Artists Books

This book appeals at so many levels. It is a gripping historical novel, with well-researched references to the art world of New York City around World War I. It is a mystery novel. It is a love story. It is a psychological study of a desperately troubled young woman. The author is a meticulous researcher and every historical reference, providing the story with texture, rings true. Beautifully written. This is a book you will not easily forget.

THE RIVER, BY MOONLIGHT by Camille Marchetta is a literary jewel set in 1917 New York with characters so clear you could pick them out of a crowd.

This story begins a little after six in the morning when Henrietta Canning gets a disturbing call from NYPD Detective Malone. A lady has drowned in the Hudson River and the police believe it's her twenty-five year old daughter, Lily. Once the identity is confirmed, the next concern for her family is whether this was an accident or suicide.

As the people she left behind come to terms with this loss, we get to know Lily and what it must have been like to walk in her shoes. It won't be until the last few pages that we understand completely what happened that fatal night at the Yacht Club.

Marchetta's book would make the perfect book club read!

A compelling story and a wonderful piece of writing. The novel gets its power from the author's close observation of conflicting human emotions seen against a richly detailed portrait of New York City just before World War One. That tragedy looms over the characters sharpening their emotions, but the author never overplays her hand The true tragedy plays out in a long, heart-breaking andante near the end. Edith Wharton would have been proud to have written this moving story.

On the surface the story is simple: a young artist, Lily Canning, dies - her life story is told by the people who loved her. Set in the months before World War I in and around New York City, the times and places are vividly drawn and investigated. Both the War and the Modern Art movement are characters in this beautifully written novel, and we see the advent of both upset the values and dreams of a generation. The story is a woman's cry from the heart for freedom, recognition, and love told by a master storyteller.

A sensitive telling of a tale set early in the last century (at a time of upheaval in the art world, and the beginning of war), The River, By Moonlight (I do love that title) intrigues at the same time as it breaks your heart. Marchetta is one of my favorite authors, and the reasons are simple. She has a feel for a story and how it should be told that surpasses that of many writers, and equals the skill of some of the best. The beautifully drawn array of characters she creates (some inhabitants of a seemingly serene Hudson River town, others of a pulsating Manhattan) will stay with you long after you have turned the last page of the book. This is a writer whose sure hand and delicate touch can always be counted on.

Bernhard simiply reminds us of the beauty of the female body. It is a study of perfect lighting and posing.

I recently purchased this book and why did I wait this long? All I can say is breathtaking. Being a photographer who sometimes does nudes for personal project, it is a challenging task to compose and light the human body avoiding from making it "pornlike" or overtly sexual. Each style has its own place in the marketplace; however, the former requires much more skills than just a good looking model.

"Half a century of Bernhard's reserved, sensual, and ethereal female nudes collected in 50 beautifully produced duo tones. An insightful text enhances our understanding of a pre-eminent American photographer. 'Outstanding...the greatest photographer of the nude'--Ansel Adams"--© zebraz

Ansel Adams declared Berhard "the greatest photographer of the nude." Perhaps she is, but I haven't wholly understood why - not because the work is obscure (it's not at all), but because it's deep.

This book contains plenty of evidence. These fifty B&W pictures span forty years of her career, in chronological order. In the 1930s, "In the Circle" and "Embryo" use simple props to contrast the harsh geometries of human products with the softness of the human herself. Other photos from that era use running water or draping to highlight the figure. By the 1950s, though, Berhard had simplified down to just the figure itself, as in "Dancer's Hips," making her work plainer, but bolder and more monumental. Still later, Berhard added back in screens to soften focus and create a new play of shadow. Although interesting, I'm still more moved by the compositions in terms of figure alone, including "Crossover," "Two Forms," and "Sand Dune."

Throughout, Bernhard examines the female models with a female eye, celebrating the feminine in the figure for what it is. "Early Nude," "Harvest," and "Hourglass," among others, emphasize curves that embody strength - curves that other photographers, especially male, could have made awkward. It's a wonderful collection, one that I know I'll keep coming back to. I have much to learn from it.

