Music Books

I love Michael Jackson. Every fan should have this book, it means so much to experience his literary voice. He is so good at putting the right sounds together that I enjoy reading his poetry out loud. If you're a fan, get it. Just do.

I've loved this book ever since I checked it out from the library years ago. Now, I finally own it and I read it almost every day. The writings are very deep and insightful, and the pictures are beautiful. (My favorite pic is on page 62. :D) If you're an MJ fan you HAVE to have this book, or at least read it at the library or something.

Dancing the dream is a glimpse into the soul of Michael Jackson. It's a must have for any fan. It gives you a MUCH MUCH MUCH better idea of who he is than his 'autobiography' Moonwalk (which was little more than a recounting of his career). This book shows you the idealistic, perhaps naive, and sometimes sappy core of Michael.

If you're looking for the world's best poetry or writings, this isn't it. But if you're looking for a glimpse of Michael Jackson's heart, if you want to escape the harsh realities of everyday life and indulge in the idealistic dreams of someone who genuinely looks for the good in the world, then this is the book for you.

Any time I'm feeling down, I can always pick up this book and read a few pages and it always makes me feel better :)

After checking it out from the library, reading it twice, and not wanting to return it, I had to have my own copy, which I just received (used) from this site.

It is truly inspiring and I will undoubtedly read through it many times in the days and years to come when I'm feeling down and need a lift in my spirit.

Best 8 bucks I've spent in many moons.

This book is truly amazing and has so much insight on different things. You see Michael in a completely different light. It was almost like it was written directly for me. It had everything that i needed/wanted to hear, especially about trust and courage and even about the love of God. It was like it was direct advice to me personally. I like this book so much that i think anybody would enjoy it. It's so beautiful. You really get to see his pain and what's going on inside his head and i think if everyone read it, they would be like, "Wait, Michael Jackson wrote all of these?" He's so talented and i love him even more after reading this book. By the way, the pictures are great, i love them all!

Wow, this is an amazing book. I bought it last April, and was reading the section on the Ivory-Bill when I found out that it was rediscovered. But, this book is simply amazing. If only more people would read and be inspired by this book, then, maybe, there wouldn't be as much of a problem with the enviorment.

"Hope is the Thing with Feathers" profiles 6 North American bird species that are now extinct: the Carolina Parakeet, Ivory-Billed Woodpecker, Heath Hen, Passenger Pigeon, Labrador Duck (Sand Shoal Duck), and the Great Auk. Most of these species became extinct -or were presumed to be extinct in the case of the Ivory-Billed Woodpecker- in the early 20th century, although the Labrador Duck and Great Auk disappeared in the 19th century with less documentation. Author Christopher Cokinos takes the reader on his personal journey to learn about these birds and shares with us all that he finds. He discusses where these species were, what the birds ate, what is known of how they behaved, why they became extinct -which is not always clear, and the people who studied them. Of particular interest to me are the detailed accounts of the last living birds of these species, some of whom were closely observed.

I was surprised to learn that humans did try to protect most of these species at some point before they were wiped out. It was often a case of too little too late, but the disturbing thing is that legislation designed to protect the birds was sometimes passed with time to spare but was not adequately enforced. It isn't as if the extinctions took people by surprise. The greatest threat to the birds was loss of habitat, i.e. logging of old growth forests, but disease, politics and hunting played their parts. How extraordinary that the ubiquitous passenger pigeon, once the most populous bird in the world at a frightening 3-5 billion, up to 2 billion in a single flock, could be completely wiped out in about 50 years due to overhunting and loss of mast-producing forests. Even those familiar with the passenger pigeon's demise will find some new information here. Christopher Cokinos has dug up and verified the details of the shooting of the last wild passenger pigeon by Press Clay Southworth in 1900, including an account in Mr. Southworth's own written words.

I wish there were more photographs of the lovely Carolina Parakeet, but the 2 photos that are included are truly engaging. It's astonishing that this bright, affectionate, adorable parrot that could easily be bred in captivity was allowed to die out. If profit could not coax anyone to breed the birds for the pet trade, the degree of apathy is incomprehensible. I have often read that the Carolina Parakeet was hunted to extinction by farmers protecting their crops, but Cokinos takes issue with that claim, asserting that the major cause was habitat loss, but why the species died out entirely seems to be a mystery. "Hope Is the Thing with Feathers" is an evocative and informative chronicle of 6 North American bird species that are no more, some of which were quite common in their day. It must have been remarkable to look out the window and see a flock of shimmering green Carolina Parakeets in the trees -in the dead of winter, no less!

