Artists Books

Bizzaro is one of the best comic strips I have ever seen. Even on the all too numerous occasions when it is clear that my political etc. views are diametrically opposite to Mr. Piraro's I find his comic strips funny and very clever. I even have a reproduction of one his 'strips framed and hanging on a wall in my house. This collection is one of the funniest comic strip collections I have seen and it is also published in a very high quality (for a paperback) format- it is *not* your typical flimsily bound and poorly printed paperback collection. I also like the fact that he reveals where his ideas come from. This brings me to my second point: it's one thing to include your political and religious beliefs in your book. These illuminate the origin of many of his ideas, but it's another to have them constantly shoved down your throat in a very childish fashion. He writes with the style of an angry and idealistic high school student with no thought that anyone else with very differing views could have valid ideas or - gasp- could even be correct. It get's tiring to be constantly told that anyone with opposing views is "whacked out", to use a common phrase of his. He replaces his idealized wishful thinking for facts, and it gets annoying. Here's one example: he writes about how he admires the native American Indians for living in harmony with nature. Clearly he has not read much on this matter because, I am sorry to inform this vegan, it is pretty much accepted by anthropologists and other scientists involved that "native" Americans wiped out the pleistocene megafauna, just like the "native" New Zealanders pretty much wiped out thier megafauna. I point this out because I grew tired of his constant know-it-all attitude, and I am sure other readers will as well. I only write this because I think even this very personal book goes way overboard for a comic book collection in his attacks on people whose views he dislikes and I expect a little more restraint more from an adult author- even a cartoonist with a poor formal educational background. Still in all, I would highly recommend this book to any fan of the daily comics and plan on buying his new hardcover collection upon it's release.

Dan Piraro is undeniably one of today's most talented newspaper cartoonists, and there's much to enjoy in this overview, if you can get past the tiresome, unrelenting narcissism and vegan proselytizing. More art (there's room on the pages) and less smug self-righteousness would've served this book better (and I AGREE with most of Piraro's politics).

This book provides insight into Dan Piraro, the most consistently humorous cartoonist of our day. Buy this book!

Pop quiz: Name an artist whose wildly popular daily cartoon frequently promotes veganism - and who is not Dan Piraro. Stumped? Well, there really isn't anyone else. Indeed, Piraro has that niche pretty much covered and is regarded as the veg community's most-recognized comic voice. His print cartoon, "Bizarro," which began two decades ago, is syndicated in more than 200 newspapers and routinely takes on topics ranging from animal rights and religion to gay rights and politics. The surreal cartoon has spawned a number of equally surreal book-length collections, the latest of which is "Bizarro and Other Strange Manifestations of the Art of Dan Piraro."

But this new volume is no mere anthology of "Bizarro" cartoons. Accompanying the pages of comics, paintings, sketches and personal photographs is an extended autobiographical essay that is at turns hilarious and a compelling indictment of agribusiness. The author-artist never misses an opportunity to promote the cruelty-free lifestyle (mentioning, for example, that he won't buy paint brushes made from animal hair), and the book chronicles Piraro's transformation from, as he puts it, "a creative misfit class clown in Oklahoma to a passionate animal-rights advocate in New York City."

As an outspoken vegan activist, Piraro proves himself to be articulate, well-informed and clever. He writes: "Some argue that while we started as vegetarians, we have `evolved' to eat meat. Biologically speaking, we haven't changed at all in this regard. You might as well say we've evolved to smoke tobacco. We've been doing it for centuries and we enjoy it, but we haven't developed a natural need for it, or a defense against its ill effects." You can bet I'll be keeping that analogy handy.

Among the biggest treats in Piraro's revolutionary cartoons are the richly detailed backgrounds and extra jokes for those with the time (and eyesight) to look closely. Regular "Bizarro" readers know that Piraro hides symbols in his cartoons, such as spaceships, sticks of dynamite and pieces of pie. While he purports to explain these objects on his website, bizarro.com, he includes them simply for fun. More serious are the animal-rights messages punctuating his comics. A typical cartoon reproduced in Bizarro and Other Strange Manifestations depicts several men at a bar; one guy has a "no veal" button on his jacket while another sports a "Farm Sanctuary" tattoo. Yet another cartoon shows two characters (actually Piraro and his wife Ashley) walking past a vegan café. Perhaps best of all, the themes in these particular cartoons aren't even animal rights, making the premise of compassionate living all the more mainstream.

