Artists Books

This is a great children's book. I have read a few of this author's books and I like this one the best.

Simple, yet profound. Many lessons can be learned from this story. The Dot is encouraging and uplifting and I recommend it to everyone.

I love how this book helps kids make their mark. I use this book in my class rooms and it goes great with my little ones who are just learning how to make art for the first time.

This is one of the greatest kids books ever! Especially for my son, who always thinks he has to be perfect. This book shows kids that everyone has their own talents; it might not be what you thought was perfect, but it can still be beautiful and amazing, unique and yours. I hope this book gives more children the courage to do their own thing and express themselves.

How do you teach a child confidence?
You could put their work on the refrigerator, frame it, or talk about it with others. In this story the teacher frames a small dot drawn by a child who claims she is unable to draw. The little girl is also asked to sign her work, which emphasizes value.

Society values signatures. We want the signed book, the signed football pendant, the autograph, etc. because we perceive it is more valuable. Children can relate to signatures. Children understand signatures mean something (whether it is a report card that needs signing, an illness note for school, or the need to sign a "take home" folder). Thus, immediately the little girl realizes when asked to sign her work that her dot, her creation, is also valuable.

This wonderful story teaches children about trying, about at least starting, at least making an effort, and then seeing where that start can take you... This lesson is taught through art in this storybook but reminded me of what we were always told in writing, "Write, just start.... "

Henry Ford said, "If you think you can... or if you think you can't... you're right." This simple story illustrates a message of positive "can do" type thinking.

I also especially like that the little girl passes on what she learns at the end of the story by asking a little boy to sign his work. Setting a good example and passing on your knowledge to help others is a lesson for all children!

Jock Sturges will probably stand as one of the great photographers of the 20th and 21st centuries....someday. His work with the friends and strangers who populate summer beaches and cottages where clothing is optional, year after year, testifies to his respect for his subjects and his affirming humanity. In current American culture, where hypersexuality is the marketing tool of choice, and merchants exploit every normal insecurity about appearance to sell endless crap to yearning multitudes, Sturges's pictures show us how beautiful we are, in all our shapes, sizes and ages, in nothing but the skin we are born with.

As a photographer, I am amazed at Sturges's ability to convince people to simply offer themselves up to his visual instincts. He returns to the same venues again and again, and becomes part of the places himself, rather than an intruder, and the people in his photographs see the work that results. Seeing themselves as he sees them, they appear to trust him completely. He steals no souls, but rather, affirms the conviction that we have souls in the first place. When asked to suggest a present for my own 16 year old daughter, a young woman with endless interests and curiosity, including photography, I could think of no better work to show her at this point in her life.

This is what children, young people growing up, and parents with children look like: people in bathing suits, jeans, everyday attire, as well as nude. There are photographs on the beach, in a tree, on a tricycle (one of the best as a photographic design, in my opinion), in hammocks, standing...a whole range of locales and postures.

While it astounds me that anyone could think this wonderful collection is child pornography, I *can* see the concern. There's no doubt in my mind that a genuine pedophile would be attracted to this, and for all the most unfortunate reasons. Still, this is an accurate and sensitive representation of something that seems almost vanished from the world--the innocence of people comfortable with themselves, their bodies, and with each other. Alas, this is our loss.

This collection of touching, humorous, and occasionally beautiful photographs is our gain.

If you are after pictures for the sexual excitement, look somewhere else. Yes there are naked women and men, young women and men, and even boys and girls of adolescent age, but you'd have to have a pretty sick mind to find them sexually exciting.

Rather on the contrary this are works of art with some of the best printing you'll see in your life (I'd love to see the originals, as I suspect as good as the book edition is, it still doesn't make it justice), with that simple beauty and simple "laiser faire" that is simply breathtaking.

