Collectibles Books

In all my experience with fine woodworking I haven't had the pleasure to read a book that so well written that it is as exquisite as the pieces within. This book is a must for every serious furniture maker or perhaps collector who wants to learn and appreciate this magnificent craft. How did I miss this one?

Norman is obviously as incredibly talented an author as he is a cabinetmaker. I couldn't say enough about how great a job he did with the content of this book and drawings. I only wish he would write another one for each of the 18th century styles( Federal, Chipendale, etc) This is definately the bible for 18th century reproduction cabinetmakers. Please write another one Norman!

In all my experience with fine woodworking I haven't had the pleasure to read a book that is as exquisitly written as the pieces within it. This book is a must for the serious furniture maker or collector, or anyone who wants to learn more and appreciate this magnificent craft. How did I miss this one?

I agree with all the other reviews and can't really add much, except to say the photos are many in magnificent full colour, and he even has photos of incomplete pieces which is great for seeing how they are put together (I am specifically thinking of the easy chair). He does not stick to strict Queen Anne but covers the subtle variations such as the Gaines chair (one of my favourites) ... this book is a true gem and since receiving it I can hardly put it down. A great resource and would make a fantastic present for someone interested in woodwork. Queen Anne furniture would have to be near the pinnacle of woodworking but with this book it seems reachable.

Truly excellent.

Wish that author would write some more on other periods (ie ALL other periods from early medieval to modern). I would not hesitate to collect them all.

Recognizing that Queen Anne furniture is one of the timeless and most beautiful designs, I realized, on starting my first project, that I hadn't the foggiest idea of the history, the elements, or the construction techniques of Queen Anne furniture. This book has it all. The sections on history and the making of the cabriole legs in themselves make this book a "must have," both for the collector and for the cabinetmaker. To top it off, there are scaled plans for several projects, and some time-saving techiques for construction. If you get only one book on Queen Anne furniture, this is the one.

After reading this book and salivating at the photographs, I'll NEVER lust after anyone else's jewellery again. Apart from the sheer magnificence of the stones and the settings, the provenance of the pieces and just how they happened to be in the possession of the various members of the royal family, is completely fascinating. It's also a very interesting look at the social mores of the various eras. In Queen Victoria's time, she tended to wear more modest jewellery, much of which had a sentimental value to her, and so the ladies of the day tended to follow her example. In the following reign, that of Edward V11, the upper classes of the day followed the example of Queen Alexandra, who was a beauty and who dressed lavishly in her own particular style, which was followed by ladies of the court and which featured high necklines, decorated heavily with diamonds and precious stones. In the following reign of a very rigid George V and Queen Mary, the court seemed to be bolstering the idea of an unapproachable royalty, above the touch of scandal and to foster this idea by literally covering the Queen in jewels from head to toe. Today's monarch jewels up only on the most formal of occasions, but it's thanks to her and to the Queens of the past that this amazing collection has been built up over the years to amaze and bedazzle lovers of beautiful jewellery everywhere.

I can't say enough about this book. Leslie Field obviously loves her subject; the amount of research that went into this book is impressive. It is fascinating to follow a piece of jewelry through history from Queen Victoria to Princess Diana through pictures. The accompanying text is informative, but the pictures really say it all in this book.

Field has produced an excellent balance of text and pictures and has done an exceptionally thorough job of documentation. I was fascinated by his descriptions of how the jewelry was modified over the years to accommodate the fashions of the day and the taste of the current owner. The only reason I did not give this 5 stars was due to the pictures. Most are black and white (for obvious reasons), however some were of very poor quality, and very few taken with the intention of displaying jewelry. There was one delightful story of a gift to the young Princess Elizabeth, a necklace and bracelet, which the Queen now refers to as "my best diamonds". But do we get to see the diamonds? No, the only available picture was a distant news photo of the young Princess sitting at an angle and the jewels nearly impossible to see. For Princess Diana fans, don't bother buying this book. There are less than a half dozen images of Diana, and nothing you haven't seen before. And just a reminder, this is her personal collection. You won't see any of the crown regalia.

