Music Books

Thank you Jack Eadon for letting me share in your very personal journey of the sixties. Your honesty is captivating. You gave back to me memories of that era, the old neighborhood and people, which had long been forgotten. You made me smile. It took me days before I could pick up another book as I wanted more of "Got to Make It". Jack Eadon, you have truly made it.

Damn you Jack Eadon!! 'Got To Make It' kept me up until 2am for days until I finished it. I kept reading it in bed while trying not to wake up my wife with my booklight glowing through the darkness. Being in my early 30's I've only experienced the 60's as it probably wasn't: the TV-friendly Time-Life "Summer Of Love" packaged CD version, full of cliche'd images, shallow descriptions and dismissive attitudes towards the struggles of the era which are now illustrated through the words of someone who lived the political, social and music scene of the "60's" in 'Got To Make It'. This is a book that lays it all out there. The whole John Lennon sequence was literally a headtrip and a thrilling learning experience for me. You can just picture the scene all in white, just like in Lennon's music video for 'Imagine'! Now I always hear the "Hi" when I pop in "Sgt. Pepper's Reprise" in my CD player. I never did before. Wow, maybe he's saying Hi to all of us. This is a great story, full of tragedy, obstacles, small victories, innocent coming-of-age experiences that many of us never talk about, large defeats in life and love...and finally a huge victory that spans the globe and just makes you feel good. Sometimes with a little help from your friends....and sometimes not...you've got to make it.

I'll never forget Stanleys' mantra "It's all in the trying". There couldn't be an idea more important for every aspect of your life. And I'll never forget the philosophy that you and John Lennon shared: "to get 'it' out there...live your dream by doing it, getting thru the small failures, live thru the pain of being a true artist and don't be a fake...."

With 'Got To Make It' Jack Eadon reaches a new level as a writer. You've got to read it. Thanks, Jack!

Reading Jack's evocative book about striving to achieve his dream of making it as rock performer triggered a flood of memories for me about similar dreams, some pursued, some not. Jack's story is a must-read for anyone who shared his dream or had their own at that youthful stage when anything was possible. It's a wonderful narrative that brings back so many elements of growing up in the late 60s when everything seemed possible.

Emotional, entertaining and exceptionally evocative. Enjoy!

It still bugs me that I missed Woodstock.

I was only nine years old that summer, so I didn't fully realize what it was all about. Not until years later, after growing up with the music that had been introduced to me by my older brother, did I realize what an influential (and mind-bending)event that must have been. Looking back, I have always felt that I missed out on one of the defining moments of the '60s.

Fortunately, this book was written. After reading Got To Make It, there are now many more things I can understand, relate to, and appreciate more fully. With its personal, insightful perspective, the book speaks on behalf of those who lived through the turmoil of that decade -- and how it changed them and shaped them. The personal impact of events like the draft, the anti-war protests, and the hunger marches, and pivotal crises like the Kennedy and King assassinations and Kent State, are all brought home with a clear voice that sparks a direct connection, at a heart-to-heart level, between all those old rockers and their wide-eyed younger brothers (like me).

I now feel that I can better understand what my brother went through as we were growing up together in that tree-shaded, middle-class Vanilla World known as suburban Chicago. And why he always seemed a little bit smarter than me.

Jack Eadon pours out his heart and soul making himself vulnerable to the world and himself. He shows great insight on a universal level. True artists get lost in their medium; Jack's being the poetry. I see "Got to Make It!" as timeless. I was able to relate to the feeling of the 60's, paralleling the emotional environment today in our world. I found this book very thought provoking. I can't wait to hear the music!

I picked up "Grace" about a year ago when I found it in my mom's old book closet. Although I am relatively young, something about the stars of yesteryear attracts me more than the glitz surrounding contemporary celebrities. Grace Kelly is no exception. I knew nothing about this icon, except that she was an American princess and a Hitchcockian heroine. Mr. Lacey certainly did his share in informing me about this classic movie star. I enjoyed how he provides us with immense background on the Kelly's, a prominent family in their own right. Mr. Lacey also does a fine job in giving us the "low-down" on Monaco and its interesting history.
Also of note would be the fact that Lacey attempts (and succeeds) at presenting the seemingly ethereal Grace as a person, not the sex symbol or ice queen she is usually remembered as. He does give a lot of insight into her love life and various affairs, but you never lose sight that Grace had this innocence about her. It seemed as if she could do no wrong.
Aside from being a talented actress, Grace was a true beauty and a dedicated mother and wife. She will always be remembered as our very own princess.

