Music Books

An excellent book on an excellent group. The author has meticulously researched his body of work and provides wonderful details together with photographs and links.

I do not order much from the internet, except I do find Amazon to be great. I have ordered serveral book, and they have all arrived in a very timely manner. The purchased have been very easy and there has never been a mix up on payments, they have also been prompt in emailing to let me know when we can expect our merchandise. I thank you for providing such a wanderful website were we can get great prices and good service too. JML California

You could build a library with all that's been written about The Doors over the past 40 years. This makes it hard to find anything new, but Ben Fong-Torres has done that here. Several never before published photos (including Jim dressed as an Indian for Halloween at age 7!) and interviews with Jim's father, brother & sister (his mother was unfortunately too ill to participate) make this a must for any Doors fan. Also has lots of commentary from Ray, Robby & John and others who were closely involved with the band.

Rock writer nonpareil Ben Fong-Torres has done an excellent job in this very fine work about the Doors. Lots of never seen before pictures and what a great treat that we finally heard something from Morrisons relatives, especially the rear-admiral. Im pretty sure those fat royalty cheques that started pouring in from 1974 has mellowed the old warriors heart over the years, but still you believe that somewhere deep inside, he was proud of his son achievements. It's a book that you can't put away, so if you start reading it early, you most likely will finish it the same day.

The Doors by The Doors and Ben Fong-Torres

Hyperion Books

Forty years ago The Doors broke on through and romanced the public with poetic nightmares combined with a jazz influenced brand of blues driven rock and roll. We all know about Jim Morrison, the bands wildly erratic front man who lived either on the edge of a stage or at the edge of his own mortality. The three remaining Doors members John Densmore, Robby Kreiger and Ray Manzarek give their take on what it was like to ride the ascending success and ultimately the burn out and downfall of comet Morrison. Ben Fong-Torres has the daunting but enviable task of coordinating the vast treasure of photos, interviews and fresh quotes into a time line narrative that takes the readers from the beaches of California to the graveyard in France. What Oliver Stone got wrong in his 1991 movie, "The Doors" Fong-Torres is determined to set straight in this retrospect. Even though it was Jim who gained the most publicity as charismatic singer and lyricist he was the first to correct anyone that would garner him with more than one fourth of the credit for the bands success. The corresponding biographies of each member help to re-tell the now famous stories but also add a more personal insight and explanation of these now legendary tales. It's always been my contention that actually being in such a famous band it is impossible to truly appreciate or understand your own impact. The Beatles never had "The Beatles" to appreciate or enjoy like the public did and the same thing goes with this remarkable group. The Doors were just trying to write some songs and score with the ladies of Venice but after these four individual and creative elements combined a funny thing happened resulting in pure rock and roll legend. It's all here in beautiful detail and imagery, from the band's first rehearsals and the ground breaking shows at the Whiskey, the Ed Sullivan snub, Miami madness to Jim's controversial departure from the United States and ultimately the planet. This is a beautiful coffee table styled book that chronicles all of The Doors phenomenal successes and internal struggles. Just as with The Beatles "Anthology" book the surviving members have assembled to tell their remembrances and share some never before seen photos and antidotes. This leaves Jim's creative and prophetic lyrics along side his infamous quotes behind as both his contribution towards the book and his path to or bread crumb trail back from the other side.

Matt Parish

Good Book, I wish it were updated & re-released!

Finally after all these years we have a book that tells us everything we ever wanted to know about the queen i love my copy since i got it a few weeks ago i've read it fron to back and found out some truly interesting things that i never even knew...hell i always thought i was an expert on Madonna but after reading just a few chapters i realised how little i knew about one of the most contoversial, and diverse women in the business today all the info in this book just go to show there will never be another that could come close to filling her shoes or have the global impact shes had
there never has been, never will or could be another MADONNA!!

Okay. So I bought this back when it came out in 1995. I remember reading it and thinking, "SO, there IS a fan out there that knows almost as much as I do about Madonna!" Although there is a lot of opinion expressed throughout the book and some missing detail, it is a book worthy of your shelf or coffee table. It may be outdated since Madonna has morph like fifty million times since this book was published. It still is a great book to ahve around, even if for camp purposes.

