Artists Books

this is incredibly eerie for a kids book. very good concept behind the story; simple, yet as previous reviews state raises many questions and possibilities.

really good illustrations aswell. i read it years ago for the first time and havent forgotten it since.

I love this book - it is so clever and stirs emotions of confusion within the reader so easily. The only thing that I didn't like about it when I first read it, was that it raised so many questions that I had nowhere to find an answer to! Well never fear, make sure you read the sequel - BENEATH THE SURFACE. It shows how the watertower affects the world. Truly breathtaking storytelling.

The Water Tower is different from any other picture book I have ever read. This book shows what boys will do if they are left alone with a water tower. The Water Tower is rather bizarre and you really have to think in order to get the point of conquering your fears. It starts out with two boys that want to go to swim in the eerie old water tower that sits on the top of Shooters Hill. The boys go up the water tower, but only one has the guts to go swimming in it. The pictures are well drawn and help you understand what is going on in the book. There are some hidden things throughout the book you have to look out for, so keep your eyes open. Overall, this is a great book and I hope you enjoy it as much as I did. I would rate this book a 4 out of 5 stars because it was too short.

This book has kept the students in my grade 4/5 class at Acton School in Burnie, Tasmania captivated throughout this whole week. At first when I read it to them they picked up that the town residents eyes were funny looking but on further investigation they found many other peculiarities in the story. They were crowding around the book trying to see the different pictures and solve the mystery.

Erin says her favourite part was when Bubba came out of the tank and Spike wants him to show him his hand. Bubba says "No" because his mum would be worried however at the beginning he says that his mum would not care!

Alaster says that his favourite part of the book is solving all the mysteries.

Laura says her favourite part of the book was the picture of Bubba's face up close.

Melissa Lowry agrees with Erin that the part where Bubba came out of the Watertower is her favourite. Actually most of the class agrees that this part was the best. I think this is because it began all the questioning about the story.

Aaron and Matthew say that the mystery is related to the pitchfork that is seen on all pages.

We will be continuing to use Gary Crew books for language and drama work. We would love to hear from any one who has solved the mysteries in the story or of any activities you have been doing in the classroom. Thanks. .............

This eerie tale will keep the reader intrigued long after finishing the book. In the town of Preston, an old rusting water tower stands on the edge of a hill. Two boys decide to go inside for a swim on a sweltering summer day. What happens inside is a mystery, but one of the boys is forever changed.

This 1995 Australian Picture Book of the Year winner uses the contrast between colorful illustrations and black background to great effect. In a twist on the usual picture book, the illustrations tell the real story, while the text provides the background information.

What a great puzzle. This is the kind of book that I could not stop thinking about, even long after I read it. This is an engaging book for adults as well as for children.

Just buy this already-- here's a book with great production values that features one of the great artists (of any kind!) of the 20th century, Villy Elder. "Genius" it says-- and for once it's fully justified. Comic genius, artistic genius, wiseass genius: Elder is the real thing.

Will Elder, as you know was one of the Original EC Comics Artists. Along with Harvey Kurtzman he was a Part of the first 25 Issues of Mad Magazine.
His amazing Art helped to define what Mad was all about. To put it in Words, this man went Plumb Loco, and just about created Lampoon Art all on his own.

This Lavish 392 Page Book is The Document of Will's Life and his Art. Over 100 Pages of his Comic Art is Reproduced here, and this Material is a Feast for the Eyes, for anyone who enjoys Comics and Good Humor.

Besides Mad, Will's work in other Publications are here as well. The Humor Magazines: Panic, Trump, Humbug, Help! and Pageant are all represented with lot's of his Work not seen in decades. The 'Liitle Annie Fanny" and "Goodman Beaver" Stories {Teaming with Harvey Kurtzman, again} are here in Bulk as well.

Paintings, Portraits, Still Lifes, Stetches and Drawings from Will's Personal Files show another side of his Talents.

This Book is One of the Best, I have every seen on the Subject of a Comic Artist...{And I have seen a few!}. It is a Massive Volume about an American Original...The One and Only...Villie Elder !!!

Will Elder is one of the greatest artists in American history. Elder's works have appeared in magazines ranging from Mad to Playboy. Many of Elder's best works are parodies of such comic strips as Archie and Lil' Abner. Elder eventually became a full-time artist at Playboy Magazine and was one of Hugh Hefner's top assistants.

This is a must have book for all Will Elder fans.

This collection of Elder's work is a solid addition to what is already available. (The complete Mad comic book issues are available in paperback form at most bookstores, and the Little Annie Fanny series can be ordered from Amazon.) This volume contains much of Elder's work from Trump, Humbug and Help, as well as other magazines, like the 1950s Pageant.

