Artists Books

I believe that making affirmations really help us to achieve our creative goals. Eric Maisel's book is full of affirmations that really work if we work them! I make this book part of my daily reading, and it makes every day start on a positive note.

This book is crammed with affirmations related to the fears and horrors every artist ends up going through at some point. Whereas I am not too keen in affirmations, I found Mr Maisel's words extremely conforting and intelligent. Although the affirmations are inspiring, this is a book with practical advice as well, unlike so many others that adress similar questions. It also contains a lot of quotations from famous artists who apparently went through similar ordeals. "Affirmations for artists" adresses many different kinds of disciplines and is definitely a great gift for an artistically inclined person. If it ever gets translated into Spanish I'm definitely giving it out to my friends.

Maisel is one of my favorite authors writing for artists. As in his other books, he shows here great sensitivity to artists' challenges. In his typical style, he doesn't pull punches with these affirmations -- it's clear an artist will never be fulfilled unless s/he gets up and WORKS. These affirmations support that process, without gluing up the works with the mystical overtones (mumbo-jumbo?) often associated with affirmations.

Arranged alphabetically by subject (Failure, Success, Fear, Anxiety, Inspiration, Day Jobs, Depression, Joy, etc.), each page is devoted to one subject. The page includes quotes from famous artists, a short paragraph to consider, and an affirmation to overcome the challenges and reinforce the positives.

One thing I stumble on each time I use this book is the wordiness of the affirmations. These aren't pithy sayings to be glanced at and remembered all day. Most are fairly involved paragraphs in their own right (On Inspiration: "I believe I create for myself when I honor my artist's nature and diligently practice my craft. I will work whether I feel inspired or not: I know that if I labor with an open heart and an open mind, inspiration will come. I am ready to create it, receive it, and be swept away by it."). I tend to shorten them, pulling out just those points that resonate with me ("I honor my artist's nature and embrace inspiration"). This can be an advantage, though, since it means there can be different affirmations for each person or each situation. It also involves the artist in the creation of the affirmation, making each one uniquely that person's.

Highly recommended for living more fully with your artistic self, or as a gift for the artist in your life.

Don't be fooled by the deceptively simple title. Affirmations for Artists is a smart, practical and irreverent toolkit for deepening your creativity and enhancing your life. Unlike most of the annoyingly ethereal affirmation books I've read, this one yanks affirmations down to earth, tackles misconceptions and pitfalls, and demonstrates how to use affirmations effectively.

The author cuts straight to the heart of the problems artists of all stripes wrestle with and serves up realistic strategies for problem solving. Crafted with wit, grace and no-nonsense compassion, Affirmations for Artists is a generous and elegant book.

Not only is this one of the most fabulous and indispensable compendiums of music I have ever bought, I see the previous customer reviews are also wonderful to read. Some things just bring out the best in people. I take this music with me wherever I go.

Africa is a vast continent, the second largest in fact, and home to an infinite variety of languages, cultures and ethnic groups; each with their own style of music. With the growing popularity of Afro-Pop the newcomer is likely to be overwhelmed with the sheer variety of music available even from mainstream stores and websites in the west. Where to begin? What artists and styles sound best? Unfortunately, few CDs can give a good overview of African music, but if your willing to drop the money for this one, your off to a very good start.

On three CDs, we are given an astonishing array of tracks by 39 artists from over 29 different countries. This does a great job of shwoing the incredible diversity of African music. We get Arabic-tinged taarab from Zuhura Swaleh of Kenya, Zulu isicathamiyalmbube from Ladysmith Black Mambazo of South Africa, Nigerian Fuji music by Chief Dr. Sikiru Ayinde Barrister, Moorish dancing music from Mauritania's Dimi Mint Abba, Mbalax from Baaba Maal of Senegal, Malagasy music from Tarika Sammy of Madagascar, Algerian Rai from Bellemou & Gana el Maghnaoui, Ethio-pop from Seleshe Demassae and so much more. The focus is on pop, but you get a good helping of traditional and folk styles like the Mande music of Mali, polyrhythmic drumming from Ghana, Sufi music from the Gnawa musicians of Morocco and traditional dances from Uganda's national performing troupe.