There are literally thousands of books that have been published over the years about everyone's favorite Material Girl. Regrettably, the vast majority of these books are incredibly sloppy and aren't even worth lining my birdcage with. But the "Encyclopedia Madonnica" is very unique. This is the most accurate book ever written about Madonna which is also the most informative and detailed. The author, Matthew Rettenmund who wrote this for fans from a fan's prospective speaks to the reader in both an entertaining and enlightening way. You will learn so much about a woman who everyone already thought they knew. My only complaint is that this lists the documentary "Blast 'Em" as part of Madonna's filmagraphy. I'm not sure why the author did that because "Blast 'Em" is not a Madonna movie or a movie that she agreed to appear in. It just includes clips of her being stalked by photographers and as a fan I looked for this movie for years simply because I wanted to have every single movie that she appeared it. When I finally got it I was very disappointed to learn that it was not one of her movies and perhaps it was simply an error on the author's part. If you're a fan who wants to read about Madonna there are really only 3 books you need to get. Besides the "Encyclopedia Madonnica," I also highly recommend I Dream of Madonna & The Madonna Scrapbook.

Matthew Rettenmund certainly has done his research. Encyclopedia Madonnica is the most informative book about the Material Girl that has ever been published. After reading this book, you will truly know everything there is to know about the most famous woman in the world. Well-written and organized, it's also chock full of often hilarious tid bits and witty rejoinders. Mr. Rettenmund should do an updated version of this book, to cover the years 1995 to the present. If you love Madonna, then you simply must own this book, along with Michael D. Craig's "Who's That Girl? The Ultimate Madonna Trivia Book!

My 2nd bio this month on Grant. I had seen some recent favorite movies of his. I'm certainly not an unbiased Grant fan; I have always loved his movies. I liked this book because of so many direct quotes by him. Assuming thsee are factual it gives you a great insight into his shy character which I had missed some of in the first bio I read. He was a great actor but had a sensitivity side that I had never seen. Nicely laid out. I'm more a fan now than I was!

"Evenings with Cary Grant" is the most incredible book. A sort of documentary on paper, Nancy Nelson uses an interview/intercut format and cleverly weaves a narrative through the most revealing and often amusing anecdotes. Cary Grant talks and then Gregory Peck. Katherine Hepburn says something, and then we hear from Audrey Hepburn. As one reviewer said, "When you get to the end, you feel as though you've lost a good friend." Nelson uses no conjecture or supposition. All her sources are primary. An announcement in a recent Sunday "New York Times" said that Nelson will speak about "The Cary Grant Few People Knew" at The Metropolitan Museum of Art on June 15. I've got my ticket!

Like other reviewers, I'm a big Cary Grant fan. I usually hesitate to read about the personal lives of actors because they often lead disappointing lives. But Nelson's collection of stories and personal accounts from Grant's friends introduced me to the wonderful man behind the handsome movie star. I'm looking forward to watching his movies again after reading this book -- there is information from him and co-stars about some of the films that will make it fun to watch them again.

I absolutely love old movies,old stars, new movies and their stars, but I LOVE Cary Grant!!! So I wanted to get a book about him and I always check up on the author and how much they knew about the person they are writing about,and when I saw this book and I had to get it.This Book shows the life of Archie Leach (we know him as Cary Grant)his life growing up,and his rise to stardom,his love life,his friends, and his wonderful sense of humor.I was so happy to find out that the man we all fell in love with was the same in real life that he was onscreen.I don't want you to have to read a long review but I just wanted to say how much I love this book and the writers style.Every body should own this book.It's worth reading more than one time.

It is no easy thing to become so successful in one's career and yet be universally loved and respected as Cary Grant was in his lifetime.

Thanks to the author for focusing on the good of the man and ignoring the rest. He was a good man and that is enough. Ms. Nelson does a good job in giving us an idea of who the man really was--a gentleman who was loyal to his friends, if not his wives...but in the end, even THEY still loved him after it was over.

My only disappointment (not the author's fault) was to find out that Cary Grant hated "Arsenic and Old Lace," one of my favorite movies.

Great book for any Linkin Park fan. I enjoyed the pictures and reading about the tour and how they made their videos.

