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Guilty pleasureReview Date: 2007-09-22
where it all began...Review Date: 2007-07-22
Main character Keitaro Urashima, as stated above, has been trying to get into Tokyo U for two years now, but hasn't had much luck. His parents finally get tired of him mooching off them and send him off to work at his grandmothers inn, until he can pass the Todai entrance exams. What Keitaro doesn't know, however, is that when his grandmother left on a year-long trip around the world, she left the inn in the care of Keitaro's aunt, who turned it into an all-girls' dorm!!! Keitaro ends up walking in on Shinobu as she's taking a bath, and proceeds to peek in on all the other inhabitants of the dorm, albeit accidentally!! Keitaro's saved by his aunt Haruka, and when Haruka says that he would be staying at the dorm, there's outrage from all the inhabitants. Thing is, though, even though Shinobu hates Keitaro's guts at the beginning of the volume, by the middle she's (inexplicably) head over heels in love with him!!!
Keitaro soon realizes he has to deal with MUCH more than he bargained for in terms of the dorm tenants. There's Naru Narusegawa, a bookish student who's also trying to get into Tokyo U- and she's got the highest grades in the nation on the practice entrance exam!!! There's Shinobu Maehara, the youngest, quiet but sweet- and a very good cook. Then you have Mitsune Konno (nickname Kitsune, a combination of her first and last names), the resident alcoholic and an uncontrollable flirt- especially when it comes to Keitaro!!! The remaining two tenants are Motoko Aoyama, a swordswoman who's a bit lacking when it comes down to what a girl should be doing (i.e. a SEVERE tomboy), and Kaolla Su, a foreign exchange student with a sweet tooth that can't be satisfied, especially when it comes to bananas!!!
After a brief incident where Keitaro lies and says that he actually did get into Tokyo U (and everyone finding out and unanimously kicking him out of the dorm), they wise up after Shinobu runs out to find him. Keitaro redeems himself in their eyes by (somehow) finding out that that day was Shinobu's 13th birthday (which everyone else seemed to have forgotten) and planning a surprise party for her... but he still manages to mess it up for Shinobu by sliding in a pair of her panties (that Keitaro accidentally picked up as he got the laundry to fold) under his gift to her, sending her running in tears and causing Naru to punch him into the air... again... Seems like poor Keitaro's in a bit over his head!!
Love Hina is one of many in a long line of harem mangas/animes (i.e. a geeky or otherwise socially awkward guy gets put into a situation where he's surrounded by a bunch of really good-looking girls), and yet Love Hina just seems to work out alot better than many of the others that I've read. Maybe it's cause Keitaro's just so likable, I don't know. I do know this, though: there is a LOT of fan service in this and the proceeding volumes, mainly through naked shots in the dorm's bathing area, although there's a good number of panels with Keitaro accidentally tripping and falling... and grabbing places that shouldn't be grabbed.
Which brings me to my next and final point. One scene in particular you'll see throughout Love Hina is Naru punching Keitaro high into the air whenever he does or says something pervy (which, believe me, is quite alot of times, as Keitaro has a VERY dirty mind and is not afraid in the least bit to show it)- and one can only wonder just how she does it. I end with this: Love Hina is one of the greatest mangas ever made, actually my second all-time fav. It has something in it for everyone. And did I mention it's funny? Cause it is.
Enjoy!!
Extreme Shonen Manga...Review Date: 2007-06-02
Keitaro keeps trying to get into Tokyo University, but he never succeeds in this volume. He does team up with Naru as a reluctant study partner, even though she's top in the nation and he's somewhere in the second lowest percentile. The two have some rather erotic encounters on the train and in her room, and some hints arise that she's Keitaro's mystery girl from long ago. When Keitaro's grandmother, who's off seeing the world, signs ownership of Hinata house over to him, the girls rebel and make him do backbreaking housework. "It's the landlord's job," they claim. The abuse just piles up. That he makes Shinobu, a 7th grader, cry often doesn't help. At one point he runs across her underwear. He tries to make it up to her by throwing her a birthday party, but the elusive panties spoil everything. In the final section of this volume Motoko Aoyama challenges Keitaro to a Kendo duel. Motoko's unexpected weakness makes her think she's falling in love with the man she hates the most, namely, the detested landlord. Or maybe she just has a cold?
"Love Hina" epitomizes the Shonen Manga genre. Packed with pretty girls, compromising situations, and exaggerated drawings, the action never lets up. The popular series ran in Weekly Shonen Magazine from 1998 to 2001 in Japan, and encompasses 14 volumes. An anime series also appeared as well as a recent sequel, "Love Hina Again." The series that begins with this book ends with the 14th volume, with everything apparently resolved.
ExcellentReview Date: 2007-05-07
The artwork is excellent, the characters are very expresive but not that realistic, the architecture and the clothes are really nice.
Most of the characters are likeable, not so much at the beggining, but when you get to know them you'll find that most characters grow trough the entire series.
I haven't seen the entire anime, but most people says that the manga is better.
The importance of a promiseReview Date: 2006-12-04
Love Hina is a great manga because of its quick and effective humor. The characters are all quirky and likable. Buried under all of the PG-13 humor is a scrap of true heart and emotions, that make this manga much better than most shonen series. The artwork is fun and easy to follow, filled with plenty of action and humor. Still, Love Hina is not a manga for everyone. The story line, although endearing, is far from original, and some readers might find them turned off by the humor, which relies almost completely on slapstick. On top of that, most of the characters prove to be more caricatures than real people. But for those looking for a great comedy with something more underneath, you couldn't find a better read. I found myself giggling and laughing out loud in some of the scenes, and feeling so sorry for poor Keitaro the next.
Think this series might be for you? Give it a try! Chances are, you'll really enjoy it.

