Artists Books
Related Subjects: Directors
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Moving Zen reviewReview Date: 2005-10-03
excellent throughoutReview Date: 2002-08-19
A classic martial arts autobiography!Review Date: 2005-09-07
After all these years, 'Moving Zen' still holds up.Review Date: 2001-12-29
osu,
A. Bustillo
Most inspiring book I have ever read!Review Date: 2001-06-12

Used price: $9.99

GREAT BOOK FOR MUTTS FANSReview Date: 2007-07-10
You might want to check out a book on a collection of Krazy Kat cartoons to compare the style.
A work of artReview Date: 2007-01-03
Simply great!Review Date: 2005-09-15
Yesh! A Book Better Than a Pink Sock!Review Date: 2004-01-08
And the work is really the main event here. The reproduction quality is glorious, giving us a sneak peak at what originals might look like. The color--oy, what color--is beautifully printed. If you can't see the original drawings, this book is the next best thing. The selection of work is great. They chose some of Mutts' very best, including the wonderful ice cream cone gag! That one remains one of my very favorites.
There are some really nice insights here, though they're not overblown. Like the strip itself, McDonnell writes in a true, succint way, then he lets his strip do the talking. You really get a sense of how invested he is in his creation.
If you're a Mutts fan, you can't pass this book up. And if you know of any Mutts fans who don't yet have this book, you can bank a bunch of karma by buying a copy for them. They'll love you more than a pink sock for it.
Very, very good, but not much is new hereReview Date: 2004-05-02
Cute doggie Earl and rascally Mooch have an understated charm that's reminiscent of the relationship between Snoopy and Charlie Brown before Snoopy took to the air in his imaginary Sopwith Camel.
Mutts is a down-to-Earth examination of how pets fit into the lives of their masters and vice-versa.
McDonnell's sensitivities derive from his simple yet eloquent style that draws upon the love and empathy that the strip's characters have for each other.
The book itself is a wonderful reprinting of many of his best daily and Sunday color strips. Also included are notes that cite the sources of the title panels of the Sunday strips that pay homage to old record albums, comic book covers, famous works of art, and movie posters.
The true fan of the Mutts strip will consider this book a 'must-have'. However, I have to admit that if you've been purchasing the Mutts collections printed so far, there's scant new material in this book. For a book of its size, the autobiographical information is very lean. There was probably more to read about McDonnell in a recent Star-Ledger newspaper interview than in this book.
I bought it for myself as a frivolous, self-indulgent treat. You might not want to do likewise.