Although it chronicles several chapters of bull-headed human stupidity, this book also documents the painstaking efforts of the many people who worked hard to save these vanished creatures, and offers some hope that the future need not repeat the past. At times sad, but also funny, and even joyful despite the material.

In _Hope is the Thing with Feathers_ (the title is taken from a line in an Emily Dickinson poem), author Christopher Cokinos sought to relay some of the natural and human history of six vanished birds of North America.

The first bird he examined is the Carolina Parakeet, once a relatively common bird that ranged in noisy flocks across the eastern U.S., north to Illinois, Ohio, Indiana, Wisconsin, and New York, south to the Gulf Coast states, west to Kansas, Nebraska, and eastern Colorado. This bird with a "luminous plumage of green, yellow and red" frequented wooded rivers and bottomlands. Once a delight to many Americans the birds unfortunately were persecuted as a threat to crops, for the caged bird industry, and for the demands of women's fashion. Cokinos suggested though that the main cause for its extinction was habitat destruction. Two related theories of extinction were that the thick bamboo canebrakes once common in the bird's range were mostly cleared out for farmland. In addition to providing food, the bamboo may have given a vital breeding stimulus to the bird (as like bamboo, the parakeets apparently did not breed each year). The second theory is that the bird may have been denied the hollow trees it required for roosting and nesting by the rapid spread across the continent by the European honeybee.

Next Cokinos had a lengthy section on the Ivory-Billed Woodpecker, once known as the Lord God Bird (presumably because observers would blurt "Lord God!" when they spied the nearly two foot long bird with the two and a half foot wingspan). Once the second largest woodpecker in the world (Mexico's Imperial Woodpecker is larger) it ranged across bottomland forests and swamps in the South, west to eastern Texas, north to Missouri, southern Illinois, southern Indiana, and southern Ohio. Though hunted (later largely by collectors, shooting it in fact because they were going extinct), the bird appears to have perished due to habitat destruction. An extreme specialist, it occupied a niche "almost as slender as a feather;" it primarily fed upon beetle larvae from trees that had only been dead for two or three years. Though they also included seeds and fruits in their diets, they became extremely site dependent on places that yielded the larvae that they favored. Interesting coverage of the Brand-Cornell University-American Museum of Natural History Ornithological Expedition led by Arthur Allen that set out in 1935 on a 15,000 mile scientific expedition to record the sounds of wild birds using brand new technology - one of the places they visited was the Singer Tract in Louisiana where news came out that the last Ivory-bills were found; and the bitter (and lost) fight to save the Singer Tract from destruction by loggers.

Next Cokinos examined the Heath Hen, an extinct subspecies of Greater Prairie Chicken. The bird once favored dry, brushy habitat with low trees as well as meadows from Maine to the Carolinas (though primarily from New Jersey up to Connecticut and Massachusetts). Once called by naturalists - along with its western cousin - the pinnated grouse owing to the dangling neck feathers on the males called pinnae - the bird perished on the American mainland by 1870 thanks to loss of habitat due to fire suppression and farming as well as relentless overhunting. The bird survived on the island of Martha's Vineyard and Cokinos covered at length the intense struggle as well as the political infighting over trying to save the bird there. Despite intense hunting of "vermin" (including feral cats, rats, owls, and hawks), planting of crops to feed the Heath Hen, and other efforts, through a run of bad luck the bird finally perished; the last of its kind apparently died in 1932 in the wild, known from close examination to have been an incredibly old male seven to nine years in age (average lifespan in the wild was one year). The author discussed efforts to reintroduce the Greater Prairie Chicken to Martha's Vineyard while highlighting the plight of the possibly doomed Attwater's Prairie-Chicken of Texas and Louisiana, which in 1999 has a total population of 146.

The Passenger Pigeon was the next subject. After impressing upon the reader just how astronomically abundant it once was (one early 1800s flock was estimated to have 2.2 billion birds and a nesting colony in Wisconsin as late as 1871 covered 850 square miles and had 135 million birds), Cokinos related how this bird was systematically destroyed by market hunters, for a time by the cruel trapshooting business (birds were collected to serve as live target practice), and due to habitat clearance (the birds were heavily reliant on the massive amount of mast (nuts) produced by oak, chestnut, and beech trees). The author went into a great deal of detail about the last known wild pigeon ("Buttons," so called because once mounted its eyes were in fact buttons for a time) and the last pigeon period ("Martha" from the Cincinnati Zoo).