My friend and I are vietnamese fans of LP and we must say that it's really hard for us here to buy anything about LP we like, because most websites never ship to Vietnam. But luckily, a friend of mine told me about this site. And the first thing we bought when we entered this site was "From the inside". This book is something I think every diehard fans of LP must have. It's full of beautiful pictures, lovely quotes from LP members and commentaries of Mr Hahn about all the videos in Meteora album. I found out a lot more about all the LP members and how they made music. You should really buy this book, I swear you'll be satisfied with it.

I've been a Linkin Park fan for probably about 6 years now and I'm amazed every time hear something new from them. The creativity and energy they put into each note, each measure of anything they put thier names on. That type of dedication is severely lacking in the music business today. I'm glad to say to say I'm a fan, without any hesistation or worries. I've read this book, 2 maybe three times and it's the kind of book you can go back to and get new views of the bands months or years after the initial read. It's a good job, well written and an easy read, not at all full of superflous language and unnecissary jargon. It proves they are a band of thier word, just average kids from SoCal, with nothing more in mind than making great music.

If you are a Linkin Park fan, want to know more about the band, or just want to recognize how six down to earth guys spend their time on tour, this book's for you. This is a diary of life on the road. It is filled with beautiful pictures, and look inside minds of one of the greatest rock bands in history! A must have for any Linkin Park fan!

From the Inside: Linkin Parks Meteora is a really good book. It tells you how the band started out and gives you interesting facts about the band, Linkin Park. The book tells you what the fans mean to the band, and where the root of their songs and music comes from. A 'Rolling Stone' reporter gives you his insight on the band, and talks about the interview he had with Linkin Park. I would definately recommend this book to anyone who is a fan of Linkin Park, or to anyone in a band, or starting a band. They give you good tips to keep in mind if you are in a band and making music, and what to expect.

Like all the other reviewers I'm staggered by Youngkin's accomplishment, which seems to me--perhaps profanely--even more impressive than Lorre's own. In a way, Lorre has found a biographer supreme, one beautifully blessed by all the gifts of sympathy and knowledge needed to translate an artist's work into contemporary times. How many of Lorre's peers have been given such a chance to live again? It's really shocking how few good biographies there have been of Hollywood stars, and even some of the most acclaimed (think of Gavin Lambert's Norma Shearer) have actually been among the most banal and simplistic.

Of course Lorre gave Youngkin a life really worth chronicling. If it wasn't the drug addiction, it was the dramatic life in Germamny observing and protesting the rise of Hitler, till he and Celia Lovsky found their way out in a sequence right out of Shearer's ESCAPE! The work with Fritz Lang, with Brecht, with Hitchcock, with Bogart, with Irwin Allen, with Roger Corman, each one of these phases could have made an interesting book, and Youngkin knows how to spread them out so that every angle is covered and yet our curiosity remains high. And the research and the interviewing is by itself amazing. Every time you turn around, Youngkin is eliciting revealing and wry comments from exactly the people you hope would comment on the particular situation he is writing about. Because the book has apparently been in motion for something like 30 years, his reach goes way back--he spoke with Frank Capra, with Hitchcock and Huston, with Broderick Crawford and Corinne Calvet--hundreds of actors, writers, directors and behind the scenes personnel. This research gives the book a depth and richness of point of view that elevates it to the Mount Rushmore of biography.

I wasn't always persuaded by Youngkin's critical judgments, and would rather put a staple gun to my face than have to watch SILK STOCKINGS again, for example--but now he's got me re-thinking, "Maybe it is a great performance stuck within a lousy film." Youngkin pulls the camera way back and takes us through Rouben Mamoulian's whole career, his way of astonishing audiences by revealing unexpected sides to their favorite stars. I didn't actually need all of that to get the point, but I hope he gets to do the DVD commentary for SILK STOCKINGS, for we need more enthusiasts and fewer haters. Why write a book about a man, even a drug-addled and morose one, unless you love him?

if you are unable to get ahold of author stephen youngkin's earlier biography of peter lorre, then by all means purchase this book. it's comprehensive and thorough, and a good read of a fascinating subject. if you were able to get ahold of the earlier book, then you can save your money on this one. the only new item that would make purchasing this edition worthwhile is the photo and information on peter's daughter catherine. she looks like him but pretty, and her connection to the hillside strangler is included.

