Artists Books

A compelling tale about a little explored area of art: the back door dealings of the players and how it affects artists. Already thoroughly familiar with Dial's, Holley's, and Arnett's tales, this was still a real page turner. Having some professional experience with one of the players that enters the story late, I can vouch that Dietz's description of the "character" is pretty accurate. It's a tough call as to what Arnett may be trying accomplish (it's all pretty gray), but he has helped bring American vernacular art to the forefront of the contemporary art scene. This is one of the best books about art written in the last few years.

What is art?- you really answered this question! Through the many people you probobly interviewed, you probobly learned this too!!! I just absolutly LOVE THIS BOOK AND I RECOMMEND IT TO PEOPLE OF AGES 10 AND UP!!!! You must have worked really, really hard!!! Good Book and Exelent work!!!!

I absolutely loved this book! I think that you must have put a lot of effort, work, and time into this masterpiece. Love the word usage and the story overall. I hope that you write more books.
Great Work!

Highly entertaining peek into the art world -- what is art? How do you find it and create a market for it?

The artists in The Last Folk Hero are charming people whose talent is brought to light by an unlikely character from Atlanta.

Well researched, well written and fun read.

Andrew Dietz brilliantly captures the layers of race relations, exploitation, white liberalism and the dynamics of individual egos. As Lonnie Holly captured in his piece "Mystery of the White in Me" (the artist and a photo of this piece are featured in the book), Dietz's exploration of the line between artist promotion and exploitation demonstrates that nothing is as black and white as it appears.

As a reader that knew little of the history and politics of folk art, it did take me a while to get drawn into the book (I was hampered by the fact that a house guest started reading my first copy and was so drawn in to the story that I let him take it with him), but once I got to the third chapter I could not put it down.

How different would Leni Riefenstahl's life have been had she not filmed Triumph of the Will? One can only speculate what films she would have directed and starred in after World War II were it not for Hitler insisting she do the film.

Riefenstahl has been referred to as a Renaissance woman, and she most certainly was. She was a creative being and expressed her creativity in dance, acting, directing, photography and ocean diving. These five areas, spanning her entire long life, are the subject of this sumptuous coffee table book.

Editor Taschen Angelica is to be commended on compiling this life-work on Riefenstahl while Leni was still alive to assist in the selection and arrangement of the photographs. The segment on the mountain films is worth the price of the book alone, but the color images of the Nuba are also amazing.

Riefenstahl's revenge against those who denied her her cinematic craft after World War II was being able to live to 101, and seeing her life-long accomplishments compliled into this book. Rumor has it Jody Foster is at work on a film project about Riefenstahl. One hopes Foster will get it right and cover her entire life, not just the years that caused so much controversy.

A biography in pictures of arguably the most influential female film-maker in the history of the medium...though all too many people in the industry are afraid to admit to it. Made the greatest propaganda film in history (unfortunate choice of subject matter) and the most important and influential sports documentary of all time (Olympia). Dancer, actress, director, producer, still photographer, underwater cinematographer...an astounding list of accomplishments driven by a desire to perceive and record the world around her has compelled Leni Riefenstahl since the beginning of the twentieth century.
Oversized, handsomely produced volume (typical Taschen quality) is packed with rare photographs and fascinating commentary. Note: sparkle in eyes of 19-year old dancer and 99-year old legend is exactly the same.

As gifted as she is controversial, Leni Riefenstahl's "five" lives are imminently fascinating as this impressive book will prove! Even to the uninformed or casual observer, this edition will entrance. A great addition to your library, especially if you are impressed by the 102 year old dynamo who continues to prove filmmaking and photography as an art form. A living testament to the fact that "bodies in motion, stay in motion!"

A biography in pictures of arguably the most influential female film-maker in the history of the medium...though all too many people in the industry are afraid to admit to it. Made the greatest propaganda film in history (unfortunate choice of subject matter) and the most important and influential sports documentary of all time (Olympia). Dancer, actress, director, producer, still photographer, underwater cinematographer...an astounding list of accomplishments driven by a desire to perceive and record the world around her has compelled Leni Riefenstahl since the beginning of the twentieth century.
Oversized, handsomely produced volume (typical Taschen quality) is packed with rare photographs and fascinating commentary. Note: sparkle in eyes of 19-year old dancer and 99-year old legend is exactly the same.