I was so impressed with and have gotten so much Joy from this book, it has inspired me enough to go ahead and try my first on-line review. When I noticed this was out of print I was very surprised. Even more so when I realized there was also a 1997-revised edition. I am hopeful its simply because the newly expanded volume is getting its finishing touches. With digital imaging technology having come so far since the publishing of the first two editions (87/97), the detail that is now available will hopefully be prominently featured in the next. A unique aspect of this book is the thoroughness of information presented on several different topics.
The title subject is definitely covered in meticulous detail. Aside from the jewels it really is almost a complete mini-biography of most of the British Royal Family. After all the Men bought jewels too! It is amazing to see an 18th century piece on Queen Elizabeth and be able to trace it exactly from it origin through the centuries.
The information in text and pictures give a much better understanding of the whole concept of continuity, with many surprises along the way. Tidbits like how Queen Victoria stubbornly refused to return gems that another Royal House insisted it owned. How important Jewels were to Queen Mary, not for their monetary value but because of their family historical importance. Its the little details like this that give you a much more personal understanding of monarchs, without being dishy or gossipy.

Both the front and back inside covers gives a complete family tree dating back to Henry VII. Inside, thirteen categories/chapters cover everything from Diamonds and Emeralds to Sapphires and Amethysts, explaining who favored a particular kind of gem or style over another. Do not expect a very in-depth education on gems, however you get a great understanding of the history and importance of gems through the centuries as a symbol of power and status. There is a generous amount of color and B&W photos perfectly balanced with the text. Generations of Royals Portraits set-up three or four to a page wearing the same Jewels over scores of decades are some of the picture highlights. I really don?t think you need to be a Royal Watcher to appreciate the images. From all the individuals listed in the Acknowledgments many of them with titles you understand this book was published with the complete cooperation and help of the entire Royal Family. Its the photography that makes you appreciate this. A perfect example of this is the cover subject. A magnificent necklace part of a set named: The Cambridge and Delhi Durbar Parure. Inside there is another full color page showing the complete set, however throughout the book you can see no less than ten or twelve different royals wearing some kind of configuration of it. Including the World Famous snapshot of the late Princess Diana wearing the necklace as a headband.
You cannot help but feeling like you know the members of the various royal houses a little better after reading a few excerpts. The entire volume gives you an impression that the author truly respects, enjoys and is highly educated on her subject. This is one of the few books that I own, that I know I will never post for sale used. I hope you enjoy!

Leslie Field's "The Queen's Jewels: The Personal Collection of Elizabeth II" is a splendid, splendid book in every way. Field has gathered together hundreds of important photographs (of the nearly half million she saw altogether) of Queen Elizabeth's jewels. These are shown both in their cases and being worn by various monarchs, and we see how different royal family members have altered the look or the purpose of pieces as fashions and times changed over the years. Field has complemented these photographs with her outstanding, meticulously researched text. Even if you purchase the book mostly to drool over the photographs, you will end up being both captivated and educated by the accompanying text.

Field begins the book with the ascension of Queen Victoria to the throne. Because of the Salic laws passed by the House of Hanover in 1833, Victoria was prevented from becoming ruler of both the United Kingdom and Hanover. The kingdoms were split for the first time in well over a century. Immediately, King Ernest of Hanover--an uncle of Queen Victoria--demanded his share of the royal jewels, arguing that since the kingdom had been split, so must be the gems. Victoria disagreed, and the argument went on for two decades before finally being settled in favor of Hanover. Subsequently, Victoria gave up several important pieces of jewelry to her uncle's descendants--but was already well on her way to amassing an important collection.

Victoria was the first British monarch to make clear that some pieces belonged to the Crown and were for use by any Queen to follow her--and that some pieces were her personal property, and hers to dispose of as she saw fit. British monarchs have followed in her footsteps ever since and although Field showcases many sumptuous Crown pieces in the book, the bulk of what we see are the Queen's personal pieces. And what a collection it is!

The collection is vast and jaw-droppingly beautiful. Field wisely divides the book into types of stones, from diamonds and pearls to emeralds, sapphires, amethysts, turquoise, and more. We see everything from parures
(i. e., complete matching sets of everything from necklaces to brooches to rings to earrings and more) to necklaces and tiaras which were gifts from other governments or from such quaintly named organizations as "Girls of Great Britain and Ireland" to pieces designed by Prince Philip expressly for his wife.