Used price: $3.96

A must have itemReview Date: 2008-05-19
Exactly what a beginner needs.Review Date: 2008-03-27
HelpfulReview Date: 2007-11-29
total waste of money!!!Review Date: 2007-04-07
How to Draw Anime & Game Characters VOL.1 ReviewReview Date: 2007-01-18

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Not bad at all...Review Date: 2007-12-26
Graphic SF ReaderReview Date: 2007-09-03
Has a servant type that is a tall, pale slim hipped pillow who wears black, you get the idea. Some other goofy little magic things to have stupid express, and throw in some random magic technobabble at times.
Wonderful manga!Review Date: 2006-01-29
this book is ...i guess aiight...Review Date: 2005-11-15
THIS BOOK IS NOT MADE BY A JAPANESE PERSON!!!!
it's korean, look at the name, and the way that u have to read it. it's read like american format..same with
SOUL TO SEOUL, KING OF HELL, DRAGON HUNTER, FAERIE'S LANDING, RAGNAROK, LIGHTS OUT(ONE DAY SOMETHING WONDERFUL MAY HAPPEN), EVIL'S RETURN, and more!!!
i'm tired of japanese taking credit 4 everything......
quirky and funReview Date: 2005-09-23

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Yuuukiii!!! Where's my Yuki?!Review Date: 2007-08-12
FULL SERIES REVIEW: Insane, delightful, funny and exciting!Review Date: 2007-06-10
"Gravitation" is a love story/comedy/drama/weird series centering around a budding pop-star Suichi (who I love so very, very much), and the object of his affection, a writer named Eri Yuki. Eri constantly rebuffs Suichi at, and here's the important part, ALMOST all turns, and Suichi keeps coming back to him.
That paragraph doesn't do any real justice to the series, though, which is, as my friend noted, incredibly energetic. It's wild, funny, enjoyable, light-hearted (most of the time), etc, etc, read the headline of my review, ad nasuem.
It's also the only series where I've seen a panda-shaped battlemech stomp through New York City and someone shoot someone else in the face as a way of waking them up.
Yeah, I know. All this sounds odd. It is. But it's also great. Strongly recommended.
Pretty GoodReview Date: 2006-06-13
Besides the obvious romance in this manga, there is actually a plot, so it's not just fluff. Not to mention this story is very funny. I've read this book more than twice and I still laugh. I liked the artwork for the most part, but I like Naoko Takeuchi's artwork more. Fortunately, this book is in right to left format, unlike Sailor Moon, where they flipped all of the drawings so that the book could be from left to right.
I've read the entire series, which is really good. However, I think it would be better if someone besides TokyoPop did the translations.
WhoaReview Date: 2005-10-26
Full Series Review. No Spoilers. Review Date: 2006-08-31
GRAVITATION is the story of Shuichi Shindou, high school senior and aspiring musician, whose talent and self-worth become completely hung up on his infatuation with the mean-and-nasty romance novelist who insulted his lyrics. The plot follows Schuichi's pursuit of the novelist, his insane musical career, and the way the two affect each other; veering from side-spitting comedy to gut-wrenching drama and back again without batting an eyelash. There are dozens of characters, a confusing array of interlocking subplots, the author admits she is making it up as she goes along, and the story always seems on the verge of running completely out of control. Yet somehow it all ties together triumphantly in the final volume. Despite being extremely funny/silly/insane, it is also a story with substance, strong characters, and a meaningful payoff.
There are a few difficulties I should warn you about. Many of the characters are frustratingly hard to tell apart, and Shuichi keeps changing his darn hair, which can make it hard to find him in the mega-cast. The art often makes it hard to decipher what is going on, or who is doing what. The musical industry machinations are particularly hard to keep track off without a scorecard. MEANING that if you are so eager to find out what happens next that you barrel through the story (like I did) you will miss half the plot. So do yourself a favor and buy the books two or three at a time, and pace yourself. Or at least make note of everyone's names: The character list at the beginning of each volume just covers a few of the major players, and is completely inadequate to the task of helping you figure out what is going on. The art improves greatly as the series progresses, so re-reading Book 1 immediately after putting down Book 12 (which I did three times consecutively) requires a brief period of adjustment.
It is a series that takes a little effort, but in the long run I found this to be a part of its charm, and it is definitely worth it. The series earns its 16+ rating mostly through serious adult themes, frank (but not graphic) sexual content, violence, irresponsible use of firearms, and the potty mouths of youth.