Everyone remembers his first screen love.

Grace Kelly was mine, and I can still remember her clear Teutonic skin, lugubrious soft hair, her casual sophistication, all completely new fascinations to my mundane childhood. Years later, the only thing that's changed is I've grown older and she's still impossibly perfect.

What Robert Lacey has done in Grace is bring us all a little bit closer to that Snow Princess whom we all would have made our Princess were we a Prince. Behind the camera, behind bedroom doors, behind the veneer of an idyllic fairy tale that proves that fairy tales are exactly that, each anecdote is like a stitch in a grand painting that is sometimes bleak (Grace ages and somewhat pathetically begins to fool around with younger men), sometimes inspiring (her persistence at overcoming her natural dramatic flaws), and always sensual (her intimate fashion shows for her boyfriend Don Richardson).

Unlike many biographies of screen legends, Lacey largely eschews extended back lot stories that might involve but not support the basic image of Grace that he believes must be told. So while we learn High Noon's screenwriter Carl Foreman meant his film as an allegory about Communist witch hunts, we are spared a complete A-Z on the Hollywood Blacklist and its artistic implications. A great biography of a great person must not necessarily take on the great issues of his day. Of which Lacey understands.

Grace is a woman of terrific sexual energies and ambitions but just as importantly, sports a marvelous capacity to mask those penchants. So instead of becoming Jenna Jameson, she turns into Princess Grace, a woman who sleeps her way to the top but seems so inevitably suited for the position that no one can possibly begrudge her it.

As Lacey says "She managed to be naughty while appearing very nice."

It's become axiomatic that the greatest personalities are deeply contradictory. Nearly every biographer, when faced with the compelling weight of his research, is forced to concede that mankind is a very complex being (thank you, Mr. Stevenson). And Grace was no different. Lacey talks of Grace's growing conservatism, her disputes with her daughters over their flagrant ways, all while engaging in her own illicit love affairs as Princess Grace. And what of her devoted Catholicism? How to resolve her piety with her philandering?

Questions which can only be answered by Hitchcock's own. This is a snow covered volcano we're dealing with here.

And sometimes, you can't guess; you can only watch.

The media reviewers quoted here harp on Grace Kelly's supposed "promiscous" behavior, the main point of the book, as far as they are concerned. Anyone who actually reads the book will find someone who had a few discreet affairs before she was married, who took her marriage vows and commitment to her family and role as princess seriously, who worked very hard throughout her life to meet her commitments, and who had a comforting relationship with a kind younger man when her marriage turned lonely as she got older. If she wasn't quite the cold, virginal image presented by Hollywood, good for her.

It's a very good book about a real woman of extraordinary beauty who could have settled for a society matron's life in Philadelphia but who made an extraordinary life for herself through her own efforts. Read it for that and not the sensationalism.

This book has a great deal of detail. I feel as if there was too much emphasis on her sex life versus her screen image, and frankly that was her business, not important in the book. Otherwise a good book.

I wanted to know all about the men in Grace Kelley's life, both before and after her marriage. This book told me everything, but in a classy, well-researched way. I learned a lot about Monaco, and just the things I would have wanted to know about her family members, too. After reading this excellent book, I plan to read more of Robert Lacey's works.

Great service. What a wonderful book to share with a family who has just adopted a new baby.

The story is a nice sentiment. The song is slow and difficult to sing. I used the book with children 4-8 but couldn't teach them the song.

I was so touched by this book and the CD that I ordered copies for close friends and relatives to give at Christmas. This book expresses my gratefulness so well and I wanted to give this to others. I have received many grateful comments back. A sweet book and an inspiration to look at what one has and not what one has not.

This book really says in a very few words all we need to know about living a full, rich, peaceful, serene life.

The illustrations actually filled my heart with those same feelings, eliciting quite a response physically and heartfully.

Add the included CD and it is no longer a question, adding this book to your library is a necessity.

