Music Books
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U2 and I: The photographs 1982-2004Review Date: 2007-01-11
U2 & I: The Photographs 1982-2004Review Date: 2007-01-04
Incredible!Review Date: 2006-11-10
Good backgrounderReview Date: 2006-03-03
A treasure for any U2 fanReview Date: 2006-07-16

Used price: $2.99

Sing-a-long bookReview Date: 2008-09-17
The pictures are excellent -it's easy to make up new stories to go along with the original text.
Lives up to the hype!Review Date: 2008-09-15
Awesome book for ToddlersReview Date: 2008-09-14
Highly recommend it.
we love this..Review Date: 2008-09-14
Thank you, [...]
Fun and LittleReview Date: 2008-08-19

Used price: $15.13
Collectible price: $24.99

Great Book Needs techinical updating BADLYReview Date: 2008-07-30
Great BookReview Date: 2008-07-07
Home Recording Made Easy for VO'sReview Date: 2008-05-25
Right on time.Review Date: 2007-11-30
I should have checked the dates on all the + reviewsReview Date: 2008-01-27
3 years ago, when it was published, I'm sure this was a fabulous reference, however, it is now SO out of date as to render more than half the book almost useless. To the author's credit (and the book's ultimate downfall) he includes a high level of detail on things like computer hardware and software, microphones, and other studio technology, but in any techno-based treatise, one year is a long time and three years is an eternity. The very detail that would have been fabulous three years ago is totally irrelevant today.
I found myself skipping more than half the text of the book primarily because it was so out of date. Recommendations like a computer with a Pentium 4 processor with up to a 40GB hard drive and a minimum of 256MB of RAM were appropriate at the time of publishing (early 2005) but not now. Step by step instructions on how to use programs that have long since been upgraded (or even changed ownership) are of very little benefit in the year 2008. What I have in my hands is a 180 page book with maybe 80 pages of pertinent information.
Another example is in the area of ISDN connections. Again, the authors couldn't include programs like Source Connect or Audio TX, both VOIP type programs and neither of which require an ISDN line and associated hardware/software/expenses to function in this book because they had yet to be released, but I go back to my original statement that if a book is going to be technology-based then it is incumbent on the authors to keep it up to date. Harlan Hogan himself has written a very good discussion on Source Connect and Audio TX that can be found at the CommercialVoices.com web site where he discusses the place non-ISDN communication solutions currently occupy and where they will be in 5 years, and it's critical everyone understand this BEFORE making the substantial investment in ISDN.
I don't fault the authors because they wrote an exhaustive and definitive guide covering the subject at the time, but when one publishes a book like this, you need to make a concerted effort to keep the content up to date. I would think an eBook, with a living chapters would be more appropriate than a paper and ink volume like this. Harlan Hogan's web site is very helpful, and in fact, I learned MUCH more from his web site on the topic than I learned from his book.
My bad, like I said, for not checking the dates of the reviews and the date of publishing.
There is still some information in the book that is of general value regarding how to set up a home studio and get started in the business, but I feel there are other books out there that may be more complete and more importantly, more up to date on this score. On the positive side, the authors write in an enjoyable and humorous style which makes reading the book a positive experience.
This isn't a terrible book, but it could be a GREAT book if it were current.

Used price: $14.00

KISS: The rest of the storyReview Date: 2008-09-29
For so long we've heard Gene & Paul's re-visionist history of the band, so it's great to hear other perspectives. While these stories may not be 100% accurate either, when pieces of stories from other KISS books are added to these, you get a more complete picture.
There are a lot of funny stories in here, that make the band more relatable and less iconic. It's also funny to realize how often, even during the Reunion Tour that Gene set his hair on fire.
Worth every cent you'll spend on it!
Absolutely a "must have" for KISS hardcore fans!Review Date: 2008-09-01
The work inside is a huge achievement. You will love each line inside. Great pictures from all KISS eras. A real big book (in any means).
Kind of makes you feel like you were in KISSReview Date: 2007-10-01
A ton of infoReview Date: 2006-11-29
The set lists are interesting as well. Though many are the same, now and then you see a song and wish you were there to hear them play it! This book also has a few interesting notes in between tours.
This is one of the best books out there for kiss fans. Gives you a new appreciation for the band as you see how they played to a lot of half empty halls but still stuck with it. the book is also honest in its figures, no sugar coating. a really cool read that must have taken months, if not years, of research. Essential for any Kiss fan as well as rock n roll fans in general.
Great ReadReview Date: 2006-02-18