Also included are many personal paintings and drawings of Elder's family, as well as landscapes.

A class clown in art school, Elder also assiduously studied such masters as Peter Breughel and Cezzane. In fact, he even gives homage to these painters in an illustrated series for Pageant, in which he discusses the artists which inspired him.

There is a lengthy essay by Bill Stoudt in which he describes the painstaking process by which Elder, Harvey Kurtzman and Hugh Hefner created each episode of the "Little Annie Fanny" series. Hefner insisted that each page resemble a painting, and that is precisely what Elder delivered. Only after numerous drafts, sketches and erasures was a page of "Annie" ready for print.

When commissioned to satirize Norman Rockwell, Elder decided to prepare for the work exactly as Rockwell would. He enlisted his neighbors to model for the characters in the painting, and the result was the hilarious "Visit to Grandma's" in which a wholesome American family is depicted feeding small animals to a Venus Fly-Trap plant.

You can look over the panels of "L'il Melvin" or "Howdy Dooit" and see something different each time. This is because Elder doted over each picture, cramming it with details, building one joke over the next. Thus it took hours - maybe days - to complete one page, but so what? It kept the kids in the 1950s laughing their butts off! (I know because I was one of them. We used to run around the playground, running like the characters in the "Starchie" parody with our knees up to our chins.)

But did he make money? Well, eventually, but he could have made a lot more. In 1956, Kurtzman and Elder left Mad to start their own humor magazine, Trump, financed by Hugh Hefner. Kurtzman had given an ultimatum to publisher William Gaines that he would remain with Mad only if he could retain 51% ownership. Gaines insisted on 49%, so Kurtzman quit. In retrospect, he should have stayed, because the magazine went on to make a fortune for Gaines. Trump, however, folded after two issues.

As other reviewers have suggested, Elder's work belongs not only the category of "comic books" but possibly to the world of art. Will Elder drew in the tradition of Breughel and Hogarth. He drew the Human Comedy. Ultimately, he held the mirror up to nature and found it all hilarious.

I'm not going to fault Daniel Clowes for including selections from Elder's work available elsewhere (MAD satires on "Gasoline Alley", "Archie", etc) or for NOT including the complete "Goodman Beaver Goes Playboy," which is apparently under copyright limitations from the ARCHIE publishers (and is available elswhere on the 'net!) However I would have preferred more complete sequences from TRUMP and HUMBUG - which are not readily available elsewhere - and fewer examples of Elder's "straight" artwork - one still-life fruitbowl is plenty, thanks! How about more on the "A Night at the Castle" and "With trembling pseudopods" illos, which are in any event reproduced elsewhere?

I am very pleased with the book of watercolors. There were numerous pictures of high quality, and covered different phases of his life.

Since seeing a show of Winslow Homer's works a few years ago, I have been in awe of this artist's talent and versatility. So it was natural for me to pick up this beautiful and informative book which focuses on his watercolor career. In addition, the author gives us Homer's earlier background as an oil painter and illustrator. She is certainly well-qualified to write about Homer---she holds the position of Curator of American Paintings and Sculpture at the Yale University Art Gallery.

The color plates in this book are gorgeous and the text gives good information about Homer, his life, times, and techniques. It was a delight for my eyes!

In 1873, at the age of 37, Homer began serious work with watercolor while in Gloucester, Massachusetts. These paintings were characterized by broad brushstrokes and extensive use of light and color.

The Gloucester watercolors began Homer's lifelong pattern: he would focus for a certain amount of time on a singular theme inspired by a particular location. Some of these themes included rural life, especially childhood, and seascapes/marine scenes. He lived for periods of time in Gloucester; Cullercoats, England; Prout's Neck, Maine; the Bahamas and Cuba;, the Adirondacks; Quebec; Bermuda; and Florida. His need for privacy led him to live in somewhat remote locations, and during these years he was constantly experimenting with new techniques. Prout's Neck was his home base for his last 30 years although he often spent time in other places during that period. It was in Cullercoats (1881-82) that he developed his mature watercolor technique and his love of sea themes which he painted for the rest of his life.

Homer's late works are very thought provoking, often showing heroic subjects or themes; they show nature's beauty and its power and humans' mortality.

Homer lived a very solitary life, never truly realizing how really famous he was. He died at the age of 75, his last five years spent even more withdrawn from society and battling many illnesses.

One of my heroes, Winslow Homer (1836 - 1910) worked in watercolour throughout his career. As a watercolorist myself, I rate Homer as one of the best in the history of watercolor painting.