Among the many stand-outs in the book are:

- Queen Elizabeth's three-carat diamond solitaire engagement ring, designed by Prince Philip for his wife and set with a handsome diamond taken from a tiara belonging to Philip's mother (p. 85);

- The Godman Necklace, which had been bought by an English naturalist in the 1890s while on holiday in Bavaria. His daughters, many years after his death, wrote to the Lord Chamberlain saying that they felt they owned jewelry once owned by Empress Josephine of France and that the Queen might be interested in it. Although it turned out not to have been of this provenance, it was undoubtedly a stunning and valuable piece, showcasing seven large emeralds and three smaller ones, and surrounded throughout with an encrustation of diamonds and platinum filigree (p. 95);

- The Cambridge's Lover's Knot Tiara, shown being worn by the Duchess of Cambridge in 1818, the Grand Duchess of Mecklenburg-Strelitz in the 1890s, Queen Mary in 1926, Queen Mary again in 1935 (this time without the upright pearls which originally adorned it), Queen Elizabeth in 1955, and Diana, Princess of Wales in 1985. This is powerful testimony that good design and fine jewelry are both timeless (pp. 113 - 115);

- Queen Mary's "Rose of York" bracelet, which is a breathtaking ruby and diamond pendant which was eventually turned into a bracelet (p. 143).

Of course these are but a few of the many treasures in the book. It is a fascinating read, and a wonderfully complete and detailed account of what is probably the finest jewelry collection in the world today.

This book is a small miracle. (Please see my review of the A&E Ruby Slippers documentary.) I think Rhys Thomas is an angel. The fact that he could research and write this book is jaw-dropping. If you love real-life intrigue, you'll get a big kick out of this book. It's an astounding story, and should be made into a film. I think much of the material here is controversial. It would be fascinating to have some linear insights on the Ruby Slippers. The phenomena of those sets of shoes and their copies (7 known sets) remain mysterious to this day. (The most used-pair was stolen from the Judy Garland Museum, the day New Orleans was crushed by Katrina.)

Rhys is simply a witness, a record-keeper and a facilitator of information. He describes his quest to find these authentic movie relics. Sadly, this becomes the story of a young man by the name of Kent, who was a costumer and collector in the '70's. In the end, Kent died, bitterly, with AIDS in his 30's. So here, you learn a bit about this young man and his passion for old Hollywood. Also the rapid deterioration of MGM. Keep in mind, during the '30's and '40's, Louis B. Mayer was one of the richest men in the nation. This is a fascinating study. I'm so stunned to think of the MGM auctions happening when I was a young woman in my 20's. What a historical loss! Rhys describes that. And here, you get the first bit of insight on how people began to place monetary value on movie collectibles. You see, the Ruby Slippers were the Holy Grail of Hollywood in the '80's. Rhys documents the greed and loss involved as individuals searched for and created replicas of the shoes. I wonder why Judy Garland never bothered to keep a pair of those shoes? It's fascinating to compare her habits and behaviors to those of some of the personalities in this book. At the end of her life, Judy was known to do things like sleep in her gorgeous designer clothes, rip them up in one night's use, etc. Like the personalities in this book, Judy's mind was distorted by the end of her life. She lived simply, out of a few paper bags.

This book takes the reader far beyond the flatlands of Kansas and on an incredeible tour of Hollywood Movie Memorabilia. It brings to life people and movies who are long dead but not forgotten. Each page pulls the reader in and makes them take notice just like the sparkling ruby red slippers. You can't look away and you can't stop reading. When I reached the last page I found myself, like the author, realizing that there can't be an end to the story as long as people want the slippers...and face it how can you not love the slippers??? I think the best ending of all would be if this book was updated so we could all know the path the slippers have taken since the book was first published.

This book is one of the most fascinating things I have ever read. The descriptions of the MGM auction and the details of the days leading up to it are priceless. As another reviewer has stated, I also think this book should be expanded/updated and re-released.... possibly as a hardcover coffee table book. Since it was written, Debbie Reynolds has publicly shown her Arabian test shoes and has admitted her dealings with Kent Warner. Also, at least one pair of slippers has changed hands again and one pair has been stolen.

I first heard about this wonderful story when I caught the Discovery Channel's documentary of the same story, but they mentioned the book and I *had to have it*!

I was not disappointed; I've reread it two or three times already and am continually delighted. If you are an "OZ" fan in the *slightest*, you cannot let this one go unread!

This book is absolutely amazing!!!! If this book has taught me one thing it's this: there's more to those ruby slippers than meets the eye!!!!

I wish there was a 6 star rate!
Love the quality (overall!) of the book! Amazong for inspiration!! This one goes on my special-favorite book rack!!!!