Mr. Sturges first photography book, it shows the style his fans all know and love but as a first effort has a less polished feel to it. I was surprised to see some pictures taken in Rhode Island, the later books seem to consist of France, California and Oregon with no East Coast U.S.
As always with Mr. Sturges books the subject matter is mostly nude but there are several clothed photos here as well, more than will be found in later books. The style is all well done,(many very nice images), the book is certainly worth owning but doesn't seem quite the quality of the books from "Radiant Identities" onward.

A superb example of natural people doing what comes naturally captured in a wholesome way. Through Jock Sturges' images, we see what we see around us every day - families growing older. His nudes are prime examples of beauty - of which Jock captures with a particular reverence. The subjects represent whole body acceptance - something our society lacks today. The book is well done, and the images crisp and of excellent tone.

Second Slice, The Art of Olivia is two books in one...sort of...about ¾ of the book is displays Olivia's paintings in portrait format. Flip it over, and the rest of the book is in landscape format...a flip book for adults! Olivia's second slice is every bit as filling and delectable as the first offering featuring 124 pages with 140 paintings in full color. Each of the two sections provides a detailed index with the name of the piece, size of the original painting, materials used, the name of the model, as well as Olivia's own commentary on her works. These comments are often as entertaining to read, as the paintings are to view.

The models used in this edition include Pamela Anderson, Rhonda Shear, Bettie Page, Julie Strain, and Sandra Taylor. The paintings of the saucy Julie Strain are some of my favorites in the book. With her long, kinky black hair, ample curves, and playfully wicked smile, Strain made a wonderful pin-up queen for the 1990's, when most of these pieces were completed.

Olivia experiments with many forms of style and color, which make for some of her most striking and exotic work to date. This is well displayed in "Zebra Lady III" as the nude, striped model (Rhonda Rydell) blends into and almost disappears into the striped backdrop. While not necessarily known for darker, gothic works, Olivia clearly shows she can compete with the best in that genre with works such as the female vampire on display in "Things that Go Bump in the Night" and the winged, horned "Banshee" which serves as one of the book' covers.

Flipping to the landscape side, the buxom blonde bombshell Shear is captivating in the painting entitled "Pomeranians" as she finds herself lying on the ground, covered in a wrap made out of those furry, little dogs.

Second Slice is another gorgeous collection of Olivia's works, all from the 80's and 90's. It is filled with gorgeous women and bold, sassy, and exotic colors and settings. Olivia continues to prove why she is at the top of her game.

Reviewed by Tim Janson

Olivia was one of my favorite artist, and in my collection of Illustrations books she can't be absent. This new collection of paintings shows her skills to mold all kind of techniques.
A must have release.

Olivia is the Vargas of our time. As Vargas took the reigns from Petty, Olivia has done the same, and Just like Vargas went beyond Petty in terms of realism, and delicate beauty, Olivia De Berardinis has taken cheesecake to a whole new level. Every pose, expression, and little bit of body language is put to use. Every Shot is beyond what a glamor photographer would dream of. Utter Perfection on so many levels. There is definitely some of her art that pays tribute to Petty, and Vargas among other legends of pinup in many of her pieces in most of her books. This one is a collection that spans many realms, and genres as would only be appropriate in our day. (Frank Frazetta influence spans the universe) There are no pieces that are over the top goriffic, or Horrific works like Clevenger, but there is some definite influence from Fantasy art in a portion of this book. The cover of this book was also a cover on Heavy Metal Magazine of which Olivia did many covers for in the past. This book is like an homage to the beauty of the feminine and female form, as is all of her work. Mouthwatering is the only description I can give it. If your looking for extreme fantasy, or horrific, gorrific works go for Clevenger. But if you want to see the beauty of the female form that can only be described as: like looking into the eyes of an angel". Olivia's books will do you no wrong. This one is no exception.

For any female who has ever been embarassed by the pictures of the other publications that are not so tasteful in showing a nude female this is a book to check out. I myself grew up with a feeling of nakedness is not beautiful and felt that way until I was about 18. When one day someone showed Olivia pictures to me and opened my mind allowing me to see the real beauty of the female form. It is beyond words and as a young woman it allowed me to feel better about myself. As a reminder to myself of the beauty she brings out in a woman I have small tattoo of Heatseeker just below my waist.

