Artists Books

Published by the Cape Cod Chamber of Commerce, this thin (176 pages) paperback covers the Cape, Martha's Vineyard and Nantucket. It's beautifully illustrated with examples of the art created by the featured artists in the various communities, with recommended walking and driving (where needed) tours to take you to their studios and galleries. The maps for the Cape are not much help--they only show driving routes which anyone with a map of the Cape would have anyway. However the town maps for Nantucket and Oak Bluffs on Martha's Vineyard show exactly where the studios and galleries are located so it is easy to find them and connect them in walking tours. There are also maps of Nantucket and Martha's Vineyard islands showing the outlying artists' places. Written directions aid in finding the locations.

The areas on the Cape feature 17 pages in a chapter including Bourne, Falmouth, Mashpee, Osterville and Hyannis; a chaper with 23 pages covering Sandwich, West Barnstable, Barnstable, Yarmouth Port and Dennis; a chapter with 15 pages from artists in Harwich Port, Chatham, West Dennis and Dennisport; 16 pages for Brewster and Orleans; and 16 pages overing the outer Cape from Eastham, Wellfleet and Truro out to Provincetown. The Nantucket chapter has 19 pages on studios and galleries and a page on local festivals and special events. Martha's Vineyard earns 11 pages on studios and galleries.

Each article about an artist or gallery gives something of the artist's history and describes her or his work, highlighting the particular emphasis that artist brings to the pieces. There are also listings of museums and theatres and websites and phone numbers for them as well as for other art forms such as Opera and Chorale groups.

With the first edition printed in 2006, all the material is up-to-date, at least for the present.

Having been to the Cape a number of times, I was surprised to find out how much I had been missing.

Great organization and matter of fact accounting of great places to visit make this a very useful guide. Maps and points of reference help you streamline your travel, without missing a thing.

With more than can be accomplished in any one trip, it has been useful for many weekend getaways to Cape Cod.

As a frequent visitor to the Cape and islands over the years I was amazed to find the Arts and Artisans Trails guide book describing the roads and highways I've been traveling but with such insights into the history and Galleries hidden along the way. I can't look at the map or plan a trip without sneaking a peek at the Artisan's guide to see if I can include one or two on my next drive down to the Cape. This should be given to every visitor and newcomer to the Cape and islands. It's like having your own family or friends recommending things to do and see from an insider's point of view. Well done! Kevin Clancy Somerville, MA

If your summer guests don't know what to do or where to go, this is the book to have! It's full of wonderful studios and galleries, interesting information and lovely illustrations. I keep one on hand for my visitors and plan to give some as gifts. Even if you live on the Cape, you will find places you didn't know about...I know I did!

I highly recommend the Art & Artisans Trails of Cape Cod, Martha's Vineyard, and Nantucket. The book is layed out nicely, with different walks for each area of the Cape (and one each for the islands). Each walk has a number of stops, including information on the artist, the hours, the website, etc. There are also lists in the back of artists by medium, by studio, and information on at guilds and fairs. A very comprehensive guide, and a fun way to see the Cape & Islands!

Bua's work is amazing. I truly enjoyed his work as well as his story. I highly recommend this book.

I put this book in the must have catagory. I have followed Justin bua's art the last few years and have found this book a great source of info on his methods and background info on his work. I have a book by ernie barns and I put this one right up with his. This book is a must have for any Bua fan or fan of black or urban art.

Justin Bua is not just a talented artist but he is prolific as well. His stylistic caricatures and illustrations with there amplified perspectives and edgy stylings bring the urban street scene to life in a poignant and entertaining way. He presents a diary of his life on the streets. He shows a cast of characters that resonate with energy and rhythm created by his skills at applying line, color and texture. Awesome! Justin Bua is a poet with a paint brush!

If you like Justin Bua...you'll love this book.The artwork is beautiful and he provides a detailed outline of his life,his inspiration, and his direction for each of his pieces... The layout is beautiful, the design is lovely, and the art is brilliantly Bua. It's a great book to share with others too.