In fact, it would make a good coffee table book.....

The simple text acknowledges that the world is not perfect... it is blemished, and it is up to us to choose whether to "moan or sing" and whether to "count sheep or our blessings".

This will be one I will collect several copies to give away and keep around my house.

Although labeled for the three and up age range, my experience suggests this book will appeal more to parents and caregivers than to toddlers.

LYRICS: The lyrics repeatedly use words such as "duly" (as in "duly grateful") -- a contrived phrase which appears repeatedly, apparently because it rhymes with "truly grateful."

CONCEPTS: The ideas--gratitude and choices--are important, and do come across, but not to the age group targeted. Too often, the author tells us, rather than shows us.

Some of the book's concepts are simply inappropriate in terms of developmental level for little ones. For example, "There may be times when I lose the light, and let my spirits sink. But I can't stay depressed When I remember how I'm blessed." Three and four year olds talk and think in terms that are both literal as well as much simpler--glad, sad, mad, etc.

For these reasons, and especially for younger children, you may find it helpful to paraphrase the concepts on each page, using language and examples your little person will understand and relate to.

ILLUSTRATIONS. These are excellent. More than the lyrics, they convey the concepts on each page. Very gentle in their impact on the reader.

SONG. As an Art Garfunkel fan, I didn't find his rendition as inspiring as I'd hoped. It's on a short CD, a single track, less than 5 minutes in length. Finally, the tune isn't particularly catchy and it isn't easy to learn.

LYRICS & MUSIC. On the plus side, both the lyrics and music are included at the end of the book, along with the CD in its endcover envelope.

OVERALL: This is a book most suitable for a thoughtful six year old and a caring parent or grandparent to share and discuss.

excelent transcriptions, and wait for purchase first part

Guns N' Roses Complete, Vol. 2 is a must buy for GNR fans and guitarists. This book contains 28 songs from M(Mama Kin)-Y(Your Crazy) including: "Mr. Brownstone" "My Michelle", "Night Train", "November Rain", "Paradise City" , "Patience", "Sweet Child O' Mine" and of course "Welcome to the Jungle".

As the title suggests, every guitar riff, arrangement, rhythm, lick, solo, and fill is fully transcribed, note-for-note, in music and TAB! From the timeless intro and solos of "Sweet Child O' Mine" to the wooing acoustics of "Patience", it's all here, fully transcribed to learn. The transcriptions themselves are of the best quality money can buy and include all of the guitars in each song, not just rhythm or lead. As a bonus, the lead vocals are also included and make following the music much easier. Basically, all your GNR needs are found here and in Volume 1. (By the way ,if you are debating, buy Volume 2 first because, by chance, most of GNR's hit-songs begin with M-Z--as listed above)

It is worthwhile to note that when I say 'perfect', I mean it subjectively. There are people out there you critique the book's accuracy. However, all of these arguments are inconsequential. For instance, I heard someone say that on the final two notes of "Mr. Brownstone's" signature riff, Slash uses a 1/2 bend instead of a hammer-on as the book denotes. To this and similar claims I respond with: Who Cares! They both sound the same, both give you the same pitch and sound, and you play it so quickly it really makes absolutely no difference. Most of the "Inaccuracies" claimed of this book are equally trivial, and depend on what each person perceives. To be fair to critics and any claims I have not refuted or heard I will compromise that % 99.99 of the book is accurate.

Now, while the transcriptions themselves are out of this world and need no further discussion, I have a word of caution. Be prepared to work hard for them! Despite the inclusion of the lyrics, it is very hard to follow the music at times (I can read music and still go through hell at times). And this is only made worse by the fact the pages are as crowded and hectic as the beaches of Normandy; any notation denoting a coda or repeat is easily lost in the jumble of rhythm slashes, fill and riff signalers, chords and other special notations. You will find that making sense of it all is a task in and of its self, and thus learning a new song can be annoying as you try to follow it all. I would be willing to pay more money for a thicker book if the authors would write out all the parts on the same staff all the time, instead of resorting to the short cuts they take.
For example: the book will often say "Play Riff A" over the staff, referring you to an obscure rhythm piece written out two pages back, which you now have to hunt down, recall, then flip back to the original page, figure out how it fits and play...etc. This and other similar little short-cuts are ANNOYING! Would it kill them to simply write-out bloody "Riff A" again where it is supposed to be played?