As a collector of, and dealer in Central Asian garments, I have long been fascinated by the printed, cotton linings of these garments. Some of the fabrics are so beautiful, that my customers turn the coats inside out, and wear them in reverse. How delightful to find a book on these fabrics. The book shows many different patterns of fabric, as well as a number of coats, turned inside out, to show the wonderful patchwork patterns. Well done.

while this extravagantly illustrated compilation of Russian printed fabrics from 1900 to 1950 will be invaluable to both artist and collector, it is a visual delight to the general reader as well. The author skilfully weaves the history of the Cental Asian tribal peoples into the tapestry of mass migration and technology which produced stunning roller and block-printed cotton clothing.

This book is stunning in a visual sense. Each print illustrates the creative choices of the Central Asian people and also reflect the influences of the world around them. More than a book reviewing Russian textiles, it records the history of a region of the world that is not commonly explored. So beautifully photographed, one can almost feel the weave of the prints. Cloth is so commonplace we take its history for granted. This book reminds us its importance. Its interesting that a swatch of fabric can weave a story of time and people.

This book is not only visually stunning, it is also a fascinating read. This is the first time that these beautiful and unusual fabrics have been given their due recognition both as designs and as an important part of Russian/Soviet history.

A really excellent book with extensive information about how to dry flowers in several different ways. Detailed instructions on how to store flowers and what problems to watch out for.
There are also excellent sections on how to make a wreath from scratch, how to create a wide variety of stunning displays with detailed instructions for each. The book is packed with instructive diagrams and well composed photographs of floral displays. If you want just one book on drying flowers this would be the one to pick.

This is a new hobby for me and I found the Book beautifully illustrated and easy to understand. The author covers a variety of subjects related to drying flowers such as tips on how to display the attractively and creatively after drying. She also has some chapters on how containers, from old boxes to odd-shaped baskets can serve as a base for your dried floral arrangement. She also included many names of flowers that can be successfully dried as well as a suggested timetable since flowers have different moisture content. One problem I had was finding Silica Jel in large quantities locally. If would have been helpful to have this info included in book. I did find a source in California however.

I am not your typical crafty husband. I can easily pass by the craft section of the store without feelings of remorse. However, while waiting for my wife, I picked up this book and started looking through it. It only took a few moments of looking at the tools of the trade page to get me interested. Pliers, clother pins, and glue guns...I could really get interested in something that started off with these items. I purchased the book and asked my wife where we could buy Silica gel at 9:30 in the evening. I found the examples and pictorial instructions most helpful and my results actually looked like the pictures. I can not claim to have produced the arrangements as glorious as those pictured in Ms. Davis' book, but I was very proud of them and found them to last much longer than expected. I would recommend this book to the expert and the novice. It has something for each category. I even went to meet Ms. Davis at a book signing. Her techniques in flower drying are most remarkable.

What a masterpiece! This book is not only beautiful (the photography is excellent) but full of secrets for drying beautiful flowers. I can hardly wait to have them in every room of my home. This is not a craft book......it is an artists rendition of God's beautiful creations. Floral designers and gardeners alike will love this book!

(This is an adult review! Couldn't find where to write it except here!)

It's always a challenge to find the perfect birthday present for my artist/gardening wife. This year I found a winner in "Sensational Dried Flowers" by Esther Davis.

My wife was always disappointed when she tried to dry flowers in the traditional manner. They ended up with faded colors and shriveled blossoms.

It was hard to believe that the beautiful flowers pictured in the book were actually dried and not fresh from a florist or the garden. But with the help of the simple but thorough directions in Ms. Davis's book, we were thrilled when our first attempt with a Zinnia looked like it had indeed come fresh from the garden!

The arrangements by Ms. Davis are beautifully done, and have given us many great ideas. We highly recommend "Sensational Dried Flowers" whether you are an artist, a gardener, or just want to create some beauty you can be proud of in your own home or as gifts for friends.

(I am 71 years old (going on 52) if it really matters.

This book has some details that are not found in other books on the subject. I like the style and content of the Canfield M1903 book better, but this earlier Brophy book on the subject is still very relevant and complimentary to the newer work. Brophy did excellent research on the firearm books he wrote.

Many books have been written about the U.S. M1903 Springfield Rifle, and this one is the very best, bar none. It gets down into the technical and minutiae without becoming a bore, and has enough of life inserted to make it readable. If you need a textbook on the M1903, this is The Book to own. now I have to consider disposing of several books I have purchased, as they are no longer needed>

The first center-fire rifle I ever shot was a Springfield '03/A3 my Dad got from the Division of Civilian Marksmanship (DCM) during the late 1940s. I got my first antelope with that rifle and I still have it.