I bought this book as part of research for a 15 min adaptation of a play Marisol (Jose Rivera) for my drama class. Bua's artwork is stunningly beautiful, with a great portrayal of a city that brings so much awe, culture and mystery...NYC (where marisol is staged).
his telling a story through art is an amazing feat, the colors are great and a few really nice quotes about progression in any artform is in need of skills, as the book states:

As one of my teachers Glenn Vilppu put it: "if you think of all the possible visual elements that you must learn as keys on a piano, the more keys you have, the wider the range of possibilities you can enjoy. Of course, you can make music with just a few keys, but that should be based on choice, not limitations."

Eloquent in his words and thoughts (and his teachers words for that matter), and passionate about his artform, i found the book a great story into the heart of new york.

I'm a grandmother and I would recommend this book to anybody who loves Christmas and what it stands for. A treasured keepsake. Wonderful stories to read your children, Poems, food for thought, a few stories could be used for programs in church etc. It's an enjoyable read and I wouldn't part with it.The pictures are beautiful and I can't say enough. It was even nicer than I had expected. Love it!

This book's gilt-edged pages, charming colorful illustrations and classic Christmas treats including among many, O. Henry's "Gift of the Magi" and the nostalgic holiday song, "Over the River and Through the Woods" make for merry family holiday pleasure. Splendid! This book is called a treasury for good reason.

What a beautiful book - and a great gift idea! I saw this at the bookstore a few weeks ago and loved it. I ordered it as a gift for a friend out of state off of amazon.com and was pleasantly surprised when 2nd day air and the book came to less than the cost of the book at the bookstore. Add this book to your Christmas collection!

This is a great collection of Christmas stories, songs and other treasures. All of them are beautifully illustrated by Mary Engelbreit.

If you love Christmas and Mary Engelbreit this book must be in your collection.

You'll love it!

This is a book to be passed on from generation to generation. The illustrations are exquisite, and the poetry and stories and vignettes are extremely well chosen.

If you've never read a book by Leon Garfield before, then you don't know what you're missing. One of the masters of children's literature, and a direct literary descendant of Charles Dickens (encompassing his love of dark and murky plots, meaningful character names and stupendous use of language), Garfield writes stories set in the mid-18th century with such authenticity that it's as if he'd lived through them.

Bartholomew Dorking (later dubbed "Tolly") is a young apprentice to a draper when he's accosted by Mrs Gorgandy, a professional widow who claims bodies from the gallows for the sole purpose of selling them to surgeons. Coercing the young teenager into watching the body of the dreadful Black Jack, Tolly is horrified when the corpse suddenly lurches back to life! By the insertion of a piping into his windpipe, Black Jack has cheated strangulation by the noose, much to the dismay of Tolly who now finds himself the convict's unwilling associate as he flees through the dark London streets.

Feeling responsible for the criminal's return to life, Tolly finds himself intolerably bound to him, even when he finds himself assisting in the sabotage of coaches. Yet by twist of fate, Black Jack upturns a carriage traveling from the Carter household, which contains young Belle Carter on the way to an asylum. Considered mad since she was a little girl, Tolly now finds himself with a new traveling companion, one that his soft heart cannot bear to see locked away in madhouse. Caught up with a traveling circus, troubled by the twin burdens of Black Jack and Belle, hounded by the malicious Hatch and desperate to evade the authorities, Tolly grows from boy to man in the vividly portrayed atmosphere of Dickensian London.

Garfield incorporates certain aspects of 18th century life into his story; the beginning of medical study (resulting in the need for dead bodies), the tricks of the trade in traveling fairgrounds, the idea that madness was contained in the bloodlines of families, and the religious fervor that heralded the end of the world (apparently Armageddon was forecast on a regular basis). Reading a Garfield book is getting a history lesson without realizing it, as all these components are beautifully knitted into the context of the story.

Also worth mentioning are the characters themselves; each one brought vividly to life. Tolly is a kind-hearted teenager with a somewhat nervous disposition, though Garfield tells us: "Sort hearts are easily combustible, and when they take fire, they burn with a sudden blaze." Burdened with a clear sense of right and wrong, with a conscience that makes him act on these impulses, (probably due to his idolization of his uncle, a sea captain) you can't help but admire his determination to do the right thing - whether he really wants to or not. Likewise, the terrifying Black Jack is a figure out of a nightmare: hulking, unpredictable, violent and menacing. Even minor characters, such as the dreamy Belle, cheerful Doctor Carmody and blustering Mrs Gorgandy are all great examples of creating unforgettable characters with the right imaginative language.