Who better to draw women than a woman? Olivia De Barardinis is the undisputed queen of cheesecake art, that wonderful if ill-defined blend of sensuality, sexuality, humor, and glamor.

Although her style covers a wide range, each illustration depicts a lone model. Based on Olivia's notes at the end of the book, it sounds as if each woman's presence is just too big to share a page with any other. Each time Olivia paints, she captures something unique to the model, so two models might confuse the directness of the image. Other visual elements appear in her work often enough to form a recognizable ensemble: happily erotic poses, improbably high heels, and lingerie ranging from antique to futuristic fanatasy. Various of the paintings here show other influences, including Bettie Page, Klimt, Marilyn Monroe, Erte, and generations of other sensualists.

Olivia uses the last few pages to add notes describing the paintings. The text identifies each one by title (if any), year, medium, and usually the name of the model. In many cases, Olivia says a bit more about the woman depicted, the inspiration for the image, or something else to help the reader enjoy the picture - as if help were needed. Then, the last two pages let her talk about the creative process in each of her media, including watercolor, gouache, acrylic, and her trademark oil. I recommend this to anyone fascinated by Olivia's voluptuous, vivacious vamps and vixens.

-- wiredweird

Just pop in some FrontLine Assembly, VNV Nation, Funker Vogt, and Apoptygma Berserk mp3s, and browse through this amazing collection of sci fi/fantasy artwork from the master known simply as Brom. Large, crisp, full-color photos of his amazing paintings grace this informative book. See sketches for some of his paintings in the margins, and view his talented early sketches from age 5, 11, and 20 years of age.

Brom is the most amazing artist in the Fantasy genre. This book is a great buy if you love Fantasy art and you want to see a true master. Forget Frazetta, forget Vallejo, Brom is the one. This book portrays Brom's art to it's fullest. Beautiful, full color prints adorn every page, showing off Brom's masterful talent and attention to detail. Don't miss out on this one or it's sequal 'Offerings'.

If you like to draw, like great art works, sci-fi, well fantasy art this book is for you. Brom his a great artist, very talented, his art book got lot of nice to weird art works. It had been a while since I search for a great fantasy art book and this one is the best I saw so far!

I saw this book in a store yesterday. The title, Darkwërks was what first caught my eye. So I picked it up, looked at the covers, back and front, and began to flip through the first pages. I was amused very much by the art created by Brom in his earlier years. For instance, when he was age 6, he drew quite a bloody scene; a body riddled with knives and sharp objects. So, I started to look through the pages. Immediately, I was captivated by his morbidity and uniqueness. The graphic beauty of each picture shot into my eyes and made my heart quicken. I had only planned to glance through the book, but within seconds I had become a slave to each work of art.

While definitely not for the....."Normal" person, anyone who loves the morbid and macabre will love this book with all their heart and soul. Beautiful, beautiful blood and violence. Femme nikita, freaks of nature, tortured souls and Dark Angels fill the pages of this magnificent masterpiece. BUY IT NOW!!! Hah...

Brom is a fantasy artist who is best known for his work on his work Dark Sun, Deadlands, collectable card games, and book covers. He stands out from Boris & Julie as well as Frank Franzetta partially for the sole reason that most of (though not all) of his portraits contain people who wear clothing, albeit usually something fetish inspired, leather and latex. He has a very distinct style, painting very beautiful moon-skinned redheads and tan wild-elven creatures, which stand along detailed landscapes that insipre the imagination. Some of his work is disturbing (though not quite as disturbing as H.R. Geiger), and mostly very dark (what would you expect from a man who listens to Nick Cave while he paints?) but all of his work is remarkably well composed and masterfully detailed.
Brom has a larger influence than many people realize, for example the evil albino in the recently released movie Time Machine could very well have come directy from the pages of Darkwerks. To get an idea of how popular Brom has become, just type in his name in any search engine (Google works best). Darkwerks is a very good collection of his art, containing very little text and allowing all of the pages to be showcased in full-sized, full-colored glory.