-- wiredweird

Well, it's four stars worth of disappointed...and I realize it's something of a heresy to be less than thrilled by the work of this pioneer artist in the field of the photographic nude. This softbound book is a touch under a foot square, and the 50 photographs are of nearly that size. They are all black-and-white, though there is a great range of experimental treatment that belies the suggestion of sameness. Some superimpose female figures and subjects from nature ("Harvest," e.g., is the midriff of a very pregnant woman superimposed with a field of grain); some are highly abstract, utilizing very high-intensity light with shadow contrasts, delivering a very impressionistic human torso; and others utilize transparent material and the like to create unique effects.

Why didn't I like it better? I don't like impressionistic, highly stylized nudes, but realistic skin tones and recognizable features. Beauty counts more for me than technical fireworks. You may feel otherwise, especially if you are a professional photographer.

I thought this book was an excellent read, although I wish there was more to read, but the visuals in the book make up for it, because Saber is totally awesome. You get a great insight of what goes on inside this mighty artist's mind, and you get to realize what kind of a good person Saber is. Then the amazing stories, including the one how he was able to do the Los Angeles river piece is great. Nothing else to say but that it's a good book, and I guarantee to read it.

The book was overall good and exciting with lots of laughs. Its kind of a kids book sort of speak... for graff writers. Mostly short storys and tons of pics. It can also be finished in one day, although i took two.

It starts out by going into sab's upbringing, which was acually interesting, kind of all makes sense. youll know what i mean when u read it.

Than it quickly dives into some of sab's legendary illegals and stomping grounds for AWR and MSK. It also grazes into a few other peoples lifes and tells some things that most people dont know.

I only wish he told more. I guess i feel that i got the short story of it all and i was in for the long. Im also very dissapointed that he never really got into king AYERS story, kinda just skipped over him.

all in all, its a book worth picking up for the price.

to sum it all up:
amazing artwork. deep, funny look into the life. in kind of a short story form.

It a great book filled in with great artwork. It shows why SABER is a KING.

Nice book, great stories and smart texts. Lot of pics and all you can ask to a book about an artist.

This was a pretty good graff book. I have others where the text part of the book was pretty aweful, where the writer(s) just basically say how great they were and how much better they were, or they were the first to do everything, etc. This was more humble and it complemented the pictures, instead of coming across as ingnorant/ selfish. I'm from NY and had little exposure to the LA scene, and this was a really good book, even though it is basically on Saber, not all LA writers. I recommend it.

Nakashima, a woodworker in the classic sense. Only wanted the tree to live on longer by working with and creating with it. This book is a great example of the love one can have for both nature and woodwork.
Any woodworker should have this book not on the shelf, but closer, to the workspace at all times.

i'm an electrician, but i really like wood... george nakashima on the other hand loved wood... his views make his work even more valuable and amazing...

Able to tug at you in so many ways. A privilege to be able to buy his product.

Like the books of James Krenov, "The Soul of a Tree" is as much a book about philosophy as it is about wood. And it's a good philosophy: slow down, take your time, play with the wood, and enjoy it. The book is really about the soul of Nakashima. He outlines some of his own personal history and how he developed his ideas about craft. There's not really much on technique here - you can certainly find better books for that - but you won't find many more inspiring.

On a personal note I had a lady call me years ago to fix up `some old furniture' she and her husband had bought years ago (in the `50's I believe.) Seems when they were young college professors they found this young oriental guy down the road who made furniture in his garage. When I looked at the furniture I told her that her young oriental friend had become quite famous and showed her this book. She was flabbergasted. What she wanted me to do was to nail up some chairs that had worked loose over time. I refused, of course, and explained to her that these were valuable pieces that should be cared for properly. I also encouraged her to contact Nakashima's Conoid Studio (if it still existed) to let them catalogue the pieces. Even after years of use by a family with kids living in the sticks the pieces were obviously crafted with meticulous care and held up surprisingly well. It was a real joy to bring them back to daily use.

Alot of philosphy, mostly biographical, has a few quotes that stick:
"Man has the audacity to try to improve the tree...."

This is a MUST read for a woodworker.

service throughout the day, throughout the month, throughout the year....100 stories of giving...the notes at the end of each story to jump into service in your community are a link to giving. .My favorite story was Christmas in April---I must admit I cheered for Frances as she conquered the steps--I read later that she and the writer are enthusiastic pen pals...what inspiration. Thank you to the 100 stone soup writers. You gave me a taste of who inspires you.