A smaller chapter focuses on the Labrador Duck. A handsome sea duck also called the Skunk Duck and Pie or Pied Duck, this somewhat poorly known waterfowl had a large and odd-looking bill that aided the bird in its search for sand-buried shellfish. The range of the bird was the eastern seaboard though where it bred is still open to conjecture. Cokinos and others speculated that the bird - never common to start with - may have perished due to loss of shellfish due to overharvesting and sewage runoff and thanks to increased ice packs from the Little Ice Age (which lasted till the 1850s), which may have interfered with breeding sites and aided some predators.

Cokinos closed with a by comparison slim chapter on the Great Auk, an interesting chapter that could have been a bit longer. I was struck by the long human contact with them - their images have been found in 20,000 year old French cave art and bones in 4,000 old Newfoundland graves - with care they could have survived to today.

This is a great book.

It's a sad one in realizing the destruction of various bird species. The chronicles of various species during the late 19th/early 20th century are astonishing to read. It was incredible to read and learn of biologists determined to collect species before they vanished - rather than attempt to preserve them.

Particularly entertaining (in an ironic and sick sort of way) was the tale of the last man to shoot the last Passenger Pigeon. The author did an incredible amount of research and weaves a delightful short story worthy of the purchase of this book in itself.

The writing is simple yet incredibly deep; it brings home an important and moving message that can be understood by a variety of audiences - even those who may not be particularly interested in nature, birds or environmental causes. Poetic and beautifully wrapped up. The only troubling portion of the book is the outcome of the fate of these species - obviously not the fault of the author, who provides a hope of preserving "what we still have" - it is moving, nonetheless ...

A wonderful book!!!

This is a fantastic little song that carries so much more personality than the words as a mother tries to get the local wildlife to quiet whilst her baby sleeps. The verses are repetitive, but still lovely and unique to each animal. Another great feature is the stunning illustrations that carry on the story behind the singing mother's back. Charming, sweet, and hilarious.

I enjoy exposing my children to different cultures. This book is a simple and wonderful way to show children life in a small village in Thailand. A mother is trying to put her baby to sleep. The indigenous animals make noise, and the mother hushes each of them.

There is onomatopoeia as each animal makes its own unique sound. The rhymes flow soothingly, and the repetitive phrases let the kids participate in the "reading" of the book.

My only criticism is that some of the animal noises are not very soothing if the book is being used as a bedtime story. As the book progresses (and the children get sleepier), the animals become progressively louder. The book does end on a calming note, but sometimes my kids get worked up by the animal sounds, and the bedtime story has the opposite affect.

My 22 month old son loves many books, but this one has been a stand-out since the first read. He keeps asking for it "again" at the ending and has started to take it to bed with him. I was initially surprised, but now I also love the rhythmic pace and gentle story.

My husband is from Thailand and we were having a hard time finding books that were for children with Thai themes. This was perfect. Our 1 year old son enjoys the colorful pages and the story is just the right length. I actually enjoy all childrens books by this author.

The little ones I read this to absolutely delight in the gentle, rolling rhythms of Hush! It's become a pre-nap favorite in their house.

This is a simply lovely book. I was a music student at Yale a few years before the author studied at Curtis, and his book invokes that time for me as if it were yesterday. I think anyone would enjoy it greatly even beyond the music, for it shows how four highly talented, strongly opinionated, dynamic men could blend into a coherent group - in their case, to make music, but law partners (I changed careers) could learn a lot from their example. A wonderful book.

This book was a joy to read. Not only is Arnold Steinhardt a superb violinist, he's also a very good writer. No doubt it helps to appreciate this book if you're a fan of the Guarneri Quartet and a lover of the string quartet literature, but I found Steinhardt so charming, and the story so compelling, I imagine the book might have a broader appeal. It's a story of a kid pursuing a dream, then the kid and the dream both maturing while a love of chamber music develops, which then requires the dream of solo stardom to give way to a lifelong collaboration with three others. The three others, of course, share his passion for chamber music, and particularly for that ineffable, almost perfect form they choose to make their life's work together. They start out exploring and experimenting, with hardly a penny. They grope their way towards playing as an ensemble, gradually become established, and then come the constant touring, recording, families. They learn how to stay together by creating boundaries, and they stay together for over four decades (although the original cellist retired before the rest, this book was written before his retirement).