Wow!!
This is a book for everyone and anyone that loves the muppets and its good for all ages, coffee table or for propsmakers.
Top choice as a present for muppets lovers

Fabulous. So many other reviewers have expressed the feelings this book gives you so much more eloquently, so I will leave mine with just that one word. Fabulous.

This book is fabulous. I ordered it from America to come to England as the current exchange rate made it cheaper to buy this book new than to buy it second hand in England, and the wait for shipping was worth it. There are some brilliant anecdotes from people working with Henson, and beautful pictures illustrating everything that ever went on in Jim Henson's studios, right up to unpublished notes that Henson wrote for a book.

This book is beautiful, and really interesting in looking at the work of Jim Henson.

Complete with full color pictures, as well as black and white photos of Jim's early years, this book is not only a great read. -It's fun to look at too! Even young children can sit and appreciate the magic of Jim Henson's creations through the artwork and photo-journalistic shots throughout.

This book contains a great deal of biographical information on Jim throughout his life, and includes a great deal of his earlier forrays into the world of experimental art and design.

Definitely a good buy.

It's hard to believe Jim Henson has now been gone for over 16 years. Christopher Finch's book stands as a great testament to Henson's amazingly prolific work and his larger-then-life existence. Despite Henson's natural shyness and reticence and quiet manner, the thing that strikes you in the book is how many lives this guy touched. He bestowed livelihoods on literally thousands of people. Their gratitude is expressed in these pages time and again in fervent, emotional recollections. To say Jim Henson inspired devotion only begins to get at what this guy meant to his family, friends and employees.

My hat is off to Christopher Finch for this wonderful collection, which is still available here as a beautiful and hardily-constructed first-edition hardback. Mr. Finch gets an extra level of respect for the decision (of which he no doubt had a say) to keep his name off the dustcover front. He's graciously stepped aside to let the lights shine warmly on Jim Henson.

I would recommend this book to anyone, from therapists to coaches to artists. It's an excellent creative stimulant that would be applicable even in creative classroom settings.

fantastic book! i tried The Artist's Way but... too time-consuming - i'm busy!!!! maybe i'll get back to it, but maybe it won't be necessary. i found that within the first few chapters of THIS delightful book i'd already gained focus and answered questions... i found mine at the local library, wrongly filed under "metaphysical", lol... i'll be buying my own copy very soon.

Several years ago, I browsed through "The Nine Modern Day Muses" in a bookstore and decided to buy a copy for myself. What a gift that turned out to be! Since that time, Jill Badonsky's book has made a wonderful gift for others. I have given copies to my sister; my boss; close friends; colleagues from my former life as an attorney; fellow writers, zydeco dancers, meditators, Buddhist practitioners.... Their response has been unanimous - every one of them loves the book.

"The Nine Modern Day Muses" is so much fun. The book is an easy read - Jill Badonsky's sense of humor is delightful, and her writing is light and playful. BUT don't let this fool you. "The Nine Modern Day Muses" is packed full of substance: powerful tools for igniting your creative spark and overcoming creative obstacles, fun but effective exercises for generating creative ideas, thought-provoking gems, and page after page of inspiration and encouragement. The book has been a tremendous hit with my creativity coaching clients and creativity group/workshop participants.

I highly recommend buying Jill Badonsky's book for yourself, your family and friends, and anyone else you know who wants to be more creative.

Laurie M. Hawley
Certified Kaizen-Muse Creativity Coach

If you haven't yet had the privilege of reading Jill Badonsky's magnificently motivating book The Nine Modern Day Muses (and a Bodyguard) you MUST find a copy and read it.