......one of the chapters in this book, these stories reflect movements that we should let sweep the nation!!!! Read and be inspired...told simply, the 90+ writers for this book brought these community heroes home....

such a pleasure to read these stories... such an opportunity for all involved with the project to share their words...you never know, maybe someone was inspired to do something today...by simply reading...as long as Stone Soup for the World is available to America's youth we know we have a bright future ahead... My favorites: The Forgiveness Party, Table for 6 Billion Please, and Peace for Their Grandchildren....and there are 97 more to read and pass on....

Stone Soup for the World is a set of 100 stories about compassion and volunteerism. From the intro by Colin Powell to the story of Ms.Larned's young brother, the whole book was a joy to read. I especially loved the Nelson Mandela and Paul Newman stories. This book has stirred me to be a better person and to help others. I recently walked in honor of my aunt who passed away from cancer and raised money doing it. It felt good just as these stories felt good. I wholeheartedly recommend this book to people from 9 to 99.

On occasion one of those books comes along that I can't put down. This collection of short (3 - 5 pages each) true stories are of people about whom, after I have read the story, I consistently say, "Why didn't I know that before reading this?" This book is truly an insight into past and current history through the prism of what stirs the heart and spirit.

This book, written for the elementary grades, offers a glimpse of what autistic children face and feel. It would be a good book for teachers to use for disability awareness or to read to classes during autism month (April). As autistic children participate more in classroom activities, it is important for other students (and their parents) to understand how they think and react.

Another book worth reading after this book is "The Boy Who Ate Stars" by Sarah Adams (recommended for ages 9-14).

This book is an ideal teaching tool for young readers about autism. The drawings are especially delightful and I just love the grid the young author makes of herself and Matthew. She applies several adjectives to Matthew with a corresponding drawing with the last one being "Matthew is autistic." She emphasizes other aspects of Matthew and his personality; autism is a part of identity. It is not his ENTIRE identity.

I like the way questions for young readers are included, e.g. "when was the last time you helped somebody?" This delightful book focuses more on commonalities than differences; Jeanette and Matthew will certainly teach you a lot regardless of age. This is the ideal companion book to ALL ABOUT MY BROTHER by Peralta.

Sundays with Matthew is a wonderful, whimsical book emphasizing "how to be a good person", and focusing on areas that autistic kids sometimes have problems with. By drawing out abstract concepts, visual kids can understand these ideas more fully. There is a great section of sketchbook tips at the end that encourage others to find their own sketchbook buddy, and use drawing as a form of communication.

Not only is this book full of delightfully entertaining drawings, it's also bursting with gems of wisdom about relationships and life in general. The perspective of an autistic child adds a poignant message about what truly matters in life. The Sketchbook Tips at the end of the book can be used by anyone who wants to start drawing but isn't sure how. "Sundays with Matthew" is a wonderful read for kids and adults of any age. It should be required reading in any school that has autistic students. I highly recommend it!

As an educator I have worked with several autistic students over the years and this book is a perfect model for what can be accomplished by these talented children with a little guidance. The book is an inspiration for all those working the field of education as it helps us imagine the possibilties for success that all exceptional learners possess. I read this book to my class and we came up with the idea of "response journaling" through art and text as a classroom project to issues we face daily and throughout the year. This book has given my class the motivation to create similar products. The book is well done and would be a welcome addition to any classroom library, especially if the class includes an autistic student. This book will help the other students in class more clearly understand autism and some issues that surround it. Great read-aloud.

I've always loved the work of Susan--I was enchanted with her animal drawings and as an artist I was curious to learn more about how she created her works. This book was more than I could have hoped for. The book covers Susan's life and her influences it also shows her progression as an artist as well as the influences that helped shape her art.

If you are a fan of Susan's work then this is a must have book for your collection, you won't be disappointed.

This book is an exquisite retrospective. Those who love Susan's work will not be disappointed and those who have not met Susan through her work will apprciate the beauty of the book. The pictures are wonderful and the writing is a lovely, and complete, tribute to Susan and her work.

An absolutely beautiful book full of Susan Seddons georgeous works , would absolutely recommend to anyone who knows her work or is interested in spirituality . I will treasure this book.

I've purchased several S.S.B. books in the past because I love her work, but I was frustrated with these books because they were exclusively picture books that revealed nothing about the artist herself or the life she was living.