We meet a lot of famous musicians, and there are many interesting and sometimes humorous anecdotes, but the most interesting parts of the book have to do with the music and its making. Steinhardt mentions the cavatina from Beethoven's Op. 130 more than any other piece or movement - clearly it's had a special place in his life. I saw the Guarneri a few months ago, during their final season, and it was bittersweet. They played Beethoven's Op. 74 and his Op. 130 with the Op. 133 Grosse Fuge as the final movement. It was magnificent. I prefer their late Beethoven to anyone else's. Mr. Steinhardt looked liked he'd aged considerably in only a year or so. I'll miss them. I'm grateful to have this book along with their recordings now that they're retiring.

I would recommend this book for any musician, especially a member of an ensemble. This book gives a good insight of the personal dynamics between the members and why they have been successful and together for so many years.

excellent study of the dynamics of a string quartet, or any group of individuals working for a single goal.

Fantastic read for any instrumentalist, especially if youve played in any type of small ensemble.Highly recommended.

This book is a treasure. I have used it many times to check the lyrics of a song. Dylan is a favorite poet of mine.

The book is beautifully produced, but badly out of date (getting more so with each new album) and suffers from a certain lack of attention to the lyrics as the man sings them. Even so, ya gotta have it.

This book is a must for anyone who loves Bob Dylans lyrics. If a course were taught on Bob, this would be the textbook, and any fans will gets endless hours of enjoyment out of it.

I love this book. Dylan's output covering a 23-year span is right there in front of you. Whether you read the lyrics as they are or read while listening, any Dylan fan will soak up this wonderful book.

Interestingly enough, I have loaned this book to people who can't stand Dylan, but appreciate him as a writer. Their appreciation for the man and his talent always increases as a result. Sometimes this leads them to buy the discs, and they're forever hooked.

As much as I love the book, it is badly in need of an new edition covering Dylan's work since 1985, which includes at least 12 discs worth of work. But taken as it is, this book is priceless. Buy it.

A friend and I were out shopping a few weeks ago and we both picked up Bob Dylan's "No Direction Home: The Soundtrack" CD, which is the 7th volume in Dylan's archival Bootleg Series, and also the soundtrack for Martin Scorsese's excellent PBS documentary of the same title. The album is outstanding and now that my shopping pal's birthday is coming up, Halloween actually, I decided that Dylan's "Lyrics, 1962-1985" would be a near perfect gift. She is a major Dylan fan, as am I, and we have been for almost forty years. Time flies!

One of the deciding factors for making this purchase is that the hardcover volume edition makes an excellent, elegant presentation. The cover is laminated and each poem is printed singly on large, cream-stock pages with colored headers. Arranged by album, the book is a compilation of all of Dylan's writings and drawings, ('62 - '85), some wonderful pen sketches ranging in topic from roadside scenes to the romantic, plus 120 new compositions and an Index of song titles. "Lyrics, 1962-1985" is an extraordinary celebration of the artist's/composer's work.

"Highway 61 Revisited," "Blonde on Blonde," Tangled Up In Blue," "Masters of War," "Don't Think Twice, It's Alright," "With God On Our Side," "It Ain't Me Babe," "My Back Pages," "Subterranean Homesick Blues," "Stuck Inside of Mobile With the Memphis Blues Again," "You're Gonna Make Me Lonesome When You Go," "Tonight I'll Be Staying Here With You," "This Wheel's On Fire," "Shelter From The Storm," etc., and hundreds of others - they're all here! Dylan's liner notes and stream-of-consciousness short prose pieces really enhance the text.

Bob Dylan is a songwriter, musician and poet - an artistic genius and innovator whose tremendous body of work has had a major impact on over 40 years of American music, from the oldest anonymous folk ballads through blues and country into rock-and-roll. He expanded popular music by including politics, social commentary and philosophy into its vocabulary. He told more folks what was happening than the politicians and news reporters combined...and the counterculture loved him! We still do! While exploring and creating musical styles, Dylan did remain true to his roots in traditional American song.