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A Hunter of unbelievable skillReview Date: 2008-01-22
Hideyuki Kikuchi left the rules of vampire novels behind when he crafted "Vampire Hunter D," mingling dark science fiction with ancient mythical creatures -- werewolves, vampires, and so on. Though his style is rather distant, the result is sort of a futuristic western by way of Bram Stoker.
Farmgirl Doris Lang stops a sword-carrying youth on a cyborg horse, and finds that he is a Vampire Hunter. Good thing, because Doris has been bitten by the vampire Magnus Lee, and needs this young man -- who calls himself "D" -- to save her and her brother from the vampire. Haughty vampire ladies, werewolves and feuding villagers all visit Doris' farm -- only to be repulsed by D.
But to deal with Lee, D must venture into a disgusting, labyrinthine castle, dealing with demonic serpent-women, lethal mutants, and the Count himself. Outside, Lee's servants and daughter Larmica grapple with various villagers, intending to capture or kill Doris -- but none of them realize what D, a dhampir, is hiding in his distant past...
The world Kikichi concocts is a pretty fascinating one -- it's over ten thousand years in the future, in the waning days of a vampire empire that ran the whole planet, and Earth is overrun with vampires, werewolves, fairies, mutants and cyborgs. He's invented a gloriously rough, wild kind of world, sort of a postapocalyptic Wild West.
However, his writing is anything but -- detailed, atmospheric, and full of creepy scenes (including D's, uh, left hand reviving him when he's "killed"). If there's an overhanging problem, it's that he has to infodump his audience at times, so they know about stuff like Gargantua grapes.
Kikuchi relies on a formal, distant style reminiscent of 19th-century novels, though more spare and stripped down. But sometimes he bursts into outright pulpy prose ("The people saw the crimson glean of his eyes in the darkness -- the eyes of a vampire!"). And he spins up some pretty intense suspense about D's true nature, and his hidden identity.
D is a rather elusive, haunted character -- Kikuchi rarely shows us what he thinks or feels, but gradually hints at his inner struggles. And he's backed by a pretty solid cast of characters -- feisty Doris, the despicable rich boy Greco, haughty vampiress Larmica, and the downright creepy mutant Rei-Ginsu, who is able to warp space inside his body.
While it has a few rough spots, "Vampire Hunter D" is a haunting, futuristic tale of vampires and the mysterious Hunter who pursues them. An excellent beginning to the series.
Seen the Movie, now Read the Book and be Blown AwayReview Date: 2007-10-20
Compared to the book, the 1985 movie was a run through of all the important plot points and leaves out a huge chunk of the events only seen in the book. Battles, scenes, and background information that you never see in the movie is explained in full in the novel.
Most of the characters are the same, except for some changes. However Rei-gensei is a complete rework between his novel and movie counterparts. In comparison, the movie Rei-gensei is a nice guy next to his novel counterpart. The same goes for the Mayor's son, Greco. And Lamika is considerably nastier in her novel role too.
Doris is given more depth and her brother Dan is given a change to grow up in a vivid world where the number 1 rule is survival at all costs.
The only con about the novel is sometimes the wording is a bit off or seems strange, but bear in mind that it's been translated from Japanese, but that did not keep me from enjoying the novel one bit.
So long awaited, it has 5 stars no matter what.Review Date: 2007-09-22
Well, foreign translations, especially great culturally different ones, risk the "All your base are now belonging to us" speech. And I note a little of this, not so much as in the dialogged but in the descriptions of the characters and their motivations. There is a bit too much on how this character, despite being a weird "Post Apocalypse" mutant/vampire/whatever is "Special" in some way...
So, you've got to be a bit forgiving here. For all I know the translation author had no time and a super strict contract protecting the contents. And, if you read such a fiction as "Vampire Hunter D" you need to turn up your "Suspension of Disbelief" to the level of a child or a fursuit lifestyler.
But, do not let this scare you away. I got the novel eagerly and loved it. Vampire hunter D is an experiment in style as much as any 'fantastic' story. I'm sure, if it was translated perfectly, it would be up there with some of Clark Ashton Smith's best works.
I really, REALLY wish Dark Horse would re-write this. I don't really have a problem with who they used, except that this story deserves the ultimate hack; Harlan Ellison. Serious. He's worked for/with Dark Horse before. Just lock him in a room with endless coffee, the movies, the "All your base" literal translation and the english hack's attempt, and the promise of a few quick thousand plus royalties if he follows the "Just make a good novel out of that story" instructions properly.
Most net users only know the "King of Cranks" Harlan Ellison who sued AOL over online trading of his works. Grow up, it's the guys who bought obscure patents and sued for blackmail purpouses, or the person who tried to patent the "Hyperlink" who threatened the net, and he had far more reason than the RIAA for the unpopular line he went down.
Anyone who's read his stories knows he'd be the best for the job. I'd suggest "Quicktime", "Repent Harlequin said the ticktock man", "Deathbird", "Friend of the Enemy" and so on. And if you need any further convincing, look up his "Chocolate Alphabet" underground comic. Yeah, he's old, but that's ok. "The Glass Teat" is another one.
He'd have a field day with this. He'd probably go "Gaaaaahhhhhh!!!! They want to KILL ME!!!!" the first few days, then get really, really drunk and churn out an incredible novel. He'd do what Adam Warren did with the Dirty Pair; Make the American Version so good, it is illegally imported into Japan because the fans like it better!
Vampires are pretty coolReview Date: 2007-07-26
Their have been two movies created based off the books, both animated. But the book goes much more in depth about the strength and weaknesses of the vampire. D struggles since he is a Dhampir, half vampire, half human. You get a real feel for each character and the battle scenes are well drawn out. It is a pretty easy read and great read if you enjoy the whole vampire legend.
First book of a long series and I plan to read the rest.
Very Poorly WrittenReview Date: 2008-02-04