Even if you're not a fan of comics or Piraro's work, this oversized paperback will look great on your coffee table (even if you don't like coffee - or tables, for that matter). Who knows how many houseguests, unaware of the inhumane practices involved in factory farming, will peruse this colorful, hip-looking book, get to laughing and then realize the deeper truths within its pages? Piraro could be contributing these books for some time. He writes: "People in my family tend to live well past life expectancy, no matter how badly they abuse their bodies, so I figure with regular exercise and my vegan diet, I should live well into the next century." Let's hope so.

Mark Hawthorne, author of Striking at the Roots: A Practical Guide to Animal Activism

One of the few good reasons to spend retirement years in America is the dependable presence of at least one laugh in your morning newspaper, aside from those sardonic guffaws you suppress with a sob when you look at the front page. Now, none of you techno-whippersnappers had better tell me that the comics are available on-line anywhere I wander, anywhere I roam, cuz looking at Bizarro on a computer screen is about as gratifying as staring at a photo of a snifter of cognac. It's the smell of the newsprint and the satisfaction of snatching the pertinent image from your lovey at her sudoku. Yes sir, that's livin'! Gets you all stirred up for tooling around Sun City in your golf cart.

Dan Piraro has been amassing a comprehensive dossier of my own particular world-view for many years, one frame at a time, but I've been abroad enough to have missed any number of his sharpest insights. But with this here book in my suitcase, I can face moving to "The Sequoias" with equanimity. What name for an assisted living facilty, eh? The Sequoias. Piraro would appreciate it.

This is one of those "hmmmmm...interesting" books. George Rodrigue gives a compelling history about his roots and how Blue Dog came into creation. While I love the content of the book, I am even more facinated by the design. Inside you will find a "punch-out" blue dog mask, postcards and other little nifty interactive thing-a-ma-jigs that help make this book such a pleasure to enjoy.

This is a weighty (but not cumbersome) coffee table book that any thinking, feeling human being would be happy to own. Ever since I saw some original Blue Dog paintings in New Orleans, I've wanted to own one of them. Alas, I'm too poor. This book captures the spirit of the little alien-looking pooch and lets me borrow it for a price I can manage.

You just can't fully appreciate or understand the scope and delight of Blue Dog until you read this book. I adore Blue Dog. This silly, goofy blue dog provokes emotions in me that I have not experienced with art before...there is some strange, sad, beautiful, eerie, rapturous, haunting, joyful essence to this darn dog. This book is completely unique, fun, inspirational...I could go on and on. You just have to touch this book (the cover is fuzzy!) and open it...you will be hooked. The best coffee table book and a sure conversation starter, though that is hardly its value.

Any book with more of Blue Dog is great. This features more of the pop art world of Blue Dog than the previous books of Rodrigue's work. (I actually like the paintings of Blue Dog in cajun settings best.)

Teach an old dog new tricks? Absolutely, provided the pooch in question is Blue Dog, that colorful canine spawned from the mind of Cajun artist George Rodrigue. (For those no up to their four-legged friends fodder, the cobalt canine with the yellow eyes is based on three of the artist's now-dead dogs, and was first immortalized on slick papers back in 1994.) Who says a sleeping dog must lie? This babe is everywhere: portraits hang in the White House, on the set of "Friends" and in fan Whoopi Goldberg's abode; Blue Dog also stars in an Absolut ad. This volume boasts 60 gorgeous never-before-published paintings, along with commentary by Rodrigue on the birth of Blue Dog and its transformation into a pop culture icon. Tom Brokaw, an avid Blue Dog collector, wrote the book's forward. The cat's meow. Really.

Terrific book that is a keeper. If you can't get to see a portion of these works of art exhibited, at least you can enjoy what is being created out there by this wonderfully photographed and informative book. An added bonus was that it arrived sealed in plastic in mint condition!

This book is a wonderful review of the art of books as contemporary sculpture. As a fiber artist-bookmaker-handmade paper maker, I bought a copy for my own library, then gave another copy as a gift to a fellow artist who was interested in using books and book images in art. Inspirational as well as informative. I look forward to seeing the actual exhibition.