I purchased this book for its good illustrations of Homer's watercolour paintings, but soon found that the excellent text makes compelling reading too, dealing with formal and art-historical painting issues. It is an academic publication, with an emphasis on Homer's technique as it relates to his subject and meaning. Buy it just to drool over the paintings; the text is an added bonus.

The author has grouped Homer's watercolor work into geographical sections - for example, "Bahamas", "Adirondacks", "Florida and Prout's Neck". More than just a chronological journey, the book examines Homer's work from his many different physical locations. Homer's technically brilliant watercolours reflect his unique artistic vision, celebrated in vivid color, unique viewpoints, superb composition ... and more.

Received as a gift and have loved to peruse it ever since. Everyone should have these paintings to relax them and these words that stimulate.

This book provides a great analysis of Winslow Homer's growth as an artist. The author uses each chapter to analyze a different period of Homer's life as he, basically, self-taught himself through observation and experimentation based on where he lived, whether it was in the Bahamas, England, or the Northeast Atlantic coast of the United States. The pictures within the book are very good quality. The author emphasizes analysis of Homer's work over actual biographical information. If you are looking for more of a biographical-type book of Homer read Lloyd Goodrich's book Winslow Homer. Enjoy!

The book itself is excellent. Wolf Kahn writes beautifully and I love to hear what he thinks about his art -- this is so helpful to me as an artist struggling with many of the same issues in my own work. However, this is the SECOND book I've purchased from Amazon recently that was clearly USED (pages bent, cover scuffed & torn)when I purchased what was supposed to be a NEW book. This is inexcusable. I don't have the time to repackage and return it, so I just accepted it, but I am so dissapointed in Amazon. Had I chosed to purchase a used book I would have saved a lot of money and it would have been in the same (or better) condition.

If you are a beginner or a experienced artist, you will greatly appreciate wolf kahn. His book is inspiring as all of his works. I would highly recommend this book.

If you are a fan of Wolf Khan, this is a must-have. Great book.

Why does an artist do what (s)he does? Wolf Kahn gives insight into his thinking. He touches on composition, use of color, and elements of design. We know the colors, but we might not understand why they work. He helps us understand. Just out of curiosity I viewed the plates upsidedown, and they were very exciting viewed that way. Try it! The book has beautifully printed plates, but I found placement of some plates to the text somewhat inconvenient and perhaps a little confusing at times interrupting the continuity of reading and study. I would have wished for some of the smaller paintings to have been actual size. I would have learned and understood more. You may learn some new vocabulary and some words he has defined for his own usefulness. The cover and binding are confluent to the interior of the book. I consider this book to have worthwhile the purchase and the time spent reading it. What are my credentials you might ask? I am nearing graduation in master of arts in studio painting and have degrees in journalism and education.

Very beautiful work. I love Kahn's minimalist approach, he is an exceptional colorist. I could look at this man's art all day long and not get bored.

I bought this book for my Dad, who is a water-colorist. He paints tall ships and other types of ships. He thought the book was beautiful.

Hoyne balanced the technical and artistic aspects of his subjects in a wonderful way. In doing so, he crossed the boundary between illustration and art that so often confounds marine painters, and while he may not escape the character of a genre artist, he is clearly at the upper end of the spectrum.

The text is informative and well-written. (For sailors, in particular, it will be chilling to see how many of the vessels that Hoyne painted had short lives and sad endings.) Hoynes' description of his methods, quoted at length, provide valuable insight into the work and the artist.

It's so fulfilling to find the complete history behind the preeminent artist life story. The sea and the fishermen [dorymen] who lived that lifestyle are certainly represented in the highest by this artist. It seems that God Almighty allowed this man the extra years necessary to express his great love for the sea and the men who go down to the sea in ships. Wonderfully, completely illustrated!

Very very beautiful.
I am more and more satisfied
for the amazon's books that I purchase.

I began by admiring one of Thomas Hoyne's paintings and decided to find out more about him. This book is a very comprehensive and beautiful presentation of his work as well as an excellent mini-biography of the man and his background.
My wife and I enjoy picking the book up at a quiet moment and studying one of the works illustrated to look for all the fine details which Thomas Hoyne is noted for.

beautiful drawings...no matter how self critical mr. ware was back in the day. the book really allows the reader into the head of a master illustrator. if you're looking more for a graphic novel, don't start with this one (try his first real freshman work jimmy c, or his ACME novelty library, probably my favorite - you get a real sense of what ware is all about - clean lines, insane, or better put, anal details). anyway, back to this one...great book, if you're a fan of ware, there's no reason not to get this one, and if you're not yet convinced, this is a nice piece just to have - these same drawings and doodles that once inspired ware himself, now get me thinking. love it.