A Master Muse of our time...Jill Badonsky is a witty , sometimes wickedly irreverent, delightful and brainy Tinkerbellesque Warrior of the creative enchanted mind; illuminating the magic and possibility of creative ideas, visions and artistic dreams. This is a writer that not only walks her talk...she lives it.

The Nine Modern Day Muses gives you serious tools to take your dreams and your goals from imagination to reality. This brilliant and delicious recipe is that of an intellectual gourmand with a sense of humor. Ms. Badonsky shares cutting-edge psychological technologies, specific exercises and the extraordinary power of guided imagery to aid us in winning the battle against self-sabotage and marauding inner critics. Add to that a dash of whimsy and several pinches of joyful, motivational merriment and you have a reference that takes significant information and presents it with a sense of ease and FUN!

You will find yourself picking up this timeless creative classic again and again and again. There is a mysterious energetic resonance that infuses THE NINE MODERN DAY MUSES. With each read, no matter what page you may choose, the book seems to reveal another layer of excellent information; as though the Muse Faerie Scholars come out when it's on the shelf and add more dazzling, thought-provoking ideas!

This is NOT just a book for Artists, Craftspeople, Poets, Writers and Lovers. This is a book for EVERY HUMAN BEING. We are all students of ourselves.

JILL BADONSKY'S THE NINE MODERN DAY MUSES (and a Bodyguard) will lovingly speak in non-judgmental voices and persuade you to consider the power of yourself...the Wildchild you still are... and the inimitable gifts you have to share with our world.

Post Script: A SECRET...The latest word on the streets of Museopolis is that Jill Badonsky and her Muses are soon to launch another inspirational and brilliant morsel...The AWE-MANAC. Keep your eyes open for it this September!

This book is delightful! As a lifelong creativity champion, the moment I saw it I knew I had to have it. Of all the books I've read on creativity, and there have been many, it's the most creatively written and formatted that I've found, providing not only valuable information on the creative process, but being itself a model and an inspiration as well. The author, Jill Badonsky, brilliantly presents creativity principles in a playful, engaging and interactive way, personified by fun and spirited muses. Being a former producer of training materials and a promoter of creative and interactive performance support strategies, I appreciate the concept of chunking bits of information into a sort of buffet of info nuggets that can be digested in either a linear or a non-linear fashion. This book offers such a buffet. It's chock full of metaphors, strategies, resources and exercises that provide a bountiful and delicious creativity experience. Whether you want to explore your creative potential, take your creating to a new level, or help others do the same, buy this book! You won't be disappointed.

The Harding administration is buried in 20th century obscurity. Aside from the words "Teapot Dome", which few laymen know anything about, and the overriding scandal that dogged Harding's reputation after he left office, there are few people who would even know the name of the first lady.

Florence Harding portrays the image of a plain, dowdy hayseed, but the author brings her to life in the context of an amazing time in our history.

The 1920's were a time of a burgeoning economy, a rich underground economy with speakeasies, amazing jazz, racial awareness, and a recovery from World I. Florence Harding worked behind the scenes to prop her husband up to the challenge of the presidency. Recent revisionist historians have re-examined his presidency to look at his leadership, and his vision beyond the republican side of the aisle.

Florence Harding welcomed in the Jazz Age, consulted "spiritual advisors", and looked at feminist causes long before many of her contemporaries. She also loved and adored her husband, looking past his infidelities, and his out-of-wedlock children.

Warren Harding was in over his head as President. He was an innocent idealist who was thrust into a dark horse candidacy by unscrupulous men who he believed were his friends. He was also a popular and beloved President at he time of his death.

This book, however, is about his wife. She was a tirelessly driven woman, cannily intelligent, with a strength that propelled her to the pinnacle of American leadership.

It is a story few would undertake to tell, and it is riveting. While Florence Harding never comes off as likable, she is portrayed as loyal, admirable, and visionary beyond her time. There is a touching passage, as she sits next to Warren's open coffin, when she tells her husband "nobody can hurt you now, W'urrn".