Dad said that it was a replacement for an older M 1903 he'd sent back to the National Rifle Association in response to an appeal from them for the return of World War I surplus '03 Springfields. Our good friends the British, it seems, were in a spot of trouble after Dunkirk and desperately needed small arms like Dad's. Although we're more German than English, he reluctantly sent it back with the understanding that it would be returned "after the war."

Of course he never got it back which triggered mumbled complaints about "Perfidious Albion", but I found pictures of the same type of rifle and its complete history in this excellent reference book by Colonel Brophy. I also found everything I needed to know about the M 1903/A3 which still enjoys a place of honor here and still goes out with me from time to time.

Brophy's book is the starting point for the study of the Springfield '03 rifle. You simply cannot find a better, more accurate, more comprehensive book about '03 Springfields. If you have such a rifle, or are interested in them, you will need this book.

I gave it five stars because it is well illustrated, exhaustively researched and the best single book on the '03 Springfield you will ever see. This is also the kind of book that tends to cost an arm and a leg once supplies of it have dried up. Collectors like me pass them down to their sons along witht the rifles they describe so well.

The book is really great, with a lot of work evidently put in on it. I would consider it a must for any serious collector's library. However, be forewarned, all of the photos are in black and white, and some are too dark to reveal the detail you would like to see for identification purposes. Having that been said, I still would want it as a part of my reference library, if not, but for the devotion that Lt. Col. Brophy put into it.

I'm a firm believer that you can never have too many reference works in your field of interest. I bought this book as I had very little information on the Springfield rifles. This is one of the most comprehensive single subject books that I've come across and I'm very happy to have it on my shelves. It gives a very full rundown on the history of the rifle, all the various versions, the accessories and users. Its lavishly illustrated, well written, well laid out and it comes in a proper binding that makes it a pleasure to use.

I can't speak too highly about this volume and I thoroughly recommend it to anyone interested in military firearms.

I recently received my copy of the new 4th edition of the Krause-Mishler (KM) 18th century catalog. Here are my impressions of the book, with some emphasis on the changes from the 3rd edition. The photographs are definitely much better than in the last edition. Unfortunately, that may be the only improvement over the last edition I can think of.

Some countries have been moved around - Vietnam is under "V" instead of "A" for Annam, Salzburg is back where it started under Austrian states, early Burma coins are no longer listed under Myanmar, and there's a new listing called "Central Asia" for Bukhara (formerly listed under Uzbekistan) and Janid Khanate (new?). Within several countries, the coins are no longer listed in the same order, and early Austrian coins have new KM numbers yet again. The editors have spent a lot of time on the notes for each listing, with more information about what's on the coin, including legends.

There are a few more photos than in the last edition (18,000 instead of 17,900, according to the book covers). For some reason, maybe to save space, several photos from the previous edition have been deleted. On two successive pages, 29 of the 35 photos in the previous edition for Courland, Crimea, and Curacao were deleted. Space did seem to be at a premium, with one country's listings beginning immediately after the last one ends, even if it's in the middle of a column.

It always seemed odd to me that KM had separate catalog numbers for the different mints under France. Now they've done the same thing for Iran. The Korea section is much shorter, reorganized, and easier to use. The last edition had separate listings and catalog numbers for Series 1, Series 2, Series 3, etc. Now they've combined these into one listing with a note "Series 1-10." I guess that's another good thing.

I hoped I would find many price corrections, because it has been 5 years since the 3rd edition was published. The market has been very strong in many European countries, and the euro is worth about 50% more than it was 5 years ago. However, the vast majority of coin prices are exactly the same as they were in the 3rd edition. Half the book is devoted to Germany, India, and Italy, and those countries' listings are virtually unchanged. My one-per-country collection includes 85 German state coins from the 18th century. The prices of 4 of them went up, very slightly (why those 4?). The largest change was in the opposite direction: my Nassau-Weilburg 4 kreuzer (VF) went down from $45 to $35, and Schön lists the coin at 120 euros. And prices in Italy are way up.

The only relatively large section with extensive price changes was the Swiss cantons, where someone adjusted many of the values to reflect those in the new HMZ Swiss catalog. I noticed that in some cases where HMZ did not price certain coins in higher grades, the KM values for the higher grades were not changed. That created situations where the higher grade is said to be worth less than a lower grade. For example, the catalog shows many of the Chur KM-263 bluzgers with higher values in VF than in XF. The catalog says the Reichenau-Tamins 2 kreuzer is worth $4,750 in VF but only $1,600 in XF.