Used price: $5.99

WANNABE GREAT READ!!!!!!Review Date: 2008-07-30
This is a very enjoyable read!Review Date: 2007-10-13
Anyway, this book shows the struggles and nonsense that he went through before getting on TV. It is well written and doesn't really gloss over the nonsense he had to put up with.And there is a message in here but you'll have to read the book
A fun book.Review Date: 2007-08-12
I have to admit, I wonder how truthful some of his stories really are, but I'm sure he told it as he really remembered it. I really admire him for having a dream, and making it happen.
He also spins some funny stories about his encounters with celebrities, my favorite was when he was working at Red Lobster, and Arsenio Hall came in, at first he didn't recognize him, and told him there were no tables available, and then recognized him, and got really excited, and then Arsenio asked if he had a table for him now, and Jamie said, "no". Funny stuff, definately worth a read.
A must read!Review Date: 2007-03-09
Y'all betta recognize...Review Date: 2006-10-10
I highly recommend this book and this lifestyle. It will truly rock your world!
MC White said: Check it out!!!


Pure WuReview Date: 2008-08-26
The RZA serves up an informative cookbook with a pinch of personal tales of life and loveReview Date: 2008-01-11
Though only 26 pages from start to finish, The Wu-Tang Manual is a decadent feast of a read, with usually dry recipes spiced up with some personal cooking anecdotes from the RZA and friends from the Wu-Tang clan. One such tale about the RZA and Method Man's disastrous first attempt at a crab bisque literally had me laughing until I was in tearz.
With mouthwatering photos and sections on menus and sources, The Wu-Tang Manual is all you need to throw a stylish and sophisticated dinner that any chef would be proud of.
Wu Tang...Wu Tang..Wu Tang..Wu TangReview Date: 2007-11-27
do you like the wuReview Date: 2007-10-22
Wow!Review Date: 2007-08-28
If this is truely only a volume 1 out of many, I can't wait for the others. No matter what level of Wu fan you are, this will double it at least. Get this book.

the best concised book on the bluesReview Date: 2007-10-11
definitive history of the bluesReview Date: 2007-08-21
for serious blues lovers or the novice looking for a deeper understanding of the music's roots, the culture that spawned and the incredible musicians who created it.
A must read for any true music fanReview Date: 2006-08-13
Palmer tells in a fascinating way the origins of the blues, from the age of slavery and its complex polyrithmyc african roots through its development in the Deep South plantation-based economy era, to its final consolidation and world spreading in Chicago's Southside.
Read how Charley Patton developed the genre, along with other gifted musicians like Tommy Johnson from the then almost unknown musical traditions of afroamericans on Mississippi's Delta to finaly create a true american tradition. Find how the amazing and legendary Robert Johnson , took the torch from Patton and made a whole revolution, exploring new musical forms for blues guitar playing. Discover the development of other blues scenes in Helena, New Orleans, Memphis, Detroit and more; and finally the emigration in 1943 of Muddy Waters to Chicago and the cultural revolution he provoked on a global scale when the blues gets electrified and brought to the big urban centers of America.
What are you waiting for!!!, stop reading and buy this book!!!.
DullReview Date: 2006-10-03
The author talks a lot about African rhythm when, in fact, African rhythms have little to do with the blues. Discussions of rhythm would be more appropriate in a book about jazz. I found myself skipping ahead in hopes of finding something interesting. Alas, I did something I don't often do once I start a book--I stopped reading it.
A review on the book, not the DVD.......Review Date: 2006-08-30
The book begins by going back to the western coast of Africa, where the slave trading occurred, and Palmer details very well the oral music traditions of people from the various tribes and countries, presenting styles which could be found in the music of the eastern and southern United States from the late 19th and on into the early 20th Century. He highlights, in great detail, the sounds and how they were made in the mouth by particular tribes in Africa, and in what areas of the country and these sounds began showing up performed in field hollers done by workers on plantations throughout the south. I do not use the word anthropological lightly, as Robert Palmer does a magnificent job of highlighting the blues tradition from it's specific oral traditions in Africa, to it's nascent phase in the early 20th Century, to Muddy Waters' time in the Delta on up through his success in Chicago, to Sonny Boy Williamson's King Biscuit Time radio show and beyond.
Various interviews abound from people and relatives of the blues musicians and by articles from early periodicals detailing their lives, so by the end of the book one really feels as though we were on the freight car with Robert Johnson traveling and avoiding the hellhound on his trail.
A book for anyone who truly loves the blues. Being a book just shy of 300 pages however, only so much detail can be given, which is why this will probably not be the last book on the blues I own. 4 1/2 stars.