And Garfield was the master of descriptive language; reading any book of his a joy simply because it is wrapped in expert use of the English language, so rich and dense, you'll find yourself re-reading sentences just to appreciate the care with which they were crafted. Want some examples?

"The boy and the giant felon stared towards each other. In the one pair of eyes was savagery, contempt, even murder - and an angry bitterness that he should be obliged to the white-faced maggot of an apprentice who peered up at him. In the boy's eyes there was fear of savagery, fear of murder, and also a glint of bitterness provoked by the felon's contempt."

"They moved with circumspection through the night; chose infirm alleys and crippled lanes that slunk by the river in a blind and stinking confusion - as if the very streets were lost and would have cast themselves into the river if only they could have found the way."

"A huge spade struck and tore the green quilt...then another. Again and again the spades struck, till the earth flew up in gusts and scudding showers, spattering the stones and spoiling the green. Bending above these spades were two questing faces: one enormous, bearded, black as sin - the other young, desperate, not knowing or daring to know what lay beneath...only wild with hurry."

If you've never read Leon Garfield before, then you're doing yourself a great disservice. Although "Black Jack" is not my favourite of his works (that honour belongs to Smith), you won't regret picking up this book.

There's something in this book--in its characters, its settings, its situations--that is quite reminiscent of the work of Charles Dickens. But it's a lot shorter and simpler than the average Dickens novel. So I could recommend this book to anyone who likes Dickens, and even more so, to anyone who would like Dickens if only he weren't so long-winded. Or just to anyone who enjoys a rousing, well-written, action-packed novel with colorful characters.

Oh, and even though this book is marketed for younger readers, I see no reason why adults could not thoroughly enjoy it as well.

Leon Garfield is one of the best writers for older children ever; no, make that for anyone! His gorgeous language, fabulous, gripping plots, vivid characters and Shakespearean understanding of humanity put him in the very top class of that golden age of children's books of the 60s and 70's--and some of the best of today's golden age, such as Philip Pullman, cite him as an importantinfluence. Back Jack is one of his best books, a wild, terrifying, exciting, romantic and mysterious adventure story that left me reeling as a kid, and still thrills me to bits! Don't miss it!

Leon Garfield's one of those authors that, once discovered, feel like personal triumphs. When I read a Leon Garfield book, I suddenly have the impression that I've done something noble and great for the cause of humanity. He feels like my own personal children's author. The kind that I discovered all on my own and that, as one of the best kept secrets in kiddie lit, I don't necessarily want anyone else to know about. Then I come to my senses, sigh, and write a review like this one. Ever since I discovered his brilliant Dickensian, "Smith", I've been meaning to work my way through the Garfield oeuvre. "Black Jack" was second on my reading list and, now that I've read it through, it has become my favorite book by this author. If you've a child that's been enraptured by books like, "A Series of Unfortunate Events" or even, "The Wolves of Willoughby Chase", then you'd be committing a serious crime to omit from your reading list this most enjoyable of high Victorian adventures.

When a set of unlikely circumstances end with young Bartholomew Dorking guarding the coffin of the recently hanged villain Black Jack, the boy is less than delighted. An apprentice to a draper, Tolly has always led an upstanding pious life. Next thing he knows, however, the recently hanged Black Jack (the kind of man described here as, "a mighty fellow, and rough... as if the Almighty had sketched him out (and left the Devil to fill him in) before He'd settled on something of a quieter, more genteel size") is not as dead as he first appeared. In fact, he is very much alive. Taking Tolly with him wherever he goes, the boy finds himself the unwitting accomplice to this most dark-hearted of villains. In the course of their adventures they meet madwomen, frauds, fortune tellers, and sailors. And while Tolly finds true love in the most unlikely of places, Black Jack learns how to use his enormous strength for something other than villainy.

The book is a highly satisfying read. Part of this is due to the characters Garfield's conjured up. Tolly is fourteen and your typical heroic orphan. The kind of lad that Oliver Twist could've grown up to be (if Oliver was a little less saintly and little more human). His eventual lady love, one Miss Belle Carter, begins the book as mad but eventually is seen to be just a gal who suffered a severe shock in her youth and has needed to recover from it ever since. But the true hero of this tale is the title character. Black Jack's one in a million. He's so real that you can practically feel his villainy emanating off the pages that describe him. At the same time, there are chinks in his personality that allow you to understand why Tolly feels he must earn Jack's respect, even as he hates and fears him. Jack has his weaknesses as well. He fears madness above all things and he's often rather disconcerted when he observes Tolly doing the right thing in the face of what's easy. By the end of the book you'll find yourself cheering Jack and Tolly on and wishing that Mr. Leon Garfield had had the inclination to make several sequels of their adventures to accompany this marvelous tale.