Peter lorre was one of the most unique and fascinating actors ever to come out of the studio system in Hollywood. Anyone who has every seen his soft, silken acting or heard that lyrically menacing voice ever forgot it. I know that I never did. I have been a fan since seeing him go toe to toe with Cary Grant in Arsnic and Old Lace when I was in my teens.

Peter Lorre fans have cause for celebration with this book, which is full of tremendous insight and depth. It covers all of Lorre's life and does so with compassion and appreciation. This work never becomes a fan's love letter, though, as the author does not shy away from the star's less admiriable qualities (which I will leave to the reader to discover). But everything is put in context, which often provides a certain understanding. And what a fascinating context it is - from the German stage of Bertolt Brecht to the Hollywood horror of Roger Corman. It's worth noting that this book is extremely well researched and includes a complete Lorre filmography as well as a complete listing of his tremendous radio work (was ever their a voice better suited for telling stories over the radio?).

As the Author tells Lorre's story, the reader is treated to plenty glimpses into several Hollywood immortals, such as Humphry Bogart, Walter Huston, Sidney Greenstreet, and Lauren Bacall (with whom Lorre had a close friendship). And the writing style is very readable and smooth.

All I can say is, for all of us Peter Lorre fans, Thank you, Mr. Youngkin.

And while we are on the subject of Hollywood greats that never have been given an aurhorative bio, what about Boris Karloff. Mr. Youngkin . . .?

-Mykal Banta

First of all I am profoundly grateful, that finally someone took up the task to write a biography on one of the greatest actors of the 20th century. Mr. Youngkin did very good work especially in researching the very early years of Peter Lorre in Vienna and Berlin, which I assume must have been a quite excrutiating task. Nobody who ever saw the film "M" will ever forget the wonderful performance Peter Lorre gave. Even later on, nearing the end of his live, when he was doing B-movies, he gave them that certain Lorre-touch. It is a wonderful read and Mr. Youngkins work cannot be praised enough. Sometimes this biography makes you cry and laugh at the same time. Finally somebody did credit to this wonderful, wonderful actor.

"He's crazy about me...all the degenerates are." Peter Lorre, speaking of his chimpanzee co-star in "Five Weeks in a Balloon."


From the beginning of his career, Peter Lorre was typecast. The classic German Expressionist drama, "M", set the tone for his entire career. Lorre said that from that point on, in people's eyes he was "forever the murderer". This was allowed to overshadow his incredible talent and his great aptitude for comedy. (His throwaway lines, like the one I quoted above, are priceless!)

His career spanned from experimental theater in pre-Nazi Germany, to classic noir films with Humphrey Bogart, to eminently forgettable films from the Sixties. (How odd that one of his last appearances was in "Muscle Beach Party"!)

Stephen Youngkin does an admirable job of chronicling Lorre's professional life, including the myriad missed opportunities--(of note: Malcolm Lowry's rabid interest in seeing Lorre play "the consul" in "Under the Volcano", and Lorre's own desire to produce a film about Kasper Hauser. Both of those projects, never realized, would have added so much to Lorre's cachet.)

The book overflows with examples of Lorre's humanity, professionalism, and wit. Unfortunately, the actor's personal battles with the demons of drug abuse and poor health, his unluckiness at love, and his profligate nature create an undertow of tragedy which no reader can escape. In the end, this is a deeply saddening and troubling book. Long after you have finished reading it, you will find yourself reflecting on the life of this brilliant and tormented individual, who indeed has a special place in the hearts of all the "outsiders" in the world.

The book has some good ideas, but much of it explains really basic things like how to upload audio and video files. There's simply too much filler. All of the really good marketing ideas could have been written in ten pages or less.

There has never been anything available before that offers such clarity and knowledge of this industry. A must have for someone starting out either as an artist or anyone wanting to get into the field. The author really knows his stuff.

In today's world where music is the number one download on the Internet and connected with the top gift lines of today, making money with it has not been the on the "top of the online businesses to make money" for the average person. Until now.