I didn't think I would like this one. But after owning everything else the man ever made, I asked for this one for x-mas. Wow! I love it! There are spontaneous portraits of people on the bus, views from friend's rooftops, the rudiments of strips like: God, Jimmy the robot etc...
If you are a Chris Ware fan YOU WILL LOVE THIS BOOK! If you are not familiar with Chris, best to start somewhere else.

If you want to see inside Chris Ware's head, this is the book. There's next to no Jimmy Corrigan or Acme Novelty, just raw sketches of inspiration and internal struggle spanning 9 years of Ware's life (1986-1995). As an illustrator/designer, I found this book to be the most inspirational book I own, and I own many inspirational books. I definately recommend it.

I just finished reading this, and it's a real treat. Fans of Jimmy Corrigan or Acme Novelty Library will enjoy drafts of these but expect differences in style. This gives a better look at Chris Ware than his other publications that I've read. You can really feel his frustrations in this work. I reccommend this to both fans and non-fans.

The book is a record of an absolute monster drawing talent!
It collects tentative investigations, as a scrapbook of ideas and odds and ends. The amazing thing about it is its vitality.
Anything and everything becomes a source of inspiration and investigation into the nature of drawing. A coffee cup, a telephone in a waiting room, a washing machine, such mundane things seem to begin as notations but are transformed by Ware's observation of line and tone into their inner vitality - much like Van Gogh's peasant shoes. There are beautiful portraits. And beyond the observed notes, the book is positively brimming with characters, mutations, and cartoons from his eccentric imagination. The fantastical musings and the observed notations blend, merge together, separate like DNA strands through the book, adding up to a rich record of creativity

This is to clarify the actual status of Taylor's Vol. 1-4 volumes of terrific aviation art.

All volumes are still available through several aviation art dealers. ( NW Aviation Art/Leisure Galleries) I do not know why Amazon lists many of these as out of print. They are NOT!

The new Volume 4 is out as of Sept. 2000.

Wish Amazon stocked them all.

If you don't have the money to buy an original painting of Robert Taylor, but you want to see his works, this book is absolutly fantastic.
You can look to the prints for hours, using your fantasy how it was/is to be a combat pilot.
But, do not not expect it to be a book with a lot of prints.
This is just a selection of one of the most beautiful prints.
This is really a book you can look in from time to time and turn yourself into another fasinating world.

Those of you who know Robert Taylor's art work will know what to expect from this book. Those of you don't, then you will be treated to some superb sketches and paintings which mainly focus on World War 2 aviation scences. Taylor has an excellent eye for detail and realism and researchs his subject(s) to ensure that his paintings are more than just realistic, they are factual. In this book he talks about how some of his paintings were done, along with comments from some of his subjects such as Adolf Galland, Townsend, Johnnie Johnson etc. The book includes 24 of his paintings, including some of my favourites "Dambusters","JG-52", "Victory over Dunkirk" all of which are on good quality paper. This is a quality book which displays the master's work and the master at work and highly recommended, although some may find the price a little prohibitive.

I have always been interested in military aircraft since I can remember. I build a great deal of scale models and this book has proved to be a valuable source for both colours and detail.

This is the third installment of the series of aviation art done by Robert Taylor. Painters like Taylor, Truidgen and others continue to set the standard in historically correct military aviation art.

His attention to detail is superb and the paintings are centered around a certain pilot or group of pilots during W.W.II. Many of his paintings are signed by the pilot or pilots portraided in the paintings. Most are paintings of aircraft that are close to the ground, like returning flights of planes getting ready to land or takeoff in a historical setting.

The book gives blown up details of parts of the paintings and examines historical details not readily noticeable in the overall paintings. Taylor spends time telling the story, how he painted the scenes, and the research required for each painting.

The price is a little steep, but well worth the purchase if you are a aviation collector, especially if you don't have the money to collect the real thing.

I love this book and i'm in airbrushing schoo

I love this book and i'm in airbrushing schoo

I've read seven airbrush books in the 4 and 5 star range. This was book number seven and by far the best book on simple airbrushing techniques. The frisket cutting and blending exercises are precise and inexpensive to reproduce. Getting into airbrushing is expensive and it is difficult to find classes or good books. This book will get you started on airbrush painting technique in an hour or two of reading time. Sometimes the cheapest book is the best!

I love this book and i'm in airbrushing schoo

I studied technical illustration many years ago and wanted to try airbrushing as a hobby. I think that this book covers the basics well and provides useful exercises with emphasis on the shading of objects. Well worth the price.