Here are the other countries I saw with the most price increases: Denmark - many values up; Dominica - very few types, but the prices are higher; Ethiopia-Harrar - prices twice what they were; Great Britain - prices up only slightly, despite large increases in the British catalogs; Ireland - mostly up; Luxembourg - many prices up; Malta - prices generally higher; Portugal - prices higher, as they should be; Sierra Leone Company - prices up quite a bit. The common penny went up from $20 to $100 in fine, $50 to $200 in VF, and $80 to $400 in XF; early US coins - prices up. The values for most Russian coins didn't change, but I noticed that some of the large rubles were way up. The KM-149 1714 ruble in XF increased from $3,500 to $70,000.

For several countries, prices for the first type went up, but none of the others did. It's almost as if someone changed the first prices to indicate the country needed to be changed, but nobody finished the job. I realize the incredible amount of work it would take to really update a catalog of this magnitude, and I know KM does not have the staff to keep up with it. They may be putting more of their resources into numismaster, the online listing - at least one of my coins that's missing from the catalog is listed there. I would have thought that numismaster updates should find their way into the printed catalog. Nearly all of the 18th century coins in my collection that were missing from the previous edition are still missing from the current edition.

Under Netherlands, just about all the coins are now priced in uncirculated. And for the silver Batavian Republic coins, there are also values for BU. I can't imagine that there would be too many of those available to buy. Under Netherlands East Indies, there are no longer separate listings for Holland, Gelderland, Overyssel, and other provinces. These coins are all listed under United East India Company, with descriptions like "crowned Holland arms" or "crowned Gelderland arms" for the provincial coins.

I noticed quite a few mistakes in the catalog - probably the biggest one I found was a listing under Hejaz/Mecca of all the Hejaz coins from KM's 20th century catalog. I wonder how that happened. Another odd one is the photo for a Peru a gold 8 escudos (KM-82.1) - the photo is a 1951 Mauritius rupee.

If you collection 18th century coins and do not have a catalog, you should definitely have this book. It's by far the best comprehensive 18th century catalog available. But if you already have the 3rd edition, about the only good reason I can think of that you'd need to buy the new one would be that your old one is falling apart, like mine was. Or, if you're a dealer you might want to check out the countries I mentioned where the prices are up. The book is $47.25 with free shipping from Amazon.

It's a complete and very informative book about world coins. I used it everyday as a price reference and getting the right description of old coins.

My collection of 18th century coins is virtually non-existent and their value is so low that this catalog cost me much more than they are all worth. But I did not buy it to see how rich I am or how wisely I invested my money. I treat this book as a very special history book. I read it every now and then, starting from a state I have never heard of to discover some new information from the past. This is the imperfect but only source to dig into the history of minute Italian, German or Indian states which often had nothing but minting rights which they excercised profusely. About sovereigns who believed themselves mighty enough to have their profiles struck on multiple thalers only to disappear from annals of History within just a few years. About political plans, expectations and pretences of which we can't remember anymore but they were all detailed on coins.
Coin-collecting is not a way of investing money (it well may be though in most cases it is rather by luck than wise planning), it is a life-time of studies. You have to invest your time, and coins will start speaking to you. Half-worn faces will become flesh and blood individuals from the past. Strange letters will mean their might and their dreams. You will probably never have too many of these coins (even if you have the money, actually) but this is the kind of book which can give you knowledge. And knowledge, in time, may turn into wisdom.

Certainly this is the book for 18th century coins, unless you are mainly interested in one country like the UK or France -- in that case you would find more information more attractively laid out, along with other centuries, elsewhere, usually more cheaply too. But for its coverage of the world, including hugely complicated countries like Gemany, Italy and India, it is unbeatable. This 3rd edition is an improvement over earlier editions, because more pictures (especially of the smaller coins) and more obscurities have been included.

For users in countries which do not speak English, the conversions such as VF = TTB = BB =MBC are very useful !
The book is not difficult for foreigners to use.

I need a guide so I just do not blindly pay big bucks for cute pictures. There are a lot of good guides and some more specific on particular eras and locations such as Westphalia. But as you do a coin search you are bound to run across something you are not familiar with and need a guide. This guide is a great place to start; it is easy to navigate and gives cursory information on particular locations and times surrounding the coin's production.

Keeping in mind that this is just a guide, there are holes and the coins are not displayed in color. On the other hand the coins shown are in actual size; size is hard to translate form internet pictures.

With all the electronic references today it is nice to have something tactile, static and transportable. This book meet al those needs.

