Artists Books

Extremely fast, efficient service. The book itself was in perfect condition. Wish every buy was this flawless.

I wish that there more of a discussion of the importance of Executive Order 11063. Also, did Shriver have the opportunity to visit some of Peace Corps Volunteers in Iran's shahrestan?, viz., in Aliabad, Bidokht or Birjand?

Read this book not only for its historical value. Read it also for a contrast to the current Bush administration and the kinds of leaders currently recruited to public service. Bush seems to punish diversity of opinion within his circle, and he promotes less competent folks while rooting out those who get "off message." When a problem comes up, Bush instantly wants to zero in on one single solution.

In contrast, Sargent Shriver, as this biography shows, was someone who gathered the best minds about him. They would openly and heatedly debate each other about not only the problem, but also about various solutions (rather than one alone). What kept them from all hating each other? For one thing, they knew that Sargent Shriver valued each of their varied contributions; for another, they also knew that they were serving the greater good, not just their boss, Shriver, or the president (JFK or LBJ).

This book will impress you with how much good was accomplished by one man. But it will also impress upon you the fact that the good things Sarge accomplished were the product of a man who had a largeness of mind, an openness to different ideas, an intellectual curiosity that always sought out the wisdom of others.

Sarge is without a doubt a long overdue and first-rate biography of a great American. Most seem to have forgotten what an inspiring man Sargent Shriver has been. The way in which Stossel records the war on poverty is second only to the many facits of the Shriver-Kennedy connection. Don't be turned off by the length. Historians must read this; book lovers will enjoy it.

Don't miss this beautifully crafted biography of a man everyone has heard of but few know that much about, other than his connection to the Kennedys and now Calif. Gov. Arnold Schwarzeneger, his son-in-law.

Shriver's story is fascinating on its own. His championing of the Peace Corps, Johnson's War on Poverty, and the Special Olympics is amazing and remarkable. What a difference he made in the world, and how much more he might have been able to do had he only had his family's support for the presidency.

Scott Stossel is a biographer to watch. His easy-flowing style, coupled with his strong sense of history and way with words, make this a biography not to miss -- even if you're a conservative, anti-political, rabble-rousing atheist. You won't be able to put it down.

Gina Buonaguro and Janice Kirk have written such a deep, touching story in "The Sidewalk Artist". It is so poetic, it brings tears to this reader's eyes. The book presents the life story of a Renaissance artist into the modern world where a young tourist named Tulia meets and is instantly inrigued with a sidewalk artist and finds herself falling in love. Their tale intermingles with the book Tulia is attempting to write during her travels through France and Italy. Slowly, the truth begins to reveal itself about the artist and the secret he hides. Everyone who has a romantic bone in his or her body should not miss this one!

I loved the book as soon as I opened it. The authors have their e-mail address in the book, and you can also download beautiful pictures of areas where the story took place. The book is based on real historical figures and is set in beautiful European settings, past and present.

The book is engrossing, emotional and beautiful.

I highly recommend it.

The Sidewalk Artist is a beautifully written book and is very atmospheric.

The book really is two stories but it is really one love story that surpasses time and I did work out the plot when I was half way through I was not tempted to give up as I was hoping I was wrong !

It is not a book I would normally buy but I did enjoy it. Definitely a lovely Summer read. My only complaint is I would have liked it to be a bit longer !

The Sidewalk Artist is a beautifully written book and is very atmospheric.

The book really is two stories but it is really one love story that surpasses time. I did work out the plot when I was half way through, however I was not tempted to give up as I was hoping I was wrong !

It is not a book I would normally buy but I did enjoy it. Definitely a lovely Summer read. My only complaint is I would have liked it to be a bit longer !

Whenever I hear a book labeled a "romance", I instantly think of bodice rippers. As I am not a fan of this genre, attaching "romance" to a book makes me wary and that's too bad, as I love a really well done romance. Fortunately, there are books like this that prove that romance can be a very literary topic.