So there you have it. A children's book for everyone to enjoy. You like descriptions? Then take a gander at passages like: "(She was) a happy, greasy, jingly lady whose skin was always aglitter with fine brass dust so that she had the air of being a worn but once costly Christmas present". You like a riveting story? By the second half of this book you'll be disinclined to set it down for even half a breath. You can't read a book unless the characters are likable? Even Tolly is a great guy to root for, and HE'S the saintly hero! Some people pooh-pooh Garfield as a lesser Dickens. I prefer to think of him as the logical step kids need between their everyday literature and real Dickens. If you want your child to pick up "Nicholas Nickleby" for fun, don't immediately ungulf them in that text first. Start them out slowly with a little Leon Garfield. With any luck, they'll be howling for more things along that vein. But don't relegate Garfield simply to the ranks of second-rate Dickens. He's an artist in his own right and his books are well worth discovering. You'll love it. I promise.

My sister, the unstoppable Codemaster Talon, gave this book to read as part of our literary exchange program (she gives me books to read, and I give her books to read). When I first glanced at this book, I thought it would be an easy read (it's just over 200 pages). Then, when I started reading it, I found myself stumbling over some of the old-fashioned English phrases. I asked her when it was written. "The 70s." she said. "The 1970s?" I asked? "No, the 1870s", she joked. I honestly wasn't sure which one was the real date when until she told me. Yes, this book is indeed authentic in it's language. But for me it was hard. My sister told me to stick with it. Boy am I glad I did.

The story starts out with the giant Black Jack being executed, and then procedes to tell the story of a poor good-natured youngster who finds himself in this terrifying scoundral's strange company. The strange thing is that for some reason, this terrible man finds that he likes the young lad, and won't let him go.

When the boy finds himself suddenly and strangely abandoned by the giant after starting (and ending) his search for an escaped lunatic young girl, he folows the road till he finds (and joins) a traveling carnival. The that's where our story begins.

As Black Jack struggles with his fear of lunatics (can you believe it?) and growing admiration for his young friend, Tolly (the young fellow) gains maturity and learns about life as he helps the poor lunatic (her name's Belle) regain her sanity. It's really engaging, because all the characters are so very HUMAN, and as Tolly continually tries to help the girl while at the same time keeping her from getting to close (she loves him you know) he starts to find that he cares for her too.

When Belle becomes convinced that she really is insane and has herself commited, and Tolly can't get the people imprisoning her to let him see her (despite his growing love for her), and Black Jack won't let anything get in the way of his friend's happiness... Well, let's just say it makes for one of the greatest climaxes I've ever seen in a book (especially when you consider the world is ending at the same time).

What really addicted me to this book was one thing. Love. When I read the passages about how Tolly and Belle found their feelings for each other grow, it gave me a simply wonderful feeling. The author of this book has managed to perfectly describe the feeling of being in love. I haven't felt this way while reading a book in a long time. This feeling the book gave me grew stronger and stronger as it progressed, but the very, very end made it shoot to the sky. Because what Belle kept describing in her wild rants of insanity turned out not to be mere dreams after all, but visions of a future more wonderful than she could have imagined.

If anything I have said connected with you in any way, READ THIS BOOK.

The old prints are just beautiful. Before photographs, books like these had hand painted reproductions of the animals. The detail is amazing. One can only imagine how long it must have taken to prepare these works.And collect the specimens.Check out the 7 headed hydra! And cheers to Taschen for another beautiful art book.

The illustrations in this book are so vivid and detailed, it even makes snakes look beautiful to me! I wish there were more books that were made this way.

Cabinet of Natural Curiosities: The Complete Plates in Colour, 1734-1765 At a time when unimportant volumes by hack authors sell for around $30 it is extraordinary to find a book this beautiful, this timeless at a price less than an average bottle of Chardonnay. Makes one rethink any list they might have made of books to take to a deserted island.