This is a beautiful cookbook ... good enough to put on the coffee table. Delicious recipes that made me want to take another trip down to Santa Fe.

The photographs of Santa Fe and its Farmer's Market take the reader halfway to that beautiful place, but it is the smells and flavors that come from cooking these recipes, that transport the reader to the land of the high mesas, Georgia O'Keefe and crystal blue skies.

Having been fortunate enough not only to travel to Santa Fe several times in the past few years, but also to take classes from Janet Mitchell (the author) at the Santa Fe School of Cooking, I can recommend this cookbook without hesitation. It offers tried-and-tested recipes that yield a wide range of dishes and flavors unique to a very special part of the United States. I will be buying this cookbook for friends and family for years to come.

I have enjoyed this cookbook so much, that it has become my current favorite hostess gift! The recipes are wonderful, and I appreciate the variety of the suggested menus. Most of all, this book educates the reader with "Chefs Corner" tips and a lengthy explanation of southwestern cooking terms and proceedures. Learning how to properly roast vegetables has given a healthy boost to my repetoire, as well as introductions to other southwestern staples.The pictures are also very appealing~ this is just a delightful cookbook that I would highly recommend to anyone with an interest in colorful, healthy food.

I have used several of the menus, and have received rave reviews from all my guests. Everything I have made was FLAVORFUL,TASTY AND INTERESTING. Many of the recipes easily lend themselves to advance preparation - I prefer to spend time with my guests, and not cooking in the kitchen. There are recipes for all levels of expertise, and my 12-year old daughter has made several of the dishes. The recipes interpret historic Santa Fe cuisine in an innovative contemporary style. I am so happy to have added Summer in Santa Fe to my cookbook collection....

This absolutely gorgeous book immediately brought back memories of an idyllic summer stay I once enjoyed in Santa Fe. While the recipes themselves are quite nice, it is the photography, history of the city, and evocative intros to each section of the book that make this cookbook really stand out. The layout and design of the pages beautifully conjure the city too, with southwestern woodcut borders decorating each page. From the ripe, prettily plated blueberries on the cover, to the darling little boy in the giant sombrero in the fiesta section, this book is truly a feast for the eyes!

This is the second best book that I have ever read. The first is Karen Day's next book (No Cream Puffs) coming out in May.

I happened to get into bed late the night I read Tall Tales, intending to read a bit, get a taste for the story, and put it down until the next night. Karen Day is responsible for my night of not enough sleep - I actually didn't put it down until it was finished. Tall Tales is one of those rare books that take you gently but firmly by the hand and don't let go until you reach the end. I read with trepidation and hope, waiting to see what would happen.

The beauty of this book lies in its realism. Meg and her family could be your neighbors or perhaps even your own family. Karen Day is a master of creating characters who rise from the pages and seem to have life and breath of their own. You will continue to think and wonder about them after you have closed the book. Isn't that the hallmark of a great book?!

As an adult who also reads novels for young adults, I found the book's utter lack of the cloying sentimentality which can creep into the genre so refreshing. People of any age will enjoy this story and I highly recommend it.

Kudos to Karen Day for writing such an accurate and upbeat book about a family struggling with alcoholism! Tall Tales is not preachy or showy and that's what's so brilliant about it. The power of the story lies in its understated and subtle wisdom. How challenging to write a book for middle schoolers which includes a dysfunctional family without making it "a downer". And how refreshing to see a nurturing mother trying her best without being blamed. As a child psychologist, I love how accurately Day portays the ways that Meg copes with her family's secrets. Day's hypnotic message that its OK to want more out of life and love comes through loud and clear. I hope that young teens read this book and see how empowering it can be to enlist others to find a way out of family pain.

Karen Day's TALL TALES tells of Meg, starting sixth grade in yet another new school, and determined to find a best friend. When she meets Grace she believes she's finally found that friend - but Meg has family secrets, and must invent some big lies to hide them. A moving story of what makes for friendship - and what's involved in lying - evolves.

"Tall Tales" isn't flashy. It doesn't leap off of the bookshelf and start screaming about how necessary it is for you to buy buy buy. There are no sparkles, flashy lights, or marauding dragons in evidence. It's slow. Soft. A book manages to tell its tale in a supremely careful fashion. I'll level with you here: It's good but it doesn't stick in your brain the way a gaudy Clique novel might. If you're looking for fireworks and lightshows, direct your attention elsewhere pronto. If, instead, you want a well-written title about friends, lies, and family secrets "Tall Tales" is a decent way to go. A good book.