From basic HTML codes to social networking, this book clearly and simply explains every single step of the way to the bank, with success whistling all the way. Its contents and index provide an easy way to browse through the book to find exactly what you need to know or do, with professional advice and teaching from cover to cover.

The book is written from heartfelt experience, tough roads, and successful insight. I enjoyed reading it, and with the information in this book opening up a new field on line--it would be best to jump in now ahead of everyone else.

I must say I was very surprised at how good this book was! Yes there were basic things included as well, as mentioned in another review but there was also tons of new ideas and more advanced strategies. I understand how many people dont know the basics such as my bass player..lol Myself I know alot more than basic and this book gave me lots of ideas.. we already have booked more shows and following is growing for sure as more people are coming to shows..and got a review in the paper! never would of done that without this book! great read, Great strategies, and useful ideas here! Thank-You, Thank-You, Thank-You!

I'm extremely suspicious of this book getting 17 5-star ratings. It was alright! Seriously though, any more than 3 stars is generous.

THE BAD:
It's quite basic, explaining how to set up a myspace page, etc. Now, maybe I'm biased because I was not new to MySpace when I purchased the book. I already knew about bulletins and blogs and messages and how things work on MySpace. I was more interested in getting more traffic to my band's page.

Certain things about the book were frustrating. For instance, there is a subheading in one of the chapters titled "Getting on the Front Page." Well, in that section it talks about what a great opportunity it is to get on MySpace's homepage. (Duh.) However, it does NOT tell you how to accomplish this. Instead, it states how unlikely it is, but that it's a "wild dream for everybody." Useless. Basically, the book tended to tell you which things would be good things for you to do but then left you clueless as to how to go about it.

There was a type-o probably every 5th or 6th page, and that REALLY irritated me. It was hard to take the book seriously when it clearly had not been edited.


THE GOOD:
It is a quick read. You could go through the whole book in a day.

It talked a good deal about promotions for your band. Although, most of it involved writing or hiring a writer rather than flyers or other traditional techniques I assumed would be the most proficient.

Nicky Kalliongis obviously has a lot of contacts and has done some great stuff in his musical career. ... but I would not by any means consider him a good author.

Anyway, yeah, 3 stars, no more.

Don't look at this with the eye of a photo critic or you may miss the magic. This is an intimate glimpse into the life of Sammy, his family, friends, and acquaintances as only someone "on the inside" can capture.

A wonderful book!

an amazing collection of photos that serve as a historical and entertaining view of the times he lived through.

This book is so fun. It has so many candid great photo's, really intresting history on Sammy Davis Jr. and his relationship's. I really enjoyed this book. Great coffee table book.

I originally picked up this book as a curiosity and found its links to a bygone era utterly fascinating. The subject matter, i.e., rat pack photos were wonderful but the photographic mastery of Davis Jr. is, I think, equally as stunning. A look into Davis Jr.'s remarkable life is given by him in the way, like other great photographers, he insightfully choses to document and communicate with his subjects through the lens. Again, like many great photographers, the images are powerful and soft, crisp and dazzling. More talent revealed from a man who had more in his baby finger than most of us have coursing through our entire bodies.
Bravo. Well done.

Few have personified the phrase "self-made man" as did legendary entertainer Sammy Davis, Jr. (1925-1990). The world remembers Davis for his varied and extraordinary accomplishments as an actor, singer, musician, dancer, and comedian.

But hardly anyone outside his circle of friends and family has been familiar with his photography--until now. With this hefty book, interspersed with reminisces by longtime friend Burt Boyar (who co-wrote Davis's autobiographies Yes I Can and Why Me?), his old fans and a new generation can revel in hundreds of images that reveal yet another significant facet of Davis's far-reaching talents.

Though Photo lacks the singular thematic focus of books published by such photographer-celebrities as Dennis Hopper and Gerry Spence, that's no drawback for this posthumously published volume. Rather, it pulls the reader into the exciting world of nightclubs, casinos, and Beverly Hills homes in which Davis moved, mostly from the late 1940s through early '70s. A voracious shutterbug, he took his photography seriously: his compositions are strikingly iconic, employing sophisticated use of line and form. Yet, his pictures are mostly snapshots--in the best sense of the word: they capture their subjects spontaneously, and his joie de vivre suffuses his work. Think of it as a highly stylized family album packed with candid portraits of "Rat Pack" pals Frank Sinatra, Dean Martin, Joey Bishop, Peter Lawford, and Shirley MacLaine, as well as other famous friends like Nat "King" Cole, Tony Curtis, Janet Leigh, Sidney Poitier, James Dean, Marilyn Monroe, Jerry Lewis, and Bill Cosby.