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Learn where Sailor Moon came from!Review Date: 2008-05-08
Very interestingReview Date: 2008-02-17
Great Book!!Review Date: 2007-09-29
Allow me to disagree with the majority of reviewersReview Date: 2008-01-13
According to the back flap, "Warriors of Legend" purports to be an intellectual view of "Japanese society through the lens of Sailor Moon." Authored by a masters degree holder in Regional Eastern Asian studies, as well as a doctor in political science, the reader is given the impression that there is a good deal of analysis of the societal impact of Sailor Moon.
Unfortunately, there is very little actual analysis in this book. Following a 20 page summary of the characters and story (completely irrelevant to fans of the series), 42 pages are devoted to "exploring the Sailor Moon Universe." We are given a tour, essentially, of all the sites in the Minato district of Tokyo where this series is based. Time and time again, the authors make the point that Naoko Takeuchi set the story in the world she lived in. Young Japanese fans of the show could identify directly with the background they saw, "building the notion that the sailor soldiers could have easily walked alongside them in their travels through Tokyo." This is an interesting and valid point, but is made tediously, time and time again, for a third of the book. This book, at times, reads more like a tour guide for fans of the series than an actual scientific analysis.
The rest of the book is a potpourri of underdeveloped analytical points, none of which flow well together. The structure of Sailor Moon families is addressed briefly, after which the text rushes immediately into the cultural aspects of the show. There is a section on the poetics employed by Sailor Moon before fighting takes place, one on how expensive Mamoru Chiba's lifestyle (in the anime) is in Japan, one on education, religion and so on. All of this is interspersed with seemingly random specific commentary on each of the Sailor Senshi. None of these points is adequately developed (the longest being the section on poetics, which doesn't run 10 pages), and there seems to be no cohesion at all, no gradual progressing toward a broad, general point.
The conclusion is equally flawed. A good deal of the conclusion describes how Japanese children were shocked to see their characters die at the end of the first anime season of Sailor Moon. This is an interesting point, but probably would have fit the introduction better than the conclusion, and is entirely undeveloped besides the "Japanese children viewed the characters as their friends" idea. Nothing, not even a reference, is made to the underdeveloped ideas presented earlier in the book. The reader is left wondering what the preceding 130 pages were all about.
Any future authors of an analysis of Sailor Moon would do well to focus their claims on a single argument, make sure that the argument is generalizable (i.e. can be applied to other shows, or elements of pop culture) and at least include some comparison with other elements of pop culture to give the reader proper context. Additionally, many elements of this book were utterly fantastic. Whatever relationship Sailor Venus has with the Babylonian Goddess Ishtar is still lost on me, and comparisons between Sailor Moon's jikoshoukai and those in Japanese history seem awkward, especially without mention of other anime.
Only a hardcore fan could appreciate this book, but an intellectual hardcore fan would find little more than what can already be found online.
A cool book to cool off over the summer!!!Review Date: 2007-07-12
Thank You.