I am so sorry that the book is out of print. Fortunately, I was able to purchase it, "New," from an Amazon marketplace seller at a very reasonable price. Highly recommended!
JANA

Ever wonder what it's like to be a Broadway performer? Well here's your chance...told through the mouths of over a hundred performers, you'll get the chance to laugh, cry and survive with these performers.

Many don't understand the heart-ache and sacrifices made by a performer. Many even think that Broadway is easy...but with each story you'll learn that is far from the truth.

If you want to be a Broadway performer or just explore the life of one this book is for you....

This book was recommended to me by a very good friend. Not only is it a humorous read, but an eye-opening one. This book brilliantly deals with the reality of professional theater right from the mouths of professional actors. If you are in the business, this book exposes you to so many things that aren't taught in school. It's a must read. If you are a theatergoer, this book offers a rare look into the lives of performers. This book is such a great reality check that manages to also be inspiring.

i love this book so much. i read it over and over again, because it always inspires me and just gets me so excited thinking about what my future could possibly hold! This book has so many great stories, and some are so hilarious I am constantly laughing out loud while reading this book! Honestly!!
I read the book because it makes me feel comforted when I get an audition rejection...and it gives me a lot of hope. i love it so much, and it is a big book with a great number of stories...so definitely get this one! i wish they would publish a second book!!

This book is very good and meets all my expectations.

Whether you are a theatre novice or Broadway veteran, this ambitous work is insightful, educational and fun.
On some nights, the theatre life is full of passion and wonder. However, many nights are spent in the hope of simply finding a job or landing a decent audition. Warts and all, this book is a must for anyone who loves a play or story. Enjoy and learn.

In our household, we were "bread and buttered" listening to the Clancy Brothers and Tommy Makem. The 33-1/3 rpm Columbia records were scratched and worn from overuse. We would play the records on family occasions and holidays. We would play favorite songs in the mornings during breakfast and as we made ready for school. In hindsight, I am surprised that the neighbors never complained or called the police.

Tommy Makem died last summer. The two eldest members of the quartet, Tom and Pat Clancy predeceased him. Liam Clancy is the sole surviving member of the recording group. This book is a sketchy and incomplete attempt at an autobiography, but it is as good as we are likely to get from this Clancy. Its strengths far outweigh its deficiencies. Readers should count themselves fortunate that Liam remembered anything at all after so many long nights and sexual misadventures. Perhaps, Tommy Makem, who abstained from drinking for most of his life, should have been taking notes for him (Makem wrote some wonderful essays, but I do not know if he ever published a full length book).

Liam Clancy was the youngest of eleven children. One of his problems when the recording group was formed in the USA was that his two much older brothers scarcely knew their youngest sibling at all. They had to introduce themselves to him when he arrived in New York. The Irish ballads and rebel songs (the Irish rebellions always seemed more successful in song than in reality) that the Clancy Brothers and Tommy Makem performed proved to be immensely popular. In addition the Irish diaspora, the authentic songs gained wide acceptance among fans of the Greenwich Village Folk Music scene. Liam Clancy became a fast friend of Bob Dylan.

There is a lovely story of how Clancy dropped his given Christian name while working as an actor in an Irish theatre company. A fellow actor chided him for answering to Willie, telling him that it was an "English" sounding name. He adopted the Gaelicized form and has been "Liam" ever since.

Pour yourself a drink and enjoy this book. Be thankful that the next generation of Clancy and Makem family members have taken up the songs that their fathers helped popularize internationally. Imagine how quiet our homes would have been if Clancy had kept up his father's plans and became an insurance agent!

Liam Clancy's has great literary talent. His bio is a tribute to his family and to his native land. Catholic schools greatly contributed to his native talent for the stage----I am not sure why he makes a critical remark of the Church.

The Clancy Brothers albums opened by ears to traditional celtic music in the 60s, so it was a treat for me to read Liam Clancy's account of how the group evolved. The family background and his personal development as an student, actor and musician were very enjoyable reading.
If you liked Angela's Ashes, this will certainly appeal.