Among the more touching aspects of this book are the portraits of his actual family: his parents, his second wife May Britt and their children, and his third wife (and widow) Altovise Gore Davis. The most poignant are the many shots of actress Kim Novak, the first great love of Davis's life, who was forced by Columbia Pictures studio chief Harry Cohn to break off their relationship (interracial relationships were strictly taboo in 1950s Hollywood, not to mention in society generally).

One photograph, despite its matter-of-fact framing, is particularly chilling. Through the window of a passenger train en route to Miami, Davis snapped a picture of an elderly white gentleman on a station platform holding a cigarette, standing before a pair of double doors over which the foreboding phrase "WHITE WAITING ROOM" is painted. Davis's photographic abilities and inclinations were such that we see a mostly glamorous world through his eye. Thus, when we arrive at this jarring image, it's impossible not to apprehend it from his point-of-view--and also not to feel the sense of injustice that he must have experienced in the Jim Crow South as he clicked the shutter.

As Davis's show business career took off, many venues--even north of the Mason-Dixon Line--were happy to let blacks perform onstage; but the same headliner artists weren't even permitted to drink at the bar, use a dressing room, or occupy one of their hotel rooms. Photographs from Rev. Martin Luther King, Jr.'s 1963 "I Have a Dream" speech at the Lincoln Memorial, and portraits of politician friends Senator Robert Kennedy and President Richard Nixon, give silent witness to Davis's largely forgotten achievements as an outspoken civil rights advocate.

Photo is a coffee-table book that won't spend much time on the coffee table if your houseguests are anything like mine. Because of a car crash in 1954, Sammy Davis, Jr., was left with only one eye. But what an eye this cat had!

For those who know of Roy Buchanan...he's not as well known to the general public...this book documents the upbringing and influences that guided and shaped one of the most talented and unique guitarists ever. A wonderfully researched chronicle of the life of an icon in music.

I've always wondered why Roy Buchanan, who in my opinion was the world's greatest guitar player, never broke through to a larger audience. After reading this excellent biography of his life, I completely understand why. Phil Carson did an outstanding job of pulling together a huge amount of detail into a page-turning, sometimes laugh-out-loud funny and other times heart-wrenching story of Roy's life. I've read quite a few biographies on music legends and the majority of them have been hard to read chronologies of factoids and interviews loosely held together. So, even though I was very motivated to learn more about the life of this unsung guitar master, I assumed that I was in for a chore. Much to my surprise, this was an outstanding read...a well researched, heart-felt, telling of the life of a gifted, albeit troubled, man.

If you're a fan of Roy's, then order this book immediately. If you aren't familiar with Roy's music then order a couple of Roy Buchanan CD's and listen to them while you read this book.

Note to Phil Carson: I'd love to see you take on the biography of another relatively unknown guitar master, Nils Lofgren (a protégé of Roy Buchanan).

THIS BOOK IS FANTASTIC..ROY WAS FANTASTIC....IF YOU ARE A FAN, YOU NEED THIS BOOK..I WILL READ IT OVER AND OVER....

All I ever wanted to know,about the man and his music.Great biografy,have read many books on other artist.If you go through Buchanan`s songs,there are many differt styles he mastered.Country,rockabilly,rock & &roll,instrumentals,pop,r & b,jazz.Saw him live once in Oslo,that was great.My friends say,play the #Telecaster# and die young,but I have to play it,have -blonde 52 reissue.Now I study bossa nova masters,like Lois Bonfa,Joao Gliberto,Jobim etc.cause I got a job with a female singer,playing spanish guitar.There are a few cuts with Roy playing acoustic and they are great.Read the book,by his concert DVD,s,and if you run short,get bored playing the beast,listen to the man.There have never been a guitar player like him,he had his own style,his style will never be duplicated.All american music styles,and Malaguena.The roadhouse king will live on forever.Arnie Buy-ROY BUCHANAN his first and SECOND ALBUM on Polydor,that is a good start.Good reading,good listning and play them over and over,and you will hear his soul.