That said, if you can't read music (or read at all), this book will be very hard to follow. Yes, it includes TAB, but without the musical knowledge it will be hard to know what is going on. Also, for any would-be-Slashes-and-Izzys out there (including myself), none of these songs are quick and simple to learn, so if you are only a casual guitarist or fan, don't waste your time and money. You will need patience and skill to play what's in this book because, after all, this is a note-for-note transcription of Slash and Izzy's playing. If you are easily frustrated or bored, this book isn't for you, and you would be better off buying one of the more simply arranged books available on Amazon. But if you really want to rock-out just as GNR did for whatever reason, by all means BUY THIS BOOK! You will find yourself learning not only the songs, but tons of musical techniques and skills.

Guns N' Roses Complete, Vol. 2 is a fantastic buy if you are looking for the perfect guitar transcriptions of many GNRS songs. As long as you are willing to go through the long hours of practice and some frustrating layout issues, this book will rock you world with its priceless contents! (Conveniently priced under $20)

Well there are only a couple of things I have to say. Those things are:

1. Guns n roses what else do I have to say?

2. If you are a big fan and what to play their songs, buy this along with volume 1.

3. Guns n roses rule.

4. buy it

5. this is an ordinary tab book and it's of one of the many classic bands.

6. the notes are PERFECT so you do not have to go searching for them on the internet for hours to end up with the wrong notes.

7. has lyrics to help you find your way

8: Hoped it helped and pushed you over the edge to buy it.

Finally I can learn the songs how they're supposed to be played. I've downloaded and printed so many different versions of tabs of some of the songs in this book and most of them just never sounded right. This is a great collection of songs, I have the tab book for use your illusions II and I really didn't want to go out and buy all of their other album tabs seperately. This was the perfect solution. Excellent collection.
Just don't expect to be playing these songs the day you get this book - Slash isn't human, some of this stuff is impossible.

From the humble beginings of Reckless Life and It's So Easy through to their transition into the best rock band on the planet this book covers every song from the Gunners first 4 albums, unlike "GNR For Easy Guitar" everything from fills and intros to solos and riffs is covered.

Full of detail and top notch tabbing, the two volumes of Guns N' Roses Complete are the definitive guide to Izzy and Slash's guitar playing. I searched for these titles for many weeks and could not have been happier when they were delivered. Make sure you grab your copy of these hard to find titles before its too late. Over 45 songs in total are covered (22 on the first and 28 on the second)

To conclude if you buy any GNR tab books, make sure you get these two, plenty of songs and a good price

A great guide to taking apart old electronic noisemakers and turning them into something new. Also includes simple DIY electronic circuits with all the steps. The projects are compelling and workable. Give this to a young person and change their whole outlook on DIY.

This is a really fun book, with lots of projects for budding electronic musicians. But it goes beyond that: It's a solid intro to electronics and CMOS components. I went into this book thinking it might be too basic, yet I walked away with a lot of ideas, and some interesting new techniquess.

I wish that more electronics writers would cover the material with this author's style and accuracy. Also, kudos for providing parts sources and for using easy to find and inexpensive components. (I've seen many people, myself included, become frustrated by hard-to-find parts lists or the use of discontinued items. These projects suffer from neither of those problems.)

In the end, you'll be left wanting to know more about the components and techniques you've picked up. (You'll probably want to add Don Lancaster's classic CMOS Cookbook to your shopping cart. It will give you the details about many of these components.) Highly recommended. I'm looking forward to other books by this author.

Ah ! this book is one of the best i bought.
I just love it !!

Ever since products such as GarageBand took over the low-level tasks of producing electronic music and turned us all into application users, much has been forgotten about making music with low-level electronic components. In the case of younger electronic musicians, this may be an art form they never even knew in the first place. Although there is an advantage is computer musicians speaking a common language through a common application, something fascinating in the realm of experimentation has been largely lost. This book returns to the days of yesteryear with some projects in making your own electronic music with basic devices.