I saw an exhibition of David Macaulay at the Hudson River Museum in Yonkers, NY, in July 2007 and was totally in awe of his talent. He is such a fantastic Illustrator and has a wonderful sense of humor. Until then I did not know anything about him, but after the exhibition I went to Amazon and bought 6 of his books. In addition to his brillant architecture/construction books like Castle, Mosque, Pyramid, and fascinating technical "how to" books ie. The New Way Things Work, he's also written some amazing stories for kids. This is one of them and I really love this one:

The story is about the friendship between old Angelo, who works on restoring the outside of an old church in Rome, and a pigeon, that he rescues. Angelo reluctantly warms up to the pigeon as he nurses her back to health. But soon he embraces and enjoys their one-of-a-kind and caring friendship as the pigeon, called Sylvia, decides to stays with Angelo. We accompany this unlikely couple for many months, through various seasons, as Angelo is finishing his work at the church. We witness cute and silly little scenes as Angelo plays the pigeon's favorite music and holds headphones to her ears during her convalescence, Sylvia and her pigeon friends dancing in front of Angelo during lunch to cheer him up. However, Angelo is becoming weaker and weaker and we feel with Sylvia as she shows great concern for his health and well being. Although Angelo eventually dies, the story ends on a happy note: the pigeon continues to live in a special nest that Angelo created for her out of stucco at the top of the church and David tells it with lots of humor and great sensitivity.

Beautifully illustrated, this story tells of enduring love. Simply heartwarming, touching, uplifting. A delight to read to your kids, but I bet, you yourself will want to read it again and again and again.

A very touching story. It reminds me the words in Bible,"Love is patient, love is kind. It does not envy, it does not boast, it is not proud. It is not rude, it is not self-seeking, it is not easily angered, it keeps no record of wrongs. Love does not delight in evil but rejoices with the truth. It always protects, always trusts, always hopes, always perseveres.Love never fails."

It's an excellent storybook for readers of all ages!! I gave this book for my students to read and they loved it very much.

Its such a simple sweet story--of the relationship of the old man and the pidgeon--still so old world in feeling and simplicity about a friendship!!! It made me shed a tear!!! Brenda Momente NYC

Each day at work I have to read the new picturebooks that have been proccessed. I dislike few of them. I enjoy most of them. I love very few of them...especially on first perusal. "Angelo" is one of the very few.

It's the story of the unlikely friendship between a master plasterer (Angelo) and a pigeon he dubs Sylvia. He finds her wounded on the ledge of a building he is restoring & takes her in despite his negative opinions of birds. (The pigeon hospital bed he rigs up for her is wonderful). She flies off after convalescing...only to return when he needs companionship to see him to the end of his last great job. In thanks, he creates a tribute to her...a tribute only he could create & one only a pigeon could appreciate.

The story is heartwarming, but the pictures are silly, cinematic, and inspired. This is a treat to read (for young and old) and it is my pick (so far) for Caldecott 2002...

All of David Macaulay's books are wonderful, and this is no expection. One note of caution, though...I teach elementary school and read this book to a number of students. The story deals with death at the end, and this lead to some sad comments and discussion. Should be prepared to talk about death or loss of a loved one. This is would be a perfect book to deal with that topic.

Excellent reference book. 5 stars from the first to last page.

I got Goldfinger's human anatomy book, but in comparison, this is even better. Great multitude of drawings and diagrams of different species of animals, from bones to muscle to final skin with great angles. Highly recommend it.

And many of the reviews here were very helpful.

This is a very detailed book and a must have for those that need to know more about animal anatomy. This book does layout the skeletal and muscular design of the used animals very well. One thing that it does not give you is a detailed description of exactly how the joints move or muscles work. But overall a must have if you are doing an animal study for sculpture or 3-d modeling.

Artists who plan on focusing on animals had better pick up a copy of Animal Anatomy For Artists: The Elements Of Form: a virtual 'Bible' of animal anatomy, is features over five hundred original drawings and over seventy photos which painters, sculptors, and illustrators can use to understand the underlying anatomy of a range of common and wild animals. Forms created by muscles and bones provide artists with a three-dimensional figure of the final surface of the animal, while Goldfinger provides discussions of how each piece of animal anatomy interacts with another.

Artists who plan on focusing on animals had better pick up a copy of Animal Anatomy For Artists: The Elements Of Form: a virtual 'Bible' of animal anatomy, is features over five hundred original drawings and over seventy photos which painters, sculptors, and illustrators can use to understand the underlying anatomy of a range of common and wild animals. Forms created by muscles and bones provide artists with a three-dimensional figure of the final surface of the animal, while Goldfinger provides discussions of how each piece of animal anatomy interacts with another.