Tulia Rose heads off to Europe for some time away from what has become a fractured relationship. She's a woman who seems to be standing still in her life. Though she is happy with her job, the pay is low and there is no real opportunity to go any further than where she is. The aforementioned relationship is with a man who makes a great deal of money and so one of the central conflicts here is not only the slow death of their romance but also the more practical question of how Tulia is to survive if she is to go it alone. This is a complex issue and one that undoubtedly leads many people to stay with partners with whom they are really ill suited. I thought the authors handled this particular plot thread in a thoughtful manner.

While in Europe, Tulia meets a very mysterious sidewalk artist who causes her to drastically change her plans. Though he is sensitive and handsome and though Tulia finds herself drawn to him, he is also rather cagey and her reaction to his reticence is very realistic. She finds herself having to choose between what her heart and her head are telling her. Though she finds herself falling for him, her growing feelings for him are tempered by periodic bursts of uncertainty as to whether he is sincere and even whether he could, in fact, be dangerous. Really, all love is like this in that we must all ultimately make a choice as to whether or not we will allow ourselves to become vulnerable enough to care for someone. Tulia wants to believe in love but has found herself disappointed in the past and so while her caution is certainly advisable, it also says a lot about how she has been hurt in the past.

Woven within Tulia's story is a fictional account of the artist Raphael and the woman he loved, which Tulia writes after the story comes to her in bits and pieces during dreams. His is a cautionary tale about taking love for granted rather than seizing every opportunity for happiness. The more Tulia writes the tale, the more unsettling it becomes because it seems so vivid to her. It is here that the mystical elements of the novel come into play and Buonaguro and Kirk have created a book that has fantastical elements that are so sensitively written that, however implausible, they don't seem silly.

My wife read it from cover to cover in two days, what more can I say. Too bad I'm not a murder mystery fan...

The Tale of Cuckoo Brow Wood covering 24th of April 1907 to May 1st, is the third of the Cottage Tales of Beatrix Potter by Susan Wittig Albert. Miss Felicia Frummety is not keeping the rat population down at Hill Top Farm and the village cats have issued an ultimatum. Ridley Rattail has had it with the rowdy rats that have moved into the attic so he posts an ad for cats to rid himself of these undesirables. Of course the humans have their share of problems, Major Kittridge has returned to Sawrey with a wife, dashing the hope of Dimity Woodcock. The village is invited to meet the new lady of the manor but rumors are rampant when it's learned she was an actress. There's also the rumor that the Major is planning to develop his shoreline property. The Vicar's cousin and his wife have moved in and the Vicar is far too kind to toss them even after they've outstayed his patience. Jeremy Crosfield, who is an excellent student, has to leave school and start his apprenticeship since he can't afford to continue his schooling -- the animals and humans are concerned about this event. And Beatrice arrives once again to spend some time at her farm.

Okay, up front I have to say I'm really enjoying these books. The interweaving of the various threads balancing the point of view of the humans and the animals is seamless. With each book, I gain more respect for Albert's ability to slip her stories into the undocumented bits of the Beatrix Potter timeline. She also maintains that playful seriousness that I also found in the Potter's little books. The characters are fully developed and while the mysteries are light they are ones that would have serious impact on the people of the story and their environment.

In this story, the small folk of the woods, fairies play a part. Are they real? Well I think that's for each of us to decide, and the author plays the story with a light hand to give us all a chance to believe as we will. After all if you can accept talking animals then are fairies that much of a stretch?

These are perfect books for when you are feeling a bit down. They are just the thing to help restore your believe in the inherent goodness of humankind and to help you see the world around in a different light. No, I don't think the author has a message to hit us with; she just tells a good story with a light touch that leaves us feeling more upbeat and in this summer's heat that's a wonder in itself.

These are just wonderful stories - for children, for fans of Beatix Potter, for anyone who enjoys mystery and fantasy. I picked up these books quite by accident, and found them reminiscent of my old favorite classics like "A Secret Garden." Very interesting stories - both as stand alone books and as part of the series.