This is one of those products which is true to its theme from the moment you unwrap it.Being a book about the beauty and creativity of books it has itself to be worthy, which it certainly is. It is a pleasure to hold and to explore, as the design and concept have been carefuly considered.
The examples chosen are rich and varied and are divided thematically.The problem is that so many of the books are enormously intriguing that one wants to handle them to discover their mysteries. However the descriptions are usually very good and do allow one to at least understand the concept of the creator.If you love books as art, this is a truly wonderful possession.

Turning the book making into an art can make a book more attractive and collectible. This book demonstrates a lot of outstanding examples. Readers are completely satisfied by the books in this book.

One of the best! This book should be on your bookshelf if you are interested in the books as an art form. I would suggest it for any school or college media center. I would not include it on a list for coffee table books but if you have a serious home library which leans toward the book arts,artist journals and sketchbooks; by all means, put this out on the reading table.
The next best thing:Visiting the Museum in person!

My dad and Charlie were in business during their undergraduate days at UPenn. Dad would go out and take orders and Charlie would draw custom Christmas "and other special occasion" cards. I thought this was pretty neat. Nearing his deathbed, my dad finally confessed the he'd go out and take very specific instructions, gather photos, descriptions, etc. and bring other sordid details back to Charlie, who would then draw "pornographic" cards based on those orders. That revelation got me looking at Wednesday in a whole new light! It was enjoyable to read that Charlie was like that all his life.

One of the most commonly asked questions of cartoonists is, "Where do you get your ideas?"

And of course when the cartoonist is Charles Addams, this question leads to unrivaled speculation and disinformation, which over the years created its own brand of peculiar mythology.

Now comes an impressive new biography by Linda H. Davis. In "Charles Addams: A Cartoonist's Life" Davis takes on the stories that Addams slept in a coffin and drank martinis with eyeballs in them. Instead, what emerges is a surprising portrait of an amazing artist who led a full and colorful life.

Yes, Addams certainly had quirks and odd obsessions. But he was also universally loved, and so charming that he dated the likes of such luminaries of his time as Greta Garbo, Joan Fontaine and Jackie Kennedy Onassis (along with untold numbers of others). He drank hard, raced cars, and no party or social gathering was considered complete without him. His fan base ran the gamut from the criminally insane to Sean Connery and Alfred Hitchcock.

In this first ever biography of the subject, Davis charts Addams' meteoric rise and more than 50-year career as the most esteemed cartoonist at The New Yorker. With his cartoons, Addams became a significant cultural force by combining horror and humor, a genre that continues to flourish today. His impact and influence on generations of cartoonists is impossible to calculate, but it's fair to say that Gary Larson's Far Side would not have existed without him.

Addams' own unique creation of The Addams Family began as print cartoons which went on to inspire a popular TV series, animated cartoons and two Hollywood feature films. With these characters, Addams provided role models for eccentrics and nonconformists everywhere. The message of the Addams Family was simple: Namely that love and laughter can--and does-- flourish everywhere, even within families and social groups that seem outside society's norms.

An esteemed biographer whose previous subjects have included Stephen Crane and Katherine White, Davis spent over six years on this book and interviewed more than 130 persons who knew Addams well, or as well as anyone could. Although Addams died in 1988, Davis had exclusive access to his personal effects and papers that had been in the possession of his wife Tee until her death in 2004. Addams' two other wives also participated in helping Davis to define the man nicknamed "Chill" by his friends.

Davis provides a wealth of detail, but wisely avoids drawing hard conclusions or offering up pseudo-psychoanalysis. Instead, the dichotomy between the artist's urbane and cheerful public persona and his morbidly dark humor are presented in a way that leaves the reader, if nothing else, even more appreciative of Addams' depth, genius and mystery.

With this approach Davis reframes the question of "where" Addams got his ideas to that of "why." Addams was unlike anyone else, and so it is only natural that his ideas would be unlike those of others. As for why he was the way he was, that's a question Addams seems to have taken to the grave with him. In "A Cartoonist's Life" we see that just as one question is put to rest, another rises up - a conclusion that Addams himself would have no doubt enjoyed.