The striking front cover on this book is a publicity still as Junta, in the movie "The Blue Light" 1932. As impressive as the cover is, it gets better when you open it to reveal hundreds of artistically shot photos. Dr. Ruth says bigger is not necessarily better. However in this case it is; something about the size of the photographs add to their striking appearance. Most are in grainy black and white with some color sections. This book is just a wee to large to fit in my oversized bookshelf. So I am making a larger shelf to display the books front view.

Just as you assume that this is a great coffee table book you will find that there is more too it. Luckily the pictures are not cluttered or distracted by alpha pneumonics. All the descriptions are in a separate section. The title of the book is appropriate as it portray s the different vocations of Leni. (Dancer, Actress, Director, Photographer, Diver)

This book also enhances the viewing experience of Leni's films.

THE GERMAN CENTURY.

Creative. Imaginative. Easy to follow directions to make all kinds of prints. There are ideas in here for those with no experience as well as great suggestions for new techniques for those who already make prints in one form or another. The visuals were beautiful and helpful when trying out a new idea. I recommend this for anyone who likes print-making. I think it would make a great text for a class.

Make Your Mark is truly a book to savor for many years. After getting it as a gift, the first thing I did was simply read it all the way through. The author has a warm and encouraging tone, and it is easy to imagine her standing by you as you are guided through a variety of wonderful and interesting techniques.
You don't need to be an artist or good at drawing to make use of this book, although if you are, you'll find these projects interesting and appealing. At the moment, I'm really into the gorgeous techniques that I've gotten spray painting with stencils. I can't believe how beautiful the effect is spraying through lace (cheap lace works really well), which I did on fabric, which is what I had around the first few times I tried this technique.
The other technique that appealed to me from the beginning is spray painting with lemon juice. I just loved the idea of the art work going in the oven for a brief stint, and watching it magically come alive. It's like baking, only the gratification is instant. This technique leaves kind of an aged looking mark on the paper, which is enhanced by darker edges where the lemon juice is sprayed heavily. The variations include adding salt and water. It's pure fun.
I can't wait to try some other techniques. An interesting and wonderful byproduct of working with the techniques in the book is that I just felt relaxed and loosened up creatively, and I was able to transfer that creativity to my work as a chef. I found my creative juices just flowing.
There are also chapters on all kinds of stenciling, rubbings, printing, water printing, paste papers, pattern dyeing, and collage, enough to keep one happily occupied with projects for a very long time. Each technique clearly explains what materials you need, available at most art stores, and the artist thoughtfully provides a glossary of places to get the materials.
I highly recommend this book for people of all ages, whatever your level of creativity is, for just a wonderful way to have a lot of fun!

What a delightful book Margaret Peot has written! It could be titled "Art for Dummies", because this grandmother surely qualifies. However, it is equally inspiring for granddaughters too. The book is fun to read and makes you itch to go and try the diversity of projects included. Ms. Peot convinces you that there is a hidden hint of "artist" you never knew was lurking inside. And not to be overlooked is the fact that you don't need a stash of expensive art supplies to get started!!

Joyce Tice

I have used "Make Your Mark" to help me with my own creative blocks and I have given the book to several friends, some artist and some non-artist, to offer the same benefits. All have enjoyed and used the book extensively and have been thrilled with their individual results. It's really a great resource for anyone wanting to create, but feeling a little inhibited.

This book is great. I did the gouache resist exercise and three of my experiments were selected for the Art Guild Show at City Hall. It is so easy to get caught up in the process of creating someting beautiful and interesting and artistic using Ms. Peot's methods. I love reading the chapters and imagening the end result. Once I get started, I am thrilled at how the methods enhance and facilitate my own creativity. Right now I am looking forward to trying my hand at collage knowing that I can just play with the process and see where it takes me.

An informative book on what motivated NC to do what he did, but not much on how he arrived at certain colors, composition, studies before completing a major work, etc. There is a lot of information that seems unnecessary, but it all comes together at the end. If you want to know the progression of his work, it is here; but there is not alot on technique.