I'm not a biologist or scientist of any kind. But I am a fan of Taschen's publications and admire his goal of publishing high-quality photo/art books at reasonable prices. I happened to come across this book while browsing in the bookshop, was attracted by the Taschen name on the cover, took a peek inside and bought it on the spot. It was only afterwards that I discovered the history and historical significance of this collection. It's a beautiful book, filled with brilliantly colored illustrations of reptiles, butterflies, plants and animals. Great stuff and a real education for a layman like me.

snakes, bugs, plants, birds and all manner of living creatures. It is really an overwhelming collection. Worth getting a larger coffee table.

I've seen nicer books coming in at several hundred dollars but for the ~$5 you really can't beat this one Plenty of beautiful full color plates this makes an excellent student edition and a reference book for home. If you're purchasing for an all out art reference library you should look into a different edition.

This is a nice overview of the work of Caravaggio.. and the price is very good - I saw a similar collection (though it was hardcover) for nearly $100 - I am satisfied with this general overview for much cheaper. I think the colors are pretty good - and the artwork is, of course, timeless!

This book contains many beautiful full page photos of the works of Caravaggio. Each painting is accompanied with a brief explanation. References and comparisons are made to other famous works by great artistic masters. A great book to begin your art book collection!

I have recently returned from the met and observed the great colour used by Caravaggio and was inspired to by the book. This contains a great of information and has great paintings on my favourite artist--Caravaggio. God bless

Someone made a reference in 1999 that this is an 80 page book. It is 127 pages and filled with quality color plates. The paper's a bit thin, but certainly adequate, as is the text. I have just finished reading 'The Lost Painting', and wanted to peruse some of the works discussed in the book (a fascinating read and/or listen with the audio book). Another reviewer noted this is as a wonderful book to begin a collection. The publisher, Phaidon, really puts out some fine materials. I own three of their publications now, one being '50 Self-Portraits' and another on Tadema. If you have an inclination to dwell awhile on the stunning legacy of Caravaggio, this should more than do the job.

I gave this book to my mom for her birthday. She is a big Chihuly fan and loved the book. It came quickly and in good condition. The pictures are beautiful and the introduction tells all about Chihuly's life and work as an artist.

I was introduced to Chihuly through a special on my local PBS station many years ago. I couldn't remember his name, but I always remembered that he was the brilliant man with the unorthodox style. His vision and his artistic talents are immense. This book is absolutely mesmerizing and gorgeous with page after page of color photos. From the "Chihuly Over Venice" project to his designs for the set of the opera "Pelléas et Mélisande" for the Seattle Opera. This book truly is a feast for the eyes and the soul. Chihuly is a master of glass and this book proves it.

From the front page to the end this book you will be mesmorized. For those familiar with Maestro Chihuly's work this is a bible, for those that just come to learn about his creations this book is a must have. I feel that Dale Chihuly is one of the most talented artists of this century. His vision and creativity are so outstanding in a world of modern art sometimes too bare and conceptual. The book is an array of picture after picture of Chihuly's work. Splendid details can inspire from a decorator to a fashion designer, every page is a microcosmo of creativity. If I had to travel the universe with just a suitcase full of books, this is absolutly one of them.

Among the thousands of art books on the market, Kuspit's exhaustive look at Dale Chihuly's career in glass is a bargain for the Amazon price. Filled with gorgeous color photos of Chihuly's unique work, and intelligently written, this book will grace any art lover's shelf.

This book is beautiful! I visited the botanical gardens in St. Louis and saw some of Dale Chihuly's work close up. I've never seen anything like it. What an incredible art form this is. This book brings back the same feelings I had while looking at his work in person. The pictures in this book are breathtaking. The great thing about this particular book is that it has pictures of his work located all over the world. Many of the pictures have a location listed and some of them have Mr. Chihuly's comments on the piece and how he felt about creating it. I would recommend this book to anyone who wants a general book on his work. I have it on my coffee table in the family room and everyone who opens it up, can't put it down. Every turn of the page brings a "WOW" or "Incredible". Truly a `must have' book for your collection.

This book is intended to be a gift for my grand daughter, Clara Elisabeth Schumann. But first I am reading it myself. What a woman!

Author Nancy Reich's scholarship is impeccable, her research, comprehensive, and her passion for accuracy, uncompromising.