This third book in the Cottage Tales of Beatrix Potter is just as much fun and as charming as the first two. It makes you want to find the Potter illustrations from her "little books," so that the faces and personalities of the people involved in the stories become even more familiar.
With the world as it is now, it's a joy (and a relief) to immerse oneself in the world of a century ago with the friends one met in childhood.

If the village of Near Sawrey put out its weekly newspaper about the fortnight during which this story takes place, some of the headlines would read: "Major Christopher Kittredge returns to Raven Hall with his Lovely New Bride" and "Rat Explosion at Hill Top Farm Threatens Village" and "Village Plans May Day Celebration" and perhaps "Stay Clear of the Cuckoo Brow Wood on May Eve." The society column might feature: "Miss Beatrix Potter Returns to Hill Top Farm" and "Local Society Attends Grand Reception at Raven Hall." As salacious as these headlines might be, the devil is in the details.

The third in Susan Wittig Albert's Cottage Tales of Beatrix Potter series continues to enchant both grownups and young women edging toward adulthood. How lovely it is to curl up with a book about an old-fashioned, out-of-the-way English Lake Country village, complete with sheep birthing lambs and delectable smells coming from the village bakery, with dogs, cats, rats, and other four-legged animals conversing so sensibly. With just that, however, the tale could become dull in no time. So throw in a few wicked, scheming adults, some rowdy, shameless rats, a few mercenary cats, a bit of romance, some children who need a bit of help, and, of course, Miss Potter, and you have a rousing tale.

Albert builds the tale and weaves multiple plots with skill and charm. And all is resolved satisfactorily, except for the question of whether or not there are really fairies in Cuckoo Brow Wood. To find out what the story is behind each headline, you must read and revel in The Tale of Cuckoo Brow Wood.

by Judith Helburn
for Story Circle Book Reviews
www.storycirclebookreviews.org
reviewing books by, for, and about women

To find out how far short this book falls from many of the great drawings of Van Gogh you can go online and find many drawings not found in this book.There are many sites to look at Vincent's work. With zooming and enlarging the drawings you will have a better idea of the work . So many of the ink drawings of Van Gogh have faded. One of his greatest drawings of trees is in the Art Institute of Chicago.It is illustrated here.The authors miss the central importance of Vincent's work. His use of the reed pen was painterly. He used the reed pen as a brush technique.He drew ,many times when he was out of paints or waiting for canvases from Theo. The catalogue is useful in relating the drawings to his paintings . Often in a nearby page .Catalogues are great as a way of remembering and reviewing an important exhibit.This is an enormously ambitious book from the Metropolitan Museum. It falls short, as I think it would be much better to have a compact disk of the images.I have books on Van Gogh's stuff that I used to show my drawing classes.A book of this weight doesn't full fill the need of something you wish to carry with you.To have a major show of drawings in an era of installation art , I salute the museum's acknowledgement of the importance of these drawings. It is in the drawings that Van Gogh's reputation will continue to grow . His palette was unprecedented in the early 20th century. Since then, his command of color composition doesn't hold up to later developments.

a wonderful memory of a once in a lifetime exhibit. 7 years of drawing before he ever picked up a brush....

The book is much more technical than the "Letter" book I recently read. I enjoy that because I have always wanted to know how he painted or drew his pictures as well as how is life and painting developed.

This is the catalogue for a 2005 exhibit at the Met. A valuable addition to the literature on Van Gogh, it encompasses his whole career as a draughtsman, and a brilliant one of course. The images are perfect (you sometimes get the impression that you are holding the actual drawing) and the text very helpful, giving sizes, provenances and many excerpts of Van Gogh's own letters.I remember visiting the exhibition in crammed rooms on a saturday afternoon, therefore I was glad to be able to savour it once again in a quieter atmosphere, thanks to the book.

Lord Kenneth Clark, at the end of his book and television series, Civilization, said he had come to believe that there was such a thing as "genius". After looking through this book, so will you.