The forementioned "Biography at its best" is fitting. David Michaelis went the extra mile to gather coupious historical data on Wyeth and his background. The evidence given paints a picture of the very soul of this man, almost to the point of smelling his oil-stained hands.

It is remarkable to catch a glimpse of this energetic and powerful artist who somehow balanced family, busines and sanity by applying passion to all he encountered. Whether or not our hero was particularly faithful to his wife can be argued, but his evident ability to excel in whatsoever he set out to do is inspiring.

A great read for those interested in disciplining one's self to master the studio and the home.

My brother loaned me a copy of this book because we both collect American illustrations. That qualifies some of my enthusiasm for this book a bit. I am already a fan of the golden age(s) of American illustration.
The life of N. C. Wyeth is impressively detailed by the author. He mostly uses detailed and extensive letters written by the family to piece together what would seem a very accurate account of N.C.'s life. This book helped piece together some of the influences I assumed N.C. had throughout his life. From Pyle to the war, depression, to family, it was a very complicated life for the entire family. A great read with enough personal melodrama to keep it very interesting. My only complaint was the occasional writing quirk where the author sometime wrote of the future while writing mostly a chronological book. It's hard to describe, but readers will notice this and occasionally get a little confused by the style. That's my only negative comment. (And frankly, I do not see how this writing method could have been avoided since some of the information was necessary in order to piece the story together.)

I don't know if there is another Family that has continuously contributed to the world of art, and done so with such skill, as the 5 generations of Wyeths whose story is told in this work.

The title of my review may seem a bit odd but I believe those who read this book will find it appropriate. I read this book when it originally was published and then recently read it again. You need not be anything more than someone who loves to read to enjoy this book. While I am a great admirer of Mr. Andrew Wyeth's work and to a lesser extent other members of the Wyeth Family, I have no Art History education. The beauty of this work is that it is an incredible story on it's own, that additionally the story is true with 2 Wyeth Family members still painting, only enhances the reading. The fact this is not fiction makes the story all the more remarkable.

If you have already read about Mr. Andrew Wyeth's work you certainly will gain a great deal of insight as to why he may view his art as he does. Another wonderful book that focuses on Mr. Andrew Wyeth is by Richard Merryman, "Andrew Wyeth A Secret Life". It often seems that great artists in a range of artistic fields seem to have more than their share of drama in their lives. This is certainly the case with this 5 generational span of the Wyeths. There is also a great deal of tragedy and sadness.

Whether or not you are aware of or enjoy the work of The Wyeth Clan, they have and will continue to remain of great importance to Art History. Ranging from the illustrations by N.C Wyeth of dozens of books that are known to us all, to some of the most recognized images in the world as is the case with Andrew Wyeth's "Christina's World" from 1948, chances are you do know of the Wyeths.

The story most don't know is of the woman who is in the mentioned painting, her lifetime, and the stories and paintings that resulted from the house that she is looking towards in the painting. Not all of what you will learn is comfortable, some is sad; some behavior from members of the Family is eccentric to say the least.

What you will experience is a sweeping story that continues to this day. If an endorsement by an internationally acclaimed Artist would help, read what Mr. Barry Moser had to say about this book. And then go look at the book he was illustrating, the work he set aside to read this story. I cannot think of a more reliable recommendation.

Know the Family, know the work, or read as a novel. You will not de disappointed.

Although I was familiar with the paintings of Andrew & Jamie Wyeth, I wasn't aware of N.C. until I read his letters in Dorie McCullough Lawson's wonderful collection, "Posterity: Letters of Great Americans to Their Children." The brilliant writing in those letters, and the story of the tragic accident that killed him and his little grandson, made me want to know more. It led me to this book. I've just finished it, and can't stop thinking about it. If a novelist made up this saga, one might say it was just too fantastic. And yet the most fantastic thing of all is that it's true. David Michaelis weaves the tale, not just of N.C. Wyeth, but of his family and his times. Although so many people are introduced, the writing is clear and vibrant, and one never loses track of who's who. No novel could be more compelling than this saga, with twists and turns that almost had me gasping. Biography just doesn't get any better than this. Whether or not you're interested in Art, it is well worth your time. Bravo to Mr. Michaelis!