Who was Chas (Charles) Adams? While you won't know by the time you finish this revealing biography, you'll certainly expand beyond the line sketch you probably have now of his life. If you are a New Yorker fan, you'll know him from his hundreds of cartoons and dozens of covers that expressed a most unique and other worldly perspective. If you are a fan of celebrities, you may know more about him as someone who drove classic cars, dated high-profile women, and favored allusions to death and dying. If you are a classic television fan, you'll know that his cartoon characters were the foundation for The Addams Family. If you favor camp, you know about his armor collection, his preferences for cross-bows, and other lethal items which he liked to display in public.

The biography also reveals a kindly man who was patient with everyone, including those he didn't particularly like. You'll also learn of his fascination with the Morticia appearance (based on having married two women who met the bill). More surprisingly, you'll find him to have been victimized by his second wife . . . even long after they were no longer married. The book also portrays a heterosexual version of Truman Capote who fascinated many of the most desirable women.

Most pleasingly, Ms. Davis does a delightful job of portraying the development of his cartooning style and art . . . including dozens of prime examples that are well reproduced. Even when there's no reproduction, Ms. Davis is good at capturing the essence of an image in a few words. She also provides a history of 20th century New Yorker cartooning, including how many of the final cartoons represented the influences of many people other than the artist who signed the final version.

While each of those aspects is well and thoroughly portrayed, the core of the man doesn't quite make it through. Addams seems like a case of arrested development in many ways, but his willingness to be kind and considerate of others displays greater maturity than his preferences for self-indulgence and his cartooning approach suggest. In today's world, he would clearly be just another clever self-promoter . . . except that his stunts seemed aimed at creating joy rather than a higher income. Clearly, he didn't take himself too seriously, yet he did take his work seriously. Ms. Davis has, however, done readers and cartoon fans a great service by writing this biography which will undoubtedly stir up other sources and perspectives to flesh out the man who shortened his first name because it looked better that way on a cartoon.

Addams has always been my favorite cartoonist and I snatched a copy of this book as soon as I saw it. Reading this book led me to have even more admiration for this man, who had a rather energetic personal life (although not of the sort some might imagine) and who also served in the Army as, what else, an illustrator.

A must-have for anyone interested in Addams' work and a damn good read even if you aren't. Also, I thought the cartoons picked to illustrate the book were a perfect for this work.

"Charles Addams: A Cartoonist's Life" is a warm and tenderly written biography in which the essence of the man behind the dark side of his cartoons is gently exposed. Author Linda H. Davis has offered a comprehensive look into Charles Addams's life and it has a few surprises.

Addams, born into relative prosperity in Westfield, New Jersey just prior to World War I, could have lived a rarefied life (and in some ways he did) were it not for his penchant for seeing the world in a different way from most of us. Davis points out that Addams, although never admitting to liking children and never having any of his own, nonetheless gravitated toward children at parties and visits to friends' homes. He was wildly popular with the children he got to know and that childlike quality is evident in the cartoons he drew. He disliked the word "macabre" in describing his work and as the author points out there is never any outward blood and gore in his cartoons. The ghoulishness is implied and having been treated to several of Addams's cartoons in this book I would agree with Addams himself....his best cartoons are uncaptioned.

Charles Addams's personal life was another matter. Married three times, his second wife, Barbara Colyton, had the most and longest lasting effect on him. Control and money were her issues and she dominated the cartoonist for years after their divorce. Yet as Davis points out, Addams never had too much of an axe to grind with her or other women in his life. Indeed, he had many women as confidants...something most men eschew.

It is surprising to see how little money Addams made in his life, relatively speaking. He seemed to care about other things and one of the great loves of his life was his dog, Alice. Remarkably, too, Addams lived in an age where, at the New Yorker at least, cartoonists were mostly given ideas from which to draw something. It appears that his originality came later rather than earlier in his career.

Linda Davis has done a fine job in taking us through the life of this wonderfully warm, if complicated man. As his friend, the writer Philip Hamburger remarked on Addams's death in 1988, "Charles Addams was 'sui generis'". Without a doubt he must have been. I think Addams would have been a lovely dinner guest, replete with humor and full of attentive, quiet listening to his fellow guests. I wish I had met him.

I caught this exhibition at the Indiana State Museum while it was on a nationwide tour. It was so interesting that I took full advantage of my museum membership and came back and saw it several times while it was here in Indianapolis. I picked up the book as the exhibit was winding down but only recently read the well-written introductory essays that make up the first 35 pages or so of the book.

