knows his way around movie sets and knows how films get made. This book has none of the absurd (and insulting) armchair psychologizing that mars other Hitchcock books and there isn't a dry or pedantic paragraph in it from start to finish. I thought I knew a lot about Hitchcock and Psycho until I read this book. A job obviously undertaken with love and wisdom, superlatively done by Mr. Rebello. I had the pleasure of hearing the author lecture on Hitchcock on TV in London and in Tokyo and he was the standout of the whole affair!

This book is about as in-depth as you could want, but very interesting and good reading. Stephen Rebello begins at the beginning with a rather revolting chapter about the psychotic killer upon which Norman was later loosely based. (Don't let your children get a hold of that chapter!) He then talks about the man who wrote the book "Psycho", and on to Hitchcock's discovery of the book and the making of the movie. There are chapters and sections on practically every aspect of the movie and the making thereof - cast, costumes, shooting, casaba melons, publicity, and the aftermath. At the end there is also a list of the entire cast and little paragraphs about what became of them after Psycho.

This book is very good if you are a fan of either Psycho or Hitchcock in general, because in telling about Psycho the author tells a lot about Hitchcock as well.

For the true fanatic, or just the curious, this is an immensely
readable account. Far, far more interesting and enlightening then
any of the turgid, pompous academic treatises on Hitchcock that
pollute bookshelves everywhere. As definitive a reconstruction
of how PSYCHO - or any movie, with a few exceptions - was put
together. However, I suggest Mr. Rebello is overdue for either
an update
(though this reprint's front and back cover is definitely an improvement over the original),
or a companion volume.
For the completists, I suggest:

1. More production and cast stills.
2. Saul Bass's storyboards.
3. Interviews and/or photos of Marli Renfro, the actresses
who provided the voice for Mrs. Bates, the diminutive woman
who stabbed Arbogast. Other cast interviews.
4. Documentation on PSYCHO's aborted CBS broadcast of 09/66
and its subsequent showing in 06/67 on ABC - the edits,
and when it was finally shown complete.
5. Information on the sequels, and Van Sant's "recreation".
6. Full descriptions of deleted scenes from the original.
7. Some of the less inflated analysis on its symbolism, etc.
8. Most importantly: a cue by cue evaluation of Bernard Herrmann's magnificent score, including its unused parts.

Ok, Mr. Rebello, make it happen.
Until then, anyone who is at all fascinated with how an American
cultural landmark came together, (Yeah, I know, like Hitchcock used to say, "Oh,it's only a movie!")
GET THIS BOOK!