With over 350 drawings, mostly reproduced in color, and dozens more color reproductions of paintings, this will no doubt be the definitive work of the artist's drawings. We see many of his early drawings, including those enhanced with chalk, watercolor, etc. We see the drawings and watercolors done in preparation for his paintings and then we see the paintings themselves.

But the high points of the book are the three drawings in pen and ink done after each of the paintings and intended as reproductions of those works. He wanted a means to share these paintings with three different correspondents: John Russell, Emile Bernard and his brother Theo. He obviously couldn't afford the oil and canvas to reproduce each painting three more times. These laborious drawings were executed and mailed to individuals with whom Van Gogh wanted to share his work (and perhaps impress), or, in the case of his brother, to also show his love and appreciation. Slight variations among the three drawings after the same painting show further, "post-oil" development of each subject and give us additional insight into his style and his thinking. The color reproductions of his drawings allow us to see how the ink on each has faded over time and a 100-year old reproduction of a drawing shows us how the original has faded over time. Because virtually all of the drawings done as a mature artist were on 9-1/2 by 11-1/2 sheets, the reproductions in the book are almost actual size.

Fortunately, both Bernard and Theo's widow and heirs believed very strongly in his work, including his drawings, and ignored the advice of critics to throw it all away. They continued to promote the artist's work after his death, eventually leading to his broader recognition over the following decades. If you appreciate great drawing, this is a "must have" book.

Quizas la mejor publicacion sobre Wyeth jamas realizada... casi todas sus Obras Maestras impresas con una calidad impecable...si te intereza la obra de Wyeth, este es el libro.

A very nice,well done coffee table book.....the thing is-this guy is 90 years old and has done thousands of paintings...why do the same plates keep showing up book after book after book for the last 4 decades? I've seen 90% of these already! Where's the rest??

A large format exhibition catalogue, a slightly over square volume printed on quality art paper. The introduction discusses Wyeth's development and output in relation to other artists; this is followed by four essays covering various aspects of the artist's work. These sections are illustrated throughout almost entirely in colour with examples of Wyeth's work and comparative examples of other's, many of them at a good size. The main section of full colour plates commences on age 122 and concludes on page 209. This is followed by a detailed list of works in the exhibition; there is no chronology or bibliography.

The main section of plates presents the images one to a page, and many are of a good size. Inevitably the long landscape proportion images do not fare so well, with the publishers seemingly reluctant to cross the gutter, these appear as little more than a three or four inch wide strip across the page; even a number of the more regularly proportioned works could easily have been reproduced larger. However that aside it is a fine volume, beautifully produced and with a feel of quality, which offers over 150 examples of Wyeth's output including paintings, watercolours and drawings reproduced in full colour.

As a collector of books by and about Andrew Wyeth, I must say this is a tasteful and beautifully produced art book with insightful essays by five excellent writers who know their subject well. Wyeth has been around for a long time and started fading from public consciousness after the "Helga Affair" -- undeservedly so. To my mind he is still one of America's greatest 20th century cultural treasures. The book resulted from a retrospective exhibit of Wyeth's work in 2005/2006. My only reservation about the book is that it shows too many of Wyeth's pieces that are in all the other books about his work. But that may be Wyeth's choice and must be respected.

The book was well written, interesting, and informative. Color plates depicting Wyeth's paintings were bright and clear. The book arrived timely and in excellent condition. Well satisfied.

If you are familar with Amy Brown than you already know how fun her art is. I personally bought this particular book for some tatoo ideas. Her fairies all seem to have personalities of their own.

Outstanding book - gorgeous images... Fairyland at it's very best. The book is full of imaginative designs, which you can easily see inspired so many other artists. A treasure to add to your collection!

Amy's art is absolutely incredible, especially when the designs just come into her mind, all she has to do is paint them!

Get this book together with her volume II, you won't regret it. The first one is more in neutral colours, the second one more colourful.

Fasinating and full of aura. I especially liked her Gothic style. Mystical and magical. It is a book that one can enjoy browsing the pages, scrutinizing the drawings and learning more about Amy Brown's experiences. The best book any fairy fan can have.