Cheech Marin has created a high-quality full color text of this travelling show which is mostly comprised of pieces from his own personal collection. Marin's taste tends to run towards political art, but there is plenty that speaks of life for artists who are both Chicano and American, as the exhibition title (also the book title) imply.

Artists that grabbed my attention include:

Carlos Almaraz - his car crash paintings were gigantic attention getters in the gallaries. His other works are great as well.

David Botello - his Monet-like style is fascinating.

One of the best paintings may well be "Janine at 39, Mother of Twins" by Margaret Garcia. Cheech Marin's comment on page 67 hits it on the head: "If there is a visual definition of the lushness, the strength, and the beauty of women, this painting is it."

Cesar Martinez's "Hombre que le Gustan las Mujeres (The Man who Loves Women)" is funny and a sadly realistic portrayal of the ways that men see women.

Patssi Valdez was the painter that stole the show in Indianapolis, at least from the comments I heard. Her pictures are so bright and have the power to mae the viewer feel as though he or she is being drawn in to the canvas, especially with works like "Room on the Verge." Another painting of hers graces the cover of the book.

I did not care for the works of a couple of established artists: Gronk and Mel Casas. The Casas pieces in this show seemed less like a work of art and more like very large, not very clever political cartoons. That being said, it was entirely appropriate to include their works considering their standing in the Chicano art movement.

I bought this book for my brother (artist) and he loved it! it had a great collection of chicano art throughout Los Angeles. Any 'Chicano artist' would like to take a look at other inspiring work.

Cheech Marin has collected some of the most amazing, enthralling pictures (paintings, drawings, etc.) by Chicano artists that I've come across! This book is such a rich collection to own because some of us can't afford to buy art, but we can look again & again at the copies he's put together. There are well-known artists, unknown artists, and people I'm thrilled to have found out about because their work is so brilliant. Some places where I've seen "Chicano" art collected before have stuck to one style, very pastely, very soft colors, a certain women's painting style that has its place but isn't representative. This book isn't like that. Marin has collected paintings of incredible scenes, showing car wreck victims, cholos, lovers embracing, a drive-by shooting in progress, a freeway accident, & a police shake down to name a few. The "realist" aspect of these pictures is so entertaining that it will provide owners of the book hours of transfixing study & discussion! Buy it!

Absolutely breathtaking. A great addition to my collection.

I am insanely jealous of Cheech Marin's art collection, or at least those pieces that are featured in this book. A true artist is one who can make the ugly beautiful, or at least make you look at it with a different perspective, such as David Botello's "Alone and Together Under the Freeway"

Frank Romero's "Arrest of the Paleteros" is tragic and funny at the same time, with the hapless ice cream sellers lined against a wall in front of robot-like cops.

Adan Hernandez' "Sin Titulo II", while not owned by Marin, is included in this book, and gives a peeping-Tom's eye view of a family's living room-it is stunningly beautiful and menacing at the same time. Other works in this book are excellent, and it is inspiring for any artist in a rut, who needs a fresh look at some unusual talents.

Kirk Johnson of the Denver Museum of Natural History and his traveling companion, artist Ray Troll, take us on a goofy whirlwind tour of fossil sites in the West that is funny and also informative. Kirk Johnson explains a lot of geological concepts along the way, while weaving in great anecdotes and entertaining sketches of the whacky characters who live and work at many of the sites they visit. Ray Troll's art, as always, is great and often quite surreal, and there's lots of it on every page. Highly recommended!

The book was listed in Science News, which is a weekly publication with current news in the world of Science. My spouse, who is a Registered Professional Geologist, asked me to purchase it for her. At first glance she thought it was a children's book, however; in reading further realized the book was intended for adults. Her rating is that the publication was very good, both well written and illustrated. This rating means a lot because it is from someone who must have at least a zillion books on Geology and also has a Masters Degree in the subject.

Caution! Paleo fever is catching. I already had a light dose of it before reading the book. Not many people carry around a small chunk of dinosaur rib in their purse just for the heck of it. (It makes a hilarious conversation piece at security check points. Most screeners don't want anything more to do with the purse after finding the bone.)