Many of the continent's legendary artists on included on this CD, though obviously not all of them (as doing so would likely be impossible). Oumou Sangare, Salif Keita and the late Ali Farka Toure of Mali; Oliver Mtukudzi, Stella Chiweshe and Thomas Mapfumo of Zimbabwe; Ladysmith Black Mambazo and the Soul Brothers from South Africa; Papa Wemba from the Congo; Abdel Gadir Salim of the Sudan; Yossou N'dour and Baaba Maal of Sengal and many more. Alongside them are many equally great performers, perhaps less known in the US but many times equally famous in their home countries. Dr. Sikiru Ayinde Barrister of Nigeria is regarded as one of the greatest Fuji performers, while Remmy Ongala is probably Tanzania's most famous pop singer.

Don't feel bad if some of your favorite artists got left off of this vast and staggering compilation. It's only a broad survey of Africa's musical styles. If your a newbie to Afro-pop, or even a life-long fan, this CD is an essential buy. Its one of the few compilations that covers EVERYTHING, from the Arabic tinged music of the Sahara to the the neo-traditional songs of South Africa, from traditional drumming in West Africa to modern pop styles from the Congo and Swahili coast. If you've got the money and are willing to spend it, this is a great buy. If your on a budget, theres a smaller sampler available that's equally exciting, though nowhere near the size of this monster. I strongly recommend checking this CD it. Odds are it will expand your musical horizons.

I have maybe 25 CDs of music from the continent, and this is still far and away my favorite. The one-disc "sampler" is like a "Best of..." -- very good, but as many listeners will know from first hand experience, some of the finer, and more subtle pieces are in the original complete recordings. True here in spades. If you only own one set of discs to represent Africa and all its nations and sounds, this is it.

If you're interested in listening to some African music and don't know where to start, you can't do better than this. It's got modern and traditional stuff on it -- mostly modern -- from all over the continent. My tapes of this set live in my cassette road case, and I listen to them when I go on long trips. The variety and quality are both excellent.

The booklet's a nice touch, too.

Let me just say one thing: I'm completely in love with this book. It's amazing and full of breathtaking pictures that will take you right away to the very heart of Africa.

The funny thing is that I got it for a very good price as well. The best purchase of my life!

Don't miss it if you're interested in Kenya and its surroundings.

This was bought as a gift, my dear friend who is also my mom had this on her wish list and I bought it for her birthday.
I didn't really know what to expect of the book, since it was not I who wished for it.
When it came, I was completely delighted with it. Not only is it a beautiful, big, coffee-table size volume, but the photographs inside are wonderful! Something else--the text of the book is written in a font that appears to have been written by hand, straight out of the explorers journal. A nice touch when accompanied by these wonderful photos.
A beautiful book, indeed and the price is very fair, in my opinion.

It makes a great gift, too! :-)

This is something of a `summing it all up' book for this photographer of Africa. With four books and an entire lifetime behind her, she is looking back over the path of her days and trying to clarify for herself what her relationship with the land of her birth has become. "I am a child of Africa," she begins by saying, and yet as we wander through the pages of her life it is clear that it is never so simple as that.

The journey that Ricciardi takes us on is made up of long passages of text and an equal abundance of beautiful photographs. This was my first introduction to this talented photographer, and some of her work took my breath away. The photographs each have descriptions and comments written along side them, and I ended up reading these before working through the sections of text.

Ricciardi's life has been vibrant and is fascinating to read about, though her tone is somewhat melancholy. She is looking back on the Africa that was, the Africa of her youth that has disappeared. She is also looking at it through her `white man's eyes', and realizing that although she may be rooted in the land she has always been a foreigner.

The photographs moved me and Ricciardi's words challenged me. As a white woman who loved Africa she has in interesting view point, caught between what her people have done to Africa and what Africa has done for her. Sorrow and pain and regret are unavoidable when it comes to the Africa of today, but they are bound up with incredible beauty. This book doesn't so much show us the heart of Africa, but the heart of a woman who has been effected forever by the two faces of this land.

Although Ricciardi writes eloquently about Africa and shares herself and her deepest thoughts with the reader in a personal, searching way, it is her photographs that tell her story best. She has captured both the last days of the Africa she knew and the beginning of its new life, in this collection of some of her best and favorite work. A beautiful book.

This book contains images of modest nudity, including nursing mothers and children, that would probably earn this book an "R" rating if it were a motion picture.