Used price: $4.50
Collectible price: $16.99

wonderfulReview Date: 2008-03-30
AWESOME FANTASY/FOLKLORE! MUST-READ IF YOU LOVE THE ANIME!!Review Date: 2008-03-26
For people who did not watch the anime (Japanese animation) of this series, this book is an introduction to a completely new world created by a Japanese author who studied Buddhism. The main character in this particular volume is a Japanese high school girl that is used to shutting up, fading into the background, and/or letting others walk all over her. She gets misunderstood a lot because of this, even by her own parents. The action starts when she meets this guy Keiki, who has her come with him (without adequate explanation) to what turns out to be a completely different world! The girl gets separated from her "abductor," who gives her some items for defense, and she ends up making a long, arduous journey to where he instructed her to go. I know, I'm not being so specific, but it's been a while since i read this book and I don't remember all the details that come in at this point. Anyhow, her journey, for me, dragged on like crazy, but I knew the basic story from the anime already and wanted to get on with it. However, you learn a lot more about the girl and what is going through her head as she journeys through an unknown land, trying to figure out who she can trust and who she can't, finding out what the customs of the land are and adhering to them, learning how to be a warrior, getting used to the sight/smell/feel of blood. At the end of her journey, things seem to speed-up plot-wise. My explanation does not do justice to the fantasy involved, nor the inner turmoil that the main character goes through. The descriptions in the book are much more in-depth.
For people who watched the anime like me, it was great to see that there were no annoying classmates in the main story of this novel, as opposed to the anime, which had two that accompanied her on her journey (sort of - watch the anime for details). Yoko is traveling on her own and you learn about her hardships, physically and mentally. The details, while unnecessary if you watched the anime, are just interesting to learn about, like about how Yoko met and got to know Rakushun and Shoryu. In a way that is also why it was a bit tedious to read through, in my opinion. I watched the anime and knew the general story, but Yoko's traveling in this volume seemed to go on forever! I just wanted to get to the part about En! Unfortunately, that is towards the end of the volume.
not as good as everybody claimsReview Date: 2007-12-12
First of all, this novel is definitely geared towards young adults. There is a lack of depth in all the characters (despite considerable time spent on Yoko's internal struggles) and the history/politics of the Twelve Kingdoms. It just seemed superficial to me, only extending as far as the scope of the book and not like an actual alternate world. It's nowhere near the level of the Lord of the Rings. But I would say the book is unique enough, with all the Japanese and Chinese mythology, to entertain younger readers.
Secondly, compared to other uber-popular young adult fantasy novels like The Golden Compass and Harry Potter, not much happens in the book. The beginning is very good, but the middle section is quite repetitive (wander in forest, fight demons, get screwed by humans, talk to blue monkey, etc.). Then by the end, we get an invasion of another country, but the entire invasion is skipped over! We simply see the aftermath. At least it is enjoyable to see Yoko come into her own over the course of the book and become a character the reader can actually root for.
I think this is a good book, and probably worth reading, but my expectations were too high, and I was somewhat disappointed. If it adds anything, I have not seen the anime version, and after reading this book, I don't plan to.
Astonishingly goodReview Date: 2007-06-25
A fun read...Review Date: 2007-06-19

Used price: $1.55

GREAT MANGA but... surprisingly vulgarReview Date: 2003-07-24