Now, after reading the book, I have a full blown case, and am itching to get back on the road. This book strikes just the right balance between hard information and just plain fun.

We went to Montana last summer and met several people who were at least as interesting as the bones - with strange tales of discovery and survival. Guess what! after reading the book, I now know that there is a whole world of fossils and people just waiting to be discovered.

This book answers a lot of questions that I had - i.e. what on earth is a concretion? Before reading the book, I could recognize one, but couldn't define what it was. Now I know more about what they are and how they form.

The book delivers a steady drip of valid scientific information that you almost don't realize that you are getting. (The author is a curator at the Denver Museum.)

The book will also tell you how to recognize and find dinosaur tracks at 65 miles an hour. - I won't give away the secret,but, I'll give you a hint: it involves birthday cake and ants.

Be warned! If you read this book, you will be left screaming for a ROAD TRIP in the great old American tradition.

Funny,thought-provoking story with historic information on paleontological sites and the people who search for fossils.

One part Easy Rider, one part On the Road with Charles Kuralt, and one part "stuff to find by the side of the road." Mix up these three and add an interesting commentary of "how things got to be the way they are" and you'll have some idea of what "Cruisin' the Fossil Freeway" is like. I've read "The Bone Wars" (Cope vs Marsh) and, while I find the topic interesting, I had to drag myself through parts of it. I also have a number of "Roadside Geology" books that I'm generally disappointed with. In "Cruisin'," Dr. Johnson gives details about the first scientists on the scene, plus precise locations & basic geology, and manages to make it all humorous and entertaining. The Easy Rider camaraderie between Johnson and artist Troll is often quite amusing, and the sketches of personalities they meet along the road makes what could be a very dry subject full of personable details. The octogenarian racing to beat Johnson to a fossil, the 16 year old girl with an Allosaurus under her bed, the "King of Trilobites" who has little more than disdain for fossils ... all keep the narrative far from a textbook coverage of geology. No, I don't know the author well enough for him to buy me lunch or have a piece of the royalties. I just really enjoyed both the personalities and the fossil info in the book. If you're serious about collecting, get the separate map as well: not only is it covered in Trollish art, but it provides an accurate index of fossil locales throughout the Western states (in much more detail and over broader areas than the book ... and better than any other source I've seen).

Our 3 y.o. daughter is obsessed with the movie 'Cars'. One night on a shopping trip I brought this book home on a whim. Not a single bedtime has gone by since without reading this book. She loves it so much that she wants desperately to learn to read it for herself. She even recognized the word 'McQueen' repeated throughout the book and reads that word on her own now. The book is already well loved and dog eared but standing up to it all.

The pictures in the book are hand-drawn and give a high-level overview of the story. It skips many of the details in the movie but my daughter doesn't seem to care very much about accuracy, detail or that it looks different than what's in the movie.

We've read hundred of books to her but none have sparked her interest quite like this. I don't know if it's timing because she's getting older or the tie-in with the movie. I don't care even if it seems over-commercialized. Whatever keeps her interested in reading is what counts. I'll surely be buying more books in the series.

Arrived ahead of time for Christmas. Purchased as a Christmas present for my grandson. He carried this book around all night. He loved it. thank you Amazon.

the step into reading books are excellent for young ones....the cars book is cute..good for new readers!!

both my children and found this book to be a delight and very
fun to read. also the pictures were very colorful.
thanks,

debbie pollitt

My four year old really enjoys this book. I wouldn't recommend it older kids though.

Powerful is the word that comes to mind. The writing, the plot and the dialogue. The character of Carrie is as different from me as night and day and yet when she needed to be strong she totally came through for herself. I didn't agree with many of the choices she made yet by the end of the novel I was rooting for her like she was a best friend.

The husband is truly irredeemable and I am glad to say I have not in my lifetime been around anyone so domineering, condescending, insufferable and without self-awareness. In fact, his whole life revolved around him, he can't grasp why everyone around him wasn't focused at all times on his needs. Loathsome. The author does a terrific job of making him so real that you hope never to cross paths with him.

I absolutely adored Val. I could totally see why Carrie was drawn to her. I loved the way Val was written as so very strong and unique yet not without flaws.

This is a book that will stay with you forever.