Having known of Ms. Mirella Ricciardi's work as a photographer in Africa, I expected this book to be the typical photography book. What I found instead was far more interesting and rewarding. The book combines brief essays about her life in Africa with captioned photographs of her family and friends, and of the scenes she visited, studied, and photographed. Extending from a privileged childhood in what was then colonial British East Africa to recently in Kenya and neighboring nations, you see the collapse of a fantasy-like way of life, the rise of a troubled new one, vanishing wilderness, and the reflections of an intensely self-critical woman. If you are like me, you will be moved by what you see and read.

First, you will be impressed by Ms. Ricciardi's frankness. "I was a bad mother, a discontented wife and a frustrated photographer." She blames herself for the death of her older daughter, Marina, at thirty-six. "To this day, I am convinced this tragic event was my punishment." Personally, I think she is too hard on herself. Her story shows a warm heart and an eye for beauty that have enriched all those who have seen her work. I hope she finds self-forgiveness in the future.

Her mother was quite remarkable, as well. Coming from an influential and wealthy French family, she studied sculpture with Auguste Rodin and lived life as an artist in Paris before meeting the author's father, who was an exile from Italy. Relying on her mother's wealth, the couple soon set up a dream-like existence on a vast estate in Africa based in a "vast pink Italian villa" they built there near Lake Naivasha.

Ms. Ricciardi grew up with great wealth, hunting and enjoying the wilderness, and appreciating the native Africans. Later, she learned how to be a photographer while working with her future husband, and produced her well-known photographic work, Vanishing Africa. You will find many examples of that book as well as the details of how it was shot. Married to this adventuresome man, you get a sense of their time together as well as their discontent. As part of this, Ms. Ricciardi recounts her years with a young black lover, and how they handled the social challenges this presented in the class conscious society. Her two daughters were raised in an unself-conscious way with African children, often cavorting together nude as many young children do. You will enjoy seeing these scenes of carefree youth. Ms. Ricciardi's love of nature is matched by her love of the African people, and you will especially enjoy her images of the Maasai.

Moving forward in time, you see photographs of white Kenyans who fought the Mau-Mau, farmed and studied wildlife, the destruction that war brought to Africans, and the retreating wilderness. I especially enjoyed her profiles of people who have found a continued life in Africa whose family roots go back to colonial days. Ms. Caroline Roumegeure was especially interesting to me, with her background as the daughter of a Maasai warrior and a French woman in a family with 6 wives and 26 other children. She seemed to blend the best of both cultures together. Ms. Ricciardi eventually became estranged from Africa and has left it.

The photography captures breath-taking beauty that will stun you with its mystical appeal. You will feel like you are looking at something that is beyond your own understanding, but which will beckon you forward. Ms. Ricciardi's openness to the people, land, and animals will become your own, and you will be the better for it.

After you finish contemplating this deep and self-critical view of another way of life, I suggest that you think about where you are divided from other people and nature in your community. How can you reach out to bridge the gaps in a loving way?

Share your love with all around!

As a storyteller I love to tell stories by Hans Christian Anderson and was thrilled to find out he was an accomplished cutter of paper. While his paper cuttings are much more intricate than the ones I do when I tell stories, the author helped me to understand that his ability to tell stories while cutting paper is a good way to keep the attention of small children. I found that "Grandma's Magic Scissors" by Linda S. Day was a good book to learn basic paper cutting skills and hope that someday I can learn to cut the intricate designs that this master storyteller cut, although I think I will carry my scissors in a bag and not my boot.

I'm a paper artist who also happens to be a Hans Christian Andersen fan. I bought the book for myself, although it would be a terrific selection for a child who likes to use scissors and glue or who might be interested in the person behind some of their favorite fairy tales. It's hard to find many printed examples outside of Denmark of Hans Christian Andersen's cut paper work. Beth Wagner Brust is a paper cutter herself and brings this enthusiasm to her book. She has performed a great service for Andersen fans and paper cutters of all ages.

Not only is the author great (I know her!) but this book explores an interesting topic. Those paper cuttings are unreal! I mean they are real, but they are so amazing!

Like so many Americans, I had no idea HC Andersen was a paper-cutting genius, until reading the series of articles by Ms. Brust in the LA Times. Not to mention that he cut these "amazing" intricate pieces while telling one of his stories to a roomful of listeners at the same time.