I was also frustrated by their lack of artistic documentation found in the other S.S.B. books. I wanted to know so much more about Boulet and what inspired the images I was seeing (not to mention the dimensions and what -medium- and technique was being used to create them) and how they progressed over time.

This book -finally- provides all that, and then some. It's well written and beautifully printed with page after page of brilliantly colored and detailed pictures of Boulet's work.
This book ties these fantastic pictures of her work to the storyline of her life so that you can easily follow the progression and draw associations from what was going on in Boulet's life to what was going on with her art.

The reader gets to experience all the phases of Boulet's journey, watching her style and confidence unfold over the years, through her experiments with printmaking to the serendipitous ink spill that led to a crucial stylistic element emerging in her work.

The book never wavers, never flinches away from the reality of the story, even when it wanders into the sad and dark territory of Boulet's eventual decline from breast cancer.
The reader is allowed to explore with the artist the darker territory of the end of her life and view the transcendent imagery that manifested as a result.

There are a few small "irritations" that this book does indulge in, the prevalence for discussing pieces wildly out of order for example, or the fact that Susan's son was mentioned once or twice and then utterly forgotten as a major element in her life (even though she wrote extensively about how important motherhood was to her as a theme). But overall, I have to say that these idiosyncrasies are easy to forgive in light of the richness of the overall feast.

Everyone to whom I've shown this book, who is at all a fan of S.S.B's, has purchased their own copy and I can't leave it out on the table without people snatching it up and poring over it - I think that says it all.

i love her. i have never been so mesmerized by
an artist before. sure georgia o'keeffe, and more
but susan just because my favorite artist in the
past 4 yrs. i have several tattoos from the
goddess cards on my arms, which are connected.
i hope someone else writes a book about her
life, etc. ...

Again Howard Roffman -- seems to just know how to photograph his models you can not go wrong with this book..

This book is a soft-cover collection of superb photographs in B&W. It is large, some 12"x9", giving plenty of space for large detailed prints.

It's difficult to find words enough to praise this collection of Roffman's work. His models are simply magical (well all but one!), and their sensitivity, shyness and youth simply flood from the page to your eye and then to your brain.

I suspect that many guys will simply absorb themselves in the pictures and wish they could dive in and hug many of these boys - and boys most of them are. No hardened, pumped-up, muscle-Marys here; simply a collection of great boy-next-door types.

Tha accompanying text gives context to the models and the photographs; Roffman says that he loves Brian, the first profile portrait we see. Well, so do I! He just too perfect and is, for me, the very best of what is a superb collection of pretty boys.

Highly recommended for its soul, its insight, its quality, and for its presentation of first-class eye candy.

Tales is a powerful book both in words and pictures in which Roffman sensuously catures twelve of the most beautiful young men in the world. By telling us his realtionship with each Roffman then completes the story in his photography allowing us not only to see these boys' outside beauty but also that which lies within. A masterpiece.

As usual, another great collection of work from Howard Roffman. My one hope is that I will one day be able to shoot photos this well. Howard's ability to touch the inner soul and transfer it to print is truely a gift. You can see within the photos the ease with which he has placed the models in. If you don't own a Howard Roffman book, this is an excellent start. If you already do, then you need no prompting to get another to add another to your collection.

The only word to describe this book is GLORIOUS. Sexy men, sexy poses, erotic aura...who could ask for anything more? This is a real winner.

Tales From the Dark Tower is not a book.

Tales From the Dark Tower is a work of art.

Wow... I never thought I'd start a book review like that. But then again, I never quite expected to read something like Tales From the Dark Tower, either. Because it was truly a sweet experience; one of the best ones I've had so far in my career as a book reviewer.

Well, then, what's so great about it? Let me put it this way: it's hard something that is NOT great about it. Everything, from the beautiful artwork on the cover and throughout the book (all done by genius Joseph Vargo) to the quality of the paper to the stories themselves; it's all top quality and I cannot think of a single thing that I don't like about the whole thing. Not one.

And that makes writing a review quite difficult. Why? Because there's simply not very much to say about the piece except that it's a definite must-buy. I don't usually say that; in fact I rarely say that at all, but this time I have no choice but to face the pleasant facts: I loved it. From the first page to the very last. Several different authors contribute with stories, and they're all masters of their craft.