I like Roy's first records--loud and clear, with the focus on his playing. Later on they tried to make him like Clapton, but it didn't work. I would rate Roy in the top 5 of the people I have heard. I also like Bugs Henderson, Tinsley Ellis, Wes Jeans, and Dave Hole. This book is a very good read. I saw Roy at Park West in Chicago. He did a very short set. It was hard to enjoy him with the female booze hustlers bothering me, but, he seem to be in top form. I still have my ticket, inside Roy's live Japan import.

his is the first classical instruction book i ever had with a cd i had flamenco books with a cd guide to show how you are playing i am looking forward to many hours of fun playing and learning using this book.

I stumbled onto this book as a teenager trying to teach myself to play the guitar. I found it both easy to understand and rewarding. Eventually I went on to minor in jazz guitar in college and spent several years as a union musician. A few years ago I returned to this book (I finally replaced my old copy with a new version) when I wanted to venture into classical guitar. Almost thirty years later I found it equally as captivating and rewarding as it was in my first encounter.

Recently I decided to learn to play the English concertina, but found that there were no quality tutorials readily available, so I turned, once again, to Mr. Noad. The exercises presented in the book have been very helpful and have allowed me to feel an increasing sense of aptitude on the concertina as I step through the lessons!

Solo Guitar Playing is built on a clear, accessible methodology and a well-paced progressive learning system that stands the test of time! If you could only have one guitar instruction book, this would be the one to consider.

I've started and stopped trying to teach myself how to play guitar on 3 different occasions for over 10 years. (I did have prior music experience from playing the violin as a youth.) I bought this book some time ago, got 20 pages in and then decided I'd just try to learn tabs and chords like everyone else seemed to be doing. But then I engaged my ego and decided to learn how to read notes and properly learn the playing technique I would need to last me for a lifetime. I dusted this book off again and kept plugging away. Lo and behold, I kept getting further and further into the material. The thing that helped me, which I didn't do on prior attempts, was to exercise PATIENCE! If it takes me two or three weeks to master a chapter, then so be it - I know it will stand me in good stead in later lessons and boy, has it! I now play at least 4 times a week for at least an hour, including practicing arpeggios and scales, for the sheer joy of it.

I am loving this book and have Solo Guitar 2 standing ready for when I complete the first volume. Highly recommend for those trying to teach themselves the "right" way. :-)

I ditto both previous review. Don't buy this book until after you have completed Noad's book one. It reviews some previous technique, but is much more advanced generally. I found a few mistakes in it so far, in the learning to count notation section, so it does have some notational errors. But overall, so far I think this is a good book worth the money. It would best to use this book in conjunction with a quality classical guitar teacher. Trying to learn classical guitar on your own with no professional guidance is begging to learn terrible playing habits.

First let me say that I would not recommend this book unless you are at least an intermediate classical player, if not, then begin with Noad's "Solo Guitar Playing 1", which goes from beginner to intermediate. Both of these books come with a cd containing most of the songs from the book, and neither one has tab. Solo guitar 2 has some technical instruction, such as counting dotted notes, rest stroke and free stroke, slurs, trills and other ornaments, and a number of definitions of classical music terminology. This book covers the periods known as classical, romantic, renaissance and baroque, with exercises and songs from each, by masters such as Sor, Tarrega, Guiliani (including his exercises for the right hand), Bach, Handel and others. The material goes from fairly easy examples that will improve your speed, accuracy and sight reading ability, to "Recuerdos de La Alhambra" and "Estudio Brillante de Alard", which are advanced concert quality pieces by F. Tarrega. There is also a song by Frederic Hand called "Study number 1", which isn't exactly classical, but it is quite nice anyway. This is one of my favorite classical guitar books, the material was selected to be educational and very enjoyable as well. If you put in several months (years ?) of work on this book you will not regret it, and by the end, you will be able to play these great songs, and just about anything else that you could ever imagine.

Look no further. This is the Reason book to own. I'm looking forward to a Reason 3.0 version!