The book's a treasure in that I feel like I've discovered gold within. Not simply a children's book, it's so well written and full of surprises, I think it will appeal to readers of all ages, from the casually curious child or adult to the Andersen enthusiast like me.

Carmine Infantino created the Silver Age Flash. This is his story with tons of illustrations.

The World according to Carmine Infantino is a deep, look into one of the industries giants. Full of clever writing, and lots of historic analogies and tidbits of life in the times.

Reviews Carmine's career from day 1 (birth) all the way to modern time. When you read this and see what this man has brought to field of Art, you immediately want to go grab up everything you have orcan get by him just to see in more detail what has gone on in the background of these pulp paper gems of art history.

Cleverly done, the book appears as if it could have been part of a series of treatises on the men who made comics what they are today.

Very enjoyable, one of those you cant put it down til your done type of books, that you will have no regrets purchasing.

This wonderful book tells the story of Carmine Infantino- one of the true legends of the comic's biz. In addition to being one of the most prolific cover artists of DC's Silver Age, Infantino is credited with a host of distinctions. He drew Green Lantern and the Flash during the Golden Age and co-created Black Canary. He designed the look for Barry Allen and as such is the very first artist to draw the Silver Age Flash for Show Case #4- credited with launching the Silver Age of Comics. His artwork is generally regarded as the very best to ever grace the covers and pages of the Flash. His work on Adam Strange outsold all other Sci-Fi comics before or since with the exception of one title- Star Wars (and it was Infantino himself who, as the artist drawing the early Star Wars comics for Marvel, helped the series beat his own record on Mystery in Space). He also designed and was the first artist to draw Barbara Gordon as Batgirl, creating the Silver Age character that would go on to appear in the hugely popular Adam West and Burt Ward TV show. He also created a new Batman villain, Poison Ivy. His other credits include Airboy, the JLA, Spider-Woman, Suberboy, Charlie Chan, and other titles too numerous to list. Perhaps most importantly Infantino is credited with saving the Batman line of comics from cancellation with his "new look" Batman, re-designed Batmobile and other Bat gadgets. He became editor, publisher, and ultimately president of DC Comics. "The Amazing World of Carmine Infantino" is a true must buy for any comics fan!

This is a long overdue book. From the Flash to Adam Strange, Infantino has (along with Jack Kirby) practically defined the look of the Silver Age of comics. Very nicely illustrated and with an intelligent text, you will not be disappointed. A "must buy!"

This is a wonderful book and a must have for any lover of Charles Wysocki's work. There are tons of pictures of his art and each page has a description of what life was like in the old days. If you love Charles Wysocki's work, you won't be disappointed with this book.

Over 200 paintings are reproduced in color in An American Celebration, a survey of American images done folk art style. Clambakes, quilting bees, and fairs are just some of Wysocki's subjects, celebrating the joys of early and traditional American gatherings and subjects.

I just received this book as a gift from my brother and is just wonderful. I've been collecting Charles' calendards sense the earlies 80's and I always look forward the next year to see his work!

Wonderful illustrations of the artists' works and short, to-the-point descriptions make this an enjoyable book to leave out on a coffee table for anyone to peruse. Makes you wish you owned a real print of each and every picture.

This is an excellent companion to Dylan's new autobiographny. A brilliantly written and imagistic volume on Dylan's formative years, when he is a teenager and first finding his voice as an artist. The reader feels as though they are growing up in Hibbing with Robert Zimmerman who was to become Bob Dylan. Stephen Scobie provides an authentic but objective atmosphere to the formation of a great 20th century artist.I have had my interest in Dylan renewed by the release of his autobiography and so I went back to this book a second time and it still seems as fresh as when I first read it. I highly recommend thnis excellent volume.

I just ordered this book, received it today. I just want to let people know that this is a large, book length poem on Dylan. Just for those similiar to myself under the impression it was a formal biography. I haven't read it yet so i still don't know if being a poem is a bad thing. Just Keep in mind it may not be what you expected.

Ok i wrote an earlier review saying that i hadn't read this book, but was just letting people know that it was a poem. Upon completing the book i can give a more indepth review. This book is a poem, and it only documents up to when Dylan is a late teen. The book is less about Dylan and more about his Town and his ancestors. It is very clever and well written, you could read this book cover to cover in one sitting. If you are looking for a review of Dylan's life this is not the place to look. This book is however great if you want an impression of Dylan's childhood and surrondings. There is some powerful imagery in this book that will stay with you long after you put it down. Worth the buy as long as you realize what you are receiving.