Meg wants a friend. Badly. Desperately, you might say. When she and her family move to Lake Haven, Indiana it isn't the first move Meg's had to put up with. It's not even the second, third, or fourth. With a father that continually claims to have stopped drinking, Meg and her siblings learned long ago that having friends meant keeping them as far away from their home life as possible. Meg's gone one step further, though. She's come up with elaborate lies to fill in the unassuming or embarrassing gaps in her life. When she begins to grow close to a girl in her class by the name of Grace, it's like she's found her other half. But how long will Meg be able to cover for the fact that much of what she's been telling Grace is a lie? Soon enough she could learn that sometimes the most outrageous tales you come up with are the ones you tell to yourself.

It takes a while to figure out that Meg's a liar. When you first hear her spout off a whopper about her dad being a doctor from Tasmania, you go for it. I mean, it wasn't so crazy a lie that I didn't believe it myself. So convincing was the lie, in fact, that I thought that Chapter One was narrated by one girl and Chapter Two by another. I actually had to flip back and forth for a while to better determine what was going on. So maybe a little clarification would have helped the writing at the start. For example, the first time we meet Meg's little sister Abby she isn't necessarily introduced. It's one of those narrative techniques where a character just gradually comes into focus as the story continues. The fact that this book acknowledges the truly slow nature of change can either be seen as the story's strength or weakness. Nothing here happens too quickly. Make of that what you will.

With the veritable plethora of broken families in children's literature, it's funny that I can't come up with another children's title containing an alcoholic family member to compare to this book. I don't really have to, of course. Day has a good handle on the situation and presents it accurately here. You can watch the charm of the alcoholic and his heartfelt apologies post-abuse. Every antagonist should display multiple sides if a children's book is going to carry any weight at all. It's all the more effective, then, to have the father dancing giddily with the mom one moment and then shaking the daughter violently for dropping some hamburgers the next. The writing is nice as well. Certain descriptions will sometimes catch the eye unawares. Sentences like, "Her shoulders fill her sweaters until there doesn't seem to be one millimeter of space left."

By the way, as a former resident of Kalamazoo I was amused that the town was (in a sense) one of the final straws in finally deciding to try to get away from the dad in this story. All that aside, "Tall Tales" isn't necessarily forgettable, but it does demand a bit of hand selling and word-of-mouth. Consider it subdued and supremely readable.

Tasha Tudor just passed away in the last month or so, and this is one tribute to her way of life. Wait until you read the chapter on how she dyes her own wool for her crafts- done the old fashioned way, but it's sort of gross how she gets the shade of blue. I really recommend it. We shall not see her like again.

As a Tasha Tudor fan.... all I can say is that I loved the book. The photos are beautiful, and it takes us back to where we all should go... back to nature.

If you want a peaceful interlude at the end of a hectic day...if you want to step back into a simpler time (just for a while)....this is the book for you.
Tasha Tudor lives in the world she wants to live in, the world she has created & kept. This book lets you get to know her & all about the arts & crafts that she loves & wants to keep alive. As a crafter of some of the dying arts, I love this book. Not only does the reading hold your interest, the photography is excellent. A very good read!

When I was very young, my first book was "The Tasha Tudor Book of Fairy Tales". I loved the sweet watercolor illustrations of the classic fairy tale stories. It was obvious that Mrs. Tudor loved dogs and foxes and Puss in Boots, and the flower illustrations that surround the text are so perfect and true-to-life! As an older child, I was surprised to find that Tasha Tudor had also illustrated my editions of "The Secret Garden" and "A Little Princess". When, as an adult, I received the book "Tasha Tudor's Garden" as a gift from my mother, I realized that the illustrator lives just as wonderful a life as what she portrays in her illustrations. Now, in "Tasha Tudor's Heirloom Crafts" the reader can find out more about Mrs. Tudor's unique life, a re-creation of the simple and beautiful way of life of the 1800s. There are beautiful photos of Mrs. Tudor carding and weaving and making her own cosmecuticals from the products of her own plants and animals. This is not a how-to book, but a book of inspiration for those of us who love the idea of doing for ourselves and living closer to the land.

As with all of the books about Tasha Tudor this one is beautiful. The scenery and written text are enriching in their content. Once again I was inspired by her life and her creative abilities. The only flaw I could see was the fact that there was little explanation of HOW she did any of the things she mentioned. I'm not suggesting she give detailed instructions on spinning and weaving, woodworking and all the other things she is so wonderfully gifted with. But a few more details on how some of the simpler projects would have been fun.