Sure, some people might think the stories are goth-cliché. After all, they are all very much alike, both in setting (in or around the Dark Tower) or in the way the different authors present their ideas (haunted cemeteries, pale and beautiful gothic beauties, forbidden love that forever haunts the unfortunate ones, dark and sinister clouds that blocks out the sun, scary gargoyles staring down at the mortals, and so on). But then again, Tales From the Dark Tower IS a gothic collection, the authors are goths, the readers are goths, it's all a big gothic get-together and thus the stories should and could not be written any other way.

As I write this I have the book next to me on the desk. It looks beautiful. And I'm jealous on all the people out there who have still to discover it. I usually don't read a book twice, but this time I think I have to reconsider.

And I hope a sequel one day will see the light of day. Or rather, the darkness of the night

Tales From the Dark Tower is not a book.

Tales From the Dark Tower is a work of art.

Wow... I never thought I'd start a book review like that. But then again, I never quite expected to read something like Tales From the Dark Tower, either. Because it was truly a sweet experience; one of the best ones I've had so far in my career as a book reviewer.

Well, then, what's so great about it? Let me put it this way: it's hard something that is NOT great about it. Everything, from the beautiful artwork on the cover and throughout the book (all done by genius Joseph Vargo) to the quality of the paper to the stories themselves; it's all top quality and I cannot think of a single thing that I don't like about the whole thing. Not one.

And that makes writing a review quite difficult. Why? Because there's simply not very much to say about the piece except that it's a definite must-buy. I don't usually say that; in fact I rarely say that at all, but this time I have no choice but to face the pleasant facts: I loved it. From the first page to the very last. Several different authors contribute with stories, and they're all masters of their craft.

Sure, some people might think the stories are goth-cliché. After all, they are all very much alike, both in setting (in or around the Dark Tower) or in the way the different authors present their ideas (haunted cemeteries, pale and beautiful gothic beauties, forbidden love that forever haunts the unfortunate ones, dark and sinister clouds that blocks out the sun, scary gargoyles staring down at the mortals, and so on). But then again, Tales From the Dark Tower IS a gothic collection, the authors are goths, the readers are goths, it's all a big gothic get-together and thus the stories should and could not be written any other way.

As I write this I have the book next to me on the desk. It looks beautiful. And I'm jealous on all the people out there who have still to discover it. I usually don't read a book twice, but this time I think I have to reconsider.

And I hope a sequel one day will see the light of day. Or rather, the darkness of the night.

I have to start by saying that I have wanted this book forever. I am a big fan of Joseph Vargos, who amoung us has not seen his art at places like Hot Topic? A friend and I even exchanged postcards done by Vargo as our primary means of communication. His art is beautiful and most of his well known works are contained in this anthology in plate form. The quality of the paper lends itself well to the art prints and those are stunning. Had the volume been slim and only contained his art, I would have given it 5 stars.

However, since the work is also an anthology I feel I have to be fair and review it as a book, too, and I have to be honest, I have read better. There is a wide range of stories in this volume. Let me start by listing all the works with their authors so if you are looking for a specific author, you'll know if they are here. There is **The Dark Tower by James Pipik and Joseph Vargo **Born of the Night by Eric Muss-Barnes **Vampire's Kiss by Christine Filipak and Joseph Vargo **Masque of Sorrow by Christina Filipak **Shadows by Joseph Iorillo and James Pipik **Sentinels by James Pipik and Joseph Vargo **Sorrow's End by Jalone J. Haessig **Noctem Aeternus by Robert Michaels **Nightwatcher by James Pipik **Vesper Tolls by Joseph Iorillo **Sanctuary by Russell Norotny **Lilith by Joseph Vargo and **Watcher at the Gate by Joseph Vargo.

The stories are connected together by a single thread, which is the history and occupants of the Dark Tower. Some are undead, some are alive (though usually not for long) and all have tales of sorrow and morality to tell. Most of the stories are good, though I felt that many could have stood on their own without being connected to the Dark Tower. I even thought that once or twice the authors wrote the stories as stand-alones and then added elements to make it connect to the anthology. I think most interesting were the stories by Joseph Vargo. It's interesting to see what went through his mind, the stories behind his paintings as hold by him. Ultimately, I think my only complaint is I wanted the quality of the writing and stories to match Vargo's art, and that is nearly impossible. His art is so beautiful that it is very difficult to reach that level with another art form -writing.