This book is by far the BEST Dylan biography out there! Its way better than Marsh's Glory Days (which - for some reason seems to be more about Springsteen than Dylan!). Just get it!

I would like to add to the reviews below that this book is a pleasure to hold and to view because it is so well made. If there is any 'art' book that should be made for posterity it is the catalog raisonne of an artist. In this instance, the publisher has done the artist's audience a real service for, the book is beautifully printed and bound in Italy by Amilcare Pizzi; Italy seeming to have usurped Switzerland's place as the world's premier art book printer. The pages are thick and glossy and the reproduction is top notch.
For those of you who are unaware of what a catalog raisonne is, it is meant to be a compilation and historical record of an artist's work that documents execution date, medium, size of image or plate, size of edition if a print, whether signed or unsigned, etc. This information is used by artists, historians, collectors and dealers to attribute a piece of art and place it in the artist's oevre, and of course to aid in placing relative value on it. Here too, the archivists, publisher, and editor have done a fine job of documenting the relevant facts. This is especially important in the case of Warhol who was a serial printer, sometimes to the point of intentional promiscuity. So, the fact that wherever possible relevant information is provided speaks volumes about the prodigious effort that must have gone into this undertaking. I rate this book four stars because I fear that since this is the third edition, there will be yet another edition published that renders this one obsolete. I understand this is precisely because Warhol was an inprecise documentarian, when he chose to do so at all, but I don't relish having to purchase another high dollar, though valuable book that is only slightly different from the one I already own. For people who don't give a darn, the book rates a five.

Prints, proofs, paintings -- everything is here, plus essays that explicate and set context.

This 3rd edition of Andy Warhol Prints gives much information to someone who is interested in the various published and unpublished works which Warhol created. In addition to providing color photographs of the prints, the book gives details about the edition size and characteristics of each individual portfolio. This book will be quite useful for the Warhol fan, art students, as well as collectors of Warhol's work. It is the most definitive book of his prints available.

This gem of a book gets into all the details of Warhol's print making. See source images as well as artist's and printer's proofs. A must for any collector wanting to explore Warhol's work as well as a real eye opener as to how busy this man really kept himself.

An 80's time capsule wrapped inside a Warhol designed frontspiece inside a bible... Andy would be proud. Besides the photography (printing seems meticulous), there are letters to Andy from various media figures and insightful essays. If you think about modern art at all, you should own this book.

I have known the author/photographer and his family for many years and was amazed at the quality of this projetc. Warhol would have liked it. I hope there are not too many younger people who are not aware of what all this means (Warhol) it shaped a lot of things that today we take for granted.

A long awaited tome, this is a really quite perfect little time capsule. Von Hohenberg captured the elite of NYC at Andy Warhol's last "happening" -- his memorial service -- and the letters that each famous person wrote are an excellent complement to the photos.
It is beautifully presented -- very much like a hip little Smythson diary chronicling the era. Usually, a book about a memorial service does not grab me as a must-have, but this one is!
Fun to read, fun to look at --- fashion, New York society, the art world -- it's all there in this elegantly crafted book from one of my favorite fine art photographers.

The book is produced beautifully and has some very strong images. The idea and the whole concept of the book combining images with letters of Warhol friends writing about him is unique. A must have for all art and photography lovers.

This is an interesting book all about an unusual subject:Turquise, as a mineral and as a color. One thing I liked is that each of the essays is self contained so one can put the book down and pick it back up at a later date if you like and you don't miss anything. Another thing I liked is that I learned quite a few things, for example the mineral Turquise is not only found in the American southwest. Read the book and find out where else it is minned. This is a book I will keep and reread. In fact the first thing I did upon finnishing it was to order a copy for a friend!
If you like this book you will like her other books as well. Raven's Exile: A Season on the Green River
After I finnished reading the book I discovered she has fund in her name that suppoerts desert writers: http://www.ellenmeloy.com/.