Used price: $0.01

What a revelation.Review Date: 2004-11-06
Not the same old thing.Review Date: 2002-07-31
A breath of fresh airReview Date: 2002-07-18
More than you might expect...Review Date: 2002-07-27
The title of the work and its modest size (214 pages) may lead you to believe it contains the usual dose of pretentious self-indulgence that often accompany a first novel, which this one does. Two of the first four words in the opening paragraph are "I" and unless you are among the most voracious and academic of readers, not a few times will you find yourself reaching for the Roget's to get a handle on the sometimes reachng vocabulary. But don't let that keep you from picking it up. This look at the relationships between a group of late twenty-something friends that don't spend their lives huddled in a New York City coffeehouse immediately grabs hold of your interest and rarely lets go.
Written in a unique "diary-like" narrative from the perspective of the main character, Becky, McKinnon's writing structure here is perfect for the subject matter and is a large part of what makes this such an enjoyable read. The lack of dialogue punctuation and the often combined thoughts and sentences make the reader have to work a little harder, but helps to stay atuned to the story line and each of its subjects.
The story is centered around four friends wrapped up in the melieu of New York's East Village who, aside from the day-to-day travails of Manhattan life are each dealing with the mental residue deposited by a fifth character, Callie, whom, though we don't actually meet until the last 80 pages of the book, we come to know and loathe...and fear, but are anxious to meet. The setting is well written and through the interaction and thoughts of each character, we are given a look into four distinct lives and points of view; neurosis, desire, ambition and all. McKinnon walks us through their relationships, individually and collectively, and as we progress, have no choice but to make comparisons with our own lives. Their private thoughts, personal battles and betrayals and the rationalizing of sexual indiscretions and desires are upfront and honest, to the point we are left to wonder how many of the characters and experiences are autobiographical or if the writer is just this good.
McKinnon does deserve a little slap for not reaching further into the character Dahlia and how her life as an incest survivor fuels her thoughts and actions, but should be highly praised for her research into modernist artist Becky. If we didn't know the writer was a psychologist, her depth of detail regarding her artist's struggle for professional self-definition and the art world itself would have us looking forward to her next show at the MoMA.
The storyline focuses largely on the angst and fears of its main players and their shallow, adolescent need to acquire revenge for past deeds done them by the protragonist Callie. But there is an unspoken subtext you can not help but delve into, questions about the foundative solvency in today's society you can not help but ask. Because most of the character development is so thorough and well defined, we can't help but wonder if present-day adults are really this [messed] up and whether we fall into one of two categories; those as equally disfucntional and in need of therapy as the characters we're reading about or those who are fortunate enough to have grown up.
A quick-paced, cozy-up-on-the-sofa-for-an-evening novel, Narcissus Ascending is a fun read that takes an naked, revealing look into the self-centered aspects of the human condition we all enjoy...or suffer from. But don't believe for a second that after you close the cover, it won't have you thinking.
Perhaps more than you'd like to.
Who needs friends!Review Date: 2002-06-28
Used price: $20.00
Collectible price: $238.95

Rick Griffin illustrations ReviewReview Date: 2008-01-18
Griffin Ruled ...Review Date: 2007-12-25
Great bang for the buckReview Date: 2007-01-10
simply beautifulReview Date: 2005-09-07
A Modern MasterReview Date: 2007-05-13
Griffin perfected the late 60s San Fran poster art style in his work for the Dead and others (cover of Aoxomoxoa, for instance, or the immortal surfing eyeball poster for the GD with It's A Beautiful Day), and he was also a phenomenally gifted painter, spraybrush stylist, and pen and ink man. He takes the art deco influence of the SF school and melds it with a classicist's sensibility, creating a beautiful synthesis of mind and Mother Nature.
There is no doubt that Michelangelo or DaVinci would smile in appreciation at Rick's Omo Bob Rides South, a six-page black and white masterpiece where each page is an absolutely perfectly composed gem that stands on its own as a true work of art. He exhibits the total control of a master, and his eye for symmetry is astounding, as is the depth of his chiaroscuro. Griffin is also one of the great letterers of all time; it's a real joy to read words written in his inimitable script (but imitated ever since, including almost every decent graffiti artist).
To top it off, his writing is genius in Omo Bob, reflecting a deep understanding of life's many paradoxes. If you've never experienced this work, get good and ready in your favorite way (RG was an early fan of Dr. Hof, and that influence is clearly felt) and then spend at least ten minutes on each page, letting your eyes bathe in the serpentine brilliance; you will be endlessly rewarded. I still enjoy it at least once a year, decades after my first exposure to it, and never tire of its mellifluous lines and incredible detail.
The book also highlights some of his early surf work (a surfer through and through, Griffin's work embodies the grace and flow of a true waterman; no one has ever visually conveyed the joy of a wave like RG), his album covers, his paintings, and various pieces.
But it is Omo Bob and a couple other pen and ink pieces here that ensure his artistic immortality. Griffin was by all accounts a wonderful friend and a very spiritual man, and those qualities shine through in his art.
It is somehow very comforting and reassuring to gaze upon his work;
there is proof here that a deep and perfect form lies beyond the seeming chaos of the physical plane.
What more can you ask from art than that?