First of all,there are 17 other reviews;most of them excellent and all deserve to be read.I read a fair bit of modern Irish Writing.The McCourts,Roddy Doyle,Brendan Behan,Morgan Llywelyn,Brendan O'Carroll,just to name a few.What I really like about these writers is their magical use of language.Although I have been a fan of Tommy Makem and the Clancy Brothers for at least 30 years,I have never read anything about them.I had no idea of how much they were involved in acting;let alone that any of them had such gifted writing skills.What a surprise;Liam's skills are as good as his musical talents.
Though not a Clancy,I heard Tommy Makem perform here in Toronto at an intimate club a few months ago.He did "Oh, me name is Dick Darby,I'm a cobbler.";mentioned on page 102.That had to be the best recitation I ever witnessed.
I would like to quote something Liam wrote about his experience in North Carolina in 1956 and he was writing about it nearly 50 years after the fact.
From page 170....
"South Carolina in the spring was seductive with scents of growing things,of magnolias and hibiscus,the air heavy with noontime heat and the swampy buzz of katydids and flying critters.The nights there belonged to the frogs and bats and flying beetles and the countless mingled smells of a land at rest after a burgeoning day's work fermenting life." Imagine the thoughts of a 21 year old,written 50 years later.
I also had no idea of Clancy's involvment with the people like Oscar Brand,Bob Dylan,Woody Guthrie,Pete Seeger,Odetta,Barbara Streisand,Lenny Bruce,Jean Ritchie,Ramblin' Jack Elliot,Brendan Behan,Diane (Guggenheim),Josh White,Alan Lomax,Mary O'Hara and on and on.
Liam gives a great insight into the world of acting and folk music of the 50's and the 60's. Now that I have read the book,I am looking forward to listening to the tape.
I also have no idea if Liam has a second book planned to cover the last 40 years.I am sure it would be a great follow up.How about it Liam,you're only 70 ,and you must still have lots to tell us.
Thanks.

I never heard Liam Clancy sing until a couple of months ago, when I found a copy of an album called "The Lark in the Morning" that looked interesting, given its cover and its date of the mid-50s. Growing up, The Clancy Brothers and Tommy Makem were heard of but not heard by me--I associated them with Aran knit sweaters, hearty shour-an'-begorra singalongs,novelty tunes, and the kind of kitsch that the previous generation had listened to complacently before the revival in the 70s of a tougher trad scene out of Ireland shook it all up again.

Well, I heard the tracks on "Lark" in the car without knowing who was who since I could not see the CD case listings. But when I finished it, I noticed that the songs that had stood out from the rest were all by Liam C. Impressed, I read the liner notes about one Diane Hamilton, who I had never heard of, and Tradition Records, the label for which "Lark" was the debut issue. But the whole story was not clear, given the brief notes, until I read "Women of the Mountain."

From the title, I expected a tale of lusty drunken couplings and riotuous escapades from the "Folksmen"/"Kingston Trio" era. Instead, an evocative tale of growing up eating mortar and chalk for nutrition during WWII, poverty, clerical abuse, and hardscrabble small-town life in Waterford's Carrick-on-Suir unfolded smoothly and eloquently. Sure, the blarney sometimes is laid on a bit too thick for less glib me, but the stage Irishman tendencies are kept mercifully in check by realism: the death of a sibling, the estrangement from mother and Church, the entanglement with Diane H. (who turns out to be a Guggenheim nearly as neurotic as her relative Peggy G. did for Beckett!), and the adventures on the road, in theatre, and on stage.

One surprise and a reason for four stars is the lopsided nature of the book: the singing takes decididly second fiddle to the stage in the dramatic sense. This was fascinating for me, but it misleads the reader perhaps who by the back photo of the group harmonizing might expect far more about Clancy's musical experience. He mentions, for example, as if offhandedly that he learned the tin whistle. Yes, but how? As a musician, did he find it easy after the guitar? How did it help his reportoire? Did he learn it so the group could expand its range? How does it sound to him? How does he play it? Here, music as enacted comes rather late in the book, in not a lot of detail, and seems rather superficially treated as opposed to other incidents and events.

I do commend Clancy on his delicacy with relating his own romantic and emotional engagements with women and men--he reminds us of the fragility we all possess and the need to recognize humanity in each other. And he makes his point after having earned the right to say so after his own checkered past. He comes off wise without sounding pious, intelligent without acting snobbish, and flawed without playing it up as maudlin. He handles people and places with stamina and wit, and his own coming-of-age here, while cut off while he's not even thirty yet, needs however fuller exposition than is given here. The New York Greenwich Village years deserve more depth than they're given here; the book's unbalanced in favoring much more from his pre-NYC years (nothing wrong with that) and again this may mislead misinformed readers as to its actual coverage of many more early situations predating the group's rise to fame. I also got little sense of how he got along with his fellow group members--granted that two are his brothers--but how the three Clancys got along with Makem who was from Keady in the north and from a different region, musical tradition, and political regime seemed like the sort of detail that could have enriched the book.