Enthusiastic Recommend: The Anthropology of Turquoise by Ellen Meloy
I finished this book sitting in my camp chair on the edge of Capital Reef National Park - on the side of Boulder Mountain looking into the vista of the water pocket fold and the Henry Mountains. It was four days after I ran a half marathon, and I was decompressing on a camping trip. The scenery was amazing, Meloy's writing just as good.
Meloy lives not all that far from where I was sitting, in what I would call an "outpost of nowhere" in southern Utah on what she calls the "salsa farm beside the river." She's a desert rat with a keen sense of surroundings and life.
Her book is about a lot of things; it's a collection of essays loosely tied by the idea of turquoise - the color and the rock. But the essays that spoke to me were the ones about the land, the desert southwest and the creatures, plant and animal, that inhabit it. Meloy can bring you inside a flower, near a big horn sheep, into the river, out into the night sky. She made me ache to be part of the natural world, her desert world. Her prose is poetic. Here's a taste. This is what she writes about the river that is so deeply engrained in her soul when she finds herself swimming after her boat: "What happens when I surrender to the aloof, silken creature that hurls me down its spine?" Again, about her river: "I write a book about a river and cannot tell if it's a love story or an obituary or both."
She cares deeply about her land. And she also writes about writing: "Writers write because they can't shut up." This resonated. I have found my voice in my fifth decade of life. But I have also found other voices, voices like Meloy's that are worth shutting up to hear.

Did this ever happen to you, you close the pages of a well-written book and you just sigh for a minute, wishing it had not ended? And then as it happens you open up your daily newspaper and find out that the author has died, died even perhaps as you were reading and admiring her prose style? I first read "Swimming in Mojave" two years ago in the magazine ORION, and I laughed out loud thinking of the author trying to beat the desert heat by swimming across the sands, like a John Cheever character, in every swimming pool at every motel and resort her family could find. Recently I found this book, THE ANTHROPOLOGY OF TURQUOISE, and settled in for the pleasure of a whole collection of essays, and some well-researched bits of historical fact and fancy about the mineral turquoise, another hobby of mine.

The book took me over two weeks to finish, as I kept putting it down to admire the author's flights of fancy and beautiful language. There wasn't much of a story, but as I read it now, and think about the different essays from The "Deeds and Sufferings of Light" to the final chapters of "Brides of Place" and "Passing through Green to Reach It," I see so clearly how her words speak to the drive in every one who lives out West to stay alive and to see the possibility and grandeur in all of the things God or the Devil created. Ellen Meloy has left us, but she has left us with a magnificent charge, to go into the world unafraid and to urge the others to "You come, too."

There are three reasons to possess this book. The first reason: You want to read an author whose prose verges on poetry... "On the Colorado Plateau... nights come less as a smooth pause than as a steep, enduring purity of eye-blind dark. (In the day) The mesa's colors in their flanks - terra cotta, blood-red salmon, vermilion - bear the temperament of iron."

Second: Color for you, as for flowers, are a part of your being. You draw colors into your life as an elixir to defeat life's monotony. Ellen Meloy is a master wordsmith. She, more than most, knows that colors "challenge language to encompass them", yet, unabashedly, she tracks down the colors of nature, feels them, tastes them, holds them in her mind and then vividly gives them life. No color is sacrosanct to her. Yes, orange, red, blue, green will all find an expression, but Meloy seeks, not the plebeian, but the unusual, unique, even ruthless colors: burnt sienna, magenta, burgundy red, Prussian blue and of course turquoise, "the stone of the desert," "the color of yearning,". For Meloy; "Colors bear the metaphors of entire cultures. They convey every sensation from lust to distress. Flowers use colors ruthlessly for sex. Moths steal them from their surroundings and disappear. A cactus spines glows red-gold in the angle of sun, like an electrocuted aura." Life is good.

Finally, you will find in Ellen Meloy a forthright lover of nature. She is a south westerner, lover of the desert and outdoors woman who sees in desert life the paradoxes of being. She calls for attention as she expresses the damage to the earth that we are so thoughtlessly committing. She points out how we, Homo sapiens, are the first species to witness and will our own extinction. Her social - naturalist commentary is balanced with humor and memoirs; her narrative is both captivating and informative. She is at her best when she sticks to the southwest, but the chapters that chronicle her forays to the Bahamas and the Yucatan are nonetheless engaging. This is a well-crafted work that is filled with captivating metaphors, naturalism, travelogue, memoirs and humor. If you seek award winning writing, are captivated by colors and find sustenance in the natural world this is a highly recommended read. 4.5 stars