I was quite disappointed in this book - it was the first fiction of its kind I have ever read and sadly it lived up to all the negative stereotypes. The husband character in the book is such a cardboard-cut out villian the lesbian lover is a virtual saint. However the author has a real talent for making sex scenes erotic. Definitely a book for flicking through ...

Katherine has done it again, with her usual finesse, she's brought characters to life with writing so clear and descriptive it was as if I had been scooped up by some force and surreally planted in the midst of the events of EMERGENCE. I am in awe! I only wish there were some sort of epilogue, to give me some sense of closure to Val and Carrie's relationship, and especially to the evil that befalls Paul (Carrie's ex-husband). No complaints; just wishes. Truly remarkable!!

I began reading Katherine V Forrest's mystery novels and I hate to admit... but I wasn't terribly impressed. Yet so many of my friends said she was one of their favorite authors. So I finally picked up "An Emergence of Green" and now she is also one of my favorite authors.
This is a wonderfully touching story of how the friendship between two women blossom into something more. I highly recommend this book to anyone, gay or straight.
It reads very fast, and I was on the edge of my seat through many chapters not wanting to wait to find out what happens next. The setting is a bit dated, but the story refreshing. You won't be disappointed

Alice Street Editions has released a new edition of this 1986 novel by author Katherine V. Forrest, originally published by Naiad Press. If you read this novel long ago, it is worth the purchase price just to read the foreword from the author and the afterword written by Victoria A. Brownworth. But the book is worth rereading for its own merits.
Set in 1984 in Los Angeles against the backdrop of the Olympics and the presidential campaign involving the first (and only) woman candidate for vice president, the novel is not dated at all by this, nor is it dated by its subject matter. It is as fresh and nuanced and topical as if it had been written today.
The point is made in the afterword that Ms. Forrest writes about lesbians for lesbians. In this novel, among the first in a new genre of lesbian fiction, Ms. Forrest carefully and skillfully presents the male character, the antagonist, as fully drawn and as sympathetically as one could, a man trapped by his upbringing and his past and the social mores of his time. One may not feel sympathy for him, given the inevitable and violent denouement, but we can certainly understand him.
In fact, a reader might even begin to feel less sympathy and more impatient with the main character Carolyn Blake than perhaps might be expected. She is a trophy wife, married at nineteen to a man ten years older who is already well established in his corporate career track. She sublimates her own education and career to his, leaving jobs to move with his transfers, seemingly accepting without question that her career is less important. A friendship with the woman next door, Val Hunter, a divorced artist with a son, allows Carolyn, and the reader, to begin to draw comparisons.
One of the most interesting things about this novel is how close we get to all three main characters. We see Val through Carolyn's admiring eyes and growing affection, and also through Paul's growing resentment and jealousy as he comes to understand she is his rival. We see Carolyn both through her husband's idealistic view as a possession of which he inordinately proud, and as Val comes to know her, a vibrant woman who has spent far too much time acquiescing to Paul's idea of the perfect wife. Carolyn struggles to continue to believe her husband's possessiveness is a product of his impoverished childhood, the early loss of his mother, and his love for her, which she believes is genuine. Val sees a grown man who is domineering and arrogant in his presumptive male superiority. She instinctively feels there is something infantile about Paul's need for Carolyn, and Carolyn herself often refers to her husband as a little boy. Once she thought of this as an endearing trait, but she begins to feel his need to have her with him as clinging, suffocating, and ultimately controlling.
The tug of war that ensues between husband and friend for the heart and mind of Carolyn Blake slowly escalates as the sexual tension and awareness between the two women increases.
For those who haven't read this book before, a few words of caution. The nature of sex itself is at the heart of this novel. There are no pulled punches here. Ms. Forrest is not shy about delineating the intimate sexual details of a marriage and, exquisitely, the sexual and very sensual relationship between the two women. Nor does she back away from the same attention to the excruciating unraveling of Paul Blake and his eventual recourse to violence as the familiar world he has created starts to crumble.
I once had the pleasure of meeting Ms. Forrest, and found myself peppered with questions about this book, then yet to be released by Alice Street. On the eve of the release of her thirteenth book, the eighth in the Kate Delafield detective series, she wanted to know about a book she had written almost twenty years ago, as nervous as a first time author. Perhaps recalling the critical reviews of many years ago, she asked whether the main character, Carolyn Blake, was too weak.
The answer then and now is an emphatic no. Many women may recognize themselves in Carolyn, guided by the accepted precepts of her time, who believed that in placing their husbands' lives and careers first, they were perhaps doing the hard work often assigned women, that of balancing the cementing of family and home against their own sometimes unspoken desires; to be a woman meant doing what had to be done, and then doing more, if one wanted to also have a career. It takes some time for Carolyn Blake to realize her own needs and to leave behind the conventions to which she adhered but in which she found no rewards for her loyalty, no comfort or room for herself.
The afterword properly places this novel, and Katherine V. Forrest's body of work, firmly in the history of a genre she helped to create, both as an author of great skill, and as senior editor at Naiad Press for ten years.