This is a completely thorough and compelling biography which reads as smoothly as an easy novel. It is powerful and sensitive; objective and personal. Dr. Reich's depth as a scholar and skill as a writer provide us with a rarely-, possibly never-seen view of this extraordinary woman, Clara Wieck Schumann.

Clara's life was fraught with pain, sorrow, frustration, and self-doubt, and how her genius managed to prevail is nothing short of remarkable. I took pause many times while reading to catch my emotional breath.

Dr. Reich also shares with us her enormous insight into the personalities of ill and troubled husband, Robert, dear friend and confidant, Johannes Brahms, and domineering father, Friedrich Wieck, making sense and coherence of the disjointed facts many of us know regarding these three very important men in, not only her life, but in the life of Nineteenth Century European music.

Clara Schumann was a truly astonishing figure - both as an artist (prolific composer, formidable virtuosa - some say Liszt's equal or superior), and as a woman (dedicated wife, mother, daughter, loyal friend). This book takes a major step toward giving a just measure of recognition to this awesome woman. It contains wonderful photos, sketches, pastels, and paintings - some, particularly of Clara alone, are especially moving. Her expressions tell nearly as complete a story as the text.

Though replete with musical discussion and analysis, one need not be a scholar or musician to comprehend and be totally struck by Nancy Reich's telling of Clara's story. If you care anything about wives, mothers, daughters, friends, or music, this book is a MUST READ.

I discovered this marvelous book on the Clara Schumann Society website of Dr. David Kenneth Smith, Geneva College. I recommend doing a GOOGLE on "Clara '96" (the name of the site celebrating the anniversary of her death in 1996). You will get an abundance of hits, all of which are very worthwhile.

This revised edition of Clara Schumann's biography by Nancy Reich is a gem. Not only is the scholarship impeccable and thorough, but the talented writing engages and fascinates the reader at every turn.

Features of this wonderful new edition include the use of new medical reports that have come to light regarding Robert Schumann's illness; reference to recently discovered letters and diaries that further elucidate Clara's friendships with people like Emilie List, Frederic Chopin, and the Mendelssohns; and the expansion of the Catalogue of Works.

The revised Catalogue alone makes this new edition compulsory for anyone-lay or professional-interested in Clara Schumann and her prodigious work and impact. The Catalogue records every known piece by Clara Schumann, reviews of her compositions, her own performances of her works, the location of autograph copies, and much more.

The 1985 edition of Dr. Reich's outstandingly researched biography clearly had a major impact on Schumann studies. It was followed by a continuing, worldwide outpouring of performances and recordings of Clara Schumann's works, articles about Clara, and studies of her music.

The biography is based on original research in German archives and first-hand consultation of letters, music autographs, diaries, and other primary sources. To this meticulous scholarship, Dr. Reich adds intelligent, compassionate analysis of Clara Schumann's life and music, the influences that shaped her, her inspirational marriage to Robert Schumann, and Clara's breathtaking, at times unbelievable strength and ongoing artistry amidst the sometimes horrific adversities in her life.

Rarely is such a magnificent feat of scholarship accompanied by such gripping and graceful writing.

This book is a must for anyone who professes interest in Schumann studies, nineteenth century music, and gender studies, or who wants to experience a true story of passionate, devoted love and the mutual pursuit of art that Clara and Robert Schumann inspired in each other.