I guess a sequel is in the works. Like recent Irish memoirs by Frank McCourt and Hugo Hamilton, the autobiographical account stops suddently, at the height of a self-realization by the author in his formative years. I do not know if this book would have been published if McCourt had not led the way, but resilient Clancy's tale too deserves a wide readership for dispelling (as do McC and HH in their accounts--also see John McGahern's memoir) the myths of recent Irish life, while advocating a return to the more durable and more feminine myths that inspired Yeats, Behan, Synge, Joyce, and the Slieve-na-mBan/Sleivenamon that gives its rounded breasted mountain shape to the landscape that rose above Clancy's hometown.

I found 4 reviews out of the 23 that didn't look like there were planted. Mind you, the 4 reviews that look legit were very positive, so it may be a good product. Still...I can't recommend buying it if these are the tactics used to sell it.

This was so helpful to me and my band. A lot of tips and advices which were very useful when we first arrived in the jungle called the music business. A great book with a lot of useful information for new artists and also for people who were in the music business for a long time.

Seeing all of these reviews for this is breathtaking. I myself have nothing but good stuff to say about this bundle. This bundle encouraged me to start out on my own- and I haven't looked back since! This is a great bargain and great resource for us newbies!

This is such a great bargain for us professionals out there. This bundle teaches you from the ground up how to survive, and turn a profit in this cuthroat business. I cannot say enough good stuff about this bundle- but don't take my word for it. Get your copy today, before your competitors do!

Okay, First I would like to point out that I have not seen or read this product yet. I hope that it is everything that the other customer reviews claim. After reading through them, though, something seemed a bit off. EVERY review was 5 stars. Not a single review even mentioned a flaw or an area that they wish had or hadn't been addressed. I then checked the other reviews posted by all the reviewers. With the exception of the first two, the other twenty had not posted any other reviews on anything else. I looked at the dates of the posted reviews, almost all of them are clustered VERY closely. I may be wrong, but I believe that someone is trying to overinflate this CD / Book. I don't know if it is someone who just loves it so much that they are misguidedly trying to help out, or if it being done directly by the person / people behind the book. If the latter is the case, how can I trust anything from such a dishonest shyster? If the former, then the author should see if Amazon can help legitimize or remove the reviews. This is 11-24-06. It will be interesting to see if the other reviewers all of a sudden start reviewing other titles in order to help seemingly legitimize their claims. I really want this product to be as good as it sounds. I would buy it in a heartbeat if this were true. I am left in a bit of a quandry, however. I apologize deeply to Ty if my conjecture is incorrect, and this review in any way hurts your sales. That is not my intention. I just loathe con artists. I have also tried to research Ty Cohen. He seems to me not to have much impressive in his resume' other than the fact that he has sold a lot of how-to courses. If he has impressive, verifiable, big name credits, by all means, somebody post them. I would really like to know what they are.

When I bought this book, I hope to discover some facts about piano making and I am happy with the purchase. This is a good book for everyone because is the point of view of a writer and is the general view just like everyone who isn't in the piano world just piano technicians, piano teachers, buyers,dealers; is great for pianists, musicians and all the people who wants to know how is the making of a piano for one of the greatest piano makers, isn't a technical book, have historical facts in the way of anecdotic, humorous, and some factory language.

Steinway pianos are my favorite. Being that I am a professional country/blues pianist, if I can't play a Steinway, I would rather not play! James Barron wrote an historical account of the making of a Steinway. The piano is still made the way they started since the 1800's. No assembly line, no plastic parts, and no artificial wood. They are constructed by hand and skilled craftsmanship.

Why buy a $400.00 piano made in China? That is an insult not only to beginning and professional pianists, but an insult to the piano itself. In 2000, the piano celebrated it's 300th anniversary. Piano is the most famous house hold instrument.