This is the definitive review of the lovably subversive Rat Fink, the iconic mascot of Ed 'Big Daddy' Roth.
This history of Rat Fink (along with some of his cohorts) evokes the heyday of Ed Roth and the Kustom Kulture he inspired.
Rat Fink personified the 'Anti-Disney' take on the world, popular among social outlaws (of the time) including hot rodders, bikers, and even skateboarders and surfers.
Never serious, but a sincere rebel, R. F. maintained his macabre sense of humor, which endeared him to his devotees, and confused the citizens not in on the joke.

A great book for Ed Roth fans. Very nicely done. I would also get Ed "Big Daddy" Roth: His Life, Times, Cars, and Art for even nicer pictures. Long live Big Daddy!

The various individuals involved with this great man truly did him well by this book. It has motivated me to get out my mack stripers and get some! I'm even pinstriping my toilet seats, anything I can get my hands on! Some great stories and from a truly personal perspective. Great pics to go w/stories too!

Book was in excellent condition. Speedy delivery. Thanks so much.

growing up in the 50's and 60's i can remember many of ed roths creations from custom autos to his wild artwork. this book is just packed with everything. its a joy to read and look at no matter what your age. its worth every penny and much more. dont think about it......buy it!

A biography written by a child of someone famous often carries more than one burden, similar to the responsibility or encumbrance of the overshadowing parental fame. However, in filmmaker Jean Renoir's lovingly detailed remembrances of his Impressionist painter father, the reader gleans more than a timeline of an artist's rise to prominence. The author shares a richly detailed account of life in a culture that--in most areas of France save for Paris--was still foremostly agrarian. In this burgeoning Industrial world, Renoir tells of the rise of his father's art and the changing cultural behaviors, shifting societal patterns and troubling questions within that framework.

Beginning at Louis-Philippe's "July Monarchy" (1830-1848)-- generally seen as a period during which the haute bourgeoisie was dominant and the 1840's which saw financial crisises and bad harvests with an ensuing economic depression--we are reminded of the general and specific trends vis-à-vis how they affected the Renoir family's world. Curiously descriptive, this was a world of street oil lamps and chamber pots; anesthesia was not yet invented (nor any antiseptics); butchers slaughtered the animals on site in the back of the shop; great debates about the inferior railroad system and the overall safety of locomotives were waged (could a pregnant woman harm her unborn child by moving a such great speeds? Did the smoke and soot emitted hinder crops in nearby fields from growing). Adding to the vivid and graphic storytelling of French life are vignettes of the senior Renoir's dealings with fellow Impressionists and art dealers as well as his painting process behind some of his masterpieces. Family life, the defining touchstone of the artist as a man, is shared in humorous and matter-of-fact style ("My mother brought a great deal to my father: peace of mind, children whom he could paint; and a good excuse not to have to go out in the evening.") This book, which was first published in the mid-1950's, affords the reader a complete picture of the life of a great artist during a time of vicissitude and excitement in all facets of French society.

An affectionate remembrance of Renoir by his son, concentrating the years up to the turn of the century.

Renoir considered himself an artisan rather than an artist, disliked anything artificial, from margarine to ready-to-wear clothes, had among his friends artists, and musicians who are household names today. "It is when you have lost your teeth that you can buy the best beefsteak" he would say, and considering that he became more infirm with age, this truism affected him no less than the rest of us.

Impressionism is my favorite style of painting so I was really enchanted with this biography. Written by Renoir's middle son, Jean, Renoir, My Father not only gives us an intimate look at the life of Auguste Renoir, it gives us an intimate look at the Paris of Renoir's day as well.

As we get to know Renoir we get to know his contemporaries, too. Jean Renoir writes about Monet, Cezanne, Manet, Sisley and many other great artists. We learn many "little known" facts, such as Monet's penchant for lace and his "artful" way with the ladies.

Paris really comes alive in this book. Many of the places Renoir writes about still exist and can be visited today. This book makes any art lover's trip to Paris more meaningful whether he's a Renoir fan or not.

When reading this book, one must remember that this is not a "run of the mill" biography. This is a son writing about the father he adored. The portrait we are given is very intimate, detailed and loving. It's obvious that Jean Renoir adored his father, just as Auguste Renoir adored his family.