The book starts with some brief information on the tools you'll need plus the author's seven rules for experimentation. Part two is dedicated to listening. He shows you how to use radios and coils to find hidden electronic music, how to use the speaker as a microphone and vice versa, and how to use piezo disks to pick up tiny sounds, among other topics. Part three, on touching, shows you how to transform a portable radio into a synthesizer, change the clock circuit in toys to produce new sounds, and use photocells and pressure pads to "play" the modified toy. Part four, Building, shows the reader how to breadboard up some oscillators along with some controlling circuitry and produce gating, ducking, tremolo and panning effects. Part five, Looking, concerns translating video to audio using commonly found devices. The final section goes into depth on mixing circuits, how to build a good but cheap amplifier, connecting sensors to computers via game controllers, and a section on power supplies.

The book is written such that you should proceed from beginning to end, since the devices in earlier sections are used to assemble the devices in later chapters. By the time you finish you should have entire experimental musical instruments that you have assembled yourself.

This is a great book if you are a electroacoustic composer, you can make cheap sensors and rare instruments... ready - if you want - to plug to Max/MSP or Ethersense...or Teabox... Thanks to Gregory Taylor from Cyclin'74.

A great guide to taking apart old electronic noisemakers and turning them into something new. Also includes simple DIY electronic circuits with all the steps. The projects are compelling and workable. Give this to a young person and change their whole outlook on DIY.

This is a really fun book, with lots of projects for budding electronic musicians. But it goes beyond that: It's a solid intro to electronics and CMOS components. I went into this book thinking it might be too basic, yet I walked away with a lot of ideas, and some interesting new techniquess.

I wish that more electronics writers would cover the material with this author's style and accuracy. Also, kudos for providing parts sources and for using easy to find and inexpensive components. (I've seen many people, myself included, become frustrated by hard-to-find parts lists or the use of discontinued items. These projects suffer from neither of those problems.)

In the end, you'll be left wanting to know more about the components and techniques you've picked up. (You'll probably want to add Don Lancaster's classic CMOS Cookbook to your shopping cart. It will give you the details about many of these components.) Highly recommended. I'm looking forward to other books by this author.

Ah ! this book is one of the best i bought.
I just love it !!

Ever since products such as GarageBand took over the low-level tasks of producing electronic music and turned us all into application users, much has been forgotten about making music with low-level electronic components. In the case of younger electronic musicians, this may be an art form they never even knew in the first place. Although there is an advantage is computer musicians speaking a common language through a common application, something fascinating in the realm of experimentation has been largely lost. This book returns to the days of yesteryear with some projects in making your own electronic music with basic devices.

The book starts with some brief information on the tools you'll need plus the author's seven rules for experimentation. Part two is dedicated to listening. He shows you how to use radios and coils to find hidden electronic music, how to use the speaker as a microphone and vice versa, and how to use piezo disks to pick up tiny sounds, among other topics. Part three, on touching, shows you how to transform a portable radio into a synthesizer, change the clock circuit in toys to produce new sounds, and use photocells and pressure pads to "play" the modified toy. Part four, Building, shows the reader how to breadboard up some oscillators along with some controlling circuitry and produce gating, ducking, tremolo and panning effects. Part five, Looking, concerns translating video to audio using commonly found devices. The final section goes into depth on mixing circuits, how to build a good but cheap amplifier, connecting sensors to computers via game controllers, and a section on power supplies.

The book is written such that you should proceed from beginning to end, since the devices in earlier sections are used to assemble the devices in later chapters. By the time you finish you should have entire experimental musical instruments that you have assembled yourself.

This is a great book if you are a electroacoustic composer, you can make cheap sensors and rare instruments... ready - if you want - to plug to Max/MSP or Ethersense...or Teabox... Thanks to Gregory Taylor from Cyclin'74.

As a person surving MS, times of pain,frustration and stress can really be a hinderance to you and the disease. Just taking a few needed precious moments to listen to this guided imagery tape will help you "let go." I listen to it every night and never get tired of it. There have been many times during the day when I have made time to listen to it also. The tape has gotten me through some tough days. You will be pleased to have this as part of YOUR MS survival armory.