Fabulous bookReview Date: 2008-01-02
A Sweet Book for an Only Child Preparing for a BabyReview Date: 2008-01-01
Sophie is an only child who is used to getting a lot of attention from her parents. One spring day, her parents announce that there will be a new member arriving in the family. That baby will be a winter baby. Sophie waits, and waits, and waits. Finally the baby arrives. Sophie is disappointed that the baby cannot play with her. She is even more disappointed when her parents spend all of their time with the baby and not with her. Sophie is sad and lonely. Eventually, with the passage of time, Sophie adjusts and learns to love the little baby.
Catherine Anholt's charming illustrations detail the changing seasons beautifully as Sophie waits for the baby. They also accurately portray the things that occur once the baby arrives: the crying, the nursing, the diaper changes, the holding, the nursing (yes, there are two illustrations of the mom nursing the baby), the growing piles of laundry and dishes...
Sophie and the New Baby gives a young child a good idea of what to expect when a new sibling arrives. It also addresses the negative emotions that can be felt in a reassuring way. This is a very good book to read to an only child who will soon become a big brother or sister.
-Sherry Ellis
Author of That Baby Woke Me Up, AGAIN
Great for a big brother or sister!Review Date: 2007-04-04
I love this book. My oldest daughter still requests it, even though her little sister is six months now. I think it really helped ease our baby's arrival ... her big sister knew ahead of time that it would be difficult, and an adjustment, but to be patient and it would work (older sister was 1 month shy of 3 years of age when her baby sister was born).
I can't recommend this book enough! In addition, if you breastfeed or are planning to do so, this book shows the mother breastfeeding the baby (doesn't say what she's doing, and for families who don't breastfeed I doubt that it would be something a child would recognize - but it's great for discussing that with an older sibling if you will be breastfeeding).
Adorable and RealisticReview Date: 2005-10-19
Toddlers expecting siblingsReview Date: 2005-08-20

Used price: $2.21

BEST GIFT Best BookReview Date: 2007-07-15
Best Book EverReview Date: 2006-02-24
From an ArtistReview Date: 2002-02-07
I read this book aloud to my guests at my own bridal luncheon and it was a hit.
I plan to buy several as gifts.
Buy this book for yourself and for those you care about.
Do not pass this book up. It is a gem.
Great to use for a Guest Book!Review Date: 2001-07-04
A Moving Story, Beautifully ToldReview Date: 2001-02-07


Tangible Memories - Someone please make this book a movie.Review Date: 2002-08-11
Tangible MemoriesReview Date: 2002-07-20
BreathtakingReview Date: 2002-05-24
Tangible MemoriesReview Date: 2002-05-22
Tangible MemoriesReview Date: 2002-07-23

Used price: $45.00

Tord BoontjeReview Date: 2008-04-07
I highly recommended this if you have an interest in Tord Boontje and design, or if you just love beautiful books.
GREAT BOOK - GREAT ARTIST!!!Review Date: 2008-03-22
Inpirational, beutiful, colorfull, simple - it has it all!
A very strong recommendation.
fantastic visual experienceReview Date: 2008-01-29
Beautiful book - fantastic value!Review Date: 2008-01-07
Beautiful book!!Review Date: 2007-12-01

Used price: $44.42

Beautiful work!Review Date: 2008-02-08
Stunningly Great BookReview Date: 2008-01-07
the best picasso book ever!!Review Date: 2005-03-06
nothing much to say but incredibleReview Date: 2004-11-13
The ultimate Picasso artwork reference.Review Date: 2006-07-13
The photos of the artwork are brilliant and crisp, and the accompanying text is informative.
You will not be disappointed by this book.
Collectible price: $549.99