This is a great book for any fairy lover or art lover. The watercolors are beautiful. Her art has a wide range from beautiful/cute, dark/gothic, humorous and so on. A great collection of art.

I was completely over the moon when I looked at the pictures in this book. Never knew how beautiful freemotion embroidery can be. I often see quilts that are a bit "common", but I like the special effects that Annemieke (my namesake) can make with thread, adorable book!

The artwork is gorgeous, the layout and design stunning. One of the most beautiful art books I own.

Absolutely stunning work using fibers, paint and fabric...plus an eye for nature. This artist is amazing and dedicated to her craft. I would love to see what she is doing now as this book shows her development of this unique style...one that is truly hers...up to the late 1980s to early 1990s. I consider this a beautiful addition to my high end coffee table books and my friends who visit agree. Classic.

This is one of the most incredible books that I have seen. The artwork is phenomenal. This is book not only qualifies as an instructional guide but as a coffee table book. It is a feast for the eyes.

What inspired me most in this book was the fact that the artist works with a very old and simple sewing machine, and she manages to create some of the most unique quilts I have seen. I could spend hours and hours just looking at the photos. The subject matter is highly realistic, and has a lot of butterflies, moths, birds, and other wildlife. I would recommend this book as an excellent gift for yourself or for a really good friend.

This book is truly a work of art!

The eminently talented Michael Whelan showcases his treasures in this large-size, full-color coffee table book.

With his superb attention to detail and boundless imagination, MW has created fantastic worlds. Here, he catalogues his numerous book covers (all genres of Science Fiction, and all genres of Fantasy, and other areas), paintings, and assorted works (he paints not just for a living but for his own enjoyment, evident in the many small sketches included throughout the book).

MW himself describes each piece. He isn't an artist who simply creates a cover when commissioned; he reads the text of the book he will be making a cover for. This is what makes his book cover art so wonderful. In my mind, his cover art for "Catspaw" and "The Snow Queen" are every bit as memorable as the stories they were made for. He details everything minutely: the curling edges of a drying leaf, the dust stain in a fold of clothing, a nick on the blade of a warrior's battle-ax, a snarl in a lock of hair, the markings on a spaceship lifting off from a background launch pad, the clearing sky reflected in a dangling pane of broken glass, the frayed edges of a worn rope attached to a forgotten bell. And that's just the little stuff in the background.

What sets this book aside from other art books is the fact that this book is made for people who like to LOOK at the art. Nearly half of the pieces featured here are full-page size, with the text/description and sketches, studies, details, alternative concepts on the facing page. Too many art books tend to squeeze pictures into small squares on a page. None of that here. The colors are sharp and vivid. The edges are sharp and crisp. The paper used is heavy glossy paper. There are three chapters (interviews, introduction, technical aspects) printed on heavy parchment-like paper. The book itself is clothbound in matte midnight black, embossed in gold. The publishers spared no expense in making this book.

And here's something I haven't seen in other art books: the 85+ full page plates are indexed in a back section of the book. Shrunk down to B&W postage-stamp size, you can glance through to quickly find your favorite picture.

The work represented here covers everything from dragons, winged lions, medieval castles, futuristic alien castles, strange aliens, bustling spaceports, nature settings, warriors of every type, humans and much more. Each picture is worth a thousand words indeed.

The paper cover/dustjacket features "Passage: The Avatar" (the breathtaking blue ruins) on the front and "The Summer Queen" on the back, both are featured inside the book. This is a plus, as many times the dustjacket art is counted among the represented work.

Very highly recommended.

Michael Whelan's style is gorgeously captured in this state-of-the art book. If you are a fan of Michael Whelan's airbrush art or his private collection, you will find something in this book for you. It includes most of the passages paintings, the more famous covers (even the loathsome fuzzies), and many of Michael Whelan's unpublished work. The latter is what makes the book worth buy - I wish the book contained more of it and less of the cover art. I recommend this book for any fantasy art collector.