Very well written
Extrodinary life of Lois Gibson
I would recommend it to all

I sat down and read the entire book in one night, it was a Christmas gift from my husband. It ranks as one of the top 5 books I've ever read, and I am an avid reader. It was excellent, raw human emotion, but at the same time, like talking to a girlfriend. I just loved it. I felt a strange sense of inadequacy after reading it, like I wasn't doing enough in my own life. It really made me stop and think about my own life. If you get satisfaction out of watching "Forensic Files", "The New Detectives", "America's Most Wanted" and the like, then you will love this book. Lois is an author with a rare combination of sass, softness & wisdom - she knows her stuff but still makes you remember she's a mom and wife.

Truly amazing book. If you are interested in Forensic Art, Compositry or are just a crime story buff who loves to see the bad guys get caught, read this. It's an easy read and completely engrossing.

The Faces of Evil is a very compelling book about how a tenacious forensic artist can help to put murderers, kidnappers, and rapists behind bars. The story of Lois Gibson is a very interesting one, as a victim of a violent crime herself, she brings much more when she visits when a crime victim than a person who was not a crime victim.

Lois Gibson fell into becoming a forensic artist. Her early training was drawing portaits at an amusement park. In her early career she spent time specializing in portraits, not foresenics. She would go on to pester the police department until she could prove that she could draw someone from description. Once allowed to do this, she proved she could do the job. While she wasn't immediately hired on at the Houston police department she would convince them to hire her full time, and later they did so.

She has drawn pictures of many different criminals that the end result was bringing many different criminals to justice. At times these pictures were the only way to bring in criminals. She has helped to catch abusive parents, murderers of children, rapists, and so much more. This is a story of one woman's journey to aide the public is solving crimes as well as a personal story of what can happen if you set your mind to succeede.

Welcome true crime lovers to an inside treatment of a forensic artists' skill and tenacity in bringing down the bad guys. It is refreshing to see that some very special people are out there fighting crime, one stroke at a time. Together with the Houston Police department, this forensic artist is taking her brush against crime. The story is well written and insightful. Don't miss this exciting inside account of what is good about our law enforcement professionals!

My nine year old daughter loves fairy books about Tinkerbell and her friends. She absolutely devours them as soon as I get them. What a boost for her imagination!

We own all of this series! Started reading them when my daughter was 4 (she just turned 5 now), and they are age appropriate. Not too scary and always a happy ending. One book only takes us about 4-5 nights worth of reading together. The longer ones are good too "Fairy Dust and the Quest for the Egg" and "Fairy Haven and the Quest for the Wand", but they are a little bit scarrier than the short books (more appropriate for ages 5-7 I would think).

Fira is outnumbered by her triplets and has to apologize to her townsfolk a lot. (Single mom + 3 bickering kids = go away now please.) But the day is saved when her kids disobey her instructions to stay home and follow her deep into a dangerous mine! Yay!

Actually, the story was pretty good. A fun read.

The CD version is read by the talented Debra Wiseman.

The book arrived and was practically brand new. My daughter loves it. It came in the mail very fast.

My 8 y.o. has fallen in love with these books. You typically can't fail with Disney products and these are no exception. The stories are interesting and unlike some series books for this age range, these books stand alone and are not "formula" books where only the names and places are changed, but the same event takes place. Each fairy has a talent and her talent solves the problem in her book. The illustrations are vivid and imaginative. Apparently there's a movie about Pixie Hollow that will be coming out soon and there are also toys starting to come out with the fairies.