This book is the most well written, documented, and friendly instruction manual I have ever read.

Firstly, its entirely clear that the author is a professional user of Reason, knows heaps about the program and how to maximize its potential, as well as suggests ways for taking it out of the norm.

Secondly, the tone of the author is friendly and fun. You get the feeling this book was written by your big brother or best friend giving you the details. The text is clear, simple, and accurate. The author conveys information without loosing your interest or overwhelming you with dry tech speak.

I have used Reason for 2 years and am a Reason 3.0 user, but still refer to this book often. It covers so much about the core of the program that you will quickly be able to learn the new devices in 3.0 as you will have a fantastic foundation and understanding of the application. The book explains all the devices in 2.0 (including the functions of knobs, sliders, buttons, synthesis models, loops, envelopes, etc), CV/Gating, Sequencing, ReWire, use with other major audio applications, useful tips/tricks, and plenty of links to helpful user websites. It also has numerous quick and easy "how to" tutorials, that are clearly documented step by step and with pictures.

Very well done. I am grateful for how quickly I was able to ramp up on Reason due 90% to this book. Honestly, this should be the standard for instructional texts.

No, you can't RECORD with Reason. But there are countless ways to use files that you have recorded with other, very simple or even free applications (how about your Sony Minidisk recorder hooked up to a decent mike? talk about light years ahead of what we had available way back when); files that you have downloaded, files that you have gotten off of records or CD's or even TV, in Reason (shame!). It can be as simple as having the drum machine play a sound file from anywhere on your computer, with a surprising amount of control of, for example, sample start-and then you move on to the more powerful samplers... And then this will provide you with many different ways to control and distort, filter, and manipulate those files that are so easy to trigger or otherwise get inside Reason. Because that is what Reason does, it gives you a studio full of tools-synths, samplers, mixers, and the many sound sculpting modifiers to create, twist, and control your sounds.

And this book does a fantastic job of showing you these tools, in a very carefully thought out order and depth. Like another reviewer said, you would have to be a serious power user indeed not to get many good ideas from this book; and like yet another reviewer said, people that write textbooks should look at this one and see just how well it can be done. It will take you from a novice to synthesizers to an expert on Reason and computer synthesis music creation, giving history and background to help you learn about the many music synthesis tools. It is filled with tutorials, how-to's, and tips and tricks that even go beyond Reason sometimes. You could take a tutorial and change it as you follow along and create it and have a complete Reason song of your own easily. I also thought it gave a summarily good introduction into the powerful usage of the Control Voltage interface from ages past (one of Reason's most powerful tools in it's bag of tricks-one that ties everything together like you have never been able to do with so many different devices), with tips and tricks there, too. There are a lot of toys available in Reason, but once you get past a certain not-too-difficult level, it is actually a very intuitive and very fun to use interface; and this book is definitely filled with this same infectious enthusiasm for that rack o' modules and wires. It is an extraordinarily good book for beginner to expert.

You should see my copy of this book, it is nearly destroyed from so much usage, carrying it about wherever I go and constantly going back to it for reference.

As a side note, I think the Acrobat Reader Operation Manual supplied with Reason is also excellent. It's just what it should be-precise and to the point-it's an Operation Manual, after all. If you take the time to practise and apply what you read, it will give you the background to know what you are doing (as much as is possible-sometimes when you have so much going on in a patch it would be hard for anyone to say how you got there-and that can be fun, too) and what every control does. This book will do the same and take you farther with much more help.

Before I read this book I had Reason installed on my computer and I didn't use it very often because the interface wasn't straightforward for a beginning user like myself to understand how to operate it beyond basic operations. This book is an excellent source to learn how to use Reason 2 or 2.5. It contains practical, hands-on tutorials, explanations of the knobs and interfaces, and helpful tips. This is a must have if you want to become proficient in Reason!

This book contained a great amount of information. To use as reference or to learn from over all a great buy.

It helped me along in using C.V. Gates ect. and offers lots of other great information.

A must for any user of reason

P.S. Any one that made comments to recording audio in to Reason ha ha ha

Get Cubase or some other Program that will run rewire.
Think before the mouth opens. . . . know what I mean Mate

Thank you to Derek Johnson & Debbie Poyser