Ultimately, this book is a beautiful tribute from a loving son to a father who was one of history's consummate artists. If you have any interest at all in art, this is one book you simply must not pass up. The last page alone will break your heart.

Renoir was far more than one of the world's greatest artists. He was an adventurer, a family man, a man who held interesting views on just about every subject under the sun, and finally, in his later years, a martyr to life. Although this book was written by Renoir's middle son, Jean, it is as vibrant and alive as if Renoir, himself, had just written the words in his own hand. Through this book we learn how the Renoir family left its roots in Limoges and moved to Paris. We read of Renoir's early years as a painter of porcelain and how and why he became an artist, more specifically, an Impressionist. We learn of Renoir's marriage to Aline Charigot of Essoyes, the birth of his three sons and his move to the south of France. Some of the most interesting sections of the book deal with Renoir's feelings about the effect of light on a painting and why he needed to paint in a "natural" setting. Also, most interesting are the chapters on the birth of Impressionism and Renoir's relationships with the other artists of the time, such as Monet, Manet, Sisley and Cezanne, just to name a few. Lovingly and charmingly written, this book truly brings Renoir to life and makes him accessible to all. Absolutely a must for anyone with even a passing interest in art or artists!

We adopted "Renoir, My Father" as bedside reading while my wife was recovering from hip surgery, and (aside, perhaps, from "Goodnight, Moon,") I can't imagine better therapy. This is odd, in a way: Claude was an old man (and in pain) when Jean got to know him, and Jean was an old man when he finally brought his recollectios together. You might expect cranky, but nothing of the sort: it's a book full of sunny afterglow. Every parent would hope to be rememnbered so well.

The book might take a bit of getting used to: Jean has his own pace and his own way of telling his story. We did it in small doses and I'm not certain yet that I quite catch the rhythm. None of the rough edges have been smoothed off which, come to think of it, is just as Claude would have wanted: Jean speaks with his own voice. You have to listen well, but you know that the voice is nobody else's.

I suppose it helps to know a bit about the Impressionists to enjoy it all, but I can't say I know all that much, and I didn't feel impaired. Anyway, God bless Google: more than once, when Jean talked about a painting or a subject, I key-clicked my way to an image and completed (as it were) the picture.

Kudos also to NYRB (this time) for producing what it does not always produce: a finished physical specimen The paper feels like quality; the binding is sturdy, and there is a small but satisfying selection of pictures, both colored and black-and-white. There is even an index of sorts (I assume from the original translator) but it is patchy and incomplete. That last is a shortcoming, but forgivable in light of the book's other virtues. In the NYRB firmament, this is surely a star.

Solnit's book is not simply a biography of photographer Eadweard Muybridge. It is also a fascinating cultural history of California in the nineteenth century, and the resonance that this lost world has for our own time. Gracefully interweaving the tragic history of Indian extermination with the triumphs of industrial expansion (specifically the railroad), and the rapid progression from "instantaneous photography" to the cinema itself, Solnit makes a compelling case for viewing Muybridge, his patron Leland Stanford, and the epic West as the staging ground for modern ways of seeing and thinking. This is a book that, while describing great art and the conditions that created it, is itself a great work of art, a literary landscape that acknowledges the good that came from Muybridge and his time, as well as what was lost. Essential reading for anyone interested in American history, film studies, or art history.

This is a splendid book, intelligent,stimulating, the best kind of cultural history. It illuminates the origins of photography, cinema, and the construction of the American west.

Rebecca Solnit is an amazing writer. She brings to the surface all the hidden currents of the Muybridge story in a narrative that is at once informative and moving. This book constantly surprised and delighted me with its deep insights and fascinating details. Not only is it well researched, but the results of the research are germane to the story and are all neatly brought together. It was a pleasure to discover that fine writing like this still exists. I can't wait to read her other books now that I have found her.

Muybridge was an interesting character aside from his pioneering landscape photography and motion studies. Rebecca Solnit is an interesting character aside from her accessibility and easy readable style. She is uncommonly skilled in describing her subject and what he did as well as explaining the historical context and landscape into which Muybridge inserted himself.