Used price: $1.87

Recommend!Review Date: 2007-11-10
my bodyworksReview Date: 2007-07-10
Great Music & Great TeachingReview Date: 2007-05-29
It's About Time!...Thanks Steve and Jane!Review Date: 2007-03-21
I had purchased this as a gift for my 5 year old niece last Christmas, and since it wasn't opened until christmas eve, Guess who was howling and dancing while trimming the tree?...yes, all the grown up kids!
I never thought of learning as being fun...but The Schoenbergs are changing that with text and music like this....Keep writing!
Incredible! My (18 months) daughter is a dancing maniac when we play this cd!Review Date: 2007-01-31

Collectible price: $60.00

Great! The Best!!Review Date: 2000-11-03
This is the Best book I have ever read!Review Date: 2000-07-29
SpicyReview Date: 1999-11-30
Oh my gosh....This is the best book ever! Spice Girls Rule!Review Date: 2000-04-29
REAL LIFE:REAL SPICEReview Date: 1999-12-10
Used price: $12.49
Collectible price: $119.99

The Beatles Recording SessionsReview Date: 2008-08-02
freakin' amazingReview Date: 2007-07-24
My only suggestion is that Mr. Lewisohn updates it with all of the new information that has been put out there since this was published (many books including The Beatles's ANTHOLOGY CD and book for example).
I cannot recommend this book highly enough.
AMAZINGReview Date: 2005-04-15
A must-have for musician BeatlemaniacsReview Date: 2005-02-14
An excellent resource for those who care how the Beatles made magicReview Date: 2005-08-20
I own a first edition of this book and have used it ever since I bought a used copy sometime in the early 1990s. I reread it many times that summer, and that somewhat battered, oversized copy still sits on my shelf. It's a book I returned to when I set up a mini home recording studio, and returned to yet again when I was learning how to mix my sounds. Although this is not a "how-to" book, you can learn an awful lot about good recording and mixing technique by carefully reading it.
Furthermore, Lewisohn packed his text with surprises. I, for one, was shocked to learn how primitive Abbey Road's technology was, even by the standards of a British studio in the 1960s. I was also surprised to learn why the mono and stereo mixes of the Beatles' music often sounded so different from one another even though they were mixed from the same masters. Also, it's amazing to learn just how quickly some seemingly complex tracks were put together, while some seemingly simple songs took far more work. As a side benefit, Lewisohn's comprehensive notes probably knocked the wind out of more than one bootlegger trying to pass off BBC radio performances as lost studio recordings of Beatle tracks! Throughout, there are many, many excellent photos - many of which have not been reproduced elsewhere. Just when you think Lewisohn's run out of goodies, there's a rare interview with Paul McCartney that touches on the songwriting process.
I can't rate this as a five star book although I'd like to. As good as Lewisohn is, there are a lot of minor details here that are misleading or just plain wrong. Lewisohn can't seem to tell phasing from flanging (two very different techniques to create swirling electric guitar sounds). He also prints quotes from studio musicians without elaboration, leading me to believe he has a weak grasp on performance and theory. For example, one horn player describes a McCartney song as being "between the cracks" of two different keys; the song in question actually seems to have been recorded slightly flat and sped up to normal pitch upon playback, but we have no way of knowing what the horn player actually meant without more information. The average reader might walk away thinking that the song used two different keys, unless he also knew that the song was in a single key. I'm surprised an editor didn't catch this stuff.
If you're a Beatles fan who could care less about their personal lives, but would love to learn more about how they created their studio albums - this book is for you. If you're interested in home recording, you'll learn lots of tidbits here too. Lewisohn deserves a lot of credit for creating this resource, and I wish that it weren't such a difficult book to find.
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