This book is enjoyable, and educational even to those who do not play, but love to hear the glorious 88 keys hitting the strings. The harpsichord was a for runner of the piano. The difference was, you may beat the keys as hard as you can, but you still only received one level of sound. Strings were plucked, and the piano was made for the hammers to hit the strings. The harder you played, the louder a piano sounded. The piano changed the history of the world. I think two of the greatest pianist is Floyd Cramer, and Roger Williams.

Steinway takes you deep into the heart of their factory, and shows you how a piano is meant to be built and played. The history is fascinating.

K-0862 became a living...feeling...emotional entity by the end of this book........A very very original idea (to breath life into this piano) and well written. Actually EXTREMELY WELL WRITTEN book...My NEW favorite among all books...right up there with OVER THE EDGE OF THE WORLD......... The two most enjoyable....... educational........ books I have ever read!!!!!! KUDOS!!!!!!! I hated when i got to the end of this one!!!!!!

I took my copy of "Piano: The Making of a Steinway Concert Grand" to the beach with me. I read it in 4 days! Mr. Barron infuses a wealth of information into a wonderful story about this piano,and oh so much more. Before you know it K-0862 is a character you care about. I cannot imagine anyone not finding something to love about this book!!! Masterfully written!

Excellently and diligently written, this little book tells the story of one Steinway concert grand piano from conception to adolescence. Barron loves the piano, respects the Company, and is dilgent in showing the evolution of Steinway, as well as the creation of one, new opus - a 9 foot concert piano. Barron introduces us to the barons of Steinway and the individual craftsmen who hand make these excellent instruments. To me, the quality and individual character of each Steinway piano are no longer a mystery.

Each time I play my own small grand piano (a quality A B Chase, close replica of the Steinway model S), I think of the efforts that went into it. Unlike Yamahas and such, the Steinway is an almost hand-built piano from a Company which has never relented in its determination to produce the best.

The book also explains why age is not all that becoming in the tonal life of a piano. The instrument has a birth, a development, and an aging process which are measured in tonal character progress, not just years. The aged Steiway seems a time integral of all that has come before - including hundred year old designs and techniques, and all the way up to its last tuning.

If you think a piano is a piano, is a piano, Barron's book will change your outlook.

Do you think you know hip hop? Give this book a try, and see just how little you actually know. Though the book is centered around the ranked lists format, there is far more to this book than just rapper rankings. Each themed chapter explores a different aspect of the music and artists, from the money, to the names, to the dancing, to the lyrics. This really is an examination of all aspects of hip hop culture.

Though this is an essential encyclopedia of hip hop factoids, it sure doesn't read like your typical reference book. The Ego Trip humor shines through, making this a book that's interesting, informative, and hilarious. Even after you've read it cover to cover, you'll still enjoy picking it up and flipping to a random page on occasion. I learned a lot about some of the old school hip hop I missed out on, and even more about the artists and songs I grew up with. You may not agree with some of the opinions expressed in this book, but you'll definitely be amazed at all the information.

This highly debatable book of top/best/worst lists of hip hop culture is a must have for all hip hop heads! It makes a great conversational piece, and has opinions that run the gamut of old school and "new school" lists...

however... the opinions of the book ARE DATED...

This book was published in 1999, and so if you weren't into hip hop by then, then some of the lists will strike you oddly (I myself would ask what about Kanye? The Game? Lil Wayne? Bun B? Ludacris???... until I saw the publishing date, lol)

Probably one of the best hip hop/rap books I've been able to find. They really go in depth with different genres and styles. The lists are amazing and you really must have a computer handy. You will find yourself looking up just about every song they list. Get ready to spend a fortune on itues as well as once you start to play the songs, you'll find that you just can't live without it. I bought one book for myself and one for a friend that works at an urban hip hop magazine in NY. He loves it as well.

this is a fantastic book! super informative and great trivia facts to stump your friends with. after all these years of owning it, i still go back to it to get a laugh or reminisce about the golden age of hiphop. a great book for any hip hop head.

Within this book is more information than any Hip Hop head or Rap music fan can handle. It Goes into forgotten beefs and incidents that have occured from 80 to 97. As well as a ton of other usefull information. I only have one problem... On page 236 "The House That Beef Built" #3 Goes on to say LL Cool J took out Kool Moe Dee in the infamous wax battle... But then on page 242 It states that during one of Kool Moe Dee's shows LL was in the crowd. Kool Moe Dee called him out but, LL refused. In my opinion that was a forfit. What do you think? Other than that... book is great!