I would recommend this book just for the Vargo plates alone, especially since Amazon now has the paperback for $16.99. The art is worth it.

So buy it, curl up on a dark and stormy night, and enjoy.

It's got great tales, awsome art work, and sexy scenes. You can't get any better than this.

I am not actually Mike, I'm his 14 year old daughter, just so ya know.... I found the book at Hot Topic and i just HAD to buy it. (It was only 15 dollars at the time, so go to hottopic.com to buy it, it is still like 4 dollars cheaper!) This book is absolutely AMAZING! If you are into gothic "fantasy" this is definitely the book for you! It is full of lavish illustrations bu Joseph Vargo of Monolith Graphics...I couldnt put the book down once i opened it! The various authors -including Joseph Vargo- do a wonderful job of painting a mental picture for you with their words. I would recomend this story to anyone looking for an extremely well put together book, but the squeamish should probably stay away, because of excess blood spillage. ... I would read it a thousand times, maybe more..if only i had the time.. Anyway, its a great read!

You may also be interested in The Gothic Tarot. Joseph Vargo came up with and illustrated it all by himself! His talents are unbelieveable! ...You can get the Gothic Tarot from Hot Topic or hottopic.com, when i purchased the deck it was only $16!!

There seem to be two kinds of animation books: the "just the facts, ma'am" kind, and those filled with endless anecdotes of the lost golden age. Shamus Culhane's book falls between them and yet hits both extremes. He doesn't clean up history or trim the facts to fit the legends. Which is to say it's unexpurgated (which means uncensored) told in a rollicking, stream of consciousness you are there style.

It's also the untold backstory of animation, as well as a peek at numerous cartoons which have yet to make DVD. Shamus Culhane created the best Woody Woodpecker cartoons including "Barber of Seville," very different from but equally intriguing as "The Rabbit of Seville" (Chuck Jones/ written by Michael Maltese), as well as darkening the doors of most of the then current studios. Not only that, but it's absolutely crammed with photos, character sheets and other animania so as to render the book a visual feast. Anyone with even a passing interest in cartoons or looking for a good read will be delighted to find Culhane's book which is, ironically, one of the few animated histories of animation.

This book was recommended to me by another web/multimedia developer. He told me that I should read it, that it was the web industry in a nutshell. The main difference is the web has a very compressed time line. I first read the book over a year ago... it still reads like prophesy.

This is a "must have" for anyone who wants to create animation. Although not a how-to book, it has an incredible amount of insightful and useful information that is pertinent to those starting out or thinking about starting out their animation career. Shamus writes his animation life story in a way that will entertain and enlighten you. Many of his adventures and experiences are as relavant today as when they happened to him long ago during the Golden Age of animation. The author gives you a ring side seat as he is introduced to animation and evolves as an animator and producer. This was a book that I wish had no end; it actually made me sad to reach the final page.

This book is a must.It is extremely useful for those who want to animate cartoon characters.Shamus description of his life which he shares with the animation history is a very brilliant and inspirated storytellig.This is the book that all animator's should buy. It contains all the valuable information about american animation and all those wonderful pioneers who created the most amazing industry in the world: animation.Do not hesitate! Just buy this book and you will love it. I bet!

James "Shamus" Culhane is not a name that is instantly recognizable to the general public, as is Chuck Jones, but his contributions were every bit as significant. Like Jones, he can be maddeningly arrogant and dismissive of the efforts of his fellow animators, but the truly annoying thing is that he is often right. Culhane worked at virtually every major cartoon studio during its "Golden Age", and generally improved the output of every studio with which he was involved--however briefly. He turned the Fleischer's version of Popeye into a fluid, living character, whereas before Popeye seemed to move like some sort of animatronic figure at Disneyland. He directed one of the few bright spots at Walter Lantz, a Woody Woodpecker cartoon called "Barber of Seville" (which garnered an Academy Award nomination). He also takes us where few other books in animation dare to go--the early days of cartooning for television (did you know he was one of the first producers to make animated commercials for TV? The Ajax elves were his). He even attempted to get in the ground floor of the TV animated series market, though his efforts did not succeed.

This is a must-read, if for no other reason than it avoids rehashing the same material covered again and again by previous books, and gives us an insight into the inner workings of an animation studio as few other books do.