I had a very claer understanding of the story, but it contained some rather explicit sexual humor. I wasn't surprised that... wait gotta go. Lupin III is on...
Very funnyReview Date: 2004-04-11
GREAT MANGA but... surprisingly vulgarReview Date: 2003-07-24
I had a very claer understanding of the story, but it contained some rather explicit sexual humor. I wasn't surprised that... wait gotta go. Lupin III is on...
vary inapropiteReview Date: 2005-09-25
Quality story, writing, and artReview Date: 2004-01-08
I suggest picking this up. Get this manga, then get the others. They blow the anime out of the water if you can read, and if you can't, then just look at the pictures, because those are good too.

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HeeHeeHeeReview Date: 2001-11-11
Cute and FunnyReview Date: 2001-04-13
Best comedy ever!!!!!!!Review Date: 2001-02-03
hilarious parody!Review Date: 2001-03-03
Marron RULES!Review Date: 2001-09-03
It's funny! I'm an upperclassman in High School and I made the regrettable mistake of bringing this book to class ... Ahem, let's just say I'll be the only one remembered for laughing during a lecture on Maslow's hierarchy of needs ... But ah, I digress. Back to the review! It was so hilarious (in a a PG-15 rated kind of way) that it was a really hard task to stop laughing! (Poor Carrot ... Always getting wacked by Tira's mallet ...)
The story itself is amusing. The plot revolves around three main characters, namely Carrot, Marron, and Tira. These three are the Sorcerer Hunters, employed by various Parsoners (people with no magic) to liberate them from sorcerers (people with magic and upside-down triangles on their foreheads ... hurh?). Anyway, their boss, Big Mama (yes, that's her name) is the one to send them on their missions. The first volume is divided into six "chapters," if you will. In "Enter the Sorcerer Hunters," Carrot Glase, a skirt-chasing zoanthropist (zoanthropy is his power), Marron Glase (his GORGEOUS younger brother), and Tira Misu (the Carrot-tamer) are on their first mission, helping out a girl named Leila Barton and attempting the figure out the mystery behind where the "noble" Count Regnasis has sent the Parsoners' daughters and why they haven't contacted their families. (Can't tell you the end.) In "The Magic Flower Rod," they are trying to discover who is behind the many Parsoner deaths in Colintos City. There, they also try to help the cowardly Brinks Kerny, who allowed his girlfriend to play detective and spy on a suspect. In "Dark Water," Parts 1 and 2, they try to stop a crazy guy who's trying to "rescue" his sister, Rin (who ironically asked for the Sorcerer Hunters' help to rescue her brother). Carrot is lured away by a hot babe in "Pretty Flowers Also have Thorns," a chapter where Tira faces another whip-wielding lady like herself. "The Terror of the Crystal Magicians" is about Sorcerers that capture Parsoners into magical crystals by using their fears against them. In this chapter, our three main characters are joined by two other sorcerer hunters, Gateau Mocha and Chocolat Misu (Tira's sister, a little too nude for her own good--but, a girl that Carrot DOESN'T want to sleep with?!) But it's only Part 1, so you have to get the second volume to see how that story ends!
The translation was really good (Mixx, I applaude you!) and there were no spelling errors I could find, so if grammar is THAT important to you, you have nothing to worry about with this manga.
Ok, if you're not bored out of your mind by my weird, repetitive summaries, let me finally tell you that not only is the this manga funny and interesting, but it's also skillfully and beautifully illustrated by Satoru Akahori and Ray Omishi. If you don't buy for its humorous story, at least get it for the artwork! If you buy this manga, you won't be unsatisfied. (However, mind that there is adult humor and some nudity, so if you're under 15, maybe you should wait awhile before getting it ...) Just learn something from my experience and don't bring it to class!
P.S. When you buy this book, you'll have to agree: Marron RULES!!!