I have taught Art in High School for 30 years. Micheal's work in this book is absolutely the most creative and detailed I have ever seen. His pictures take into many dreamworlds. You will want to get lost in these paintings. Every inch of Micheal's canvases are detailed with great skill. You won't want to put this book down!

...To look at Michael Whelan's art is to look into a mind so brilliant and vivid that only a hand guided by God could create such pictures... Get this book if you like "actual" scenes from other worlds.

"The Art of Michael Whelan" is a great book for art lovers. This book is a enormous and varied collection, divided into Whelan's commercial work of sci-fi and fantasy book covers and his personal paintings, most with a fantasy and nature theme. Additionally, there are interviews with the artist about his materials, methods and history in the field. Every painting is commented on, and the symbolism and story behind each picture adds to the enjoyment of each work, as well as the little preliminary sketches that show different paths the paintings could have taken. If you're a reader of fantasy and sci-fi, like me, you're sure to spot a few favorite books among this selection - Whelan has painted book covers for writers such as Anne McCaffrey, Stephen King, and Tad Williams. The best part of these works is how they can manage to look fantastic and surreal and still make you feel as if you're looking at something that actually exists. Every time I've looked through this book I notice new details. Michael Whelan's other two fantasy collections, "Works of Wonder" and "Wonderworks," are good, but nothing compared to this treasury. I recommend this great book to anyone with an interest in great art and fantasy, you won't be disappointed.

This book provides an excellent overview of the arc of Diebenkorn's painting style, from abstract to figurative and then to his final amazing abstracts. This is a good starting point for understanding Diebenkorn's art, with large beautiful color prints of his paintings. And, because it's a paperback edition, it's pretty affordable for an oversized, color fine arts book.

Great reference on Diebenkorn with lots of color plates and in-depth text on the process of his work. It was recommended by my professor and I keep it by my easel!

If you love the Bay Are Figurative movement as much as I do, this book is the definitive volume.

Richard Diebenkorn has finally achieved the status of Modern Master, but his success was only secured later in his life and after his death. Although he was at first an Abstract Expressionist artist who painted as convincingly as Still, Rothko, Kline and Motherwell, he was too much identified with the Bay Area, and therefore he did not have the imprimatur of the New York critics. Then, in the 1950s, he was viewed as having betrayed the New York Abstract Expressionists, when he turned to figurative painting with David Park and Elmer Bischoff. Eventually, until his death, he returned to abstraction with his much-acclaimed "Ocean Park" series. And then the critics finally realized what had eluded them for years: That Diebenkorn painted abstract realism, leaning more to one and then the other, all his life.

Jane Livingston does a fine job of portraying the life of Richard Diebenkorn through his stunning paintings, which exemplify fire beneath the calm. Be sure to read the Norland book as well, since his book is still the seminal book on Diebenkorn.

This is a great collection of Diebenkorn's work through the years. Though it's a paperback, the book is big, sturdy, and will last a long time. The color plates are very true to his original works.

These pictures are the perfect combination of art and wit-- there is a wonderful discovery on every page. Harper's captions are just as entertaining. This book enchants adults and children alike.

"Beguiled by the Wild: The Art of Charley Harper" tickles all my funny bones. He has delighted me with not only his unique art but also whimsical description and insights into the animal kingdom.
I am on a hunt for the proper bookstand to display this book, to be smiled at page by page.
I am charmed.
Karen of Maine

This book is a great value for it's price. Alot of color prints and a wonderful samples of Charley's style. Charley Harper is a huge talent and this book is a wonderful example of that.

If you like animals, or mid century modern, you will love this book. Charley Harper's simplistic art is so wonderful and his play-on-word prose goes perfectly with his arwork. I don't know how anyone couldn't love his art or this book.

Great book. The stories that accompany the images are as wonderful as the artwork. This is the fourth time I have purchased this book; everyone I have given it to has loved it. I love to introduce people to Charley Harper's work-he will be missed.