This is an incredible little tape. Side 1 is the guided imagery which is I guess about 20 minutes and side 2 has some reinforcement phrases to say to yourself. The guided imagery is terrific. She takes you to a s pecial place, you address your immune system directly, telling it you're ok and they can stand down, and she helps you surround yourself with support. The first time I listened I cried like I hadn't cried in a long time. I didn't know how much I had kept inside. It is such a good tape I can't say enough.

With a soothing voice Belleruth Naperstek leads the listener to a sense of peace through calming meditative words. It would seem to be helpful to anyone contending with cancer. It is not, however, as helpful to those experiencing other cancer related disease, especially blood related. Leukemia, for example, would require very different images. Still, it would be somewhat helpful to someone with leukemia or lymphoma if they are not terrible distracted by the brief imagery specifically related to tumor cancers.

I found this tape one of the most healing avenues that I have tried. It helps me to let go of the tense, and feelings whether they are mental or physical. It is a gift to yourself to try this tape. I love it.

I think is great to have an imagery tape to relax or heal. Please don't try the tape while driving.

This is a great read-aloud book with fun illustrations! Very jazzy and fun, with a positive theme.

My 2 and 4 year olds love this book! The phrasing is fun. The colors bright. The story about persevering to realize your talent, even when it means eating at all the doggy diners when you're a cat. Though it never says so, the city is clearly San Francisco. So, go, cat, go! Buy the book!

A determined, jazzy cat tries to, and finally succeeds to, make music in a dog-run city, letting the reader see the importance of persevering even in tribulations. The impressionistic, curving illustrations that bleed to the edge every page, as well as the beat poem rhythm of the text, flow together to give the reader an understanding of what jazz is about: improvisation and expression of feelings. Even the placement of the text itself, which sometimes swirls, sometimes indents, and sometimes changes fonts, suggests the unpredictability of jazz music.

This book is definitely hard to get into, but once you do, you're hooked. The jazz theme is awesome (although I wouldn't have chosen a cat...) and the pictures are brilliant. What a great picture book!

This is one of the most amazing children's books I have ever read. Jonathan London is able to convert prose into music. You have a sense of being inside jazz and understanding what it is from a completely emotional standpoint. I was thrilled to have the pleasure of reading this book to my 5 year old son and to introduce him to what jazz feels like. We listened to several Jazz albums after reading this book and the book helped to make a connection to the music. Thank you, Thank you Mr. London for this incredible experience!

Anyone who grew up in the 60's-70's should read this book ... it is very inspiring!

One need not be African-American to love this book. It is a deep insight into a tough time. She talks of things usual life
does not include, as the powerlessness of women doing full nude strip dancing when one or a few refused to have customers give them money in a particularly intrusive way--what awaited such women and what choices did they really have. Neitzsche called Evil, "All that which proceeds out of weakness." He could have had this book in mind. Yet Ethel Water's life has more than defeat.

If you are not moved by this book, you must have a large problem.

Whew, what an upbringing, what a life. Waters goes into great detail about her rearing in the slums of Philadelphia, her life as vaudevillian Sweet Mama Stringbean and finally the Ethel Waters of stage, screen, and records. I didn't really know much about Miss Waters other than her role in the movie Pinky, so this book provided great insight into her life. Pretty good. The conversational tone makes it easy to read.

I've had the hardback 1951 copy of this book for some time, just picked it up to read last week. It is an astounding story of faith, determination, and strength;It is also an excellent insight into Black History pre-Martin Luther King. I hope the paperback version of this is being read. (and I wish Nikki Giovanni would read it as well).
Highly recommended.

When I was a kid, I knew Ethel Waters as that gray haired old lady that sang at the Billy Graham events on TV... In reading this autobiography I discovered the incredible legacy of her recordings and films.

"His Eye Is On the Sparrow" reads just like you're sitting in the room talking with this remarkable woman... The book not only shares the details of her fascinating career, but it is also an absorbing historical record of early 20th century show business and American society. Absolutely fascinating, warm, funny and poignant.

I'm heading to Bali this month and this book provided a great intro to the customs and nature of this island. I'm even more excited to get there after reading it.

I am Balinese and live in Ubud, about 10 minutes walk from where Colin McPhee stayed, when he came to Bali in 1931. My aunt worked for him.

He heard a record of gamelan music in New York and couldn't wait to get to Bali to listen to the real thing.