Nancy B. Reich certainly did her homework while writing the revised edition of Clara Schumann: The Artist and the Woman. Her resources include translations from primary texts in her native German, as well as other primary sources from the important friends in her life. She updated the 1985 version of the book in 2001 to include "a variety of significant documents-letters, medical reports, and music-that were in private hands and unavailable when [she] was working on the first edition". These texts include Robert Schumann's medical log, and Clara's correspondence with her husband's music publishers, the List family, and texts written by her granddaughter Julie. I felt this book was well laid out, and was able to include many thoughts and emotions from the people involved in Clara's life. By including information from the diaries and discerning when the passage was Wieck's writing or Clara's helped make clear whose feelings were really being expressed.
One thing I found was that Reich draws many of her own conclusions based on the information presented. Due to the difficulty of not having Clara's uninfluenced, uncorrected thoughts from the first twenty years of her life, it is difficult to actually know her true mind. Wieck's influence on her caused many of these primary documents to be soiled with his own opinions. They do, however, provide an interesting look at her motivations behind many of her decisions. He never spared his thought, and so, there is not as much need for speculation of his beliefs. Reich also does not ponder what her conclusions mean, she simply presents the facts, her opinions based on them, and allows the reader to agree or form their own ideas.
Her inclusion of a timeline of Clara's life in the beginning of the book is rather helpful. It allows the reader to follow her life and to find specific events within the book. Also, the division of chapters makes it easy to home in on specific parts of her life and to find the information easily. The second half of the book reemphasizes the themes in her life by forming separate sections with each grouping. These show her relationships with others and discuss the positions she held throughout her life. The second section might lose the reader's interest somewhat because of the recounting of many facts. She presents the information in greater depth, but she does so in a way that common themes are grouped together instead of emphasizing where they occurred in her life.
Overall, it was a very enjoyable read. It was very informative, and easy to follow. The writing flowed easily and the beginning held my attention. Reich wrote a book successful of influencing my emotions and teaching me more than I had ever known about Clara Schumann. This was a very effective story of the woman and artist's life, and I would recommend it as a great account.

Reich's beautifully written, thoroughly researched and objective book is certainly the best biography on Clara Weick Schumann in English. It is also one of the finest biographies I have read of any subject by any author.

From her childhood as a piano virtuoso through her 50 year performing career, Schumann was an international star of the concert stage, a composer and champion of the composers close to her, a woman who astounded and compelled those who knew her, a legend in her own time.

She was, as we know, beset by personnal tragedies of the most anguishing kind, beginning with her complex relationship with her taskmaster father, who taught her, drove her mercilessly, and made her a star at the age of 12, then refused to allow her to marry the love of her life,

She defied him at a dear price and married Robert Schumann anyway. The book explores at length her life as a beloved, then shunned daughter; as a lover, wife, mother, composer and performer.

She suffered terribly Robert Schumann's early and probably syphilis-induced insanity and death, the deaths of most of her seven children at a young age, and extreme financial straits in which she found herself most of her life.

Reich takes us step by step through all of the contingencies of her professional life: her lifelong celebration of Schumann's work; the 'Young Werther' relationship with her beloved Johannes Brahms, whose career she promoted tirelessly; her complex personality and deep involvement in her career and their effect on her maternal relationship with each of her children.

Throughout, Reich draws a richly variegated picture of the world of classical music in Europe from the early 19th century onward -- its characters, creations, rivalries, performances, highs and lows. Schumann interacted with many of the centuries' finest composers and performers: Chopin, Joachim, Liszt, Schumann (of course), Brahms...the list goes on.

Reich presents the incredible strength and courage for which Schumann is well-known, but does not flinch at exploring her more problematic qualities, for which friends, family, children and Schumann herself, paid a price.

Clara's deep understanding of the music of Robert Schumann and others, and its profound physical and emotional effects on its her play throughout. Here is Clara Schuman, de-mythologized, de-romanticized, and still amazing.

Intriguing, richly embued with testimony from original sources, a pleasure to read, Reich does not just tell the tale. She performs a symphony.

I agree with every word written in the previous reviews: this is a stunning work and one of my most prized possessions, ranging across manuscript illumination from the very earliest known through early to late Middle Ages and Renaissance, and geographically also ranging much more widely (i.e. outside Europe) than any work I've come across.

I paid £37 for it in the UK when it first came out ($75), and still thought it was an absolute bargain. So I am mystified why it is suddenly available (October 2007) at a fraction of the price: this must be being sold at a loss - or are Taschen simply offloading all unsold copies to Amazon? It might be worth Amazon specifying if this indeed the same as the original edition. You'll note that the cover picture is slighlty different from the one you get when you follow the link to the more expensive 'other editions' (even if the text content and reviews are identical).

Illumination has fascinated me since I was a boy. This is the best book I have seen of illuminations. The scope includes books in Greek, Latin, Old Church Slavonic, Persian, and Mayan. The printing is superb. Detailed descriptions tell who did the work, who patronized it, who owned the book, where it is now, and so forth. Great for browsing for enjoyment and as a source of inspiration. I expect this book to be a favorite for many years to come. Anybody who enjoys calligraphy and illumination would be delighted to own this book.