She clearly understood the power of the office, and the damage it had done to her husband.

An engrossing biography, on an unlikely subject.

Writer Carl Anthony has composed an outstanding biography in his work Florence Harding. Harding Florence Harding been one of the more easily understood or admired First Lady's in this nations history, this book would have been written years ago. However, Mrs. Harding's legacy has been in the past told and retold more as a tabloid story than factual account.

When approaching this book, one needs to understand how Mrs. Harding's legacy was tainted by three men, none of which was her husband Warren G. Harding. First, Gaston Means - a grifter and one time low level FBI agent - did a master job at maligning the deceased Mrs. Harding in his book, The Strange Death of President Harding, a ghost written work that was penned by a tabloid jouranlist who sued Means when he failed to honor his obligations to the writer. In this book, Means paints the picture of Mrs. harding that is pervasive in American Pop Culture: that Mrs. Harding was clueless love lorn hag, who spent her time with mystics plotting the Presidents next moves in star charts. This is an image that the public bought, hook, line and sinker.

The other two men who betrayed Mrs. Harding were her doctor, Charles E. Sawyer and his son Dr. Carl Sawyer. The Sawyers held Mrs. Harding in their sway - she believed that they were great medical doctors, however it was the elder Sawyer's mis diagnosis of President Harding's heart condition as food poisoning. When Charles Sawyer discovered that the widowed First Lady's kidney ailment acted up, he travelled to Washington DC and demanded that Florence return to Marion Ohio for treatment at his private Sanatorium rather than seek treatment at at the better suited facilities in Washington. Mrs, Harding was placed in a cottage at the facility, and then kept at the facility by Sawyer's son Carl after the elder Sawyer died. Following Mrs. Harding's death, Dr. Carl Sawyer assummed total control of the Harding Memorial Association and maintained an iron grip on the Harding legacy until his death in the 1960s. As with all great dictators, Carl Sawyer controlled all aspects of the Harding legacy. As a result, the public never had a fair opportunity to study the Harding's, but rather were fed a steady stream of "approved" information about the couple.

Anthony's work goes the distance in seperating the negative myths from the honest truths in her life, which by any standard was not charmed. However, the author does take liberties in communicating his emotions about Mrs. Harding. He believes that she has been mis-portrayed and his passion about correcting that sometimes overstates her case. However, his book is very well documented by copious endnotes and reliable first person accounts and primary documents.

This book will never be a New York Times best seller - the public would rather believe that Harding Myths inseatd of the facts - but for those who care to learn more about the truths of the 29th President and his most remarkable wife, this is a satisfying and accurate book to read.

How to make a fairly dull and unpleasant like Florence Harding come alive is a difficult enough feat, however the author does a splendid job of doing it! Expertly researched and pleasantly told, Mrs. Harding comes off far better than she has ever been depicted before - and perhaps even better than she deserves.

I found this book hard to put down. I had not realized all the things this obscure first lady was involved with in her life. She looks like somebody's stern grandmother so when I idly looked through this book, I was surprised to find myself drawn in immediately. It is a large book, but I read it very fast as I just could not put it down. This is how a biography should be written, it is well researched and yet still reads almost like a novel.

Carl Anthony reports in his prologue that the inspiration for this project came from none other than Alice Roosevelt Longworth, one of Florence Harding's collection of mercurial and dysfunctional friends. That fact alone speaks volumes about the tenor and atmosphere of the story. Perhaps aware of America's antipathy toward "The Duchess," Anthony has given this work a title worthy of an Oliver Stone epic. The reader who gets past the burlesque title will discover an intensively fascinating narrative of a driven, unconventional woman intertwined with a malleable young newspaper editor. When, years later, the Duchess would tell her "W'urrn" that she had made him president of the United States, many of their contemporaries would have agreed.