He stayed in Bali for almost 8 years and set about documenting gamelan music. Much of his research was carried out in a village near Ubud where my Villas are. There are still old people in the village who remember him.

His book is beautifully written and tells stories of his adventures and life in the village and his encounters with the local Balinese. It's not necessary to understand technical music matters to enjoy this book - it is totally accessible.

Highly recommended.

I first heard Gamelan was coming out of the oldest temple on the Island of Bali, near Ubud, and was reading this book at the time. I purchased the book at the Jakarta airport and was hooked by the first paragraph. I think that this is a wonderful, insight into the island, the music, it's people and culture. If you have a love for exotic music and or artform, this historical work is a captivating read. My only regret is that Colin McPhee never went back to his beloved Bali.

It's a very interesting book in regards to what I have actually read. It seems to have accounts on Balinese culture. I found it enjoyable and interesting to read because it not only talks about Balinese culture but about the conflict and clashes within the village like the little dancer named Sampih and his dance teacher Nyoman Kaler.

Colin McPhee conveys many interesting things like when bad luck happened in his home in Sayan and how they had to do a purification ceremony in regards to dispel the demons, witches and evil spirits. His wanderings in Bali to record music and study their music like the rare gamelan angklung and gamelan selonding from Tenganan who were the Bali Aga. Colin McPhee was drawn to the scintallinating sounds and metallic shimmer from the gamelan. At times there are humours accounts of what goes on between him and his friends that happen in the village or when they are touring around Bali. I found it enjoyable because, he seemed to have fitted in well with the Balinese people without too much problems compared with other writers before them spoke of barbarity and the animal like behaviour of the Balinese at certain functions. He writes with passion about what goes on and how things have changed with the colonial rule of the Dutch. The loss of autonomy by the Rajas who were reduced to poverty at times and how their obessions with cockfighting led to their ruin. Yet in times of despair and hardship they are always humble to him.

Overall the book contains a few photographs of his friends and colleagues. I found it wonderful and intriguing and as well as captiviting at times which he covers so many topics like the temple functions like Galungan, Wayang Kulit (Shadow Plays), the music club etc... This book you will grow to love like the book written by Miguel Corrovabias "Island of Bali".

Even as the art & tradition of classical gamelan music fades in Java, gamelans are built & organized in America & Europe, the music is studied & taught in universities. This has occurred since the 70's, when recordings of gamelan music became widely available, particularly in a major series on Nonesuch Explorer. For many people, hearing gamelan for the first time is not only a delightfully exotic experience, the music unlike anything one has heard, but there is often also a strange shock of recognition, as if one somehow already knew the music, although where & how remains a mystery. Perhaps this is what happened to Colin McPhee. For McPhee in 1930, as for so many western musicians since, hearing gamelan inspired something like a religious conversion.

I was given an old copy of this book shortly after I heard gamelan for the first time, & so I was able to follow McPhee on his great adventure to find where the music came from. When he arrived in Bali, he discovered that although the culture was vibrantly alive, much of music was in danger of being lost. He met, befriended, & studied with some greatly talented Balinese musicians, old masters & several younger composers & leaders, including Wayan Lotring & Made Lebah. They set about restoring a Semar Pegulingan gamelan. The task of bringing this music back to life is the "plot" of the "A House In Bali." McPhee quickly realized that his western musical training was of limited value, because the "values" of music - technically & culturally - in Bali were so different. Music had popular, ritual, & concert functions, as in the West. But the music was inseparable from the instruments, & each collection of instruments - each gamelan, was unique. Compositions were learned by rote, in phrases, with the gamelan functioning as a kind of all-ages social club for men. McPhee had to become, as best he could, a person of Bali, a villager, someone with a place & a role in the life of the community. He recounts his immersion in Balinese life, As strange as Bali was for McPhee, he was the "stranger," the outsider, & he remained one, oddly indifferent to what the Balinese thought of his lifestyle. Most inexplicably, he seems not to have become a gamelan musician. One wonders not only how he resisted this experience, but also why?

McPhee later attempted to translate Balinese music into a western idiom using pianos & a symphony orchestra, with beautiful results, but losing what he had learned in the process, Sadly, when he returned home, he had left the most important stuff behind.