Used price: $9.94

Hard to findReview Date: 2008-03-19
Keep drawing!Review Date: 2007-11-28
i love this series, its sooo helpful!Review Date: 2006-07-27
it starts off simple, like the previous, showing just smiley face expressions...then he shows u a varity of MALE and FEMALE characters using just their heads and faces to portray emotion. continue on, and he will explain how each individual character uses his/her body to express emotion. he even shows u a couple of "do's and dont's", depending on which character ur drawing...
an example would be the male game character...when sad, he doesnt cry, but when angry he forms fists and is shouting...for another male character, anger is portrayed more as protest, and when upset he actually shows it...
he gives u a small but helpful section on how to put ur new characters into a comic too, giving helpful tips on where the "camera" should be in a particular scene, and who should or shouldnt be in the shot, etc...neat.
its a great book, and can be used by beginners who have the basic idea of the body down, and experts, of course!
happy sketching! :-D
WonderfulReview Date: 2007-01-21
So close to being the perfect resource for facial expressions...Review Date: 2007-07-31
Another book by the same artist, Tadashi Ozawa, offered a similar promise, but failed to deliver. Let's Draw Manga: Bodies And Emotions doesn't focus on faces at all; it focuses only on expressing emotion by posing the body in certain ways. Indeed, half the drawings don't have faces at all. Another book, Manga Moods, shows a huge range of emotions, but with only a single picture for each emotion and no advice on drawing.
Half this book is dedicated to facial expressions, and the other half gives corresponding full-body versions of some of these expressions. Everything is very well-annotated, with a number of notes on each drawing explaining exactly what was done to achieve the emotive effect. The drawings are clean and well-done, and the text is very clear.
But what could be a strength for this book turns out to be a weakness as well. Fourteen characters are used, a broad range of male and female characters typical of various styles of anime and games. Each character is shown with 14 facial expressions, then later with eight full-body poses. But pretty much the same 14 expressions are used for all the characters, and it just doesn't feel like it's enough to express the full range of emotions. Consider that Manga Moods has 40 expressions, and very few of them are redundant.
It's a nice touch to see the differences between how the emotion of anger is expressed by the young male detective and by the catgirl, or how smugness is expressed by the schoolgirl and the male giant-robot pilot. But I really rather would have seen more emotions reflected in this book, even at the expense of showing fewer characters.
This is still the best book I've found for learning how to draw emotions, and I'm sure I'll use it for reference quite often. I only wish there was more focus on a wider range of emotions -- how to differentiate between gloom and discomfort rather than just "unease", or defiance and confidence rather than just "smugness", for example.
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