Gold rush California was a wild and raw landscape, filled with the last gasps of the American frontier as the Sierra was trampled by the world's riffraff. Muybridge dragged his huge camera into the mountains capturing images of Yosemite from perspectives many of us with much lighter cameras and easier trails wouldn't dream of attempting.

While Solnit makes a reasonable case for Muybridge's pioneering technology work in pre-motion pictures as well as still photography, she misses the continuing photographic California thread down the road from Leland Stanford's Palo Alto ranch, where Silicon Valley turned the telephoto lens around and photographically shrank designs onto silicon wafers. A minor point.

Nevertheless, this book, like her Savage Dreams, is an exquisite bit of California and photographic history. Anyone with an interest in Yosemite, landscape and nature photography should have this on their bookshelf!

Few authors have tied together the many facets of the post civil war, pre-modern West as well as Rebecca Solnit. Her literary vehicle is a man as strange as his name, Eadweard Muybridge. Of course you can also read this book to learn about the early days of photography and the technology which preceeds motion pictures. For either reason this is an excellent biography and will serve the inteerests of many readers.

Robert Irwin has lived his life as both a solitary creator and unrelenting seeker to the same consummate degree that only Dante Alighieri, Agnes Martin, Meister Eckhart, Lao Tsu, and a handful of others have sought. If you haven't heard of him, you should read this anyway. Remember, it even took Bach two centuries to get his proper due. Regardless, this book changed a lot for me. I am forever grateful.

Weschler's prose is Irwin's lighting. His book good as this biography junkie has ever read, and he does it in only 203 pages. As I write this, you can buy this book used for the price of a Domino's pizza - that's all i'm saying.

If you're an artist, you need this book. Even if you don't like Irwin's work (or never heard of him.) Remarkably, this biography of the most minimal of minimal artists contains no abstruse language, no mysteriously self-important pronouncements, nor even a single reference to any French esthetic theorist. Not only is this written in clean, straightforward prose; you can hardly put it down. It also raises critical, fascinating questions about the nature of art, and of the way we see. I've recommended this book to several people. It's never what they expect. They've always thanked me.

*

I am fascinated by the creative process. I am fascinated by physical manifestations born from the spark of an idea. I am fascinated by the complex psychology, rigorous philosophy and simple backbone evinced by those devotees of method. And I am blown-away by Robert Irwin.

My first contact with Robert Irwin's work came in graduate school when a few friends and I drove from Philadelphia to Manhattan to visit the Dia Center for the Arts. There on an upper floor I encountered a truly shocking, yet subduing, experience. Irwin had taken over the entire level and divided into rooms demarcated with translucent scrim. I walked slowly, from space to space, enclosed but not, silent in presence yet bursting with internal applause, and in awe. I marveled at the solidity of light that slid through the Dia's industrial steel windows, tracing its way across two layers of the thin white fabric and gently landing on the concrete floor. My eyes were tickled by the subtlety of color emanating from the vertical fluorescent lights wrapped in gels. There must have been thirty others there at the same time, meandering like ghosts whitened by one, two, three layers of scrim, yet the space was absolutely quiet. This was the first time that I truly understood the word ?perception.? It came in a space filled with exacted simplicity.

Since then I have tried to follow Irwin's work, both past and present, only to find that it is rarely photographed, as the medium cannot do the work justice. However, Lawrence Weschler's biography on the artist is a tremendous piece of writing that will give you much more appreciation for Irwin than any catalog ever could. Weschler spent years interviewing the artist, tracking down collaborators and researching the works. He exhibits an amazing understanding of Irwin's intentions and adds much needed commentary to keep the story straight while tracing the complex and highly personal evolution of the man and his art. From descriptions of Irwin's self-imposed eight month exile in Ibiza, to his two year long rigorous exercise (and again, exile) to create what amounted to twenty lines, Weschler gives us an in depth look at the zen-like disposition of the artist in his search for the perceptual (and hence, not conceptual). Irwin's diligence and rigor will stupefy even those most devoted to their process, and discussion of his material experimentation will act to spur imaginations. Robert Irwin supplies the majority of storytelling, however, and lets the reader in on often humorous tales of the art world from the point of view of a very personable and highly influential artist.

In short, I highly recommend that anyone devoted to design, be it fine art or architecture, read this book. I also recommend that you travel to San Diego to see the first major exhibition of Irwin?s work since 1993, "Robert Irwin: Primaries and Secondaries" at the MCASD through February 23rd.