Born in 1860 to an Ohio businessman who wanted a son, Florence was in fact raised as a boy until her fourteenth year, when her domineering father realized that what he had actually created was a feminist with an attitude. He struck back ferociously and physically; Florence eventually retaliated by having herself impregnated by a hayseeder several years her junior. Christmas Day of 1882 found the young mother homeless and abandoned. Anthony takes the time to access the options available to this intelligent, ambitious, but impoverished woman. Determined to not disappear into rural Ohio obscurity giving piano lessons, Florence makes two critical decisions that would change her life forever, for better and worse: she gave her child away, and she set her cap for the man through whom she could make her mark in the public forum. On the surface these seem like cynical strategies, but with feminist sympathies Anthony takes pains to remind the reader that American business and politics were both male bastions in the Gilded Age. There were few routes for a woman of ambition.

Florence married the handsome and randy Warren Harding and immediately took over the operation of his local paper, turning a handsome profit and expanding the couple's business ventures. Anthony lets his facts carry the story: the Harding marriage is clearly one of convenience, arguably Florence's more than her husband's. Unencumbered by children, the Duchess, as she came to be called for obvious reasons, had time to consort with the political beat writers and politicians who came to Marion. She tended bar at their poker games, plied them with liquor for information and party gossip, and strategized a grand design for her husband's career in Ohio Republican politics. Managing Warren Harding was a full time job. He was not by nature ambitious, he was not a particularly good businessman, and he was not physically or mentally well, having suffered nervous breakdowns and indications of cardiovascular disease. His most obvious flaw-and one particularly odious to his wife-was his womanizing, which continued virtually to his death, with little concealment, and occasionally on the sly with her best friends.

For two people as different as Warren and the Duchess, it is surprising that they shared one common fatal flaw: they were both dreadfully poor judges of character. For all her intelligence and savvy, the Duchess became dependent [perhaps co-dependent] upon two outright rogues, Charles "Doc" Sawyer, her personal physician, and a gypsy fortune teller, Madame Marcia, both of whom exercised excessive influence throughout the entire Harding Administration. There is a sense in which Florence becomes more insecure with her greater success: Anthony describes her as weeping on Warren's Inauguration Day because of Madame Marcia's prediction that the new president would not live out his term.

Writing about a president's wife inevitably involves detailing the president and the presidency itself. Anthony does a creditable job in paying appropriate attention to Teapot Dome and Veterans Affairs scandals, for example, but in ways that keep the focus of the narrative on Florence and other political wives--Grace Coolidge, Emma Fall, and the aforementioned Mrs. Longworth, for example. The later unraveling of the Harding Administration has obscured the activism of the First Lady; Anthony reminds us of the Duchess's emotional investment in women's rights, veterans' welfare, animal rights, and international peace.

Anthony takes the position that the fateful 1923 "Alaska Trip" was essentially the First Lady's act of self-promotion. Ostensibly, the President's lavish cross continent tour was undertaken to rally political support at a time when congressional investigation of the executive branch was accelerating. The author's narrative of the trip forms a good portion of the book and deservedly so. Warren Harding was depressed and ill as the presidential train left Washington and journeyed across the continent. After innumerable speeches and rallies, the party sets sail from California to Alaska, traveling overland to sites that have probably not seen a president since. Although Anthony debunks many of the myths about the trip, the facts are strange enough-the presidential vessel collided twice with other vessels, and several members of the party were killed in various accidents.

The great mystery of the trip among conspiracy buffs is what [or who?] killed Warren Harding. In one sense the answer is simple enough-the trip exhausted the president to the point where he either suffered a stroke or heart attack in San Francisco. That we cannot say for certain is due to the Duchess, who permitted only Doc Sawyer to treat her husband. Sawyer's incompetence is excelled only by his arrogance; when Herbert Hoover fetched a renowned cardiologist from Stanford to the president's bedside, Sawyer, who was treating the chief executive with questionable purgatives, would have nothing to do with him.