Fluid BeautyReview Date: 2004-08-10
And, to Amazon's credit, I also recommend the following: David Hamilton's "Age of Inncocence," Jock Sturges' "Radiant Identities," also (for some more abstract and hard-hitting photography, demanding personal interpretation) Jan Saudek's, "Saudek," and Boris Vallejo's, "Bodies," Christian Voght's "In-Camera: Eighty-Two Images by Fifty-Two Women" and, of course, Howard Schatz' "Pool Light."
The fluidity(!) of dance; AWESOME photographyReview Date: 2004-09-15
The introduction to this book talks about man's quest over time to conquer gravity, and how dance is created to give the illusion of weightlessness. This discussion is a perfect foreword to Mr. Schatz's work, in that having dancers "perform" underwater essentially solves the gravity problem. What you see in "Water Dance" is a collaboration between photographer, dancer, choreographer and even costume designers to produce a sort of ballet that is weightless . . . underwater. Virtually all of the subjects are dancers from the San Francisco Ballet and other companies, recruited by Mr. Schatz to perform in this project that uses a pool as a stage. Each image is entitled "Underwater Study #..." and features usually one, but occasionally two or more dancers, captured in the midst of an expressive movement or pose, but suspended in a way that the fluidity is still present. An interesting attribute to these photos is the use of the surface of the pool as a mirror, or as a plane through which a portion of the body can penetrate to become hidden. Note also the use of special chiffon fabrics which were created for the underwater studies to take a shape which complements the dancers.
You don't have to be a fan of dance or photography to appreciate this book. The images are truly amazing, and I believe anyone will find fascination with these photos.
Impossible PositionsReview Date: 2000-04-09
Gorgeous New Dimensions to Underwater Photography!Review Date: 2001-06-30
Take the most talented dancers from the San Francisco ballet, give them special gossamer costumes for underwater, and see how their poses and moves soar in the relatively weightless space beneath the surface. The resulting color photographs capture exquisite forms, bubbles, reflections, and stressless arabesques. The photographs are done with a Nikonos RS camera and a Hasselblad underwater camera, lit by Balcar strobes.
Viewer Caution: These images contain many nude photographs of men and women that would earn this material an R rating if it were found in a motion picture. All of the images evoke freeflowing, tasteful versions of classical poses for dancers and nudes.
Review: Water Dance is one of the most original photography books I have ever seen. Most underwater images are of fairly still poses, while these are often dynamic in their movement. Mr. Schatz has also found many special effects that mimic mirror images, reflections on the surface of water, and bubbles caught in solid transparent objects. Flowing hair and costumes also serve to capture the undulations and movement in the water in ways that will remind you of the most delicate kites flying in the most gentle, steady breezes.
The dancers themselves are in marvelous shape and seem to have adapted well to making leaps and pas de deux that would be impossible above the water. Those images are the most ethereal. The images are greatly enhanced by the special costumes designed to work well in the undulating world of underwater.
Ms. Katita Waldo is clearly the dancer who has taken most naturally to this new medium, and you will be intrigued by her freedom of expression in these images. But many other dancers were able to achieve remarkable poses that were well photographed and reproduced in this wonderful book.
Here are some of my favorites:
Underwater Study #49 (Shannon Lilly); U.S. #229C (floating costume); U.S. #189 (Heather Nahser); U.S. #117 (Tiffany Heft and Nikolai Kabaniaev); U.S. #179 (Jessica Schatz and Heather Vaughn); U.S. #152 (Katita Waldo); U.S. #107 (Anastasia); U.S. #215 (Julian Montaner and Nicole Panone); U.S. #183 (Wendy Van Dyck); U.S. #130 (Katita Waldo); and U.S. #41 (Katita Waldo).
I hope that someone will take this concept the next step and choreograph a whole underwater video featuring such beautiful dance sequences.
After you finish marveling over these astonishing scenes, I suggest that you think about how your own work could be transformed by being moved into a medium in which it could operate with fewer constraints. What would glass blowing look like in outer space? How would writing change if it were dictated while roller blading?
Extend the joy of life in as many ways as possible!
Negating gravity!Review Date: 2000-07-29
One of the arresting visual phenomena is the reflections of forms from the "mirror" meeting of water and air (mediums of different density) at the pool"s surface.
To me (dance buff) this is much more than a "coffe table" book.
Related Subjects: Directors
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