Note: The installation at the Dia Center was reviewed thoroughly, with an included history of the artist?s work, in an article entitled "Robert Irwin?s Doors of Perception" by Carol Diehl in Art in America magazine, December, 1999, findarticles.com

This is simply the best book about art I have ever read. Like other reviewers, I can say that this book permanently altered the way I see the world (and art). Irwin did it and he still does it.

I picked up this book in 1984 because it was on a reading list for an Art History class I was taking at Oberlin College. I stayed up all night in the library that night. I couldn't put it down. My mind has never been the same.

I still often think of it,tell stories from it and give it as a gift. I always say "skip the first chapter-it gets much better." If I remember right, the book begins with a description of Irwin's perfectionism when cleaning the engine of his car. I figure that will bore my friends.

I tell my students about Irwin's many years attempt to make the perfect line, to his wife's chagrin and his painting the back side of his paintings because it matters to him. They like the story of the riots that occured in South America due to the disorientation of his discs-concave and convex-the viewers couldn't tell where the wall started and the disc stopped. I have given the book as a graduation present.

I thought about this book at the mechanic the other day. My engine is very, very dirty.

I will never forget,forgetting. Great book.

This book has great, inspirational photos and very good instructions. My main disappointment with it is the authors attitude toward silk paints (i.e., not dyes). I have used several varieties of the paints that are made to mimic dyes and find them to work very well, leave the silk soft and be very easy to use. They are a great way for a beginner to get started and try most of the same techniques used with dyes without the hassle of steaming or the toxicity. I am glad that I had some experience silk painting before I got this book because her attitude would have discouraged me from every trying. Aside from that - it's an excellent book, worth the price and full of great pictures to inspire you.

I love this book! I think the blend of historical content and variety of techniques described make this the perfect book in your resource library!

You name it she tells you how to do it. For beginner & Intermediate silk painters. Educational, Informative and well formatted. My only suggestion is a ring binding so the book could lay flat when it is being used for refeence.

This is THE best book I have read on silk painting and I have't seen another to better it in the past 10 years. There ARE other books on the same subject that are good, but I certainly haven't felt the need to purchase another since I thumbed through this beauty!

Everything you could possibly want to know in relation to silk painting is covered in a consise and presise manner. This is supported by photo demostrations for various techniques not easily explained through the written word. The authors pratical experience shines through in the text and fablously gorgeous photos of her and other artists work.

The book is full colour with lots and lots of sensational photos. Much of the silk painting shown is very detailed work eg flowers, pictures; rather than overall "textures" or designs which is more often what you find in other books on the same subject.

Seriously consider this fantastic book if you are interested in this subject, it is worth every $, if only for the inspiration provided by the fablous photos

An excellent, comprehensive guide for the beginning silk painter. The author demonstrates many inspirational designs and recommends her preferences for dyes (by brand), gutta, and other resist options. I've not painted on silk before and, after reading this book, I feel I have all the knowledge I need to begin painting on silk.

This is an excellent book for artists fo all kinds. Our company has a library we make available to Production Designers - this is a great addition.

A luscious collection of photographs of beautiful colors and textures to inspire any artist/designer and be used as reference again and again.

There are nice collection of the samples.You can enjoy to look through them.

This book is one of the best references for any designer and painter in the industry. Color Photos are amazing and complete. I have been wanting to purchase it for years now and am very glad to add it to my collection. All of her books are worth having in any artists library.

I think I was a little hard on Judy Juracek with reference to the included CD. What Ms. Juracek has done in the way of cataloguing is nothing short of miraculous and one should not expect that every image on the CD would be photographed dead on and shadow-perfect. I was just really irked by the image quality of a CD I had such high hopes for. I purchased this book when it first came out for a Hundred Dollars retail but the price I now see listed online seems almost a steal for the treasure trove contained within.

In any case, A recent search reveals that even more books in the series have been written by the author and I'm excited to purchase these as well--let's hope the image quality has improved on the included CDs for the new millenium we're in. I guess you could still expect "middlin'" quality for an image CD produced back in the "stoneage" of the 90's. The book is GREAT!