For a veteran of the journalist profession, the Duchess's management of the news of the President's death was poor, and veteran reporters at once smelled cover-up. Most likely her immediate concern was the reputation of Sawyer, and she refused permission for an official autopsy. But her greater worry was the legacy of her husband; she spent weeks burning his official papers and personal correspondence. Her podium destroyed, Florence Harding outlived her husband by one year; she died while in residence at Sawyer's "sanitarium."

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James Thurber was one of the funiest authors of all time and this book cements his reputation. I enjoyed it many years ago and after re-reading it, I enjoyed it again.

Should be required reading for all folks of any age looking for an introduction to life in these United States, for those learning to overcome despair and disaster with humor and grace, for any and all learning the English language.

Thurber is a great favorite of mine, and this was another fun book to read.

Take your mind back half a century and read these mildly amusing essays about life in the 1920s and 1930s. The style is so different from modern prose, but it is well worth the read.

I am 52 yrs. old. I read this book in High School and couldn't put it down. When I read it again as adult, I laughed even harder because somehow it made having the weirdest family in the whole world a joke instead of a hardship. It made Thurber's family, the Coneheads, the Simpsons, and the Osbornes seem like life is good as long as you can laugh once in a while, and even better if you can laugh at yourself.

This book was a great hit throughout my second grade art classes. They have been looking for characteristics of Picasso and Matisse in every art work we see. Then I read it to one of my first grade classes an hour before Christmas break began. They had so much fun creating self-portraits using the techniques of either one of these artists that several didn't want to leave the art room. I'd post some of their artwork if I could. It's been a wonderful experience.

What a fantastic book to introduce some masters to your child. Wonderful, bright pictures and an adorable story!

Such a humorous and educational way to learn about the two masters of 20th century modernism. My son has this book and I've given it to other kids and everyone loves it, and they amazingly retain and remember the facts about the real artists as well. Excellent way to expose your child to the arts in a way that's fun and memorable.

Whether your kid knows who Picasso is or not, this is a fun play on Famous Artists and their feuding ways. My Kindergartener loves this book.

This book is my daughter's favorite. We have read it every day for the past 9 or so months and she has most of the punch lines memorized, (e.g., "mootisse was not like the other bulls" "it was a modern art mess" "the silence was broken" "i'm tired of this crowded cow town"). After reading it the first time, she said she wanted to draw with paint. And she did. Now we do watercolors all the time and she knows that Picasso and Matisse were great artists. This book provided a fun and funny way for her to learn about two art masters and their styles while also teaching a lesson about conflict resolution.

We have taken this book on flights across the country and overseas. The illustrations and the story engage my daughter to no end. The description of this book is for 4-8 year olds but unlike Roberto: The Insect Architect by Nina Laden (also a funny, well-illustrated book), I find Pigasso/Mootisse to be appropriate for a younger {pre}reader as well. I'm back to buy more copies as gifts for all the kids that I know.

Salgado, like Bresson, Smith and Evans goes into the detail the world of WORK, it is an amazing array of images.

Wonderful book! Highly suggest buying if interested in socially concerned photography. Only negative comment is that the book designer chose to place some images on a two page spread which means the subject of the photo's are in the crease.

My wife and I saw these photographs exhibited in NYC quite a while ago (mid to late 1990's at the ICP?) and were extremely impressed, and I think that the book does them justice. Some are almost difficult to believe are real (see Brazilian gold miners on pages 300 & 301).

The author: a great reporter.
The book: a detailed "story" of manual workers, from Sicily to Cuba and India...
Very good images, very well printed. Very very good black and white warm tone.

I was lucky enough to see this wonderfully humane expose and photographic genius while it was on tour at The Philadelphia Art Museum years ago. At that time, I passed up buying this book at the Museum Store and regretted and searched in stores for it years later.
If this book were on everyone's coffee table and looked at page by page ... there would be much more respect and much less oppression in the world. Good people would see to that.