This book is worth every penny! It has fantastic HUGE pictures full of great detail. As an artist who specialises in ancient illuminated manuscripts, I value this book above all others in my personal library. So many great manuscripts are represented here. Truely high art!

This book deserves a seven stars score, as it is magnificent in every sense: Paper, Colour palette reproduction, basic and reliable information accompanying every depicted facsimil, and specially because of the scope of the compendium, involving manuscript examples from arabic countries as well as a XIII century mexican manuscript (The Borgia Codex currently held at the Biblioteca Vaticana) This collection shows (as rarely done by supossedly comprehensive treatises) that Mesoamerican, Chinese and Arabic cultures do also possess a very rich medieval heritage, characterised by a colourful tradition in art production. I strongly recommend this book for anyone interested in Medieval illumination, as well as for those modern illuminators concerned with applying only authentic medieval colours (mostly inorganic compounds) in their manuscript reproductions and finally, this book serves also as a comprehensive guide for visiting great libraries and museums all around the world where some of these manuscripts are exhibited (Do not forget to visit the Condé Museum and The Marmottan-Monet Museum in France).

"Masterpieces of Illumination: The World's Most Beautiful Illuminated Manuscripts from 400 to 1600" is essentially a reprint of "Codices illustres: The World's Most Famous Illuminated Manuscripts 400 to 1600." The former is one of many 25th anniversary Taschen editions, and bears the series logo on its dust-jacket and bright green cover (rather than the classier illumination of the Limburg Brother's Anatomical Man that adorns the cover of the latter). "Masterpieces" is also slightly smaller (9 ¾" x 12 ½") than the original (10 ¼" x 13 ¼"). There are a few other slight differences between the two editions: different endpapers; white paper for the appendix in "Masterpieces," ivory in "Codices"; and slightly darker illustrations in Masterpieces (only noticeable if you actually compare the editions side by side). Otherwise the two editions are virtually identical.
This is a truly wonderful book. It contains discussions and representative illuminations from 167 of the most famous and influential extant codices, books of hours, psalters, Bibles and histories from Europe and Asia (23 or the 167 are from Persia, turkey and India) during the 1200 years in which manuscript illumination flourished as an art form (and at the end of the text proper are samples from yet another 29 manuscripts). The full-color and often full-page illustrations are beautifully and accurately rendered, and the accompanying descriptions are both authoritative and unusually informative. The appendix contains artist biographies, along with a comprehensive bibliography, glossary, and index. In short, this is more than just a coffee-table book; in fact, I use it in my university course on manuscript illumination (along with Christopher De Hamel's excellent "A History of Illuminated Manuscripts," which forms the perfect companion piece to this volume.).
At the current retail price ($29.95) this book is an absolute steal. If you only get one book on the subject of manuscript illumination, this should be the one!

As for content and art this book is fabulous, but I was kind of expecting more prints. The layout they chose for the book is interesting and I don't really find it necessary other than for a wow factor. To me it really didn't add anything to the prints inside, but to be fair, it didn't necessarily take away either. This book defiantly features what I enjoy best about Amano's art.

A good buy for Amano fans or any artist interested in graphic art and/or inking.

I bought this book for my boyfriend, who is a huge fan of the series. I cannot speak from my own experience with it, but from his near fainting reaction upon receiving it, I would say it is definitely worth the money. From what he has said, the artwork is incredible. I would recommend it for any fan of the series or the art.

The art in this book is detailed, beautiful, and breathtaking... I was blown away by even the pictues which were only sketches.

I recommend it highly to fans of Vampire Hunter D... as well as anyone who is an art fanatic or art book collector... or even just someone who loves Vampiric things in general.

This book is HUGE, which it should be to show off the fantastic artwork. Loved it! All Vampire Hunter D fans should get it, just don't expect it to fit in your book shelf.. lol! Pay close attention to the dimensions in the item description. It also comes in a slip case to protect the book.

The kind of book one wants to open and roll himself or herself all over the pages. Huge size, excellent paper, amazing printing quality, and I can go on practically forever. Much better than the Japanese edition which is small and most pictures are not even full size, but cropped. (Yes, I am crazy enough to own both editions!) Amano is a genius. His lines and forms are flowing, his colours mesmerizing. Invest in what will hold you spellbound for hours.